Showing posts with label provenance research. Show all posts
Showing posts with label provenance research. Show all posts

May 24, 2025

DATASET: Names in new Getty Provenance Index

 In searching the new Getty Provenance Index, it can be useful to know the "preferred name" as recorded in ULAN, especially when performing a facetted search in the Knoedler files.

Below is a Dataset of names that may be helpful.  The data was retrieved on May 24, 2025. 

The uploaded CSV file contains 61,418 rows and 7 columns. It contains entities (mostly people or organizations) associated with the Getty Provenance Index, particularly those classified as E21_Person or E74_Group in the CIDOC CRM ontology.

Column NameDescriptionNon-null Count
URI Linkedart jsonThe Linked.Art JSON URI for the entity61,418
namePreferred name of the person or organization61,418
ulanGetty ULAN (Union List of Artist Names) identifier26,648
starIdInternal Getty Provenance Index identifier (STAR system)28,500
birthYearBirth year (if known, usually for people)15,221

biographyBiographical note or description10,521



Download Dataset (CSV)
(8.3 MB)



Below are some sample rows:

URI Linkedart jsonnameulanstarIdbirthYearbiography
https://data.getty.edu/provenance/6505cd31-7766-378a-afe8-d99ce465592d19th and 20th Century French Art, Inc. (Sam Salz)http://vocab.getty.edu/ulan/50043942841681New York dealer. Sold a number of pictures to Paul Mellon and Alisa Mellon Bruce. Active in the 40s through early 60s.
https://data.getty.edu/provenance/0068cc74-2d12-3e5e-a1ca-619fbae27219Buchholz (Berlin)http://vocab.getty.edu/ulan/50044053944121tätig an der Berliner Hofkammer
https://data.getty.edu/provenance/bd42ddf6-9ac1-3363-bdc8-b45a471026b0Buchholz Gallery (Curt Valentin)http://vocab.getty.edu/ulan/50043543935175renamed Curt Valentin gallery in 1951
https://data.getty.edu/provenance/352c1272-46a4-3e36-8cfc-0722f857aa56Curt Valentin Galleryhttp://vocab.getty.edu/ulan/50044630448682Curt Valentin was born in Hamburg in 1902, became a dealer in modern art in Berlin. In 1934 he returned to Hamburg and worked in the Buchholz Gallery, owned by Karl Buchholz. This gallery comprised two businesses: a bookstore in the front, and, in the rear, an art gallery devoted to the modern art classified as degenerate by the Nazis. In 1937 Valentin emigrated to the U.S. with a sufficient number of modern German paintings to open a gallery under the Buchholz name in New York City. In 1951 the gallery was renamed the Curt Valentin Gallery. Widely respected as one of the most astute dealers in modern art, Valentin organized influential exhibitions and attracted major artists to his gallery. His enthusiasm for sculpture is revealed by the artists and exhibitions he selected. He also published several distinguished, limited-edition books in which the writings of poets and novelists were illustrated by a contemporary artists. Valentin died of a heart attack in Aug. 1954, while visiting Marino Marini in Italy. One year later the gallery was liquidated and some of the work from it was sold at a Parke-Bernet auction in Nov. 1955. Several of Valentin's artists, as well as his assistant, Jane Wade, joined the Otto Gerson Gallery, which, after Gerson's death in 1962, became the Marlborough-Gerson Gallery.
https://data.getty.edu/provenance/de981cbb-0765-3332-b49a-82ed1364d879FLECHTHEIM, ALFREDhttp://vocab.getty.edu/ulan/500317759524041877-01-01dealer
https://data.getty.edu/provenance/b0e5f313-b3b2-3b79-b7ef-532ba8685b48Frank Perls Galleryhttp://vocab.getty.edu/ulan/50044606248595Art dealer and gallery owner| Beverly Hills, California. Perls established one of the most important galleries in southern California in 1939. He introduced the work of many masters of European modernism and advised many preeminent collectors when they were beginning to form important collections. Frank was the older brother of art dealer Klaus Gunther Perls (b.1912), owner of Perls Galleries in New York City.
https://data.getty.edu/provenance/9c35bd5b-311a-3bac-9e51-f5eaa63dab55Hahn, Stephenhttp://vocab.getty.edu/ulan/500444688488111921-01-01The art world has lost one of its great dealer-collectors with the passing of Stephen Hahn on April 2, 2011. Stephen was born February 1, 1921 in Hungary and spent his formative years in Paris. He came to New York from post-war Europe and was drawn to art dealing which he learned from his father, who was a well-known art dealer specializing in the works of the Old Masters. During the war, he was deported from Portugal, as a French refugee, to Santo Domingo where he remained for 6 years, finding work as a surveyor. When the war was over, he returned to his shattered family in Paris, eventually studying teaching at the Sorbonne. At age 30, he moved to Greenwich Village in New York City and started buying and selling paintings out of the trunk of his car. He met Jean Dubuffet and became a champion of the relatively unknown painter. Eventually, he established the Stephen Hahn gallery on 75th and Madison, which remained a famous fixture for over two decades. Many well-known people visited the gallery and became clients, including Charles Laughton, Edward G. Robinson, Woody Allen, Edward Albee, Mike Nichols and Greta Garbo. Stephen continued his rise to prominence by representing Norton Simon at Sotheby's and Christie's auctions and he counseled him in the acquisition of many important pieces of his collection. His friends and colleagues included prominent European and American dealers and collectors, including Richard Feigen, Gene Thaw, Bill Aquavella, Thomas Gibson, Daniel Malingue, Alexandre Rosenberg, Leo Castelli, Heinz Berggruen, Klaus Perls, and many others. His personal collection was notable for its extensive depth, breath and quality. It included major works by Cezanne, Picasso, Matisse among other great modern masters, with a particular appreciation for Jean Dubuffet. Many of the paintings which passed through Stephen's hands now hang in the important museums, institutions and private collections of the world. Stephen was one of the founding members and an early president of the Art Dealers Association. He donated works to major cultural institutions both in the US and abroad. Stephen was not just a dealer but also a scholar of impeccable honesty and taste, with an encyclopedic knowledge on the history of any given painting. As such, he was called on many times to validate a painting's authenticity. His eye for quality was universally respected and he was internationally acknowledged as the authority not only on Picasso, but also Degas and Douanier Rousseau, In Clifford Irving's book Fake Stephen is mentioned numerous times in relation to a large collection of Picassos. Stephen Daniel Saidenberg and Klaus Perls were all in agreement: 43 of the Picassos hanging on the walls were fake. Stephen had a great passion for the musical arts. He was an opera lover, Wagner in particular. One of his great enjoyments was attending Ring Cycle productions around the globe. His devotion to music was clearly exemplified by his generosity as a benefactor of The Music Academy of the West in Santa Barbara, CA. Many of the young musicians and singers he sponsored have gone onto become some of today's esteemed classical musical talents, including pianist Vassily Primakov and soprano Susanna Phillips, who would often come to stay, practice and perform in his Montecito home. Stephen's legacy at the Music Academy lives on in the beautiful conservatory space he endowed, Hahn Hall, completed in 2008. Stephen's achievements are a testament to his fascinating character and many qualities. His dignity and savor-faire made him preferred among dealers and clients, his intelligence, mischievous wit, and charm made him a favorite at the table. His drive and competitive spirit was manifest in his love of sports. He frequently traveled with a tennis racquet. Stephen approached life with keen observance and thoughtfulness. He was truly kind and generous and very devoted to his family. A man who once wielded substantial power in his sphere entered the twilight of his life with touching grace and a lively glint in his eye. He is predeceased by his sister Agnes Brodie, survived by his wife, Carla, his sister Suzanne, his children, Robert, Elizabeth, Thomas. Isabella and Lily, his stepchildren, Zachary, Brandon, and Katharine O'Brien, six grandchildren, a niece and a nephew. In lieu of flowers, contributions in his name may be made to| Music Academy of the West, Attention: Gift Processor, 1070 Fairway Rd, Santa Barbara, CA 93108.
https://data.getty.edu/provenance/b00ed22c-3536-3a62-823c-21aeec035a6cHenschel, Charles R.http://vocab.getty.edu/ulan/50044975050399partner of M. Knoedler and Co with Messmore, and the Carstairs, married to Ruth Kerr (see her record)
https://data.getty.edu/provenance/dad3a67c-9633-3d83-a41e-46ac17a9f951Henschel, Ruth Kerrhttp://vocab.getty.edu/ulan/50044556148433wife of Charles R. Henschel, board chairman and president of M. Knoedler & Co., Inc.
https://data.getty.edu/provenance/b2fc991f-2582-3270-9395-7d11e82fcaa1Janis, (Sidney), Galleryhttp://vocab.getty.edu/ulan/50043477735077owned/operated by Sidney Janis (1896-1989), clothing manufacturer and art collector and gallerist. Built reputation on exhibitions of Leger, Mondrian, the Fauves, the Futurists, de Stijl. Contemporary avant-garde in 1950s, promoted AbEx artists as well as Pop art. Janis's son, Carroll, opened his own gallery in NY.
https://data.getty.edu/provenance/6312e0dd-3779-3392-a354-6c1b5c759dafPerls Gallerieshttp://vocab.getty.edu/ulan/50030431749906Art dealer Klaus Gunther Perls (born 1912), younger brother of Frank Perls, art dealer and gallery owner in Beverly Hills, California.
https://data.getty.edu/provenance/119cbb2d-1f6e-360e-9e86-a85d440ca630Perls, Hugohttp://vocab.getty.edu/ulan/500449502500201886-01-01art delaer, he established the Kaethe Perls Gallery in Berlin in 1921, moved to New York in 1941, the Perls galleries in NYC had been established by his son Klaus Perls in 1937 and his eldest son Frank opened a gallery in Beverly Hills in 1939. Married three times: Kaethe, Eugenie Sodeberg and Monica Schall
https://data.getty.edu/provenance/4b40100a-d71d-3e23-a46a-787ecc414f97Pinakos, Inc. (Rudolf Heinemann)http://vocab.getty.edu/ulan/50043564434098in New York. Held many paintings in joint ownership with Knoedler's New York, especially in the 1940's and 1950's. MH
https://data.getty.edu/provenance/3bf59849-019f-3c31-b652-9c6d8d2e3c11Rosenberg and Stiebel, Inc.http://vocab.getty.edu/ulan/50030433132202Founded by Jacob Rosenbaum ca. 1860-1870 in Frankfurt am Main as a dealer in Kleinkunst, including factory-made German porcelain and Renaissance and Medieval objects. His son Isaak Rosenbaum continued the business, bringing his nephews Saemy Rosenberg and Hans and Eric Stiebel to work with him and began to sell old master paintings. After World War I, Hans Stiebel moved to Paris, where he became a dealer in French 18th-century furniture and objets d'art. With the rise of Hitler, Isaak Rosenbaum opened a gallery in Amsterdam, Saemy and his brother Raphael Rosenberg established a gallery in London, and in 1939, Eric Stiebel started a gallery in New York. Following World War II, Saemy and Hans joined Eric in New York. The firm was involved in the sale of a number of works brought from Europe after the war. Among those who sold through the gallery were the Rothschilds. Hans Stiebel died in 1964| Saemy Rosenberg died in 1970, and Eric Stiebel died in September 2000. The firm, now known as Stiebel, Ltd., is run by Eric's son Gerald Stiebel and his wife, Penelope Hunter.
https://data.getty.edu/provenance/696a01a7-f2a0-3f42-84e5-7b999cb95016Rosenberg, (Paul), and Co.http://vocab.getty.edu/ulan/50043418231992Paul Rosenberg (1881-1959) was an art dealer and collector, born in Paris. He established a gallery in Paris after 1916. He dealt with such as artists as Picasso, Léger and Matisse. He opened a London branch with his brother-in-law, Jacques Helft, in 1935. He closed his Paris office in 1940, and opened the New York branch in the same year. He became an American citizen in 1953. His son Alexandre took over when he died in 1959.
https://data.getty.edu/provenance/1f835a05-1559-3b3c-b292-36a9bdbfe067TANNER OF ZURICH54143on red flag list
https://data.getty.edu/provenance/ad017005-de27-3a31-b977-807aa4550892Thaw, (Eugene Victor), and Co.http://vocab.getty.edu/ulan/50043964541742Eugene Victor Thaw, New York dealer. With his wife Clare has a private collection as well - consisting mostly of drawings. His private collection will be bequeathed to the Pierpont Morgan Library.
https://data.getty.edu/provenance/c44ed6a6-755e-355c-aee4-07926e4efb5dThieriot, Charles Henschelhttp://vocab.getty.edu/ulan/500443822474431880-01-01partner in stock broker firm Carlisle, Mellick & Co. Son of Ferdinand Melly Thieriot (1853-1904). Wife: Frances Thornton Roe (m. 1912). Children: Mrs. Lucile Thieriot Walker (Elisha Walker Jr.) and Charles H. Thieriot, Jr.
https://data.getty.edu/provenance/2404295d-11e9-379f-acaf-b41310e08707Tooth, Vivian Artemushttp://vocab.getty.edu/ulan/500444384480051898-01-01Son of Artemus (1867-1936) and grandchild of Arthur Artemus Tooth. Artemus was listed as son of Arthur Tooth Esq. at 21 Cumberland Terrace, Regents Park, London as aged 14, Dec. 18, 1881. Left school 1883. In business in London in Rugby School Registry, vol III, 1891, p.109 Julia emailed to me Sep. 20, 2015: He had a wife called Phylis Rose Bath.) Vivian Artemus Tooth (1898-1962) was an art dealer and listed separately from the Arthur Tooth firm. His business address is 39 St. James's Street in London. I am assuming he is related, but I haven't found the connection yet. He is the son of Artemus Tooth (1867-1936)
https://data.getty.edu/provenance/fc88427c-9b6e-382f-8884-23b487cf48b2Agnew & Sons
https://data.getty.edu/provenance/2a157ef9-8930-3a73-a60e-d27fad11c254BUCHHOLZ, KARLhttp://vocab.getty.edu/ulan/500019354231091849-01-01
https://data.getty.edu/provenance/9107e257-341c-31c1-9c3f-5395953ca82cFlechtheim (Alfred)
https://data.getty.edu/provenance/f8ef81d7-bb23-349c-a510-93e162ad0d9eGrunbaum
https://data.getty.edu/provenance/c145e346-8117-3c92-b6f1-eea8feb8c686Haberstock, Karlhttp://vocab.getty.edu/ulan/50044955550613
https://data.getty.edu/provenance/06c03980-f0f7-373f-9437-9432a92a5006Heinemann, Rudolf J.http://vocab.getty.edu/ulan/50043481432164
https://data.getty.edu/provenance/a794dff7-322a-3d5b-b2ae-5b2ace1e5b64Henschel, L., Mrs.http://vocab.getty.edu/ulan/50044882050933
https://data.getty.edu/provenance/045540e9-2e29-380f-96ec-41adf97e5cbfJanis
https://data.getty.edu/provenance/f9ce79d7-394d-3a69-b2b5-11b26eefae47Klipstein (August)
https://data.getty.edu/provenance/6119692f-6cf2-37ef-a518-4f2d00a869e0Koetser, (David M.), Galleryhttp://vocab.getty.edu/ulan/50043757431900
https://data.getty.edu/provenance/9fe1c0f9-6514-3ebd-9f5c-19cff9e2a7b5Menten
https://data.getty.edu/provenance/74af7cd9-5e1a-3ee5-b490-25d590765ca5PERLS, KATE523651889-01-01
https://data.getty.edu/provenance/8d45f66c-68fb-38d6-b187-10732bc04535Speelman, (Edward), Ltd.http://vocab.getty.edu/ulan/50043484132191
https://data.getty.edu/provenance/c6c88771-2a87-3148-b62c-38c6112871c3Galerie Flechtheim referred to in D-1027
https://data.getty.edu/provenance/c6c88771-2a87-3148-b62c-38c6112871c3Galerie Flechtheim referred to in D-B2881

May 14, 2025

Tips for advanced search and download on the new Getty Provenance Index: VIDEO

The new Getty Provenance Index can be confusing to use. Here are some tips for advanced search and download on the new GPI

https://www.youtube.com/watch?v=Vbf0QjHWQ_8

Demo:
- simple search on Pinakos,
- selection of provenance activity facet
- narrowing to a specific art market actor, (Swiss art dealer Fritz Nathan)
- download into CSV file of the five artworks that Fritz Nathan sold to Pinakos and Knoedler (who acquired jointly)


Tip: Downloading works if you don't select the optional "Export as system values". 
(In the videos I keep the mistakes so that viewer can recognize them and not panic if they make the same.)


May 12, 2025

Frederick Mont in RKD records

Frederick Mont, AKA Fritz Mondschein or Galerie Sanct Lucas, is a name that has popped up in Nazi looted art and in forgeries, and, for this reason, a name of interest for provenance researchers and art crime specialists.

Below are artworks in the RKD data that mention "Mont, Frederick" retrieved by a Sparql query at: 

https://rkd.triply.cc/rkd/RKD-Knowledge-Graph/sparql

To see the full provenance click on the RKD link.

(Art Historians: Note the number of Art Looting Investigation Unit Red Flag Names that appear in the full provenances)

See also:Art Dealers in Provenance: Frederick Mont at the Toledo Museum of Art and LACMA 

and Frederick Mont or Mondschein in Provenances of the Getty Provenance Index Public Collections Database 

and Fritz Mont, Frederick Mondschein and Galerie Sanct Lucas


Frederick Mont in RDK database provenances

May 9, 2025

RKD and Collections Trust Spoliation Reports: Antoine Seilern

Antoine Seilern and the Princess Gates Bequest appear in many provenances. This post gathers together information from the RKD and the UK Collections Trusts.

May 1, 2025

RKD Speelman

The RKD is an important source of art provenance information. The RKD cuts across data silos to bring together provenance and other information from numerous museums. Below is a search (via Sparql query) for "Speelman", an important art dealing dynasty. Click on the urls to see the complete RKD information as well as, in certain cases, links to the current collection.

(If a link doesn't work, use the RKD ID to find the artwork. Or replace "https://data.rkd.nl/images/" with "https://research.rkd.nl/en/detail/https%3A%2F%2Fdata.rkd.nl%2Fimages%2F" or with the permalink url "https://rkd.nl/images/" )

For more on Speelman, see also posts on The Legacy of Edward Speelman and Edward Speelman and the Toledo Museum of Art and Edward Speelman in America.

Apr 23, 2025

Galerie Moos: tracing history through public auctions

 The Moos art dealing dynasty has placed an important role. This post focuses on artworks that passed through Moos and Christie's.

Apr 16, 2025

Pinakos, Heinemann and Agnew

 The following is adapted from a "conversation" with Google's AI tool, NotebookLM based on sources uploaded.

Mar 28, 2025

VIDEO Detecting Deception: A Computational Approach to Detecting Nazi-looted Art

Description*: 

Researching a Rigged Game: Open Source Data & the Trade of Cultural Objects, September 14 and 15, 2023. This YouTube video transcript presents a computational method for detecting potentially Nazi-looted art by analyzing the language used in artwork provenance records. The speaker, Laurel Zuckerman, explains how counting words indicating uncertainty, unreliability, and anonymity can reveal patterns suggestive of deception, drawing inspiration from her own experience with a family artwork. A software tool is demonstrated that allows users to upload provenance data and custom lists of keywords to quantify these indicators. While acknowledging limitations and the need for further research, the approach offers a scalable and objective way to prioritize artworks for closer scrutiny regarding their wartime history.

Mar 5, 2025

Alsdorf at the Art Institute of Chicago: Provenance Research Dataset

The Art Institute of Chicago announced yesterday that it plans to restitute to Nepal one of the objects looted from it. The looted object, Buddha Sheltered by the Serpent King Muchalinda, (Reference Number 2014.1030) was gifted to the AIC by its trustee Marilynn Alsdorf in 2014.

One may recall the Nazi looted art case filed by the heirs of Carlota Landsberg for the Picasso Woman in White that Marilynn Alsdorf acquired from art dealer Stephen Hahn in 1975 with the provenance  "Private Collection, Paris."

Or one may recall the investigations by Crain’s Chicago Business and ProPublica into "at least nine objects once owned by James and Marilynn Alsdorf that have been sent back to their countries of origin since the late 1980s".

Or one may simply be intrigued by hundreds of objects in a major US museum that still lack clear provenance despite a history of acquiring looted objects by their donors. Or, perhaps, the curious way the story is told by the museum when forced to return an obviously looted object.

RESEARCH DATASET

The following dataset includes objects linked to James or Marilynn Alsdorf with the basic object information, credit line and provenances published by the Art Institute of Chicago on its website in June 2024.

VIEW DATASET

https://docs.google.com/spreadsheets/d/e/2PACX-1vQrxDJ9bsWEeiFE8Jx1kBapk4GjnurmjQthd-H9qG2jmV_e07fFReJvDrAYLsbk4mrl1jUltK17znhL/pubhtml?gid=527394334&single=true


Download CSV file:


https://docs.google.com/spreadsheets/d/e/2PACX-1vQrxDJ9bsWEeiFE8Jx1kBapk4GjnurmjQthd-H9qG2jmV_e07fFReJvDrAYLsbk4mrl1jUltK17znhL/pub?gid=527394334&single=true&output=csv


Description


This file contains provenance information related to artworks associated with the Alsdorf collection. Here are the key details:

  • Rows: 317 entries
  • Columns: 14
  • Main Fields:
    • RetrievalDate: All entries have the same date, "19June2024".
    • Url: Direct links to the artworks on the Art Institute of Chicago’s website.
    • Artist: Names of artists where available (only 44 entries have this).
    • Title: Titles of the artworks.
    • Medium: The materials used in the artworks.
    • Credit Line: How the artwork was acquired or credited (e.g., "Gift of Marilynn B. Alsdorf").
    • Acc Num: Accession numbers of the artworks.
    • Provenance: Historical ownership information, partially available (161 entries have data).
    • Exhibitions: Exhibition history (120 entries have data).
    • References: Completely empty column.
    • Date Created: The estimated or known date of creation.
    • Dimensions: Physical dimensions of the artworks.
    • Publication History: Records of where the artwork has been published (136 entries have data).
    • Status: Mostly empty, but one entry states: "Loot-Deaccessioned for repatriation to Nepal Museum".

Feb 24, 2025

Restitutions by the Bavarian State Painting Collections since 1998 (summarized in English)

Restitutions

Overview of the Restitutions by the Bavarian State Painting Collections

Since 1998, the Bavarian State Painting Collections have restituted 24 works from 15 collections. On this page, you can find more information about past restitutions.


March 13, 2024: Restitution of a Painting and Two Sculptures to the Heirs of Jakob Goldschmidt

The Bavarian State Painting Collections and the Bavarian National Museum have restituted a painting by Hans Wertinger (Count Palatine Philipp, Bishop of Freising, Inv. No. 12030) and two 16th-century Nuremberg sculptures(wood statuettes "Adam and Eve", Inv. No. 53/137 and 53/138) to the heirs of Jakob Goldschmidt (1882–1955), a Berlin banker and entrepreneur.

The painting was transferred to the Bavarian State Painting Collections in 1953 as part of former Nazi art holdings, and the sculptures were acquired by the Bavarian National Museum that same year through an exchange.

Jakob Goldschmidt, the Collector

Jakob Goldschmidt was one of the most influential bankers of the Weimar Republic and was considered a central figure in the financial world. He held a leading position on the board of the Danat Bank (Darmstädter and Nationalbank) and served on more than 100 supervisory boards.

Goldschmidt began collecting art during World War I and built a significant collection. He was also a patron of Berlin museums and the Kaiser Wilhelm Society. His villa in Potsdam's Neubabelsberg district, built in 1921, was adorned with numerous artworks, as was the villa he acquired in Berlin’s Matthäikirchstraße in 1929.

Following the Great Depression of 1931, when Danat Bank collapsed, the Nazis blamed him for the banking crisis. In April 1933, he fled to Switzerland and later to New York in 1936.

The Nazis imposed severe financial restrictions on him, including a Reich Flight Tax of over 1.8 million Reichsmarks, revoked his German citizenship in 1940, and confiscated his remaining assets in Germany in 1941.

Goldschmidt managed to smuggle part of his art collection abroad with the help of industrialist Fritz Thyssen. However, much of his collection remained in Germany, with major portions being auctioned off in 1936 and 1938.

Provenance of the Works

  • The Hans Wertinger painting was purchased in June 1936 by Julius Streicher, the Gauleiter of Franconia, at the Hugo Helbing auction house in Frankfurt.
  • Around 300 works from Goldschmidt’s collection were anonymously listed as coming from a "Berlin collector."
  • The two sculptures were also auctioned in 1936 but remained unsold. They were later offered again in March 1938 at Lempertz Auction House in Cologne.
  • The sculptures’ provenance traces them to Johannes Hinrichsen, an art dealer from Bad Aussee, who likely acquired them at Lempertz and later sold them to Swiss arms manufacturer Emil Bührle.
  • In 1953, the Bavarian National Museum acquired them from Bührle through a trade involving a 14th-century Pietà.

It is undeniable that Goldschmidt’s financial downfall was a direct result of Nazi persecution. The forced sales of his art collection would not have taken place without the Nazi regime, classifying them as persecution-related asset seizures.

As a result, the Bavarian Ministry of Science and Arts approved the restitution.


Statements on the Restitution

Markus Blume, Minister for Science and Arts:
"Provenance research results are clear: Jakob Goldschmidt was wrongfully persecuted by the Nazi regime and dispossessed of his wealth. Returning these works is not just a given—it is an ethical obligation. Restituting stolen cultural property restores justice and contributes to addressing Nazi crimes. I sincerely thank the Bavarian State Painting Collections and the Bavarian National Museum for their meticulous research that led to this restitution."

Prof. Dr. Bernhard Maaz, Director of the Bavarian State Painting Collections:
"Hans Wertinger was a masterful Renaissance portraitist. We are honored to return this exceptional artwork to Goldschmidt’s descendants, ensuring that this remarkable collection’s history is remembered."

Dr. Frank Matthias Kammel, Director of the Bavarian National Museum:
"Restituting the two statuettes from the workshop of Veit Stoß is an important moment for the museum."

Statement from the Goldschmidt heirs:
"The heirs of Jakob Goldschmidt are pleased with the restitution, which acknowledges that the loss of these artworks was the result of Nazi persecution and anti-Semitic propaganda."


Previous Restitutions

May 9, 2022: Restitution of "Ulanen auf dem Marsch" by Hans von Marées to the Max Stern Estate

  • Following a 2015 restitution request from the Max Stern Estate, the case was brought before the Advisory Commission for Nazi-Looted Art Restitution.
  • The commission recommended returning the painting under two conditions:
    1. The Max Stern Estate cannot sell the painting for 10 years, allowing time for a possible primary victim to be identified.
    2. If new evidence suggests that the sale was not Nazi-related, the foundation must return the painting to the Bavarian State Painting Collections.
  • The painting was restituted on May 9, 2022 under these conditions.

August 27, 2021: Restitution of "Frühlingslandschaft" by Johann Sperl to the Heirs of Sigmund Waldes

  • Research confirmed that Sigmund Waldes lost the painting due to Nazi persecution in 1939/41.

May 31, 2021: Restitution of "Fischerboote bei Frauenchiemsee" by Joseph Wopfner to the Heirs of Alfred Isay

  • Originally planned for March 2020, the restitution was delayed due to COVID-19 travel restrictions.

April 23, 2021: Restitution of a Late Medieval Panel Depicting St. Florian

  • The art dealership A.S. Drey had owned the panel before the Nazis confiscated it.

August 5, 2019: Restitution of Nine Artworks to the Heirs of Julius and Semaya Franziska Davidsohn

  • The couple’s collection was confiscated in Munich in 1938.

July 25, 2018: Restitution of a Painting by Ernst Immanuel Müller

  • The work originally belonged to Ludwig Friedmann, a Nazi victim.

July 21, 2017: Restitution of "The Raising of Lazarus"

  • Formerly part of the James von Bleichröder collection.

May 15, 2013: Restitution of Two Max Pechstein Watercolors

  • Belonged to Curt Glaser and George Behrens.
    Streit um NS-Raubkunst: «Der Fisch stinkt vom Kopf»
  •  and a Marian painting by Cristoforo de' Moretti.

June 23, 2008: Restitution of a Willem Kalf Still Life

  • Returned to Peter Block, grandson of collector Josef Block.

September 14, 2005: Restitution of "Musical Entertainment" by Fritz Schider

  • Originally owned by Max Meirowsky.

October 5, 2004: Restitution of "Twilight at Lake Garda" by Hans Thoma

  • Formerly in the Ottmar Strauss collection.

March 13, 2000: Restitution of "The Three Ages of Man" by Leopold Graf Kalckreuth

  • Returned to the heirs of Elisabeth Glanville.


****

Press


For more information about the current state of Nazi-era provenance research in the Bavarian State Paintings Collections see:

Nazi-looted art: Red alert



Dispute over Nazi-looted art: “The fish stinks from the head”



Jewish heirs: “Bavaria betrayed us” - Claims Conference speaks of “breach of trust”



Nazi-looted art scandal in Bavaria
Concealed and abducted

The Bavarian State Painting Collection in Munich is sitting on Nazi-looted art. To the detriment of heirs, it does not pass on its knowledge about the artworks.



Fierce criticism of Bavaria's handling of Nazi-looted art




***

"

The Glanville Case

In 1999 the Glanville family approached the Commission for assistance in locating a triptych looted from their home in Vienna when the family fled the Nazis in 1938. 

Marietta Glanville described the looted painting as "an icon of my childhood."  Her mother, Elizabeth Glanville, had searched for the looted von Kalckreuth painting since 1948.  In 1971 she learned that the painting was in the Bavarian State Paintings Collection, Munich which had acquired it from a private collector in 1942.  But, in the same year, her claim was denied by the Bavarian Compensation Office on the grounds that the deadlines for restitution had expired in 1948.  In 1983 Elizabeth Glanville died without having been able to recover her painting."