Jul 14, 2024
Jul 10, 2024
DATASET: Art Provenances AFTER Restitution of Looted Art
Claims for Nazi-looted art or duress sales sometimes result in restitution or settlement agreements which cause the restituted artwork to be sold at auction.
Below are artworks whose provenance, as published by Christie's auction house, mentions a restitution or settlement agreement with the heir of a victim of Nazi persecution.
These provenance texts provide valuable information to art historians and Holocaust researchers, offering insights into the art market networks that dealt in Holocaust-linked artworks between the time they left the possession of the persecuted Jewish collectors and the time they were restituted.
(original source of information: Christie's auction website)
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Jul 9, 2024
Erasing Jewish owners from provenance: Martha Liebermann
Martha Liebermann committed suicide the day before her planned deportation by the #Nazis to the Theresienstadt Ghetto
— Open Art Data | @openartdata.bsky.social (@OpenLinkArtData) July 9, 2024
Her heirs list this portrait of her daughter Käte by her husband Max on Lost Art.
You would not know this from the #NGA's #provenance.https://t.co/5JY2Clrb0b pic.twitter.com/q0xVQLhDkb
Jun 25, 2024
Graupe in provenance texts of American museums
The Paul Graupe auction house was a key player in sales of Jewish art collections during the Nazi-era.
In this post, we look at a selection of 88 artworks in American museums that mention "Graupe" in the provenance text.
Some texts refer to sales prior to 1933. Some texts specify that an artwork was NOT sold at Graupe's. And some texts clearly refer to sales at Graupe's during the Nazi era. Some texts are factual while others contain speculative language.
Jun 21, 2024
Provenances for Chagall at the Kunstmuseum Basel in Switzerland?
How are Swiss museums progressing on Nazi-era provenances?
A search for Marc Chagall at the Kunstmuseum Basel.
- Marc Chagall
- Öl auf Leinwand
- 87.4 x 64.4 cm
- Kunstmuseum Basel, mit einem Beitrag von Dr. h.c. Richard Doetsch-Benziger erworben 1950
- Inv. 2239
Provenienz
1926Alfred Flechtheim (1878–1937), Berlin (in Kommission?)
Datum unbekannt – ca. 1930Christoph Bernoulli (1897–1981), Basel
ca. 1930 – 1950Eduard Freiherr von der Heydt (1882–1964), Ascona, angekauft bei Christoph Bernoulli
1950 – heuteKunstmuseum Basel, angekauft bei Eduard von der Heydt