Who was S.B.S. Slijper?
Showing posts with label criminology. Show all posts
Showing posts with label criminology. Show all posts
Mar 28, 2021
"The painting was bought at the auction in 1940 by a Dutch man, S.B.S. Slijper"
see: Heirs Sue for Return of a Kandinsky, Saying It Was Looted by Nazis, NYT, https://www.lootedart.com/news.php?r=SBYXH2908751
Sep 19, 2019
Colonial-Era Art Provenance and dealer JJ Klejman
A simple Google search on JJ Klejman turns up several interesting articles concerning art from European colonies. Below are the results from a search (from Europe) on September 19, 2019
(photo: Fowl, Nigerian, Court of Benin, NGA, provenance:Reportedly Benin City, Nigeria, before 1897.[1] (J.J. Klejman Gallery, New York); purchased around 30 November 1955 by Winston Guest, New York; gift 1955 to NGA.[1] The object was brought to Europe by a member of the British punitive expedition to the Kingdom of Benin in 1897, according to a letter of 30 November 1955 from J.J. Klejman, New York, to Winston Guest, New York (in NGA curatorial files).
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About 9,120 results
Besides Harry Sperling another of my favorite dealer-smugglers was John J. Klejman. He and his wife owned an elegant gallery on Madison Avenue and 76th ..
Sep 2, 2017 - Art Gallery owned by art dealer John Klejman. ... dealer John Klejman. John Klejman; Klejman Gallery; J. J. Klejman; John Jacob Klejman. edit ...
John J Klejman (Biographical details). John J Klejman (dealer/auction house; collector; American (USA); Male). Also known as. Klejman, J J. Biography.
Jan 11, 2019
Mapping ALIU looted art market networks with Google Fusion Tables
Graphs from Google Fusion Tables can help us to visualise the Nazi looted art market described in 1946 by the OSS Art Looting Investigation Unit |
There is little, at present, in the way of digital network analysis of Nazi looted art markets.
The field appears to be wide open. (Digital art historians, take note).There does not seem to be a sophisticated user base of researchers adapt at using digital tools to explore Nazi looted art markets or even much of an appreciation for how illuminating use of these tools can be.
Google Fusion Tables is a free experimental tool that is easy to use, very powerful and built for collaboration. It has been widely adopted by investigative journalists and data journalists whose analytical detective methods have much to offer to historians of the Holocaust as well as scholars of the art market.
Time is short, as Google has announced plans to pull the plug on Fusion Tables on December 3, 2019.
The clock is ticking. However, in the eleven months that Google Fusion Tables has to live, there is a lot of innovative research that can be done with methods that are within the reach of absolutely anyone who cares to learn. (This includes not just those interested in Nazi looted art, but also researchers of colonialism.)see:
Networks of Bruno Lohse
The Ultimate Art Looting Network: Agents of High Placed Nazis
Switzerland in the Art Looting Investigation Unit Red Flag List of Names
Networks of Gustav Rochlitz
RIP Fusion Tables: Google is killing off the beloved data visualization tool from Fastcompany
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