Showing posts with label art history. Show all posts
Showing posts with label art history. Show all posts

Feb 27, 2025

Chagall Search Requests for Nazi-looted art

Shagal Choumoff

The Picasso Museum currently is showing 'L'Art Dégéneré', an exhibition about art seized from German museums by the Nazi government which sought to ban so-called "degenerate" art and persecute artists it didn't like.

As so often with "degenerate art" the focus is on paintings lost by German museums to the predations of their own government. 

However, many of the dealers and collectors of the artists in question were German Jews, and for this reason they were targeted for persecution and plunder very early in the Nazi regime, when life was still pretty normal outside of Germany. Their assets were plundered and they were eventually murdered if they did not manage to escape. Later, after Nazi Germany attacked Poland in 1939 and France, Belgium and the Netherlands in 1940, the ERR and other Nazilooting organisations seized artworks from Jews in these countries, before murdering them. 

This post looks at some of the Jewish collectors of artworks by Marc Chagall who were plundered by the Nazis. The transfer of artworks by so-called "degenerate" artist Marc Chagall to museums and collectors around the world (and notably in the USA) cannot be told without the stories of these looted Jewish collectors.

Jan 24, 2025

More Names of Concern: art galleries, museums and auction houses

 In addition to art dealers and collector, several commercial art galleries, auction houses and museums are registered as Art Looting Red Flag Names or have links to Holocaust art restitution cases. This list should be added to the human "Names of Concern" when verifying art provenance texts.

Jan 15, 2025

Museum Collections and Names of Concern in Provenance

The following names are linked to Holocaust art and restitution cases stemming from the persecution of Jews in the Nazi era. Their presence in a provenance is a Flag that requires serious verification. (For art galleries, see "More Names of Concern".

Jan 9, 2025

Wikidata Queries and AI LLMs: better dataviz with ChatGPT4O

Paintings owned by family and business connections to Presidents of the Swiss Art Dealers Association





The above graph, generated by a Wikidata query, can be made easier to understand with help from AI.

Steps:

1. Run Wikidata query: 

Short link to Wikidata Query: 

https://w.wiki/Cdse

2. Download  CSV from Wikidata Query 











3.  Upload into ChatGPT4o with the following prompt:

"please graph - pay attention to edges"




Here is a graph representing the relationships between Swiss Art Dealer Association Presidents, their business or family connections, and associated paintings. The edges are labeled to indicate the type of connection, and node colors differentiate between SwissArtpres (blue), connections (green), and paintings (orange). Let me know if you'd like further adjustments



chatGPT40 : "Here is the updated graph with adjusted label positions to minimize overlap. Labels are placed with a background for clarity, and the spacing between nodes has been increased to make the connections easier to read. Let me know if you need further refinements! "



Dec 24, 2024

Erroneous provenance graph with links to source documents

Dec 23, 2024

Provenances for Modern Art at the AIC (selected artists)

Provenances published by the Art Institute of Chicago for artists persecuted as "degenerate" by the Nazis

(data from November 2024)

Aug 26, 2024

DATASET: Art Institute of Chicago Provenance texts for artworks created before 1945 and acquired after 1932

 Dataset Name: Enhanced AIC Provenance Research Dataset


Description: This enhanced Provenance dataset has been constructed from  information available on the public internet site of the Art Institute of Chicago 

The dataset focuses on artworks created before 1945 and acquired after 1932. 

It merges the list of artworks on the Nazi Era Provenance Internet Portal with provenance texts published on the AIC's detailed item pages, as well as other artworks not on NEPIP. 

This dataset is intended to facilitate research into Holocaust-era provenance for scholars, art historians and families. 
The original and best source of information concerning provenance remains the Art Institute of Chicago's public website.


Original data sources that were merged to create new dataset:

  • Art Institute of Chicago NEPIP list 2017
  • Provenance texts published on the Art Institute of Chicago's public website in August 2024
Columns include: Source Url, Artist, Title, Date, Medium, Credit Line, AccNum, Provenance, Exhibitions, Dimensions, Publications, Created before 1945, Acquired after 1932, NEPIP

(Created before 1945, Acquired after 1932, NEPIP are boolean TRUE or FALSE)


Format: Google Sheets 
View: 




Download: 
 CSV

Publication Date: 26 August 2024





Aug 21, 2024

Art Market Network Analysis with Wikidata Sparql Queries and Beyond

 

What might replicable data pipeline from #Wikidata #KG Query to Data Frame to Network Visualisation of owners of artworks passing through a specific network look like?

In the example below, we look at 27 artworks that passed through one of the members of the Perls art dealing dynasty or one of their companies.

The starting point is a Wikdata Query to retrieve the artworks known to have been owned by one of the Perls family, as well as the other known owners of the same artworks.

The information is retrieved from Wikidata, loaded into a Data Frame, then visualised with MatPlotLib.

The code is saved in a Jupyter Notebook and Shared publicly via Google Colab.

Anyone with a Google Account should be able to run the code simply by clicking on the arrows to the left of each code cell.

Try it and let me know if it works.

https://colab.research.google.com/drive/1f7V2SMzxkCmt2lbCS3l4ulotqUGghNAm#scrollTo=0sPcg-gWZOo3

Perls Family Network-Red
Links to other owners-Blue
Jupyter Notebook in Google CoLabs

Aug 19, 2024

Provenance patterns: visualising unreliability words in red

In this post, we look at another way of automating the analysis of hundreds of artworks at a time with reusable code. 
"Unreliability" words have been automatically formatted in red
The count refers to the number of artworks containing "unreliability" words for the same artist in the dataset.
Selected paintings with "unreliability" words such as "probably", "possibly", "presumably" and "likely".
The analysis and table were produced by Python code run in a Jupyter Notebook on a Mac.
The Notebook will be shared after a few more tests.

Jun 25, 2024

Graupe in provenance texts of American museums

When Meules de blé appeared for sale, Christie’s was privileged to have researched the history of this work and facilitated a settlement agreement between the Cox Collection and the heir of Max Meirowsky as well as the heirs of Alexandrine de Rothschild, illustrating the complexity of restitution cases and losses due to Nazi persecution. It was offered on 11 November 2021 pursuant a settlement agreement

The Paul Graupe auction house was a key player in sales of Jewish art collections during the Nazi-era.

In this post, we look at a selection of  88 artworks in American museums that mention "Graupe" in the provenance text.

 Some texts refer to sales prior to 1933. Some texts specify that an artwork was NOT sold at Graupe's. And some texts clearly refer to sales at Graupe's during the Nazi era. Some texts are factual while others contain speculative language.

Apr 22, 2024

Minneapolis Institute of Art provenance status for selected artworks - mostly European

The Minneapolis Institute of Art publishes provenances for some artworks but not for others.


Below is a list of selected artworks at Artsmia.

Provenances, where present, are from April 20, 2024)


Download Data in  CSV for research

Aug 8, 2023

Kurt Feldhäusser or Weyhe in provenance of artworks in American museums

Source UrlTitleArtistCredit LineAcc NumProvenance
https://www.metmuseum.org/art/collection/search/483489Crouching Woman with CrabAristide Maillol | Crouching Woman with Crab | French | The Metropolitan Museum of ArtBequest of Scofield Thayer, 19821984.433.35Mr. Bruno and Mrs. Sadie Adriani Bruno and Sadie Adriani, Carmel-by-the-Sea, Calif., [ Buchholz Gallery } [Buchholz Gallery, New York], E. Weyhe Gallery [E. Weyhe, New York, probably on loan to the Whitney Studio, New York, sold in March 1924 to Thayer], [probably on loan to Whitney Studio, sold in March 1924 to Thayer], Scofield Thayer (1924–d. 1982, on extended loan to the Worcester Art Museum, Worcester, Mass., as part of the Dial Collection, 1936–82, his bequest to MMA), Worcester Art Museum
https://harvardartmuseums.org/collections/object/296387Madame Fisher | Harvard Art MuseumsDiego Rivera, Mexican (Guanajuato, Mexico 1886 - 1957 Mexico City)Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs1965.437Recorded Ownership History;[The E. Weyhe Gallery, New York, New York], sold, to Meta and Paul J. Sachs (L. 2091), Cambridge, Massachusetts, bequest, to Fogg Art Museum, 1965.

https://harvardartmuseums.org/collections/object/225571Proun 12E | Harvard Art MuseumsEl Lissitzky, Russian (Pochinok, Russia 1890 - 1941 Moscow, Russia)Harvard Art Museums/Busch-Reisinger Museum, Association FundBR49.303Recorded Ownership History;Kurt Feldhäusser, Berlin, bequest, to Marie Luise Feldhäusser, 1945, sold, [E. Weyhe Gallery, New York], sold, to Busch-Reisinger Museum, 1949.
https://www.sothebys.com/en/auctions/ecatalogue/2018/impressionist-modern-art-evening-sale-n09930/lot.22.htmlDas Soldatenbad (Artillerymen)Ernst Ludwig KirchnerNOTE: Claim for Nazi-looted art and Restitutionto heirs of Alfred FlechtheimProvenance;Galerie Ludwig Schames, Frankfurt;Alfred Flechtheim, Dusseldorf (acquired from the above in 1919);Städtisches Kunstmuseum, Dusseldorf (acquired by donation in 1928-29);Alfred Flechtheim, Dusseldorf (acquired from the above by exchange in 1930 and left in the custody of his niece, Rosi Hulisch, on his departure from Germany in 1933);Kurt Feldhäusser, Berlin (acquired in 1938);Marie Luise Feldhäusser, Berlin (by inheritance from her son, above, in 1945);Erhard Weyhe Gallery, New York (acquired from the above in 1949);Mr. & Mrs. Morton D. May, St. Louis (acquired by 1952);The Museum of Modern Art, New York (a gift from the above in 1956);The Solomon R. Guggenheim Museum, New York (by exchange from the above in 1988);Acquired by restitution from the above in 2018