Crucifixion, Miguel Alcanyís c. 1425 Accession Number 64.11.14 (provenance gap of 539 years?)
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Back when the Nazi Era Provenance Internet Portal still existed, The CMOA published a list of artworks that it considered had Nazi-era provenance gaps.
Then, in 2015, the CMOA received a $350,000 grant for digital provenance research, in which it made great and innovative progress, sharing methods and results, in a project called ArtTracks.
(see: NEH awards grant to Carnegie Museum of Art for digital provenance project)
But if you look at the CMOA's public website today, you will find no provenance - not even for the NEPIP items that had provenance back in 2015.
In the intervening years the format of the CMOA urls have changed twice, making it difficult to connect the original 2015 provenance file to the current online records.
To facilitate this connection, below is the DATASET of selected CMOA artworks with provenance from 2015, but with the urls updated to link to the current website.