Showing posts with label Museum. Show all posts
Showing posts with label Museum. Show all posts

Apr 18, 2026

Lost Art Search Requests for artworks currently in the National Gallery of Art in Washington DC

The heirs of persecuted Jewish collectors Armand Dorville, Max and Martha Leibermann, Adele Paechter and the Brombergs have all filed Search Requests for Lost Art on the German Lost Art Foundation website for artworks which currently are listed in the collections of the National Gallery of Art in Washington D.C..

Below are five artworks with the provenances as published on Lost Art and the provenance published on the NGA website from the same day.

One notes, in particular, the ABSENCE on the NGA website of any mention of DORVILLE, LIEBERMANN or PAECHTER in the NGA version. 

This raises questions about the quality of the provenance research.

1. Saint Mary Cleophas and Her Family

NGA 1961.9.88 Saint Mary Cleophas and Her Family  Lost Art 526719 

Bernhard Strigel - Maria Kleophas und ihre Familie (National Gallery of Art)

PROVENANCE published on Lost Art (April 18, 2026): "möglich Sammlung O. Streber, München; Haskard Bank, Florenz und Charles Fairfax Murray als Agent, 1900; Thomas Agnew & Sons, Ltd., London, 1900; Sammlung Rodolphe Kann (gest. 1905), Paris, Mai 1900 -; Kunsthandel Duveen Brothers, Paris, August 1907; Sammlung Martin Bromberg (und Erben), Hamburg, August 1907 - 1935 (nach) [...]; Sammlung Dr. Max Emden, Schweiz (?); Kunsthandel F. Kleinberger (Allan Loebl), Paris vor 20.12.1938; Kunsthandel Wildenstein & Co., Paris 1939; Samuel H. Kress Foundation, New York, Februar 1954 - 1956; National Gallery of Art, Washington, als Leihgabe, 1956 - 1961; National Gallery of Art, Washington, als Geschenk, 1961"

Lost Art Search request for persecuted Jewish collectors: Dr. Henry und Hertha Bromberg , published March 20, 2015


PROVENANCE published on NGA museum website (April 18, 2026)

Possibly O. Streber, Munich.[1] (Haskard Bank, Florence, and Charles Fairfax Murray, as agent, by 1900);[2] sold 1900 to (Thomas Agnew & Sons, Ltd., London); sold May 1900 to Rodolphe Kann [d. 1905], Paris;[3] by descent to executors of the Kann estate: Edouard Kann, Paris; Betty Schnaffer [née Kann], Frankfurt; Martin and Eleanore [née Kann] Bromberg, Hamburg; Jacob and Mathilde [née Kann] Emden, Hamburg, and Edmond and Madeline [née Kann] Bickard See, Paris.[4] (Duveen Brothers, Paris, August 1907);[5] purchased August 1907 by members of the Kann family, possibly Martin and Eleanore Bromberg, Hamburg.[6] Probably Dr. Max Emden, Switzerland, by 1939.[7] (Wildenstein & Co., New York, by 1939);[8] purchased February 1954 by the Samuel H. Kress Foundation, New York;[9] Denver Art Museum, Colorado, 1954-1958; at the NGA from February, 1958;[10] gift 1961 to NGA.

[1] Unverified, cited by Alfred Stange, Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer. 3 vols. (Munich, 1970), 2:204, no. 899.

[2] Letter of 24 January 1969, from Richard Kingzett, Thos. Agnew & Sons, Ltd., London, to Colin Eisler, in NGA curatorial files.

[3] Kingzett letter of 24 January 1969 cited above.

[4] Duveen stockbook in archives at the Metropolitan Museum of Art, New York; see letter of 23 February 1987 from Guy Bauman, Department of European Paintings to John Hand in NGA curatorial files.

[5] Guy Bauman letter cited above and Edward Fowles, Memories of Duveen Brothers (London, 1976), 36-43.

[6] Bauman letter, cited in note 4, notes that in both the stockbook and the salesbook, the paintings are listed only as having been sold to "Kann relations."

[7] Wildenstein & Co. brochure in NGA Kress files lists Bromberg and Dr. Emden as previous owners.

[8] Letter of 14 September 1988 from Ay-Whang Hsia, Wildenstein & Co., to John Hand, in NGA curatorial files.

[9] The bill of sale (copy in NGA curatorial files, see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1873) is dated February 10, 1954, and was for a total of fourteen paintings; payments by the Foundation continued to March 1957.

[10] William E. Suida, Paintings and Sculpture of the Samuel H. Kress Collection. (Denver, 1954), 64, no. 28; letter of 10 November 1987 to John Hand from Louise H. Kliopov, Denver Art Museum, in NGA curatorial files. Eisler 1977, 26, reversed the exhibition dates for this and the Saint Mary Salome and Her Family also by Strigel.

https://www.nga.gov/artworks/46187-saint-mary-cleophas-and-her-family

Aug 30, 2024

Alsdorf in provenances of artworks in the Chicago Art Institute

James and Marilynn Alsdorf contributed many valuable artworks to the Art Institute of Chicago.
The table below shows provenance texts as published on AIC's website in August 2024. 
Provenance gaps of over a thousand years are not uncommon.

May 31, 2024

Reportedly found in - a sampling of interesting provenances

What does "reportedly found in" mean when it appears in a provenance text for an artworks or antiquity?

Below are a few sample texts.

(Texts published by museums are indicated by color.)

Sep 2, 2023

DATASET: Latchford Wiener Hecht Sperling Klejman in provenances at Metropolitan Museum of Art

FLASH: 26 Doris Wiener provenances added 17SEP2023!

September 2, 2023

DATASET Metropolitan Museum of Art artworks with links to Douglas Latchford, Doris Wiener, Robert Hecht, Harry Sperling, John Klejman, Klaus G. Perls, Joseph Brummer 


Dataset name: Selection Latchford plus Metmuseum 2022


Description: This enhanced Provenance dataset has been constructed from information available on the public internet site of the Metropolitan Museum of Art. It includes the provenance and credit line information for artworks which mention Douglas Latchford, Doris Wiener, Robert Hecht, Harry Sperling, John Klejman, Klaus G. Perls, Joseph Brummer and others.  It is intended to facilitate research into antiquities provenance for scholars, art historians and investigators. 


Format: Google Sheet


URL: https://docs.google.com/spreadsheets/d/e/2PACX-1vTO8W-KpmI91d_l-l4LAoyp_alzQAPaIFAhug2YbStfvUeWMWqjmeAVtO-E4vA7PrOrzjza7b26s6DH/pubhtml?gid=995287093&single=true


Download: CSV



Contents:

  • Selection
  • Source
  • RetrievalDate
  • YEAR Acquired
  • Source Url
  • Title Date
  • Artist
  • Credit Line
  • Acc Num
  • Provenance (as published by the Metropolitan Museum on its website on March 29, 2022)
  • Description
  • Artist_Region
  • Artwork__tombstone Value


Publisher of Dataset: OAD


Date of Publication: September 2, 2023




Dec 7, 2022

How to use information in the provenance texts of Nazi looted art that has been restituted to find other Nazi-looted artworks

This Nazi-looted painting was restituted in 2016. 
https://www.lostart.de/de/Verlust/526702


Often, when a painting is restituted, it is the conclusion of a long and arduous process of archival research to establish the itinerary of the painting and the different actors involved in its looting (or sale, or transfer, or translocation). 
What happens if we take the NAMES that appear in the provenance AFTER an artwork has left the possession of the persecuted Jewish owner and plug them in to some powerful digital tools to check other provenance texts for their presence?

Could this application of digital tools provide clues that lead to other Nazi-looted artworks?

Nov 17, 2022

DATASET: E. & A. Silberman Galleries and American museums

E. & A. Silberman Galleries was an art dealership owned by Abris and Elkin Silberman.  This dataset includes artworks in American museums that mention Silberman in the ownership history.


View DATASET 

See details below:

Aug 31, 2021

Dataset: Problematic provenances of artworks in Dutch museums 31 AUG 2021

DATASET: 
Artworks published on the Dutch site Museale Verwervingen Vanaf 1933 (Investigation into the provenance of museum collections in connection with the theft, confiscation and sale of objects under duress between 1933 and 1945.)

Description: 
This dataset contains publicly available information originally published online by the Dutch authorities which has been formatted as a CSV file for easy download and analysis with digital tools. It includes 167 artworks selected by Dutch museums because they changed hands in Europe during the Nazi era (1933-1945) and have incomplete provenances. It is intended to facilitate research into Holocaust-era provenance for scholars, art historians, families, and data scientists. 

Contents: 167 artworks selected for provenance research by museums in the Netherlands

note: The objects were selected by museums in the Netherlands many of which declined to participant. The selection is not complete.

Date Retrieval: 
31 August 2021

Date Publication:  
31 August 2021

Information in the Dataset:
RetrievalDate, Source Url, Artist, Title, Year, Technique, Inventorynumber, Category, Museum, Conclusion,Explanation, Provenance, Dimensions



DOWNLOAD CSV



Apr 12, 2020

UK Spoliation Reports Collections Trust downloadable DATASET CSV


InstitutionArtworks in Spoliation Reports from UK Museums, UK Collections Trust 15 April 2020
British Museum7329
Courtauld Gallery3133
Fitzwilliam Museum2415
Ashmolean1501
Victoria & Albert Museum559
Tate524
Glasgow Museums344
Manchester City Galleries298
British Library239
Amgueddfa Cymru168
National Gallery165
Whitworth Art Gallery149
National Galleries of Scotland131
Southampton City Art Gallery128
Hull City Museums & Art Gallery93
York Art Gallery72
Bowes Museum62
Bristol Museums & Art Gallery55
Leicester City Museums54
National Maritime Museum47
Northampton Museums43
Birmingham Museums And Art Gallery32
Barber Institute of Fine Arts32
Hunterian Museum & Art Gallery28
Tyne and Wear Archives and Museums20
Norfolk Museums Service11
Museum of London11
Institution10
Aberdeen Art Gallery & Museums10
National Museums Liverpool7
National Portrait Gallery5
National Museums of Scotland2
Science Museum Group1
National Trust for Scotland1
0
Grand Total17679


See the Dataset of Provenances for each artwork published by Collections Trust here:
https://docs.google.com/spreadsheets/d/e/2PACX-1vQ0HqOLC2dqJvDjASzgIzNAh125Ywz3WhA3YY1wSx-2-Cgk3en9eVNSj3xIzakG4SVZ0fPib4dw6WZQ/pubhtml


Format: CSV


DescriptionThis dataset gathers together in an easy to download CSV file provenance information and questions contained in the Spoliation Reports from UK Museums published by the Collections Trust.  It is intended to facilitate research into Holocaust-era provenance for scholars, art historians and families. 
The original and best source of information concerning provenance remains the Spoliation Reports for each museum on the Collections Trust website.

Download CSV File : 17679  provenances and questions about provenance gaps from the Spoliation Reports of UK Museums in CSV here


Version: 2





For the most recent information on the Spoliation Reports from UK Museums, please consult the website of  the Collections Trust UK Spoliation Reports for UK Museums