... Open Art Data ...: Degenerate Art

Showing posts with label Degenerate Art. Show all posts

Aug 8, 2023

Kurt Feldhäusser or Weyhe in provenance of artworks in American museums

Source Url	Title	Artist	Credit Line	Acc Num	Provenance
https://www.metmuseum.org/art/collection/search/483489	Crouching Woman with Crab	Aristide Maillol \| Crouching Woman with Crab \| French \| The Metropolitan Museum of Art	Bequest of Scofield Thayer, 1982	1984.433.35	Mr. Bruno and Mrs. Sadie Adriani Bruno and Sadie Adriani, Carmel-by-the-Sea, Calif., [ Buchholz Gallery } [Buchholz Gallery, New York], E. Weyhe Gallery [E. Weyhe, New York, probably on loan to the Whitney Studio, New York, sold in March 1924 to Thayer], [probably on loan to Whitney Studio, sold in March 1924 to Thayer], Scofield Thayer (1924–d. 1982, on extended loan to the Worcester Art Museum, Worcester, Mass., as part of the Dial Collection, 1936–82, his bequest to MMA), Worcester Art Museum
https://harvardartmuseums.org/collections/object/296387	Madame Fisher \| Harvard Art Museums	Diego Rivera, Mexican (Guanajuato, Mexico 1886 - 1957 Mexico City)	Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs	1965.437	Recorded Ownership History;[The E. Weyhe Gallery, New York, New York], sold, to Meta and Paul J. Sachs (L. 2091), Cambridge, Massachusetts, bequest, to Fogg Art Museum, 1965.

https://harvardartmuseums.org/collections/object/225571	Proun 12E \| Harvard Art Museums	El Lissitzky, Russian (Pochinok, Russia 1890 - 1941 Moscow, Russia)	Harvard Art Museums/Busch-Reisinger Museum, Association Fund	BR49.303	Recorded Ownership History;Kurt Feldhäusser, Berlin, bequest, to Marie Luise Feldhäusser, 1945, sold, [E. Weyhe Gallery, New York], sold, to Busch-Reisinger Museum, 1949.
https://www.sothebys.com/en/auctions/ecatalogue/2018/impressionist-modern-art-evening-sale-n09930/lot.22.html	Das Soldatenbad (Artillerymen)	Ernst Ludwig Kirchner		NOTE: Claim for Nazi-looted art and Restitutionto heirs of Alfred Flechtheim	Provenance;Galerie Ludwig Schames, Frankfurt;Alfred Flechtheim, Dusseldorf (acquired from the above in 1919);Städtisches Kunstmuseum, Dusseldorf (acquired by donation in 1928-29);Alfred Flechtheim, Dusseldorf (acquired from the above by exchange in 1930 and left in the custody of his niece, Rosi Hulisch, on his departure from Germany in 1933);Kurt Feldhäusser, Berlin (acquired in 1938);Marie Luise Feldhäusser, Berlin (by inheritance from her son, above, in 1945);Erhard Weyhe Gallery, New York (acquired from the above in 1949);Mr. & Mrs. Morton D. May, St. Louis (acquired by 1952);The Museum of Modern Art, New York (a gift from the above in 1956);The Solomon R. Guggenheim Museum, New York (by exchange from the above in 1988);Acquired by restitution from the above in 2018

Derain in the Nazi Era Provenance Internet Portal

Numerous artworks by André Derain have been listed by American museums on NEPIP, the Nazi Era Provenance Internet Portal

This post contains a list of NEPIP artworks by Derain with the title, accession number and museum collection.

Modern art seized by Nazis and sold through Curt Valentin: Where are they today?

Nazi Looted Art Research, focus on Curt Valentin and the sale of modern art, classified by Nazis as "Degenerate" and seized for resale to finance the Nazi war effort

Location of "Degenerate Art" seized by Nazis and sold by Curt Valentin (where it it known)

New York, Museum of Modern Art	16
Privatbesitz	12
St. Louis, Saint Louis Art Museum	5
Detroit, Institute of Arts	5
USA, Privatbesitz	4
Washington, National Gallery of Art	3
Philadelphia, Museum of Art	3
Hannover, Sprengel Museum	3
Essen, Museum Folkwang	3
Washington, Smithsonian Institution	2
Providence, Rhode Island School of Design	2
New York, Solomon R. Guggenheim Museum	2
Cambridge/MA, Fogg Art Museum	2
Cambridge/MA, Busch-Reisinger Museum - Harvard University Art Museums	2
Berlin, Neue Nationalgalerie	2
Würzburg, Sammlung Hermann Gerlinger	1
Winterthur, Kunstmuseum	1
Washington, Library of Congress	1
Washington, International Gallery of Art	1
Sydney, Art Gallery New South Wales	1
Stuttgart, Staatsgalerie	1
Schweiz, Privatbesitz	1
Sammlung Rolf Horn	1
Oberlin, Allen Memorial Art Museum	1
New York, Weintraub Gallery	1
New York, Metropolitan Museum of Art	1
New York, Brooklyn Museum	1
Nagoya, Aichi Prefectural Museum of Art	1
Miyazaki, Miyazaki Prefectural Art Museum	1
Minneapolis, Walker Art Center	1
Minneapolis, Institute of Arts	1
Michigan, Slg. Adolph Alfred Taubmann	1
Mailand, Fondazione Antonio Mazzotta	1
Madrid, Museo Nacional Thyssen-Bornemisza	1
London, Sammlung Goodwin	1
Locarno, Museo Civico e Archeologico Castello Visconteo	1
Kunsthandel	1
Köln, Kunstmuseum des Erzbistums Köln	1
Köln, Kunsthaus Lempertz	1
Kansas City, The Nelson-Atkins Museum of Art	1
Hamburg, Hamburger Kunsthalle	1
Hagen, Karl Ernst Osthaus Museum	1
Dresden, Skulpturensammlung	1
Cleveland, The Cleveland Museum of Art	1
Chicago, The Art Institute	1
Boston, Museum of Fine Arts	1
Bern, Galerie Kornfeld und Cie.	1
Berlin, Staatliche Museen zu Berlin - Museum Berggruen	1
Berlin, Galerie Michael Haas	1
Bergen, Kunstmuseum, Stenersen's Collection	1

raw data source: Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin; filtered for "Curt Valentin" and Location not blank or "Unbekannt"

http://emuseum.campus.fu-berlin.de/eMuseumPlus?service=RedirectService&sp=Scollection&sp=SfieldValue&sp=0&sp=5&sp=3&sp=SdetailList&sp=0&sp=Sdetail&sp=2&sp=F

Jun 24, 2022

Henri Matisse The Blue Window

Henri Matisse

The Blue Window

Issy-les-Moulineaux, summer 1913

at the Museum of Modern Art in New York, Credit

Abby Aldrich Rockefeller Fund

Object number

273.1939

https://web.archive.org/web/20150805185104/https://www.moma.org/collection/works/79350

EK no. 3688: Stillleben, blaues Zimmer. One of 139 paintings removed from the Folkwang Essen in July and August 1937 (exh. cat. Folkwang 2010, p. 348). [4] Included in the exhibition Art in Our Time, The Museum of Modern Art, New York, May 10- September 30, 1939 (no. 93).

Curt Valentin in provenances at the Harvard Art Museums

- The Persistent Crime of Nazi-Looted Art, by Sophie Gilbert, in The AtlanticLooted Art

The director of New York’s Museum of Modern Art, Alfred H. Barr Jr. used art dealer Curt Valentin as an intermediary to secretly purchase artworks confiscated by Nazis from German museums. What else did Barr and other American museums directors purchase through Valentin?

In this next series of posts, we will look at the provenances of artworks that mention Curt Valentin.

An interesting exercise for young art historians and provenances researchers is to examine each provenance with the questions:

1) Who owned this artwork before Curt Valentin?

2) Are there provenance gaps for the years 1933-1945?

3) What share of artworks that mention Curt Valentin in the provenance lack information about sellers, dates and places for the Nazi years? (0-25%; 26-50%; 51%-75%; 76%-100%).

4) What possible explanations might there be for the observations in 3)?

5) What actions does this suggest?

1. Mentions of Curt Valentin in the provenances of artworks at the Harvard Art Museums

See Valentin Harvard Art Museums Provenance

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for more information on Curt Valentin's role in bringing European art into American museums, see:

MoMA’s Problematic Provenances by William D. Cohan published November 17, 2011 by Artnews

Apr 23, 2017

DATABASE: Download the Entartete Kunst inventory

"The V&A holds the only known copy of a complete inventory of 'Entartete Kunst' confiscated by the Nazi regime from public institutions in Germany, mostly during 1937 and 1938. The list of more than 16,000 artworks was produced by the Reichsministerium für Volksaufklärung und Propaganda (Reich Ministry for Public Enlightenment and Propaganda) in 1942 or thereabouts. It seems that the inventory was compiled as a final record, after the sales and disposals of the confiscated art had been completed in the summer of 1941. The inventory’s two typescript volumes provide crucial information about the provenance, exhibition history and fate of each artwork.