Pinakothek Munich: artworks with no provenance transferred from the German state

Where to find the provenance of artworks held at the Pinakothek in Bavaria, Germany?

Not, it seems, on the Pinakothek website.

Frequently, the information provided in the Origin or Herkunft field limits itself to the mention: "on loan" or "transferred from the German state".

But there is no link or reference to any further information. 

Yet we know that many looted artworks returned to Germany after the war and then distributed to museums "on loan" or as "transfers").

How to verify whether or not an artwork held at the Pinakothek is referenced in the LostArt.de database, the DHM Munich or Linz databases?

To find out, we will look at a selection of artworks at the Pinakothek, many of which are "on loan" or transferred from State possession.

See file here 

Download CSV here

(please note: The dataset contains only a few hundred artworks out of the more than 8000 artworks created before 1940 that contain the word "Überweisung")

https://www.sammlung.pinakothek.de/en/search?phrase=Überweisung#filters={"yearRange":{"min":1400,"max":1940},"onDisplay":false,"publicDomain":false}

Gurlitt: The scandal continues

When an art historian sees the Gurlitt name in any text, the first thought should be: is it a lie?

CIR 4 LINZ S. Lane Faison describes Hitler's Linz museum as "a monument to Safe Art"

From June 1945 until the spring of 1946, Faison, Plaut, and Rousseau detained and interrogated hundreds of Nazi officials and collaborators on the whereabouts of looted works of art. - Monuments Men Foundation

"Special Nazi law covered the seizure of Jewish and enemy property." - CIR 4 Chapter IX Conclusions and Recommendations

 "Special Nazi law covered the seizure of Jewish and enemy property."

Excerpt from Art Looting Investigation Unit Consolidated Interrogation Report Number 4: Linz