Did the Musée de l'Orangerie make a spelling error in the name of a Holocaust victim in the provenance of this Cézanne?

Max Silberberg was a Jewish art collector in Breslau murdered by the Nazis.

Is he the same person as "Silbergerg" in the provenance text of "Fruits, serviette et boîte à lait" by Paul Cézanne? 

Comparative Art Provenances: Kornfeld and Kallir

Kornfeld, Kallir and Nierenstein in several museum provenances

(attention: some artworks appear more than once)

It can be enlightening to gather provenances from different museums or institutions to see what patterns or similarities might emerge for a given art dealer. 

Below, we look at provenances that mention Eberhard Kornfeld (famously, the dealer of Cornelius Gurlitt) and Otto Kallir, also known as Nierenstein.  

Museums include the NGA, Carnegie Museum of Art, Harvard Art Museums, UK Museums listed in the Spoliation Reports of the Collections Trust, The Art Institute of Chicago and the Museum of Fine Arts in Boston

url	provenance	accnum	Name
https://www.nga.gov/content/ngaweb/Collection/art-object-page.57152.html	(Galerie Kornfeld); acquired 1979 by the National Gallery of Art	1979.45.1	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.57153.html	(Galerie Kornfeld); acquired 1979 by the National Gallery of Art	1979.45.2	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.46794.html	(Klipstein and Kornfeld, 1957); Lessing J. Rosenwald, Alverthopre, PA; gift to NGA, 1963.	1963.11.61	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.56393.html	(sale, Bern, Kornfeld und Klipstein 10 June 1976, lot 729, ill.); (Fischer Fine Art, London); (William H. Schab Gallery, New York); purchased by NGA, 1977.	1977.62.1	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.139129.html	(sale, Galerie Kornfeld, Bern, 22 June 1990, no. 984); Wolfgang Ratjen, Munich; purchased 2007 by NGA.	2007.111.41	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.139257.html	(sale, Gerd Rosen, Berlin, 18 November 1957, no. 512). (sale, Kornfeld, Bern, 17 June 1987, no. 251). Wolfgang Ratjen; purchased 2007 by NGA.	2007.111.176	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.72170.html	(sale, Klipstein & Kornfeld, Bern, 25 May 1962, no. 530); unidentified stamp on back of mount. (L'Oeil Galerie, Paris), c. 1965. Ruth Carter Stevenson; gift 1991 to NGA.	1991.38.1	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.131153.html	Carl Heumann, Chemnitz [1886-1945](Lugt 555b and 2841a); taken to West Germany by his heirs after the war and remained in the family (sale, Galerie Kornfeld, Bern, 17 June 2004, no. 43); (C.G. Boerner, Inc., New York); purchased 2004 by NGA.	2005.15.2	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.63217.html	Dr. Rüdiger Graf von der Goltz, Düsseldorf; (sale, Kornfeld und Klipstein, Bern, 20-21 June 1973, no. 362); D. Thomas Bergen, London; Carus Gallery, New York.	1984.18.1	Kornfeld
http://collection.cmoa.org/CollectionDetail.aspx?item=1011345	Egon Schiele [1890-1918], Vienna, Austria. Franz Friedrich (Fritz) Grunbaum collection, Vienna, Austria, before WWII [1]; his sister-in-law Mathilde Lukacs, Vienna, Austria and Brussels, Belgium; Gutekunst & Klipstein, Bern, Switzerland, 1956 [2]; Galerie St. Etienne, New York, NY, 1956; gift of Otto Kalir (owner of Galerie St. tienne) to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1960. Notes: [1]. See information in curatorial file on extensive litigation regarding another Schiele drawing, which also involves a Gutekunst & Klipstein and Galerie St. tienne provenance. It includes claims/counter claims of legal ownership of the Grunbaum collection during/after WWII and the role of various parties, including Mathilde Lukacs and the aforementioned galleries, in its eventual disposition. [2]. Eberhard Kornfeld was gallery partner at the time; now Galerie Kornfeld, Bern, Switzerland. Updated by CGK and under review December 2012	60.5	Kornfeld
http://collection.cmoa.org/CollectionDetail.aspx?item=1011345	Egon Schiele [1890-1918], Vienna, Austria. Franz Friedrich (Fritz) Grunbaum collection, Vienna, Austria, before WWII [1]; his sister-in-law Mathilde Lukacs, Vienna, Austria and Brussels, Belgium; Gutekunst & Klipstein, Bern, Switzerland, 1956 [2]; Galerie St. Etienne, New York, NY, 1956; gift of Otto Kalir (owner of Galerie St. Étienne) to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1960. Notes: [1]. See information in curatorial file on extensive litigation regarding another Schiele drawing, which also involves a Gutekunst & Klipstein and Galerie St. Étienne provenance. It includes claims/counter claims of legal ownership of the Grunbaum collection during/after WWII and the role of various parties, including Mathilde Lukacs and the aforementioned galleries, in its eventual disposition. [2]. Eberhard Kornfeld was gallery partner at the time; now Galerie Kornfeld, Bern, Switzerland. Updated by CGK and under review December 2012	60.5	Kornfeld
https://www.harvardartmuseums.org/art/299487	Ernest (?) Chausson, sold [through Nouvelle Galerie Simonson, Paris, December 16, 1933, lot 525 ("La Veillée dans un Intérieur Moldave, étude prep. pour la gravure (Bonvenne 56) en contre-partie. Dessin à la plume sur papier bis. Signé et daté sur la hotte de cheminée: Rodolphe Bresdin 1856. 150 x 105."]. Louis Godefroy, Paris. [Kornfeld and Klipstein, Bern, June 13-14, 1974, lot 78]. [Robert M. Light & Co., Santa Barbara], sold, to David P. Becker, Portland, Maine, 1977, gift, to Harvard University Art Museums, 2004.	2004.182	Kornfeld
http://records.collectionstrust.org.uk/spoliation/kirchner-ernst-ludwig-1880-1938	Given by the artist as part of a donation to the Kunstverein Jena in 1918, in honour of Botho Graef (1857-1917), Professor of Classical Archaeology at Jena University and Kirchner's mentor. The whole gift, including this work, was confiscated from the museum by the Nazis as 'degenerate' in 1937. *Galerie Ferdinand Möller, Cologne by 1940. *Offered in a sale at Galerie Kornfeld, Bern in June 1966.*Acquired at this sale by Hanna Bekker vom Rath, Frankfurt for 6,000 Swiss Francs. It appeared in the stock catalogues of the Frankfurter Kunstkabinett Hanna Bekker vom Rath of 1967 (estimate DM 11,000) and of 1968 (estimate DM 9.700). Bought from there in 1968 by a private collector, Wiesbaden. Offered by Hauswedell und Nolte, Hamburg in June 1973 at an estimate of DM 16,000. Acquired from above by Dr Ernst Hauswedell for DM 22,000. According to Dr Hauswedell's last will, the work was sold at auction by his firm in June 1984. Acquired in 1984 by Lutz Riester, Freiburg.	GMA 2924	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.46355.html	J.D. Lempereur, Paris; (sale, Paris, 1773, no. 696 ?). Junius S. Morgan, Princeton and Paris [1867-1932]; ( Dr. John Audley Harvey (Lugt 1409); Dr. Rossieux, Vevey, Switzerland; (sale, Bern, Kornfeld and Klipstein, 7 February 1957); Lessing J. Rosenwald, Alverthorpe, PA; gift to NGA, 1961.	1961.17.51	Kornfeld
http://collection.cmoa.org/CollectionDetail.aspx?item=1011021	Klipstein & Kornfeld, Bern, Switzerland	59.43	Kornfeld
http://collection.cmoa.org/CollectionDetail.aspx?item=1011021	Klipstein & Kornfeld, Bern, Switzerland	59.43	Kornfeld
https://www.harvardartmuseums.org/art/296827	Possibly Isaac Walraven, Amsterdam, sold through [De Winter, Yver, Amsterdam, 14 October 1765, lot 562]. Cornelis Ploos van Amstel, Amsterdam (L. 3002-3004 with his mark). Karl Eduard von Liphart, Dorpat, Bonn and Florence (L. 1687 with his mark), bequest, to Freiherr Reinhold von Liphart, Rathshof near Dorpat, Russia (L. 1758 with his mark), sold through [C. G. Boerner, Leipzig, 26 April 1898, lot 101], to Meder. Rudolf Philip Goldschmidt, Berlin (L. 2926, with his mark), sold through [F.A.C. Prestell, Frankfurt am Main, 4-11 October 1917, lot 46]. [Karl Ernst Henrici, Berlin, 29 May 1918, lot 68]. H. Deiker, Braunfels. [Klipstein and Kornfeld, Bern], sold, to Dr. and Mrs. George C. Shattuck, Brookline, MA, 1961, gift, to Fogg Art Museum, 1961.	1961.52	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.118731.html	Probably (Moderne Galerie Heinrich Thannhauser, Munich).[1] Dr. Walter Minnich [1864-1940], Montreaux; gift 1937 to the Kunstmuseum, Lucerne; (sale, Klipstein & Kornfeld, Bern, 25-26 May 1962, no. 931); London art market; private collection, Rome; [2] (Galerie Anne Abels, Cologne); sold c. 1970 to Mr. and Mrs. Arnold Saltzman, Sands Point, New York; [3] gift (partial and promised) 2000 to NGA.[1] A seal of the Galerie Thannhauser is recorded as having been on the back of the painting, on the stretcher, when it was sold in 1962. However this seal is no longer evident. [2] Post 1962 sale provenance according to Aya Soika, Max Pechstein : das Werkverzeichnis der Ölgemälde, Munich, 2011, p. 326, repro.[3] The Saltzmans lent the painting to the 1970 exhibition in Ithaca and Rochester.	2000.178.1	Kornfeld
http://records.collectionstrust.org.uk/spoliation/drawn-by-barnuevo-sebastian-de-herrera	Purchased from Hazlitt, Gooden & Fox Ltd;Previous owner/ex-collection Kornfeld;Previous owner/ex-collection Houthakker, Lodewijk	1993,0724.2	Kornfeld
http://records.collectionstrust.org.uk/spoliation/rembrandt-harmensz-van-rijn-14	R.Peltzer, Cologne, sold Gutekunst, Stuttgart, 13-14 May 1914 (308);H. Wendland, Lugano;Sale, Kornfeld and Klipstein, Berne, 14 June 1967 (254);where acquired through Colnaghi by Seilern	D.1978.PG.404	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.46198.html	Reportedly from the chapel of the Château de Sassangy, Saône-et-Loire. Reportedly Dr. Simon Meller, former curator of sculpture, Szépmüvészeti Múzeum [Museum of Fine Arts], Budapest, possibly in his Munich house before 1934, or at an unknown date in Paris;[1] Dr. Jacob Hirsch, New York, by 1935; (Jacques Seligmann et Cie, New York);[2] purchased 1957 by the Samuel H. Kress Foundation, New York; gift 1961 to NGA.[1] The references to the sculpture's provenance from the chapel of the Château de Sassangy and Simon Meller's Paris collection are in an undated text presumably provided either by Seligmann or the Kress Foundation, in NGA curatorial files. On the Château de Sassangy, its owners and construction phases since the fifteenth century, see Françoise Vignier, Bourgogne, Nivernais (Dictionnaire des château de France, ed. Yvan Christ, vol. 9) (Paris, 1980), 285. In the nineteenth century the château belonged to the La Roche La Carelle family, at least one of whose members was reputedly a great collector of works of art. No inventories or sale records for their collection are known to survive. This information was supplied by the Service Régional de l'Inventaire Général des Monuments et des Richesses Artistiques de la France en Bourgogne, letter to Alison Luchs, 18 December 1986, in NGA curatorial files. The reference to Meller's Munich house is inscribed on a photograph in the possession of William Forsyth, curator emeritus of medieval art, The Metropolitan Museum of Art, New York, bearing a date 1935 and inscribed "New York, Hirsch Collection." In a letter to Alison Luchs, 14 February 1986, Prof. Willibald Sauerländer of the Zentralinstitut für Kunstgeschichte, Munich, reported that Meller had come to Munich after 1920 and emigrated in 1934, and that Professor Theodor Müller, who had visited his home there, did not recall seeing the marble Madonna there or elsewhere in Munich. Anthony Geber has pointed out that a limestone Virgin and Child with a jewel-encrusted crown, strikingly similar to the marble example now in Washington, once belonged to Meller. Conceivably the source that placed the Washington sculpture in Meller's house had confused the two. For the limestone Virgin and Child see Régi Egyházmüvészet Országos Kiállítása [Ausstellung Alter Kirchlicher Kunst], exh. cat., Országos Magyar Iparmüvészeti Muzeum, (Budapest, 1930), no. 5, pl. 2. This work at the time belonged to Baron Móric Kornfeld. Notes of c. 1952-1962 by Anthony Geber's father (typescript copy in NGA curatorial files), Antal Geber, on the Kornfeld collection indicate this sculpture was "from Meller, but returned."[2] Raphael Stora was also "involved in the sale" to Seligmann (letter, Perry Cott to Mme Georges Bouchot Saupique, 9 October 1964, in NGA curatorial files).	1961.9.99	Kornfeld
https://www.harvardartmuseums.org/art/297426	Von Eelking, sold, [Heberle, 3-4 June, 1902, lot 133]. Private Collector, (Scandinavia), sold, Amsler and Ruthardt, Berlin, 25-27 May 1908, lot 415]. F. Güterbock. Dr. E. Schilling, London.;Dr. W. Feilchenfeldt, Zurich. Eberhard Kornfeld, Bern, sold, to Fogg Art Museum, 1955, through [Richard H. Zinsser, Forest Hills, New York].	1955.93	Kornfeld
https://www.nga.gov/content/ngaweb/Collection/art-object-page.56662.html	(Galerie Nebehay, Vienna); sold 1919 to Otto [d. 1926] and Eugenia Primavesi, Vienna;[1] acquired 1928 with other paintings from Eugenia Primavesi by Hugo or Otto Bernatzig (or Bernatzik), Vienna. Brought to the United States by Josef Urban [1872-1933], New York.[2] (Galérie St. Etienne, New York), possibly by 1959;[3] Otto and Franciska Kallir, New York; acquired 1978 through gift and purchase by NGA.[1] According to Tobias G. Natter, cited in Klimt, Schiele, Moser, Kokoschka. Vienne 1900, Exh. cat., Galeries nationales du Grand Palais, Paris, 2005-2006: unnumbered catalogue. The name Sigmund Primavesi that is listed in the painting's provenance in the 1965 Guggenheim exhibition catalogue is probably an error.[2] According to Jane Kallir, Saved from Europe: Otto Kallir and the History of the Galerie St. Etienne, Exh. cat., Galerie St. Etienne, New York, 1999: pl. 16. [3] The Galerie St. Etienne, whose owners were Otto and Franciska Kallir, included the painting in its 1959 Klimt exhibition. Mrs. Josef Urban was listed in the catalogue as a lender, but which painting(s) she lent is not specified, so it is possible she had inherited the painting from her husband and still owned it in 1959.	1978.41.1	Kallir
http://www.artic.edu/aic/collections/artwork/154235	Arthur von Franquet (died 1931), Braunschweig, from 1893 [acquired directly from the artist; see correspondence in Munch Museum archives, Oslo]; by descent to his nephew Herbert von Franquet, 1931. Sold to Neue Galerie, Vienna, 25 September 1935 [letter from Otto Kallir Nirenstein, Neue Galerie, to Edvard Munch, 26 September 1935, in Munch Museum archives, in which he states that he bought the picture the previous day and it "stammt aus der Sammlung Franquet," copy in curatorial file]. Harald Hort Halvorsen, Oslo, 1937 [bought in Paris in 1937 according to Halvorsen 1952]; sold by him to Pål Kavli, Oslo, c. 1937; by descent to Kavli’s second wife, Reidun Kavli (died 1996) [see correspondence and notes in curatorial file]; sold to Mr. Allan Andersen, Denmark; Luc Bellier, Paris as agent for Allan Andersen; sold to the Art Institute, 2000.	2000.50	Kallir
https://www.nga.gov/content/ngaweb/Collection/art-object-page.53996.html	Dr. Otto Kallir (Galerie St. Etienne, New York); Purchased 1973 by NGA.	1973.39.1	Kallir
https://www.nga.gov/content/ngaweb/Collection/art-object-page.53826.html	Dr. Otto Kallir; gift to NGA, 1973.	1973.24.1	Kallir
http://collection.cmoa.org/CollectionDetail.aspx?item=1011410	Erich Lederer; Mrs. Walter Feilchenfeldt, Zurich, Switzerland [Erich Lederer, Austrian, fled to Switzerland in 1930s, brought most of his Schiele collection with him (Kallir, Schiele Catalogue raisonne)]	61.27	Kallir
https://www.harvardartmuseums.org/art/299849	Gift of the artist to Emilie Flöge, Vienna, Austria. [Neue Galerie, Vienna, Austria (by 1933), Galerie St. Etienne, Paris, France (by 1939), Galerie St. Etienne, New York (by 1950)], Otto Kallir, gift, to Fogg Museum (1956-1966);Note: Otto Kallir owned the Neue Galerie, Vienna, and the Galerie St. Etienne, Paris and New York.	BR66.4	Kallir
http://collection.cmoa.org/CollectionDetail.aspx?item=1011166	Gustav Klimt [1862-1918], Vienna, Austria; Gustav Nebehay [1881-1935], Vienna, Austria [1]; Joseph Urban [1872-1933], Yonkers, NY and New York, NY, by June 1922 until July 10, 1933 [2]; private collection, New York, NY, 1959 [3]; Galerie St. Etienne, New York, NY [4]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1960. Notes: [1]. From Fritz Novotny and Johannes Dobai, "Gustav Klimt," Verlag Galerie Weltz, Salzburg, 1967, no. 164, p. 347, illustrated. [2]. Carl (Karl) Maria Georg Joseph (Josef) Urban, born in Vienna, Austria, was a noted stage and film designer and architect, who immigrated to the United States in 1912. See letter from Neue Galerie, New York, dated June 13, 2016, regarding Urban's ownership of the painting and its exhibition at the opening of Wiener Werkstätte of America, Inc. in June1922. [3]. Mrs. Joseph Urban (Mary Porter Beegle Urban.) Mrs. Urban is listed as a lender to the 1959 Klimt exhibition at Galerie St. Etienne in New York City, where the painting was included and illustrated in the catalogue. Information from Jane Kallir and Hildegard Bachert of Galerie St. Etienne (specifically e-mails reporting on conversations with them, dated May-June 2003) confirms the descent of the painting in the Urban family, specifically his widow, who sold it to the gallery after the 1959 Klimt exhibition there. [4]. Galerie St. Etienne (Otto Kallir) sent the painting to the museum on approval sometime in late 1959, likely in December 1959. The museum agreed to terms for the purchase of the painting in January 1960 and accessioned it the following month.	60.1	Kallir
https://collections.mfa.org/objects/34173/two-nudes-lovers	July, 1913, sold by the artist to Franz Hauer (b. 1867 – d. 1914), Vienna [see note 1]. Probably about 1914/1915, acquired Oskar Reichel (b. 1869 - d. 1943), Vienna [see note 2], February, 1939, transferred by Reichel to Otto Kallir (b. 1894 - d. 1978), Galerie St. Etienne, Paris and New York [see note 3], 1945, sold by Galerie St. Etienne, New York, to the Nierendorf Gallery, New York, 1945, sold by Nierendorf to Silberman Galleries, New York, 1947/1948, probably sold by Silberman to Sarah Reed (Mrs. John) Blodgett, later Sarah Reed Platt (d. by 1972), Grand Rapids, Portland, Oregon and Santa Barbara, 1973, bequest of Sarah Reed Platt to the MFA. (Accession Date: April 11, 1973);NOTES;[1] Kokoschka wrote to Franz Hauer on July 21, 1913 outlining the terms of Hauer’s acquisition of the painting Lovers (“Liebespaar”) the following day. After Hauer’s death in 1914, the painting was listed in an inventory of his estate as the Dancing Nude Couple (“Akt Tanzender Paar”). Many thanks to Christian Bauer of the State Gallery of Lower Austria and Katharina Erling of the Kokoschka catalogue raisonné project for supplying this information. Also see Bernadette Reinhold, "Art Enthusiast and Enfant Most Terrible," in Franz Hauer: Self-Made Man and Art Collector (exh. cat., Landesgalerie Niederösterreich, 2019), pp. 94-95.;[2] Dr. Oskar Reichel was an admirer, collector, and patron of Kokoschka's work. Tobias G. Natter, Die Welt von Klimt, Schiele und Kokoschka: Sammler und Mäzene (Cologne, 2003), 254, suggests he acquired the painting around 1914/1915. It was first published as being in Dr. Reichel's collection by Paul Westheim in Das Kunstblatt 1 (1917), p. 319.;[3] On February 1, 1939, Reichel transferred the painting--along with four other Kokoschka paintings--to the dealer Otto Kallir, who at that time ran the Galerie St. Etienne in Paris. Kallir exhibited it in Paris that spring and brought it to the United States later that year. After his arrival in the United States, he paid Reichel's two sons, who had already immigrated to North and South America, for the paintings. Kallir opened a branch of his Galerie St. Etienne in New York and exhibited this work often between 1940 and 1945.;For further information, please see "Resolved Claims" at http://www.mfa.org/collections/provenance/nazi-era-provenance-research	1973.196	Kallir
https://www.nga.gov/content/ngaweb/Collection/art-object-page.82933.html	Leopold Hauer [1896-1984], Vienna; Otto Kallir (Galerie St. Etienne, New York); Hildegard Bachert, New York, 1950; gift to NGA, 1997.	1997.127.1	Kallir

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https://docs.google.com/spreadsheets/d/e/2PACX-1vSiS3q0NPLXOO-Fne61yVzBwmFnQpayLcdNHxwPK3pZvJOBHbaKJOspXeiz1Q53gvGqz-UNYU-sVph6/pub?gid=1618939993&single=true&output=csv

DATASET Provenance Research of Artworks: Harvard Art Museums

Dataset name: Enhanced Harvard Art Museums Provenance Research Dataset 

Description: This enhanced Provenance dataset has been constructed from  information available on the public internet site of the Harvard Art Museums. The dataset merges the list of artworks on the Nazi Era Provenance Internet Portal with provenance texts published on the Harvard Art Museums detailed item pages. The Harvard Art Museums website and NEPIP pages include artworks from the Fogg Museum, the Busch-Reisinger Museum and the Sackler museum. 

This dataset is intended to facilitate research into Holocaust-era provenance for scholars, art historians and families. 

The original and best source of information concerning provenance remains the Harvard Art Museum's public website.


Original data sources that were merged to create new dataset:

• Harvard Art Museums NEPIP 
• Provenance texts for NEPIP artworks published on the Harvard Art Museums website
• Provenance texts for selected dealers published on the Harvard Art Museums website

Format: Google Sheet

URL:https://docs.google.com/spreadsheets/d/e/2PACX-1vT3L6P5mWffXT1B1h3KZFkB9bDf3yJ-1LO5ueGohCeqD75UZbOzCpDY1qBDMPzf-_4um3P3w8o1DZiQ/pubhtml

Download: CSV


Contents:
1. NEPIP and Selected Dealers
2. Private anonymous art market property of unknown
3. NEPIP Accession Numbers
4 About this file

Publisher: OAD

Date of Publication: March 3, 2020

Example of content: Provenance text contains word "private", "unknown", "anonymous", "art market" or "property of" 

https://docs.google.com/spreadsheets/d/e/2PACX-1vT3L6P5mWffXT1B1h3KZFkB9bDf3yJ-1LO5ueGohCeqD75UZbOzCpDY1qBDMPzf-_4um3P3w8o1DZiQ/pubhtml?gid=1868621269&single=true 

AMAM Provenance Gaps 1933-1945

AMAM Provenance List
European paintings in the AMAM collection with incomplete provenance and/or changes in ownership in Europe for the period 1933-1945:
Artist	Artwork	AccNum	Provenance
Apollonio di Giovanni	Battle Between the Athenians and the Persians	1943.239	With Paul Drey Gallery, New York, from whom purchased in 1943.
Paul Cézanne	Viaduct at l’Estaque	1950.3	Edward Molyneux [1891–1974] Paris and Monte Carlo, by 1939
Antoine Coypel	The Finding of Moses	1978.2	European private collection With Heim Gallery, London (by 1977), from whom purchased in 1978.
Henri-Edmond Cross	The Return of the Fisherman(Le Pêcheur Provençal)	1953.271	Deposited by the artist at Galerie Druet, Paris Sale Atelier H. E. Cross, Paris (Hotel Drouot), 28 October 1921, lot 30 Collection Maximilien Luce (1858-1941), Paris Collection Frédéric Luce, Paris With Wildenstein Galleries, New York, from whom purchased in 1953.
Giorgio de Chirico	Self-Portrait	1938.1	Purchased from Theodore Schempp, New York, in 1938.
Domenichino (Domenico Zampieri)	Landscape with Flight into Egypt	1968.51	Collection H. Pearson, Datchett, Windsor Possibly sale Gen. Thiebaut, London (Christie's), 13 June 1817, lot 61 (£77.14, to Gray) Possibly sale London (Christie's), 1 May 1830 (as ÒA small Landscape, with the Flight into Egypt, with classical Buildings in the distanceÓ) With Ferdinando Peretti, London, from whom purchased in 1968
Emile Auguste Carolus-Duran	Portrait of Philippe Burty	1994.9	Probably by descent to the daughter of the sitter, Madeleine Haviland, née Burty Collection Mme. Maric-Haviland, Paris With Shepherd Gallery, New York (1983) Sale New York (Christie's), 1 March 1990, lot 19 With Christopher J. Robinson, New York, from whom acquired in 1994.
Giovanni Battista Gaulli	Death of Adonis	1966.2	With Leger Galleries, London (1953-54) With Giovanni Salocci, Florence (1956-57) Private collection, New York (by 1962) With Gualteiro Volterra, Florence, from whom purchased in 1966.
Jan van Goyen	Landscape with Dunes	1941.76	Collection Dr. Johan Focke, Bremen (as cited in 1928 sales catalogue, below) Collection Fraulein M. Focke, Bremen (by 1904) Sale Amsterdam (F. Muller), 12 December 1922, lot 159 ($1500) Collection Mrs. A. Rowe, New York Sale New York (American Art Association), 26 April 1928, lot 79, ill. ($1275) With Gebr. Douwes, Amsterdam (1928, acquired by them in London) With M. Knoedler & Company, Inc., London and New York (1929-30) With E. J. van Wisselingh, Amsterdam (1932) Collection Kuenxe Graef? (noted by Knoedler, 1941) With M. Knoedler & Company, Inc., New York, from whom purchased in 1941.
Italian (Florentine) 14th century	Crucifix	1942.129	Graf Wilczek, Castle Kreuzenstein near Vienna With E. A. Silberman Galleries in New York (1936), from whom purchased in 1942.
Alexej von Jawlensky	Head of a Woman	1955.23	Collection Fernand Graindorge, Liège (1954) With Theodore Schempp, New York, from whom purchased in 1955.
Jacob Jordaens	An Oracle	1964.35	Possibly identical with Òde Offerande,Ó listed among the modelli or designs for tapestries in the inventory of the collection of the tapestry merchant Michiel Wauters, Antwerp, 16 October 1679 Colletion Arthur Holford, London Sale London (ChristieÕs), 29 November 1963, lot 72 (£1470) With Frederick Mont, Inc., New York, from whom purchased in 1964.
Ernst Ludwig Kirchner	Self-Portrait as a Soldier	1950.29	Städtische Galerie, Dresden (1916-19) With Kunsthandlung Schames, Frankfurt (1919) Städtische Galerie, Frankfurt (1919) On loan to the Städelsches Kunstinstitut, Frankfurt (inv. S.G. 299 in 1919 inventory book and 1924 catalogue) until 1937 Confiscated by the National Socialists and removed to a Berlin warehouse in 1937 (inv. 15999) Collection Dr. Kurt Feldhausser (1943-45) Collection Mrs. Marie-Louise Feldhausser, his mother (1945-?) Sold to Gallery E. Weyhe, New York, from whom purchased in 1950.
Paul Klee	The Kettledrum Organ	1944.21	Purchased by the Anhaltische Gemäldegalerie, Dessau, in February 1931, for 2000 RM Confiscated by the National Socialists, 1937 (inv. 10922) Purchased by Karl Buchholz in Berlin, 18 February 1939, for $120 With Buchholz Galleries, New York, from whom purchased in 1944.
Gustav Klimt	Portrait of a Lady	1958.157	Private collection, Vienna With Galerie St. Etienne, New York (1950), from whom purchased in July 1958.
Jacopo Ligozzi	Portable Altar in a Carrying Case	1958.1	Collection Bauer, Vienna With F. Kleinberger & Co., New York, from whom purchased in 1958.
Mariotto di Nardo	Adoration of the Magi	1943.118	Collection Marchese Franzoni, Genoa With N. Acquavella, New York (by 1940) from whom purchased in 1943.
Master of the Sterzing Altarpiece	Saint Mary Magdalene	1941.75	Collection Armando Sabatello, Rome With Ars Antiqua, New York Collection Samuel H. Kress, New York (1950) Given to the museum in 1961.
Pier Francesco Mola	Mercury Putting Argus to Sleep	1961.85	Collection Armando Sabatello, Rome With Ars Antiqua, New York Collection Samuel H. Kress, New York (1950) Given to the museum in 1961.
Claude Monet	Wisteria	1960.5	Collection Michel Monet, Giverny Collection Katia Granoff, Paris With Paul Rosenberg and Company, New York, from whom purchased in 1960.
Jean-Baptiste Oudry	A Young Rabbit and Partridge Hung by the Feet	1982.47	With Paul Cailleux, Paris (1932) With Bensimon, Inc., New York Collection Mr. and Mrs. André Meyer (by 1962) Sale Meyer, New York (Sotheby's), 22 October 1980, lot 10 With H. Schickman Gallery, New York, from whom purchased in 1982.
Pablo Picasso	Glass of Absinthe	1947.36	Collection Ambroise Vollard, Paris With Galerie Pierre, Paris Collection Walter P. Chrysler, Jr., New York (1937-44) Sale New York (Parke-Bernet), 11 April 1946, lot 29 Collection Theodore Schempp, New York (1946-47), from whom purchased in 1947
Jusepe de Ribera	Blind Old Beggar	1955.9	Collection Dr. Carvalho, Château de Villandry, France (1927) Sale Tours, 19 November 1953, lot 76 With Rosenberg and Stiebel, New York, from whom purchased in 1955
Peter Paul Rubens	The Finding of Erichthonius	1944.96	Collection Duc de Richelieu, 1671 Sale Morel, Paris, 19 April 1786 (held 3 May 1786), lot 34 (ÒUne jardinière accroupie et appuyée sur le couvercle dÕun panier rempli de fleurs. Elle est vêtue dÕun corsage et dÕune jupe de satin jaune . . . 42 x 38 pouces; 301 livres, to Vicomte de ChamgrandÓ) Sale de Proly, Chamgrand et al., Paris (Paillet), 20 March 1787, lot 30 (723 livres, to Marichale le Bois) Collection R. A. C. Goodwin-Austen Sale George Smith, John Tobin et al., London (Christie's), 27 May 1882, lot 98 (erroneously as from the Orléans Gallery; £157.10 to Lesser) Collection Archibald Coats, Woodside, Paisley His sale, London (Christie's), 3 July 1914, lot 126 (as ÒFloraÓ and formerly in the Orlean collection; £75.2 to Collings) Unidentified sale, London, 1939 With A. F. Mondschein, New York, from whom purchased in 1944.
Jan Steen	Merry Company	1957.14	Collection Dukes of Sachsen-Gotha-Altenburg (possibly acquired by Herzog [Duke] Ernst II von Sachsen [1745-1804], later Dukes of Sachsen-Coburg and Gotha Herzogliches Gemäldegalerie, Gotha (inv. 257) Collection of Helmhold Hoffman, Germany With G. Cramer Oude Kunst, The Hague, from whom purchased in 1957.
Vrancke van der Stockt	Kneeling Donor with Saint John the Baptist	1942.128	Collection H. Oppenheimer, London His sale, London, 24 July 1936, lot 6 (as by Aelbert Bouts) Art market, Vienna (1937) With E. and A. Silberman Galleries, New York, from whom purchased in 1942.
David Teniers the Younger	Saints Anthony and Paul in a Landscape	1973.9	Private collection, France Collection Herman Göring Munich, Collecting Point (1946), no. 5887 French Ministry of Cultural Affairs, Paris (for restitution) With Heim Gairac Gallery, Paris With David M. Koetser Gallery, Zurich, from whom purchased in 1973.
Esaias van de Velde	Summer Landscape	1958.42	Collection van Diemen, Amsterdam Collection Anna Maria van Diemen (later [from 1675] wife of Gerolamo Paressi) By descent to Marchese Raffaello Mansi Orsetti, Lucca (1928) Purchased in Spain by Frederick Mont, Inc., New York (in association with Newhouse Gallery, New York), from whom purchased in 1958
Adriaen Pietersz van de Venne	Allegory of Poverty	1960.94	Collection Dukes of Sachsen-Gotha-Altenburg (possibly acquired by Herzog [Duke] Ernst II von Sachsen [1745-1804]), later Dukes of Sachsen-Coburg and Gotha Herzogliches Gemäldegalerie, Gotha (inv. 228) With Hans Cramer Oude Kunst, The Hague, from whom purchased in 1960.
Adriaen van der Werff and Henrik van Limborch	Jacob Blessing the Sons of Joseph	1963.30	Sale Hoogeveen et al., Amsterdam (Van der Linden & De Winter), 5 June 1765, lot 5 (_560, to de Winter; with pendant, lot 6) Possibly offered for sale by Mettra, Paris (1767) for 10,530 livres, with pendant Bildergalerie, Sanssouci, Potsdam (by 1770), with pendant Königliche Museum (later the Kaiser-Friedrich Museum), Berlin (c. 1837-1906), with pendant Returned to the private collection of the Princes of Hohenzollern (1906-1925), with pendant Private collection, London Purchased sale London (Christie's), 24 May 1963, lot 152.

source: http://www2.oberlin.edu/amam/nazieraprovenance.htm - AMAM Provenance List
European paintings in the AMAM collection with incomplete provenance and/or changes in ownership in Europe for the period 1933-1945:

see also the NEPIP list for the Allen Memorial Art Museum