Showing posts with label Museum. Show all posts
Showing posts with label Museum. Show all posts

Sep 2, 2023

DATASET: Latchford Wiener Hecht Sperling Klejman in provenances at Metropolitan Museum of Art

FLASH: 26 Doris Wiener provenances added 17SEP2023!

September 2, 2023

DATASET Metropolitan Museum of Art artworks with links to Douglas Latchford, Doris Wiener, Robert Hecht, Harry Sperling, John Klejman, Klaus G. Perls, Joseph Brummer 


Dataset name: Selection Latchford plus Metmuseum 2022


Description: This enhanced Provenance dataset has been constructed from information available on the public internet site of the Metropolitan Museum of Art. It includes the provenance and credit line information for artworks which mention Douglas Latchford, Doris Wiener, Robert Hecht, Harry Sperling, John Klejman, Klaus G. Perls, Joseph Brummer and others.  It is intended to facilitate research into antiquities provenance for scholars, art historians and investigators. 


Format: Google Sheet


URL: https://docs.google.com/spreadsheets/d/e/2PACX-1vTO8W-KpmI91d_l-l4LAoyp_alzQAPaIFAhug2YbStfvUeWMWqjmeAVtO-E4vA7PrOrzjza7b26s6DH/pubhtml?gid=995287093&single=true


Download: CSV



Contents:

  • Selection
  • Source
  • RetrievalDate
  • YEAR Acquired
  • Source Url
  • Title Date
  • Artist
  • Credit Line
  • Acc Num
  • Provenance (as published by the Metropolitan Museum on its website on March 29, 2022)
  • Description
  • Artist_Region
  • Artwork__tombstone Value


Publisher of Dataset: OAD


Date of Publication: September 2, 2023




Dec 7, 2022

How to use information in the provenance texts of Nazi looted art that has been restituted to find other Nazi-looted artworks

This Nazi-looted painting was restituted in 2016. 
https://www.lostart.de/de/Verlust/526702


Often, when a painting is restituted, it is the conclusion of a long and arduous process of archival research to establish the itinerary of the painting and the different actors involved in its looting (or sale, or transfer, or translocation). 
What happens if we take the NAMES that appear in the provenance AFTER an artwork has left the possession of the persecuted Jewish owner and plug them in to some powerful digital tools to check other provenance texts for their presence?

Could this application of digital tools provide clues that lead to other Nazi-looted artworks?

Nov 17, 2022

DATASET: E. & A. Silberman Galleries and American museums

E. & A. Silberman Galleries was an art dealership owned by Abris and Elkin Silberman.  This dataset includes artworks in American museums that mention Silberman in the ownership history.


View DATASET 

See details below:

Aug 31, 2021

Dataset: Problematic provenances of artworks in Dutch museums 31 AUG 2021

DATASET: 
Artworks published on the Dutch site Museale Verwervingen Vanaf 1933 (Investigation into the provenance of museum collections in connection with the theft, confiscation and sale of objects under duress between 1933 and 1945.)

Description: 
This dataset contains publicly available information originally published online by the Dutch authorities which has been formatted as a CSV file for easy download and analysis with digital tools. It includes 167 artworks selected by Dutch museums because they changed hands in Europe during the Nazi era (1933-1945) and have incomplete provenances. It is intended to facilitate research into Holocaust-era provenance for scholars, art historians, families, and data scientists. 

Contents: 167 artworks selected for provenance research by museums in the Netherlands

note: The objects were selected by museums in the Netherlands many of which declined to participant. The selection is not complete.

Date Retrieval: 
31 August 2021

Date Publication:  
31 August 2021

Information in the Dataset:
RetrievalDate, Source Url, Artist, Title, Year, Technique, Inventorynumber, Category, Museum, Conclusion,Explanation, Provenance, Dimensions



DOWNLOAD CSV



Apr 12, 2020

UK Spoliation Reports Collections Trust downloadable DATASET CSV


InstitutionArtworks in Spoliation Reports from UK Museums, UK Collections Trust 15 April 2020
British Museum7329
Courtauld Gallery3133
Fitzwilliam Museum2415
Ashmolean1501
Victoria & Albert Museum559
Tate524
Glasgow Museums344
Manchester City Galleries298
British Library239
Amgueddfa Cymru168
National Gallery165
Whitworth Art Gallery149
National Galleries of Scotland131
Southampton City Art Gallery128
Hull City Museums & Art Gallery93
York Art Gallery72
Bowes Museum62
Bristol Museums & Art Gallery55
Leicester City Museums54
National Maritime Museum47
Northampton Museums43
Birmingham Museums And Art Gallery32
Barber Institute of Fine Arts32
Hunterian Museum & Art Gallery28
Tyne and Wear Archives and Museums20
Norfolk Museums Service11
Museum of London11
Institution10
Aberdeen Art Gallery & Museums10
National Museums Liverpool7
National Portrait Gallery5
National Museums of Scotland2
Science Museum Group1
National Trust for Scotland1
0
Grand Total17679


See the Dataset of Provenances for each artwork published by Collections Trust here:
https://docs.google.com/spreadsheets/d/e/2PACX-1vQ0HqOLC2dqJvDjASzgIzNAh125Ywz3WhA3YY1wSx-2-Cgk3en9eVNSj3xIzakG4SVZ0fPib4dw6WZQ/pubhtml


Format: CSV


DescriptionThis dataset gathers together in an easy to download CSV file provenance information and questions contained in the Spoliation Reports from UK Museums published by the Collections Trust.  It is intended to facilitate research into Holocaust-era provenance for scholars, art historians and families. 
The original and best source of information concerning provenance remains the Spoliation Reports for each museum on the Collections Trust website.

Download CSV File : 17679  provenances and questions about provenance gaps from the Spoliation Reports of UK Museums in CSV here


Version: 2





For the most recent information on the Spoliation Reports from UK Museums, please consult the website of  the Collections Trust UK Spoliation Reports for UK Museums