Jan 4, 2019

Switzerland in the Art Looting Investigation Unit Red Flag List of Names

Art Market Network Visualisation for Swiss dealers:  focus Theodor Fischer
source: Art Looting Investigation Unit Final Report

The 1946 ALIU Final Report broke the Red Flag List Name down into ten separate geographical areas:  Germany, France, Switzerland, The Netherlands, Belgium, Italy,  Spain, Portugal, Sweden and Luxembourg. 

The network was International and overlapped But the ALIU tried to identify important actors by country.

In this post, we will look at the ALIU's listings for Switzerland. 


The place where two networks intersect is extremely interesting.
Red Flag Names in the Switzerland section of the 1946 Art Looting Investigation Unit Final Report meet Red Flag Names that mention Linz in the description


So far we have looked at a few individual names and their networks as described in the 1946 report.

In this post we change focus to examine the links to a geographical area: Switzerland.  Note: we are using the ALIU units category "Switzerland" for this analysis.
(An alternative approach would be to include every Red Flag entry that mentions the word "Switzerland" or a city in the country of Switzerland. This second approach would capture individuals not of Swiss nationality who had links to Switzerland which could be useful.)



Map of ALIU Red Flag names from the section on Switzerland, using the location information in the 1946 report.

The original ALIU texts are attached to each red data point.

Zoom on Zurich art dealers (source: ALIU 1946 Final Report)


The only data cleaning was to correct three misspellings discussed in a previous post: Seira==> Skira; Caillier ==> Cailler; and Natman ==>Nathan). Otherwise the texts displayed are exactly as written  in 1946 by the OSS Art Looting Investigation Unit.

The ALIU entry for Tanner, President of the Federation of Swiss Art Dealers. The red marker is automatically located at Zurich, Bahnhofstrasse 29, the location included in the ALIU Final Report.

Above is the Art Looting Investigation Unit 1946 entry for Tanner, President of the Federation of Swiss Art Dealers.
Below is the ALIU 1946 entry for Neupert Galerie.

Galerie Neupert in Zurich "Father and son art dealers, in contact with Hofer, Haberstock, Lohse and Fischer" 
(source: ALIU final Report)

Albert Skira (which had been mistranscribed in the ALIU digital version as Seira) had a very long entry in 1946.
Albert Skira in Geneva: "Owner of publishing firm'Editions d'Art', on British and American Proclaimed Lists
(source: ALIU Final Report)
Below is the ALIU 1946 entry for Dr. Fritz Nathan (elsewhere misspelled as "Natman".)


Dr Fritz Nathan in St Gallen: "Adviser to Buehrle, and intermediary between Fischer, Hofer and Buehrle"
(source: ALIU Fnal Report)

Misspellings such as those for Nathan (Natman), Skira (Seira) and Cailler (Caillier) generate errors in network analysis and have to be corrected before generating intersecting network graphs.

Below is the cluster for Switzerland - that is, Red Flag names that were presented in the "Switzerland" section of the Final Report.

The list of Red Flag Names in the Switzerland section of the ALIU Final Report can be visualised as a network.




Which names to focus on? We can look at the number of mentions in both the ALIU Red Flag list and the Switzerland section of this list for suggestions:

ALIU RED FLAGMENTIONSALIU SWITZERLANDMENTIONS
schenker155
hofer152hofer19
err139fischer15
goering93wendland15
muehlmann90err10
bornheim56reber7
haberstock56rosenberg7
lohse50buehrle5
kunstschutz47angerer4
goering’s40engel4
wendland40lohse4
dienststelle33matisse4
wuester32stoecklin4
angerer25frey3
fischer23goering3
schloss23neupert3
dietrich21schmidlin3
rochlitz20tanner3
rosenberg20ascona2
frapier19benzion2
bauer17bernheim2
voss17boehler2
engel16buemming2
posse16dreyfus2
reber16haberstock2
plietzsch15hirschland2
dequoy14levy2
loebl14montag2
heerengracht13nathan2
lange13oerlikon2
mueller13raeber2
martin12rochlitz2
behr11skira2
boehler11toepfer2
charles11truessel2
schmidt11veraguth2
gurlitt10versoix2
inquart10wuester2
katz10
lefranc10
paech10
scholz10
wildenstein10
kieslinger9
bachstitz8
boitel8
buehrle8
goepel8
goudstikker8
hamann8
hermssen8
petrides8
poellnitz8
postma8
bunjes7
devisenschutzkommando7
fabiani7
gritzbach7
heinz7
herbst7
hitler7
hoffmann7
holzapfel7
kajetan7
lagrand7
mandl7
perdoux7
poznan7
weinmueller7
bernheim6
brueschwiller6
friedlander6
garin6
gerard6
jansen6
kogl6
leegenhoek6
lippmann6
manteau6
mohnen6
morandotti6
rosenthal6
rothschild6
wolff6


We will gradually explore the different clusters within the Swiss and other networks in future posts.

For more on analysing art dealing networks, see also:





Lootedart.com: https://www.lootedart.com/MVI3RM469661
(which obtained its information from NARA http://www.archives.gov/research/holocaust/art/ accessed 4 February 2008



Jan 2, 2019

Networks of Gustav Rochlitz

The OSS Art Looting Investigation Unit Red Flag List of Names contains twelve entries that mention Rochlitz as a direct link. Network graph produced by Google Fusion Tables from ALIU data filtered on "Rochlitz")


Gustav Rochlitz is mentioned in the entries for sixteen people in the 1946 Art Looting Investigation Unit (ALIU) Red Flag List.

These are:
Bammann, Hans
Rademacher, Dr Bernard
Wuester, Adolf
Adrion, Philippe
Birtschansky, Zacharie
Cailleux, Paul
Duthey, Jean Paul Louis
Klein
Kuehne & Nagel
Landry, Pierre
Levy, Mlle
Petrides, O
Rosner, Isador (or Ignacy)
Thierry
de Trevise, Duc
von Frey, Count Alexander
Wendland, Dr Hans

How to analyse this network?


It is interesting to note that while the ALIU entries for the above names contain mentions of Rochlitz, the entry for Gustav Rochlitz in the ALIU Red Flag list does not, for practical reasons, mention any of his "many contacts". They are simply too many to fit in the limited space available in the ALIU Red Flag List. Rather the ALIU entry attempts to summarize Rochlitz' main roles and "most intimate" connections.

 Rochlitz's own ALIU Red Flag entry reads:


Rochlitz, Gustav: Art dealer, active in France prior to and during World War II in the interests of the Third Reich Chief participant in exchanges of paintings confiscated by the ERR, and important recipient of loot. Personal belongings and dealer’s stock stated to be at Todtmoos/Baden (in French Zone of Occupation), in the house of Edward Schupp Possibly removed by Lt Loos of the French Army to Loerach-Schopfheim Apart from Rochlitz’s many contacts in Paris, his two most intimate friends were E Ascher (rue Jacques Callot, corner rue de Seine) and M de Beurry (42 rue Ernest Cresson) formerly of the Paris police Rochlitz has been indicated by the French Government (Seine Tribunal, Judge Frapier) and is presently confined at Fresne Prison, Paris


The Rochlitz entry contains words such as "art dealer", "France", "World War II", "Third Reich", "paintings", "ERR", "loot", Todtmoos/Baden", "French zone of Occupation", "Edward Schupp", "French army" "Loerach-Schopfheim", "Paris", E Ascher", "rue Jacques Callot", "rue de Seine", "M de Beurry", "42 rue Ernest Cresson", "Paris police", "indicated" (a misspelling or mistranscription of "indicted"), "French government", "Seine Tribunal", "Judge Frapier", "Fresne Prison".

Many of these entities appear in other ALIU Red Flag entries and could, in their turn, serve to explore connected networks.

Would this be useful?

For example, if one filters ALIU Red Flag entries for "dealer", 213 names appear. Most have locations that can be mapped. Here is Europe:




What happens if we cross the Rochlitz direct link information with, for example, the dealer information?


Well, frankly, the chart gets harder to read. Part of Rochlitz' network disappears into the magma of the 213 dealers, and we have a less clear picture of what is going on.

The occupation "art dealer" seems like an important attribute but not in this analysis where it produces more noise than insight.

What if, on the contrary, we join Rochlitz' network with the networks of one of his direct links, say Wuester?


Bammann, Hans
Rademacher, Dr Bernard
Wuester, Adolf
Adrion, Philippe
Birtschansky, Zacharie
Cailleux, Paul
Duthey, Jean Paul Louis
Klein
Kuehne & Nagel
Landry, Pierre
Levy, Mlle
Petrides, O
Rosner, Isador (or Ignacy)
Thierry
de Trevise, Duc
von Frey, Count Alexand

Perhaps we can see which of Rochlitz' direct links also had direct links to, say, Wuester?

The chart below shows Wuester's direct connections in the ALIU Red Flag list.


Adolf Wüster had a lot of direct links, including Gustav Rochlitz. 

Some of Wuester's direct links are also direct links for Rochlitz. For example: Paul Cailleux.



Art dealer Paul Cailleux, 136 rue du Fbg St Honore,  had direct links to both Wuester and Rochlitz.


If we put ALIU data for Wuester and Rochlitz together, we see:



This network chart helps us to see at a glance that Paul Cailleux, Dr. Hans Wendland, Duc de Trevise, Hans Bammann, Dr. Bernhard Rademacher have this in common: they all had direct links to both Wuester and Rochlitz.



This is an intriguing beginning. Now where can we go from here? One could perform the same analysis with each of Rochliz' direct links, or even combine them all into a single analysis.
One could go further and create a matrice with every connection mentioned in the ALIU final Report.
What might this show us? How to present the network graph so that it is readable and useful for researchers?
Is it more helpful to use a wide or a narrow focus?

What if we mix  ALIU documented  networks with other types of networks, from other types of sources?


To be continued...

see also: The Networks of Walter Bornheim and The Networks of Bruno Lohse





Dec 31, 2018

Networks of Bruno Lohse

ALIU rendered as networks: Lohse and Loebl Red Flag Names


Is there an easy way to view looted art networks? Above is what the Red Flag Names that mention Dr. Bruno Lohse and/or Allen (Ali) Loebl look like.

One sees that several people - Manon Loebl, Dr. Hans Wendland, F Mestalet, Pierry Landry and Victor Mandl have direct links to both Dr Bruno Lohse and to Allen (Ali) Loebl.

This chart indicates merely that the Art Looting Investigation Unit described some kind of relationship. It does not tell us the nature of the relationship (although this information is in the original ALIU Red List data.) The ALIU Red Flag Name list says that Manon Loebl and Allen Loebl are brothers, but the viewer cannot see this on the chart.

Below is the network of direct connections between Red Flag Names and Walter Andreas Hofer.

What happens if we combine them?