, Juan Gris, Mandolin and Fruit Dish, Gift of Joseph Pulitzer, Jr., inv 67.1161
, Juan Gris, Mandolin and Fruit Dish, Gift of Joseph Pulitzer, Jr., inv 67.1161
In this post, a few provenances that mention Beyeler are gathered.
(Titles may have changed.)
Getty Provenance Index Public Collections Database 19MARCH2021 |
Provenance of Paintings Record 10627 GRIS, JUAN Still Life with a Guitar Boston, MA, Museum of Fine Arts 67.1161 canvas Gris, Juan. Paris, France (the artist) Simon, Galerie. Paris, France by 1960 - still in 1961 Thompson, G. David. Pittsburgh, PA, USA Beyeler, Galerie. Basel, Schweiz 1961 - 1967 Pulitzer, Joseph, Jr.. Saint Louis, MO, USA 1967 - Boston, MA, USA. Museum of Fine Arts (gift of Pulitzer) |
Provenance of Paintings Record 10819 KIRCHNER, ERNST LUDWIG Mountain Landscape from Clavadel Boston, MA, Museum of Fine Arts 56.13 canvas Kirchner, Ernest Ludwig, estate of (estate of the artist, who d.1938) Beyeler, Galerie (executor of Kirchner estate?) - 1956 Silberman, (E. and Abris), Galleries. New York, NY, USA (from Beyeler) 1956 - Boston, MA, USA. Museum of Fine Arts (from Silberman?) |
Provenance of Paintings Record 19766 GRIS, JUAN Mandolin and Pipe Hanover, NH, Hood Museum of Art P.959.128 canvas Kahnweiler, Daniel-Henry. Paris, France Simon, Galerie. Paris, France by 1925 - Reber, Gottlieb Friedrich, Dr.. Lausanne, Schweiz (d.1959) Fritsch, Irmgart, Mlle.. Lausanne, Schweiz Gasser, Galerie. Zürich, Schweiz Hadorn, Walter, Prof. Dr.. Bern, Schweiz Hutton, (Leonard), Galleries. New York, NY, USA Beyeler, Galerie. Basel, Schweiz Bruxelles, Belgique. Anonymous collection - 1959 Lachman, Charles R., Mr. and Mrs.. New York, NY, USA 1959 - Hanover, NH, USA. Hood Museum of Art (gift of Lachman) |
Provenance of Paintings Record 3721 MONET, CLAUDE Water-Lilies London, England, National Gallery 6343 canvas - 1926 Monet, Claude. Giverny, France (the artist; d.1926) 1926 - still in ca. 1945 Monet, Claude, heirs of. Giverny, France (by inheritance; painting remained in Monet's studio until after WWII) by 1956 - Granoff, Katia. Paris, France (possibly from Monet heirs, who sold other paintings to her ca. 1950) by 1962 - 1963 Beyeler, Galerie. Basel, Schweiz 1963 - London, England, UK. National Gallery (from Galerie Beyeler) |
Provenance of Paintings Record 2552 CÉZANNE, PAUL Portrait of Anthony Valabrègue Los Angeles, CA, J. Paul Getty Museum 85.PA.45 canvas by 1911 - Doria, François, Comte. Château d'Orrouy, France Pellerin, Auguste. Paris, France by 1936 - still in 1939 Pellerin, Jean Victor. Paris, France (by inheritance?) Wildenstein (?). London, England, UK; New York, NY, USA; Paris, France 1980/10/22 (0021) Meyer sale (Sotheby Parke Bernet) New York by 1962 - 1980 Meyer, André. France; New York, NY, USA (from Wildenstein?; d.1979) 1980 - 1985 Beyeler, Galerie. Basel, Schweiz (bought at Meyer sale) 1985 - Los Angeles, CA, USA. J. Paul Getty Museum (from Galerie Beyeler |
Provenance of Paintings Record 25501 CÉZANNE, PAUL L'éternel féminin Los Angeles, CA, J. Paul Getty Museum 87.PA.79 canvas by 1907 - 1929 Pellerin, Auguste. Paris, France 1929 - still in 1939 Pellerin, Jean Victor. Paris, France (by inheritance) by 1947 - 1954 Wildenstein. London, England, UK; New York, NY, USA; Paris, France 1954 - still in 1959 Niarchos, Stavros S.. Paris, France (loaned painting to an exhibition in January 1959) 1959 - Hecht, Harold (?). Beverly Hills, CA, USA (loaned painting to an exhibition at Wildenstein in New York, November 1959) [This information not included on Getty central file sheet, thus the question.] by 1963 - Wildenstein (?). London, England, UK; New York, NY, USA; Paris, France (painting exhibited at Wildenstein in London) [according to Getty central file sheet 12-1988, painting loaned to exhibition by Wildenstein, but this information not included in file sheet of 12-1989; cannot find copy of catalogue to verify. If Hecht owned the painting when it was exhibited at Wildenstein in 1959, then he probably was the lender at this exhibition as well.] 1963 - still in 1964 Hecht, Harold. Beverly Hills, CA, USA (may have had painting since 1959) by 1970 - New York, NY, USA. Anonymous collection - 1973 Wildenstein. London, England, UK; New York, NY, USA; Paris, France 1973 - still in 1980(?) Goulandris, John, Mrs.. New York, NY, USA - 1987 Beyeler, Galerie. Basel, Schweiz 1987 - Los Angeles, CA, USA. J. Paul Getty Museum (from Galerie Beyeler) |
Provenance of Paintings Record 54689 MONET, CLAUDE The Portal of Rouen Cathedral in Morning Light Los Angeles, CA, J. Paul Getty Museum 2001.33 canvas - 1895 Monet, Claude. Giverny, France 1895 - 1895 Durand-Ruel, buying for Gonse. New York, NY, USA; Paris, France (from Monet) 1895 - 1921 Gonse, Louis. Paris, France (buying through Durand-Ruel) - 1962 Gonse, Emmanuel, Mme. (née Suzanne Boas). Paris, France (by inheritance; daughter-in-law of Louis Gonse) - 1962 Durand-Ruel. New York, NY, USA; Paris, France (from Gonse) 1962 - 19th and 20th Century French Art, Inc. (Sam Salz). New York, NY, USA (from Durand Ruel) in ca. 1968 Vogel, Edwin C.. New York, NY, USA in ca. 1971 19th and 20th Century French Art, Inc. (Sam Salz). New York, NY, USA in ca. 1972 Goulandris, Basil P.. Schweiz Beyeler, Galerie. Basel, Schweiz Fujikawa Gallery. Tokyo, Japan [Unknown] - 2001 Acquavella Contemporary Art, Inc.. New York, NY, USA 2001 - Los Angeles, CA, USA. J. Paul Getty Museum (from Acquavella) |
Provenance of Paintings Record 5256 RENOIR, PIERRE AUGUSTE Portrait of Albert Cahen d'Anvers Los Angeles, CA, J. Paul Getty Museum 88.PA.133 canvas 1881 - Cahen d'Anvers, Albert (original commission; the sitter; d.1903) Cahen d'Anvers, Hubert (presumably by inheritance) - ca. 1971 Cahen d'Anvers family (by inheritance) Steegman, Joseph, Dr.. Zürich, Schweiz Beyeler, Galerie. Basel, Schweiz [sold to Geneva, anon coll in 1984?] 1984 - Genève, Schweiz. Anonymous collection [from Beyeler??] - 1988 Beyeler, Galerie. Basel, Schweiz 1988 - Los Angeles, CA, USA. J. Paul Getty Museum (from Beyeler) |
Provenance of Paintings Record 5815 KANDINSKY, WASSILY Study for Improvisation V Minneapolis, MN, Minneapolis Institute of Arts 67.34.2 wood Jawlensky, Helene von, Mrs.. Ascona, Schweiz Abels, Anne. Köln, Deutschland - 1967 Beyeler, Galerie. Basel, Schweiz 1967 - 1967 Dayton, Bruce B., Mr. and Mrs.. Minneapolis, MN, USA 1967 - Minneapolis, MN, USA. Minneapolis Institute of Arts (gift of Dayton) |
Provenance of Paintings Record 5705 MANET, EDOUARD Le Fumeur (The Smoker) Minneapolis, MN, Minneapolis Institute of Arts 68.79 canvas 1888/06/06 (0001) Pertuiset sale (Tual, Escribe) Paris [as "La Bonne Pipe"] by 1866 - 1888 Pertuiset, M.. Paris, France 1888 - Bloch, Isidore. Paris, France Durand-Ruel. New York, NY, USA; Paris, France (Durand-Ruel in Paris) Milliken, E.F.. New York, NY, USA Durand-Ruel. New York, NY, USA; Paris, France (Durand-Ruel in New York) in 1907 Whitney, Helen Hay Payne, Mrs.. New York, NY, USA Miller, C. MacCulloch, Mrs.. New York, NY, USA Tribune Gallery. New York, NY, USA - 1968 Schweiz. Anonymous collection 1968 - 1968 Beyeler, Galerie. Basel, Schweiz 1968 - 1968 Dayton, Bruce B., Mr. and Mrs.. Minneapolis, MN, USA 1968 - Minneapolis, MN, USA. Minneapolis Institute of Arts (gift of Dayton) |
Provenance of Paintings Record 27811 PICASSO, PABLO Bust of a Woman Pasadena, CA, Norton Simon Museum M.1970.5.16.P canvas - 1966 Picasso, Pablo. Cannes, France Beyeler, Galerie. Basel, Schweiz Rosenberg, (Paul), and Co.. London, England, UK; New York, NY, USA; Paris, France 1967 - 1970 Hunt Foods and Industries 1970 - Pasadena, CA, USA. Norton Simon Museum (from Hunt Foods) |
Provenance of Paintings Record 27569 PICASSO, PABLO Women of Algiers I Pasadena, CA, Norton Simon Museum M.1986.3.P canvas Rosenberg [assumably the dealer Paul Rosenberg] Frua de Angeli, Carlo. Milano, Italia (d.1972) Beyeler, Galerie. Basel, Schweiz 1973 - 1986 Los Angeles, CA, USA. Norton Simon Foundation 1986 - 1986 Los Angeles, CA, USA. Norton Simon Art Foundation 1986 - Pasadena, CA, USA. Norton Simon Museum (from Norton Simon Art Foundation) |
Provenance of Paintings Record 17073 PICASSO, PABLO Nude Woman Washington, DC, National Gallery of Art 1972.46.1 canvas - 1939(?) Pierre, Galerie. Paris, France [additional non-provenance: painting bears a label with Gertrude Stein's and Alice Toklas' 1938 address, but several sources deny that it ever belonged to them.] 1939 - Callery, Meric, Mrs.. New York, NY, USA; Boulogne-sur-Seine, France (apparently from Pierre) 1960 - 1972 Frua de Angeli, Carlo. Milano, Italia (d.1972) 1972 - 1972 Beyeler, Galerie. Basel, Schweiz (from Frua de Angeli estate) [according to a letter from Douglas Cooper in Washington NG file, painting was at Beyeler for over a decade, but they were unable to sell it. According to Beyeler, it was in Frua de Angeli's collection until his death in 1972, and was purchased from the estate in May 1972. The writer sounded pretty annoyed at Cooper's allegations that the painting was trash and denied that it had been sitting around for ten years. Since the Cooper story sounds a bit fishy (why would NGDC spend big bucks on a painting nobody wanted?), I'm ignoring it and going by Beyeler's version.] 1972 - Washington, DC, USA. National Gallery of Art (from Beyeler; formerly acc.no. 2631) |
Mountain Landscape from Clavadel, Kirchner, Inv 56.13, Boston MFA https://collections.mfa.org/objects/33551 |
Study for Improvisation V, Kandinsky, Inv. 67.34.2, https://collections.artsmia.org/art/1639/study-for-improvisation-v-vassily-kandinsky |