Crucifixion, Miguel Alcanyís c. 1425 Accession Number 64.11.14 (provenance gap of 539 years?)
***
Back when the Nazi Era Provenance Internet Portal still existed, The CMOA published a list of artworks that it considered had Nazi-era provenance gaps.
Then, in 2015, the CMOA received a $350,000 grant for digital provenance research, in which it made great and innovative progress, sharing methods and results, in a project called ArtTracks.
(see: NEH awards grant to Carnegie Museum of Art for digital provenance project)
But if you look at the CMOA's public website today, you will find no provenance - not even for the NEPIP items that had provenance back in 2015.
In the intervening years the format of the CMOA urls have changed twice, making it difficult to connect the original 2015 provenance file to the current online records.
To facilitate this connection, below is the DATASET of selected CMOA artworks with provenance from 2015, but with the urls updated to link to the current website.
DATASET CMOA with NEW URLS
View dataset on Public Google Sheets
Download CSV file
| Title | Artist | creation_date | Acc Num | credit_line | provenance 2015 Github | NEW URL 11SEP2023 |
| The Shipwreck | Eugène Louis Gabriel Isabey | late 1830s | 2002.11 | Major Paintings Acquisition Fund | Eugène Isabey [1803-1886], until April 27, 1886; Estate of Eugène Isabey, April 27, 1886 until March 30, 1887; (sold at Galerie Georges Petit, Paris, France, on March 30, 1887) [1]. Comte T. de?, until December 16, 1946 [2]; (sold at Vente Me Sauvage, Lille, France, on December 16, 1946) [3]. Private collection, France; (Elwes & Hanham, Ltd., London, England, by January 2002); purchased by Carnegie Museum of Art, Pittsburgh, PA, April 2002. NOTES: [1] Lot 19. Sold for 1,860 francs. [2] The sale at Vente Me Sauvage only lists the sale as that of "Comte T. de ... ... ...". [3] Sold for 25,500 francs. | https://collection.carnegieart.org/objects/87402675-cab1-4ea6-a355-b1cef00ea9c3 |
| Elephant | Bart Antony van der Leck | 1924 | 2002.63.2 | Paintings Acquisition Fund | H. P. Bremmer, The Hague; J. Hudig, Rotterdam; Private Collection; (sale, Sotheby's, Amsterdam, 26 November 2002, lot 112); purchased by Museum, November 2002. | https://collection.carnegieart.org/objects/fbb19d5c-f380-4fd0-b1bf-1e3f2da12419 |
| Dr. Washington Epps, My Doctor | Lawrence Alma-Tadema | 1885 | 2002.63.1 | Heinz Family Fund | Lawrence Alma-Tadema [1836-1912]; gift to Dr. Washington Epps [1848-1912], London, 1885 until 1912 [1]; Mrs. Washington Epps, his widow, Hampstead, 1912 until 1913; George Selby Washington Epps, her son [1885-1951], Spaxton, Somerset, 1913 until 1951; Mrs Leonora Doris Epps, his widow [1883-1961], Spaxton, Somerset, until 1961 [2]; by descent to relatives of Leonora Doris Epps, 1961 until 2001; (Lowell Libson, Ltd., London, 2001 until 2002); purchased by Museum, December 2002. NOTES:1. Washington Epps was Alma-Tadema's brother-in-law. 2. Her maiden name was Leonora Doris Peacock. She married George Selby Washington Epps in 1915. | https://collection.carnegieart.org/objects/62a956ad-de8a-43f3-91ee-a676c0028f53 |
| St. George and the Dragon | Yugoslavian | c. 1500 | 74.29 | Gift of Dr. Walter Read Hovey | Dr. Walter Read Hovey, Pennsylvania; gift to Museum, October 1974. | https://collection.carnegieart.org/objects/4fecab2c-f81c-45a4-8b8a-ad8dbdd0ece6 |
| Coast of Capri | Johan Christian Clausen Dahl | 1822 | 2000.57 | Heinz Family Fund | Johan Christian Clausen Dahl [1788-1857]. Prince Johan von Sachsen. Trond Halvorsen, Oslo, Norway, 1927 until 1968; by descent to Ruth Nesse, his daughter, Oslo, Norway; (sold at Artemis Fine Arts, Inc., New York, NY, December 2000); purchased by Carnegie Museum of Art, Pittsburgh, PA, December 2000. | https://collection.carnegieart.org/objects/bd4a3477-0c74-428f-8975-261d13627ed6 |
| Hay-Maker [Faneuse] | Adolphe-William Bouguereau | 1869 | 1997.58 | Gift of the Estate of Barbara Hoffstot Jenkins in honor of Mr. and Mrs. Henry Phipps Hoffstot and Mr. Henry Phipps Hoffstot, Jr. | Adolphe-William Bouguereau [1825-1905], Paris, France, until October 13, 1869; sold to Goupil & Cie, Paris, France, October 13, 1869 [1]; sold to Mr. Burns [2]. Frank Norton Hoffstot [1861-1938], Pittsburgh, PA and Long Island, NY, 1900? until December 1938 [3]; by descent to Mr. [1886-1967] and Mrs. Henry Phipps Hoffstot, Pittsburgh, PA, 1938 until July 30, 1967 [4]; Mrs. Henry Phipps Hoffstot [1884-1968], Pittsburgh, PA, July 30, 1967 until February 13, 1968 [5]; bequest to Barbara Hoffstot Jenkins [1919-1997], Warrenton, Virginia, 1968 until September 7, 1997 [6]; estate of Barbara Hoffstot Jenkins, September 1997 [7]; gift to Carnegie Museum of Art, Pittsburgh, PA, October 1997. Notes: [1]. Goupil stockbook no. 4481 as "La fanneuse" (sic); purchased for 3,000F (see curatorial file for copy of relevant information from Goupil book 4 in the Goupil archive at The Getty Research Institute.) [2]. Agreement to sell was made in September 1869; sold by Goupil for 7,500F. See above referenced record in Goupil book; see also "William Bouguereau - Catalogue Raisonné of his Painted Work" by Damien Bartoli, with Frederick C. Ross, Antique Collectors' Club, 2010 and 2014, no. 1869/10, plate 92, as well as correspondence from DeCourcy E. McIntosh, formerly of The Frick Art & Historical Center, in curatorial file. Note that lot 113 sold for £2,000 at Christie's in London on October 29, 1976 (a sale included in error in the provenance of the CMOA painting in the Bartoli publication), is not the CMOA painting but perhaps an early copy by Gustave Doyen (see curatorial file.) [3]. See December 4, 2012 and May 7, 2013 correspondence with Henry Hoffstot, Jr. in curatorial file. [4]. The painting hung over the fireplace in the library of their Pittsburgh residence, according to the correspondence with Henry Hoffstot, Jr. in note [3]. [5]. Marguerite Martin Hoffstot. [6]. Mrs. Alan Nelson Jenkins. [7]. The painting was received by the museum from the estate on September 30, 1997; it was accessioned on October 2, 1997. | https://collection.carnegieart.org/objects/4b5d4f79-c592-48e2-b43a-7000eabfcf80 |
| Isabella (de Nassau) Countess of Arlington | Sir Peter Lely | c. 1684 | 59.9.1 | Gift of Mrs. George Leary | Mr. and Mrs. George Leary, Jr. [1902?-1955], New York, NY and Wilton, CT, 1946 until September 1955; Mrs. George (Eugenia Peabody) Leary, September 1955 until March 1959 [1]; her gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, March 1959. Notes: [1]. The painting was on long-term loan to the musuem from Mr. Leary since Decembmer 12, 1952. Updated and under on-going review by CGK | https://collection.carnegieart.org/objects/870d6bb4-d0fc-4d97-bcfb-e4d331cd16c1 |
| Mrs. Cleveland | Guglielmo de Sanctis | 1868 | 1997.55 | Gift of Mrs. Philip Hamilton | Guglielmo de Sanctis [1829-1911], Rome, Italy; Maria Elizabeth Cleveland [1822-1897], New York, NY and Paris, France, until at least 1884; Marvin F. Scaife, Pittsburgh, PA [1]. Mrs. Harry B. Richardson (Jean Holt Richardson) [1888-1960], Beaver, PA, by 1923 or 1924 [2]; by descent to her daughter Mrs. G. Philip Hamilton (Jean Richardson Hamilton) [1909-2001], Beaver, PA, by July 1997; her gift to Carnegie Museum of Art, Pittsburgh, PA, October 1997. Notes: [1]. See partial inscription on label removed from the reverse of the canvas. After a few relatively minor bequests to her sister and two servants, Mrs. Cleveland's will gave all of her furniture, objects of bijouterie and virtu to William Lucien Scaife; his brother Marvin F. Scaife was, however, the major beneficiary, receiving "a life income of substantially all her property..." See copy of "Matter of the Contested Will of Maria Elizabeth Cleveland, Deceased" (reference information of court decision and copies of newspaper reports in curatorial file.) [2]. Mrs. Richardson's daughter Mrs. Philip Hamilton, in conversation with Sally Davoren in July 1997, recalled that her mother bought the painting at a sale of property from a local storage company, perhaps Grogan's in Wilkinsburg, sometime in 1923 or 1924 (see notes from Sally Davoren in curatorial file.) The painting hung in the entryway of the family's Beaver home from the 1920's until summer 1997. | https://collection.carnegieart.org/objects/124cebf1-83dd-46a6-89e4-5e8b9c43a417 |
| Om Hrm Yantra | unknown Indian | c. 1700 | 71.42 | Leisser Art Fund | Galerie Krugier et Cie, New York; purchased by Museum, October 1971. | https://collection.carnegieart.org/objects/8a007f91-2772-438f-bb55-bc7918e53bf7 |
| Moonlight | Henri Le Sidaner | 1911 | 1996.43 | Gift of Dr. Jacob Goldblum and Milton Porter, by exchange | Henri Eugène Le Sidaner [1862-1939], France; Galeries Georges Petit, Paris, France [1]. Sale, Hotel Drouot, Paris, France, December 4, 1918, no. 83 [2]. The University Club, Pittsburgh, PA, until June 1996; purchased by Carnegie Museum of Art, Pittsburgh, PA, June 1996. Notes: [1]. Galeries Georges Petit no. 1136 and no. 10573. See Yann Farinaux -Le Sidaner, "Le Sidaner - L’Oeuvre peint et gravé," Edition André Sauret, 1989, no. 281, p. 128. [2]. According to above reference. | https://collection.carnegieart.org/objects/4813fb7d-1936-4a57-b48e-ce2c0a9a42dc |
| View on the Allegheny River | Fritz Thaulow | 1898 | 95.118 | Paintings Acquisition Fund | (sale, Sotheby's, New York, 1 November 1995, lot. 214); purchased by Museum, November 1995. | https://collection.carnegieart.org/objects/bab6b6b7-c8e6-4139-9ed0-c58639d31158 |
| The House of Gerberoy: Evening | Henri Le Sidaner | c. 1930 | 94.241 | Gift of Elizabeth Bascom in memory of her parents Ida and T. Raymond Evans | Henri Eugène Le Sidaner [1862-1939], Versailles, France, until May 1932 [1]; purchased by Mrs. T. Raymond (Ida) Evans [c. 1880-1956], Pittsburgh, PA, May 1932 until October 1956 [2]; by descent to her daughter Elizabeth E. Bascom (Mrs. Joseph H. Bascom), St. Louis, MO, October 1956 until December 1994 [3]; gift to Carnegie Museum of Art, Pittsburgh, PA, December 1994. Notes: [1]. The painting was included in the "Thirtieth Annual International Exhibition of Paintings (1931 Carnegie International) at Carnegie Institute, Pittsburgh, PA, October-December 1931 (no. 173; see photo in Carnegie International photo archive.) [2]. Mrs. T. R. Evans purchased the painting for $600 in 1931; she paid for it in two installments. Le Sidaner acknowledged receipt of the first payment in a letter dated January 3, 1932 and of the second on May 18, 1932. See copies of relevant documents from the Archives of American Art and other information in curatorial file. [3]. See correspondence from Mrs. Bascom in curatorial file. Her offer to donate the painting to the museum is dated June 29, 1994. | https://collection.carnegieart.org/objects/282f8b8d-d054-480a-8cfe-60bd0ef37b71 |
| Herodias with the Head of John the Baptist | Paul Delaroche | 1855 | 93.36 | Second Century Acquisition Fund | Benoit Fould; (sale, Sotheby's, New York, 17 February 1993, lot. 109); purchased by Museum, February 1993. | https://collection.carnegieart.org/objects/79782d8c-48e6-44ab-aca2-a703015b0f68 |
| Portrait of Three Children | Jeremiah Barrett | 1738 | 80.25 | Gift of Helene S. Thompson | Jeremiah Barrett [before1723-1770], Dublin, Ireland. G. David Thompson [1899-1965], Pittsburgh, PA, by 1954 until June 26, 1965 [1]; his wife, Helene S. Thompson (Mrs. G. David Thompson) [?-1982], Pittsburgh, PA, June 26, 1965 until May 1980; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1980. Notes: [1]. The painting had been on loan to Carnegie Institute from Mr. Thompson from 1954 to 1957. In 1957, Mr. Thompson designated it as a gift to the museum but later that year changed the status back to a long-term loan with the intention to give it later. At his death in June 1965, the matter was unresolved. The painting remained at the museum officially as a loan until Mrs. Thompson gifted it in 1980 (from minutes of the Museum of Art, Carnegie Institute Committee Meeting, May 8, 1980.) Updated and under review by CGK. | https://collection.carnegieart.org/objects/38726b8e-b4ab-4727-aad8-42e16a55b6ec |
| Italian Landscape | Andreas Achenbach | 1845 | 93.119 | Paintings Acquisition Fund | possibly in American Private Collection, Cincinnati (?); Kunsthaus Lempertz, Cologne; (sale, Shepherd Gallery, New York, 15 May 1993, lot 1484); purchased by Museum, October 1993. | https://collection.carnegieart.org/objects/946509e1-58a9-4461-982c-c23e24d22c37 |
| Ann Franks Day (Lady Ann Fenoulhet) | Sir Joshua Reynolds | 1760 | 74.7.23 | Bequest of Charles J. Rosenbloom | Sir Joshua Reynolds [1723-1792]; likely commissioned by Richard Edgcumbe, 2nd Baron Edgcumbe [1716-1761], London, England, c. 1759; by gift or descent to his mistress, the sitter, Ann Franks Day (Lady Ann Fenoulhet) [c.1728-1790], London, England, until c. 1763, Calais, France, c. 1763 until c. 1790 [1]; possibly sold for the benefit of her granddaughter Lydia de la Villebague, Paris, France, after 1790 [2]. Sir Thomas Baring [1772-1848], by 1845 until 1848 [3]; Thomas Baring, M. P. [1799-1873], London, England, probably 1848, but by 1851, until likely 1873 [4]; by bequest or descent to his nephew Thomas George Baring, 1st Earl of Northbrook [1826-1904], until 1904 [5]; by descent to Francis George Baring, 2nd Earl of Northbrook [1850-1929], until 1929; by descent to his wife, Florence Anita, Countess of Northbrook [1861-1946], London, England, 1929 until February 1938; Christie, Manson & Woods, London, June 11, 1937, no. 15 [6]; sold at Christie, Manson & Woods, February 25, 1938, no. 120 [7]; purchased by Markey, February 25, 1938 [8]. Symons Galleries, New York, NY, in April 1938 [9]. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [10]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. Ann Franks Day married Sir Peter Fenoulhet (sometimes spelled Fenhoulet) in July 1762. She was his second wife. [2]. See copy of Lady Fenoulhet's will in curatorial file. [3]. See Graves and Cronin "A History of the Works of Sir Joshua Reynolds, P. R. A.", Volume 1, London, 1899. [4]. The portrait, as that of "Mrs. Fenhouilet" (sic) by Sir Joshua Reynolds, is included in the chapter "The Collection of Thomas Baring, M.P., Upper Grosvenor Street, Grosvenor Square" in "London Exhibited in 1851," edited and published by John Weale, London; the same information is repeated in "The Pictorial Handbook of London," Henry G. Bohn, York Street, Covent Garden, 1854. [5]. Edward Hamilton's "Catalogue Raisonné of the Engraved Works of Sir Joshua Reynolds, P. R. A.", London, 1884, p. 171 adds the following information about the portrait: "FENHOULET, LADY. Painted 1760. Damaged by fire; has been restored. Lord Northbrook." The fire involved is likely the well-publicized one at Mr. Thomas Baring's London house at Grosvenor Square in October 1853. The fire damage/restoration comment is notable in that it helps to explain the condition of the painting. [6]. Countess of Northbrook sale, entitled "Pictures by Old Masters" as "Portrait of Lady Anne Fenhoulet;" bought in. [7]. "Important Ancient and Modern Pictures and Drawings" under the heading "The Property of a Lady". Annotated sales catalogues (Ellis Waterhouse) at Getty Research Institute identify the seller at the 1938 sale as Lady Northbrook. [8]. The buyer, "Markey," and purchase price, £115, 10s., at the 1938 sale are from an annotated sales catalogue at the Frick Research Library. [9]. Reported and illustrated in "The Connoisseur" issue of June 1938. [10]. The painting was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the Carnegie Institute in February-March 1946. | https://collection.carnegieart.org/objects/229e9a31-5288-4dbb-8129-b4e6f536b66e |
| Night in the Desert | Jean-Léon Gérôme | 1884 | 92.31.2 | Gift of the Thomas H. Nimick, Jr. Family in memory of Florence Lockhart Nimick | Jean-Léon Gérôme [1824-1904], Paris, France. Charles Lockhart [1818-1905], Pittsburgh, PA, by November 1895 until January 26, 1905 [1]; by descent to his great-granddaughter, Florence Dilworth Lockhart Nimick (1934-1981), Ligonier, PA and Pittsburgh, PA until May 1981 [2]; her husband, Thomas Howe Nimick, Jr. (1923-2007), Ligonier, PA and Pittsburgh, PA; gift to Carnegie Museum of Art, Pittsburgh, PA, October 1992. Notes: [1]. The painting was included in the inaugural "Loan Exhibition" at the Carnegie Institute Library in November 1895. See article in The New York Times, "Pictures in Pittsburg", November 10, 1895, p. 29. [2]. Mrs. Nimick's father was Charles Lockhart, whose father was James Henry Lockhart (died May 16, 1938), son of Charles Lockhart, the Pittsburgh family's patriarch. | https://collection.carnegieart.org/objects/451a6cff-7e82-4f30-904a-bf7fa224067a |
| Lion Snapping at a Butterfly | Jean-Léon Gérôme | 1889 | 92.31.1 | Gift of the Thomas H. Nimick, Jr. Family in memory of Florence Lockhart Nimick | Jean-Léon Gérôme [1824-1904], Paris, France. Charles Lockhart [1818-1905], Pittsburgh, PA, until January 26, 1905; by descent to his great-granddaughter, Florence Dilworth Lockhart Nimick [1934-1981], Ligonier, PA and Pittsburgh, PA until May 1981 [1]; her husband, Thomas Howe Nimick, Jr. [1923-2007], Ligonier, PA and Pittsburgh, PA; gift to Carnegie Museum of Art, Pittsburgh, PA, October 1992. Notes: [1]. Mrs. Nimick's father was Charles Lockhart, whose father was James Henry Lockhart (died May 16, 1938), son of Charles Lockhart, the Pittsburgh family's patriarch. | https://collection.carnegieart.org/objects/2e02f810-c01e-4bcf-ac20-fde3792e9864 |
| Portrait of Mrs. Anne Dashwood | George Romney | c. 1767 | 61.15 | Gift of Mr. and Mrs. Charles Dreifus, Jr. and Mr. and Mrs. A. Cass Sunstein in memory of Annette Dreifus | George Romney [1734-1802]; Dashwood family collection [1]; by descent to Major-General R. L. Dashwood [1837-1905] of Stanford Park, Nottinghamshire, England and London, England, probably in January 1891, but by summer 1900 [2]. Scott & Fowles, New York, NY, by November 14, 1926 [3]; their sale, American Art Association, New York, NY, November 19, 1926, no. 82; purchased by Lewis & Simmons, London, England. John Levy Galleries, New York, NY, 1928 [4]. Mrs. Charles (Annette Hershberg) Dreifus [1877-1961], Pittsburgh, PA, until April 10, 1961; by descent to her children, Charles Dreifus, Jr. [1908-1966], San Francisco, CA and Mrs. A. Cass (Louise) Sunstein (1901-?), Pittsburgh, PA and Palm Beach, FL, until September 19, 1961 [5]; their gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, September 1961. Notes: [1]. Probable descent in the Dashwood family: The sitter, Ann (Anne) Bateman Dashwood (see information on back of the painting), married on April 15, 1744 to Samuel Dashwood [1725-1793 or 1794]; their daughter Diana Dashwood [1748?-1812], married on July 8, 1765 to her cousin Charles Vere Dashwood [1745-1821], Stanford Park, Nottinghamshire, England; their son Samuel Francis Dashwood [1773-1826], married Lydia Boughton Lister; their son Reverend Samuel Vere Dashwood [1803-1876], married (first) Caroline Hammond, on October 24, 1828; their son Charles Lewes Dashwood [1833-1891], who died unmarried; his brother Major General Richard Lewes Dashwood [1837-1905]. [2]. The painting, as "Portrait of Mrs. Anne Dashwood" by Romney, was lent to "Exhibition of a Special Selection from the Works by George Romney," The Grafton Galleries, Summer Exhibition 1900 by Maj.-General R. L. Dashwood. He was a great-great grandson of Ann Bateman Dashwood and younger brother of Charles Lewes Dashwood, who sold Stanford Hall in 1887 and died unmarried in January 1891. [3]. See relevant New York Times article published on November 14, 1926. It describes the Scott & Fowles "moving" exhibition and sale and mentions this painting. [4]. For provenance information from 1900 to 1928 see also Alex Kidson "George Romney - A Complete Catalogue of his Paintings", published for The Paul Mellon Center for Studies in British Art by Yale University Press, New Haven and London, 2015, pages 174-175 (no. 344, illustrated.) According to an annotated copy of the 1926 American Art Association sale catalogue (Frick Art Reference Library) the painting sold at that sale for $1400 (see curatorial file.) [5] The painting apparently arrived at the museum as an intended gift in early 1961, when Mrs. Sunstein was "dismantling" her mother's house in Pittsburgh, apparently before the latter's death in April 1961 (see curatorial file.) | https://collection.carnegieart.org/objects/cabce7d8-9f73-4de7-a46b-6d0b3cb61774 |
| Portrait of Miss Ann Brownlow | Tilly Kettle | c. 1769 | 64.7.1 | Gift of Mrs. George H. Love, Messrs. Howard H. McClintic, Jr., Robert H. McClintic and Stewart McClintic | Old World Art, Inc., New York; Mrs. H. H. McClintic, Pittsburgh, until 1942; Howard H. McClintic, Jr., Robert H. McClintic, and Stewart McClintic, after 1942; gift to Museum, May 1964. | https://collection.carnegieart.org/objects/60fbbe47-5e94-4535-8473-56d0274ef8a4 |
| Moses Meeting His Wife and Sons | William Artaud | c. 1791 | 57.6.4 | Gift of Mr. and Mrs. Henry J. Heinz II | Macklin Gallery [1779-1800?], London, 1792. Mr. and Mrs. H. J. Heinz II [1953-1987], Pittsburgh, by 1957; gift to Museum, April 1957. | https://collection.carnegieart.org/objects/3f6db0b1-8893-42d9-9ae0-6f22a6d0cfec |
| The Shepherd's Meal | George Morland | 1793 | 74.7.22 | Bequest of Charles J. Rosenbloom | George Morland [1763-1804], London, England [1]. Samuel Job, by 1893; his sale, 1893 [2]. C. A. Barton, London, England, by 1902; his sale, Christie, Manson & Woods, London, England, May 3, 1902, no. 34 [3]. Arthur de Casseres, London, England, probably 1930s [4]. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by March 1938 until April 1, 1973 [5]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. Engraved by J. R. Smith, 1803. [2]. Sold for £346. See "Art Sales of the Year 1902" edited by J. Herbert Slater, Hutchinson & Co., London, 1903. [3]. Sold for £966. See above reference. Purchased by Falcke for 920 guineas according to George C. Williamson, "George Morland," George Bell and Sons, London, 1907, p. 197. [4]. See curatorial file for label of A. de Casseres, 27 St. James's Street, London removed from the back of the painting. [5]. The painting was included in the exhibition "A Survey of British Paintings" held at Carnegie Institute in May-June 1938; it was no. 40 in the catalogue. See copies of relevant correspondence with Mr. Rosenbloom in curatorial file. | https://collection.carnegieart.org/objects/3a8a70a3-899b-4392-9ec6-f30241d55cf8 |
| Lady Turing | Sir Henry Raeburn | 1797 | 42.2 | Gift of Mrs. J. O. Burgwin and Mr. B. F. Jones III, in memory of their mother, Mrs. B. F. Jones, Jr. | Sir Robert Turing of Foveran, 6th Bt. (1745-1831), Banff, Scotland, ca. 1797 until October 1831; by descent through the Turing family to Sir Robert Fraser Turing, 8th Bt. (1827-1913), until January 1913 [1]; by descent to his son Sir James Walter Turing, 9th Bt. (1862-1928), Crockerhill House, Chichester, England, until at least April 28, 1922; sale, Christie, Manson & Woods, London, April 28, 1922, no. 40, probably bought in [2]; "Sulley", likely A.J. Sulley, London [3]; bought by John Levy Galleries, Inc. in November 1925 [3]; Mr. (1868-1928) and Mrs. Benjamin Franklin Jones, Jr., Sewickley Heights, PA, before 1928; Mrs. Benjamin Franklin Jones, Jr. (Sue Duff Dalzell Jones, d.1941), until July 22, 1941 [4]; by descent to her children, Mrs. J. O. Burgwin (Adelaide Jones Burgwin) and Mr. B. F. Jones, III (Benjamin Franklin Jones, III) until April1942; their gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, April 1942. Notes: [1]. See "Sir Henry Raeburn, R. A., His Life and Works" by James Greig, London, 1911 p. 61, which lists the owner of the portrait as Sir Robert Turing. [2]. Listed as "the Property of Sir James Walter Turing, Bart., of Crockerhill House, Chichester". See curatorial file for two annotated copies of the sale catalogue from the Getty Research Institute, one annotated by Ellis Waterhouse and another by unknown. Both list Latham as buyer and 1600 as the bid; however, the unknown annotator includes B/i next to the bid, suggesting that the lot was bought in. [3]."Sulley" according to Ellis Waterhouse annotation in 1922 sale catalogue. Waterhouse also gives the information about the purchase date by the John Levy Galleries. [4]. The painting is said to have been a favorite of Mrs. Jones, evidenced by the fact that it was installed in a panel over the mantel in the drawing room of the Jones Sewickley Heights residence "Fairacres" and was the frontispiece of the privately published 1934 catalogue of the Jones collection by William Roberts (see p. 72 for description of the work.) | https://collection.carnegieart.org/objects/567e36ed-b768-4258-b996-10f70130ce50 |
| Rue de l'Abreuvoir | Maurice Utrillo | 1911 | 85.48 | Gift of Richard M. Scaife | Maurice Utrillo [1883-1955], Paris, France. Sarah Mellon Scaife [1903-1965], Pittsburgh, PA by October 1963 until December 28, 1965 [1]; her son, Richard M. Scaife [1932-2014], Pittsburgh, PA [2]; his gift to Museum of Art, Carnegie Institute, October 1985. Notes: [1]. Mrs. Scaife lent the painting to the Utrillo exhibition at the Museum of Art, Carnegie Institute in October-December 1963; it was no. 30, illustrated in the catalogue. [2]. The painting was no. 43 in "Celebration: Inaugural Scaife Gallery Exhibition" in October 1974, lent by Mr. and Mrs. Richard M. Scaife. | https://collection.carnegieart.org/objects/b76dce2c-f292-43b4-91fc-e5258d633d98 |
| Still Life with Brioche (Nature morte à la brioche) | Edouard Manet | 1880 | 84.8 | William R. Scott, Jr. Fund | Edouard Manet [1832-1883], until 1880; purchased by Dr. Thomas W. Evans [1823-1897], Paris, France, 1880 until November 14, 1897 [1]; bequest to the Thomas W. Evans Museum and Institute Society, Philadelphia, PA, November 1897 until June 1912; Thomas W. Evans Museum and Dental Institute School of Dentistry University of Pennsylvania, Philadelphia, PA, June 1912 until November 15, 1983 [2]; sold at Christie's, New York, NY, November 15, 1983, no. 57 [3]; William Russell Scott, Jr., Pittsburgh, PA and Los Angeles, CA, November 15, 1983 until February 2, 1984; acquired by Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1984 [4]. Notes: [1]. Bought from the artist for 500 francs. See Anne Coffin Hanson's article "A Tale of Two Manets" in "Art in America," December 1979, p. 59. [2]. An agreement was reached between the University of Pennsylvania and the Evans Society in June 1912; the university assumed the responsibility of instruction and the Society erected a new dental building. The new institution was called the Thomas W. Evans Museum and Dental Institute School of Dentistry University of Pennsylvania. It was located on the site of the former Evans estate at the corner of the 40th and Spruce Street and was completed in early 1915. It housed both the Dental School with its new lecture halls, clinics, and laboratories, and the Evans Museum. See Penn-University Archives & Records website under "School of Dental Medicine: A Brief History." [3]. The anonymous buyer at the sale was represented by Hirschl and Adler Galleries, Inc., New York, NY. The buyer, William R. Scott, was billed by the gallery on November 15, 1983 (see copy of invoice in curatorial file.) [4]. The panting arrived at the museum directly from Hirschl and Adler; it was on loan to the museum from Mr. Scott and it was exhibited publicly as a loan in December 1983. The painting was acquired by the museum from Mr. Scott, using the William R. Scott, Jr. Fund, in February of 1984. | https://collection.carnegieart.org/objects/9f18e9d2-80a1-4b6b-9812-6af03bb4adfa |
| Lilies and Pelargoniums in a White Vase | Henri Fantin-Latour | 1863 | 84.55 | Purchase: bequest of Roy A. Hunt and gift of the Roy A. Hunt Foundation in memory of Mr. and Mrs. Roy Arthur Hunt | Gustave Tempelaere, Paris; Arnold & Tripp, London and Paris; Albert Dubosc, Sainte Adresse, France, c. 1936; Private Collection, Paris; [from Philippe Brame, Galerie Brame-Lorenceau, Paris]; purchased by Museum, October 1984. Updated by CGK July 2012 | https://collection.carnegieart.org/objects/64ea9d53-8208-41ed-865c-740b7284e7b8 |
| Faith, Hope, and Charity | William Blake | 1799 | 74.7.3 | Bequest of Charles J. Rosenbloom | Thomas Butts. Max Rothschild, by 1929; possibly James Macdonald; sold to Anton G. Hardy, Englewood, NJ, in 1929 [1]; Mrs. Anton G. Hardy, Englewood, NJ, in 1940 [2]; sold at Parke-Bernet, New York, NY, on January 14, 1942, no. 19 [3]; purchased by Charles Sessler, Philadelphia, PA [4]; Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), until April 1, 1973; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. For early provenance see "The Paintings and Drawings of William Blake" by Martin Butlin, Yale University Press, 1981; this work is cat. no. 428, illustrated in plate no. 494. [2]. Label on frame reads "Lent by Mrs. Anton G. Hardy, 1940" [3]. "The Splendid Library of Mr. and Mrs. Anton G. Hardy", illustrated on frontispiece. [4]. Purchased for $2100 by Sessler for Charles J. Rosenbloom, as per Butlin reference; see also the New York Times article on the sale. | https://collection.carnegieart.org/objects/def46220-99c5-4bab-943b-2968cd9d78fc |
| Head of a Woman | Eugène Carrière | c. 1890-1900 | 84.75 | Bequest of Dr. Thomas B. Stevenson | Thomas B. Stevenson, New York; bequest to Museum, October 1984. | https://collection.carnegieart.org/objects/247c15b1-2c83-4972-a02e-8310762d5464 |
| Holy Family with Saint John the Baptist | Andrea del Sarto | c. 1600 | 82.97 | Gift of Stephen E. Nash | Stephen E. Nash, until 1983. Gift to Museum, 1983. | https://collection.carnegieart.org/objects/dc4e83d5-7bda-422c-b014-13039efcc788 |
| Illuminated Folio Page Depicting in Profile an Elephant with One Foot Raised on a Tree Stump Against Pale Turquoise Ground and Text on Reverse | unknown Indian | c. 1800 | 72.61.54 | Gift of Dr. Walter Read Hovey | Walter Read Hovey, Pittsburgh, PA | https://collection.carnegieart.org/objects/54d91b3a-0349-4198-acef-da5aa3d32584 |
| Untitled (Venice) | Guardi | c.1800 | 82.82.2 | Gift of Mr. and Mrs. Alan G. Lehman | Mr. and Mrs. Alan G. Lehman, Pittsburgh; gift to Museum, December 1982. | https://collection.carnegieart.org/objects/79d9ecd0-c64b-4e60-86a4-814948bfe0c0 |
| Untitled (Venice with Arched Gateway) | Guardi | c. 1800 | 82.82.1 | Gift of Mr. and Mrs. Alan G. Lehman | Mr. and Mrs. Alan G. Lehman, Pittsburgh; gift to Museum, December 1982. | https://collection.carnegieart.org/objects/da1b5ed1-e37e-496f-903a-9a66f96aeb40 |
| The Victor | Gottardo Valentine | c. 1880 | 81.110.2 | Gift of Mr. and Mrs. Emmanuel Fellouzis | Mr. and Mrs. Emmanuel Fellouzis, Wintersville, Ohio; gift to Museum, February 1982. | https://collection.carnegieart.org/objects/7b397473-d759-4ff1-9a16-2fa74c61454e |
| Woodland Glade | James Stark | 1815 | 78.10.27 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/1d8bd909-f4a2-4cc7-a15d-8367a051948a |
| The Washing Line | John Constable | c. 1821 | 2000.21 | Heinz Family Fund | J. N. Didcock; Private Collection; Spink-Leger, London, England; purchased by Carnegie Museum of Art, Pittsburgh, PA, through Lowell Libson Inc., April 2000. | https://collection.carnegieart.org/objects/bf9186fb-761d-4425-bd6f-5f3468e26373 |
| Triptych: Glorification of the Mother of God | unknown Russian | 16th century | 80.63.2 | Gift of O. John Anderson in memory of Mr. and Mrs. George R. Hann | Sold at Antiquariat, 1935 [1]; George R. Hann, 1935 until 1980; sold at Christie, Manson & Woods International, Inc., April 17, 1980, lot 73; purchased by Mr. O. John Anderson, New York, 1980; gift to Museum, February 1981. NOTES:1. Invoice number R/12517 | https://collection.carnegieart.org/objects/a35e18d6-c141-4eb1-990a-9d942f8b8d20 |
| The Mother of God Vladimirskaya | unknown Russian | 19th century in the style of 16th century | 80.63.1 | Gift of O. John Anderson in memory of Mr. and Mrs. George R. Hann | Tretyakov Gallery; George R. Hann; (Hann sale, Christie, Manson & Woods International, Inc., 17 April 1980, lot 54); Mr. O. John Anderson, New York, NY, 1980-1981; gift to Carnegie Museum of Art, Pittsburgh, PA, February 1981. | https://collection.carnegieart.org/objects/2f29a8cc-3999-454a-bb0a-fc378f55cd3e |
| The Ascension | unknown Russian | 19th century in the style of 16th century | 80.33 | Gift of Mr. and Mrs. George L. Craig, Jr. in memory of Mr. and Mrs. George Hann | Antiquariat, 1935-invoice no., r12115; George R. Hann; (Hann sale, Christie, Manson & Woods International, Inc., 17 April 1980, lot 27); Mr. and Mrs. George L. Craig, Jr. [1]; gift to Museum, October 1980. Notes: [1]. George L. Craig Jr., c. 1898-1984; wife Kathleen Casey, 1901-1988, Sewickley Heights, PA. Under review by CGK. | https://collection.carnegieart.org/objects/620f21a1-cb0c-4946-9ba0-1bbc1c551bdd |
| Deer in a Pine Forest (Vosges) (Biches dans une forêt de sapins [Vosges]) | Gustave Doré | c. 1865 | 80.9 | Gift of the family of Tillie S. Speyer in her memory | Gustave Doré [1832-1883], Paris, France; Doré Gallery, London, England [1]. Mrs. Suzette Morton Davidson [1911-1996], Chicago, IL [2]; A. James Speyer [1913-1986], Chicago, IL; Tillie S. Speyer [1890-1979], Pittsburgh, PA, until 1979; estate of Tillie S. Speyer, 1979; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1980. Notes: [1]. Information from label on stretcher. [2]. See correspondence with James Speyer in curatorial file. | https://collection.carnegieart.org/objects/8e66c624-8e1b-4968-8b78-6af3acce6505 |
| Manuscript Page, Illuminated (Feast of the Transfiguration) | Jean Colombe | c. 1480 | 80.29 | Purchase: gift of the friends of Elizabeth Wren Houston in her memory | H. P. Kraus, New York City. | https://collection.carnegieart.org/objects/6322ff3d-c98f-4113-a57e-8d688a67d922 |
| A Dog Looking out of a Kennel | Sir Edwin Landseer | 1837 | 92.116 | Purchase: gift of Frances G. Scaife | Sir John Milbanke; (sale, Sotheby's, New York, 5 June 1992, lot 151); Francis G. Scaife; gift to Museum, June 1992. | https://collection.carnegieart.org/objects/40443599-b9df-4f28-9512-bb2ea0ccdd71 |
| The Battle of Wagram | Charles-Louis Kratké | 80.8.2 | Gift of Joy Manufacturing Company | Joy Manufacturing Company, Pittsburgh; gift to Musem, May 1980. | https://collection.carnegieart.org/objects/705e0719-087b-4d42-8c12-e1e31bf6c0cd | |
| The Cavalier | Ferdinand Roybet | 19th-early 20th century | 80.8.1 | Gift of Joy Manufacturing Company | Joy Manufacturing Company, Pittsburgh; gift to Museum, May 1980. | https://collection.carnegieart.org/objects/707ef012-131d-4aff-a7e2-d0a487f0d2f8 |
| The Fair Connoisseurs | Jean Carolus | c. 1875-1885 | 80.8.3 | Gift of Joy Manufacturing Company | Joy Manufacturing Company, Pittsburgh; gift to Museum, May 1980. | https://collection.carnegieart.org/objects/d477878f-e544-4526-8b6d-e426b77f2e10 |
| Portrait of Abel François Poisson, Marquis de Marigny | Johann Georg Wille|Louis Tocqué | 1761 | 79.1 | Gift of Paul F. Binai | Paul F. Binai, Pittsburgh, PA | https://collection.carnegieart.org/objects/143bc4ec-a10d-4686-acd7-10a29d65adfb |
| Portrait of Isabella de' Medici | unknown Florentine|Alessandro Allori | c. 1570-1574 | 78.10.2 | Gift of Mrs. Paul B. Ernst | Attributed to (circle of) Alessandro Allori [1535-1607], Florence, Italy. Unidentified collection, England, by the mid-19th century [1]. Collis P. Huntington [1821-1900], New York, NY, until August 13, 1900 [2]; bequest to Metropolitan Museum of Art, New York, NY, with life interest to his widow, Arabella D. Huntington, [1851-1924], New York, NY, August 13, 1900 until September 16, 1924 [3]; by descent, life interest to Archer Milton Huntington [1870-1955], New York, NY, September 16, 1924 until at least April 30, 1925 [4]; Metropolitan Museum of Art, New York, NY, by May 1, 1925 [5]; sold at American Art Galleries, New York, NY, November 20, 1925, no. 106 [6]. Arthur E. Braun [1876-1976], Pittsburgh, PA, until December 5, 1976; by descent to his daughter Mrs. Paul B. Ernst (Elizabeth Munhall Braun Ernst) [c. 1906-1987], Pittsburgh, PA, until May 11, 1978; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1978 [7]. Notes: [1]. In England by the mid-19th century when restored by F. Leedham, who was active in London c.1830-1860. Possibly in the collection of Miss Rogers, London, England, by 1835 (see Waagen II, p. 269: "Agnolo Bronzino. Portrait of Leonora di Toledo, wife of Cosimo I., Grand Duke of Tuscany; half the size of life. An admirable work, distinguished from most of the pictures by this master by the transparency and warmth of the flesh tones.") Miss Rogers (Sarah Rogers [1772-1855]) inherited the collection of her brother Henry Rogers in 1833 or 1834; however, she was also a collector herself. In turn, she left the majority of her collection to another brother the poet Samuel Rogers [1763-1855] at her death in January 1855. After his death in December 1855, his collection was sold at auction in April-May 1856 and included the Bronzino portrait (no. 683.) [2]. It is not yet clear when and how the painting became part of the Huntington collection but it was in his possession by August 1900. [3]. Collis P. Huntington, in his will, gave his collection of pictures to the Metropolitan Museum of Art with life interest to Arabella Huntington, his second wife and his adopted son, Archer M. Huntington. Arabella married Henry E. Huntington [1850-1927], who was the nephew of Collis P. Huntington, in July 1913. She is referred to as "Mrs. Henry E. Huntington" in documents after the marriage. [4]. Although life interest in this work was transferred to Archer Huntington from Arabella Huntington after her death, he terminated his life interest in 1925 and gave the work, among others in the original bequest, to the Metropolitan Museum. Specifically, this portrait was no. 36 among the paintings delivered to the Metropolitan Museum of Art from the Collis P. Huntington estate on April 30 and May 1, 1925 (see curatorial file.) [5]. Metropolitan Museum accession number 25.110.131 (written in red paint on stretcher.) [6]. As by Antonio Allori (Bronzino); sold for $ 430 (see curatorial file for annotated copy of the sales catalogue.) [7]. Accessioned on May 11, 1978. | https://collection.carnegieart.org/objects/ecd53822-f165-46f4-9152-1b04cce344e2 |
| Untitled | Carl-Henning Pedersen | 1942 | 77.89.38 | Gift of James L. Winokur | Carl-Henning Pedersen [1913-2007], Copenhagen, Denmark; Lefebre Gallery, New York, NY; James L. Winokur [1922-2009], Pittsburgh, by 1977 [1]; partial gifts to Museum of Art, Carnegie Institute (subsequently Carnegie Museum of Art,) Pittsburgh, PA,1978 to 1986 [2]. Notes: [1]. James Winokur purchased the painting from Lefebre Gallery at an unknown date for about $5,000. See copy of memorandum from Reed Smith Shaw & McClay, dated December 11, 1985. [2]. The painting was accessioned as a 1977 year-end partial gift on February 9, 1978. It was received at the museum on January 14, 1987. Committee action on completion of the gift as a 1986 year-end gift was taken on February 5, 1987. | https://collection.carnegieart.org/objects/44ee36c4-9dbd-4f13-9c55-c305b45a2deb |
| Forest clearing with rocks and peasant | Narcisse Virgile Diaz De La Peña | 1870s | 77.81 | Gift of Mrs. Alexander C. Speyer, Sr. | Henry G. Fownes, Pittsburgh, Pa.; sold at Sotheby's, American Art Association, New York, 28/03/1935 [bought $225 Plaza Curiosity Shop, New York]; Mrs. Alexander C. Speyer, Sr., Pittsburgh; gift to Museum, February 1978. early provenance from Miquel, no. 1318, in curatorial file | https://collection.carnegieart.org/objects/1f39a3da-9fe8-421d-bf77-2ca08685f927 |
| Interior of a Cathedral | Peeter Neeffs | c.1640 | 78.10.42 | Gift of Mrs. Paul B. Ernst | J. Theus Munds, New York, (d.1938); sale, Parke-Bernet, New York, November 24, 1939; Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/7ea8e76e-c956-4bcc-982b-1466fdc4ff23 |
| PLUNK | Asger Jorn | 1940 | 77.89.11 | Gift of James L. Winokur | James L. Winokur, Pittsburgh; gift to Museum, February 1978. | https://collection.carnegieart.org/objects/bfa4e620-7f75-4e5e-ba8c-cb0f11eb4875 |
| Landscape with Cottage | Charles François Daubigny | c. 1858-1865 | 78.22.1 | Bequest of Margaret Shaw Campbell | Margaret Shaw Campbell, Pittsburgh, PA, until 1977; bequest to Museum, October 1978 [1]. NOTES:1. Updated by CGK July 2012 | https://collection.carnegieart.org/objects/415ac80d-1aaa-4725-9db5-9e74caf0875a |
| The Fortune Teller | Narcisse Virgile Diaz De La Peña | c. 1875 | 78.22.2 | Bequest of Margaret Shaw Campbell | Margaret Shaw Campbell, Pittsburgh; bequest to Museum, October 1978. | https://collection.carnegieart.org/objects/e138788f-37b0-4a8b-9546-dad3b1ef0d73 |
| Forest Interior | Narcisse Virgile Diaz De La Peña | c. 1850s | 78.10.10 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/82319605-b05f-428a-9c48-558681bed1a0 |
| Marquise de Poyanne | François Hubert Drouais | c. 1750-1770 | 78.10.11 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/ad81410f-e119-46c6-a4db-10a065dc7477 |
| Madame de Montargis | Maurice Quentin de la Tour | c.1850-1920 | 78.10.29 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/35f70769-f7eb-4ef9-a5a7-85b301891ac5 |
| Lagoon, Venice | Félix Ziem | c. 1880-1900 | 78.10.37 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/10983cbd-abfa-4d0c-8e29-835a6c13d163 |
| Village Scene | unknown Dutch|unknown French | 17th century | 78.10.39 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/a4e4ebdd-7f66-479c-a6a7-e596a6026dd8 |
| The Deer Stalkers | John Frederick Herring, Sr. | 1857 | 72.14.2 | Bequest of Robert S. Waters | Newman Galleries, Philadelphia, 1954; Robert S. Waters, Johnstown, Pennsylvania, 1954 until 1971; bequest to Museum, May 1972. | https://collection.carnegieart.org/objects/885adc2d-6bf6-45f5-8766-a4dc07d20362 |
| Portrait of an Old Man | unknown Dutch | 17th century | 78.10.43 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/5894911d-3e14-434e-be23-54f31c6b7737 |
| Landscape with Cows | Emile Van Marcke | 78.10.21 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/16a83f27-3c4b-42c6-9bff-aa758be385a4 | |
| Harbor with Ships | Auguste Henri Musin | 78.10.22 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/63c4cbbf-beea-4370-85bd-f1e425a04e74 | |
| Portrait of Rembrandt's Mother | Rembrandt Harmensz. van Rijn | 78.10.25 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/3cc666b2-aa6c-4d90-af23-f39c7e5902c9 | |
| Running to Port | Jacob Van Ruisdael | 78.10.26 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/9bfced0d-39c6-483a-93eb-dda735a8beea | |
| Peasant Scene | David Teniers II | 78.10.28 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/a0300de8-d172-4db7-995d-b5614f4425eb | |
| Landscape and Cattle | Constant Troyon | 78.10.30 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/cb98904c-6048-45fc-8345-80f46033802f | |
| Portrait of Louis Philippe | Horace Vernet | 78.10.33 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/58530bda-8ced-4600-ad6a-85dd144b0d7a | |
| Landscape with Cows | Jean-Baptiste-Camille Corot | 78.10.9 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/b42eb426-dd78-4397-bebe-46f251249794 | |
| Hunting Scene | John Frederick Herring, Sr. | 1857 | 72.14.3 | Bequest of Robert S. Waters | Newman Galleries, Philadelphia; Robert S. Waters, Johnstown, Pennsylvania; bequest to Museum, May 1972. | https://collection.carnegieart.org/objects/1e4f670a-3af2-42c3-8bb9-642ce970beac |
| Portrait of a Girl | Cornelis de Vos | 1624 | 78.10.34 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. verso has 3 labels: old sticker inscribed in pen and pencil: Her[tz?] stifting 150 old printed gallery or auction label with tombstone info, "150" stamped upper left, K400 [price?] printed lower right (photo for file, to come) more recent auction house label in English, "Lot 68" (LWL 4/22/2014) | https://collection.carnegieart.org/objects/84b26abd-1bc7-4d30-bea3-31b47fb59838 |
| Untitled | Aleksandra Aleksandrovna Exster | c. 1928 | 78.44 | Gift of Mervin Jules | Simon Lissim, New York; Stanely Wyatt, New York; Mr. Mervin Jules, Forest Hills, New York; gift to Museum, December 1978. | https://collection.carnegieart.org/objects/21c30ae4-b135-4d61-aec9-7f78286ce114 |
| Portrait of a Young Woman | Vincenzo di Biagio Catena | c. 1505 | 76.21 | James D. and Johanna Woodwell Hailman Purchase Fund in honor of Homer Saint-Gaudens and gift of the Women's Committee | Mme. Andre, Paris; Count Lanckoronski, Vienna; Wildenstein & Company, Inc., New York; purchased by Museum, May 1976. | https://collection.carnegieart.org/objects/ec75fec6-347f-4059-b959-cf58a46bcd6f |
| Portrait of Elderly Jew with Fur Hat | Rembrandt Harmensz. van Rijn | 17th-18th century | 75.5 | Bequest of Charles J. Rosenbloom | Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [1]; bequest to Israel Museum, Jerusalem, Israel; by exchange, Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1975 [2]. Notes: [1]. The painting, as "Head of an Elderly Jew," was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. It was illustrated in the exhibition catalogue. [2]. Exchanged for "Picnic" by Thomas Hart Benton, also from the Rosenbloom collection. | https://collection.carnegieart.org/objects/4890de90-23cb-4da6-acc8-920e217a070c |
| Head of a Man | Peter Paul Rubens | early 17th century | 75.18 | Patrons Art Fund, by exchange | M. Knoedler & Company, Inc. [1846-2011], New York; purchased by Museum, May 1975. | https://collection.carnegieart.org/objects/edd724ce-6777-4ff5-a1da-a9ed009115c3 |
| Barge on the Oise | Charles François Daubigny | c. 1857-1860 | 74.3 | Gift of Mrs. Mary McCune Edwards | Charles François Daubigny [1817-1878], Paris, France. S. Collins, New York, NY; J. J. Gillespie and Company, Pittsburgh, PA; acquired by Charles Lockhart [1818-1905], Pittsburgh, PA, January 1895 until January 26, 1905 [1]; by descent to his great-granddaughter, Mary McCune Edwards [1925-1983], Pittsburgh, PA [2]; her gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. See "Collecting in the Gilded Age: Art Patronage in Pittsburgh, 1800-1910", Frick Art & Historical Center, 1997, p.80. [2]. Mary "Kitty" McCune Edwards' father, John R. McCune, Jr., died in October 1972; he was the son of Janet Walker McCune, daughter of Charles Lockhart. Mrs. Edwards lent the painting to the exhibition "Art in Residence: Art Privately Owned in the Pittsburgh Area" at the Carnegie in October 1973. | https://collection.carnegieart.org/objects/a14ea6e3-597e-4f58-9481-d6a7468ed828 |
| Portrait of Madame Anne Rabat | unknown French | late 16th century | 74.7.9 | Bequest of Charles J. Rosenbloom | Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), until April 1, 1973; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Under review by CGK | https://collection.carnegieart.org/objects/705a1fa5-7043-4ac5-8a3b-697bfa8d2de1 |
| Portrait of a Nobleman | Lucas Cranach the Younger | c. 1550 | 74.7.10 | Bequest of Charles J. Rosenbloom | Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [1]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. It was illustrated in the exhibition catalogue. Under review by CGK | https://collection.carnegieart.org/objects/3af21c90-a252-46e5-800a-b15ef3b0a06e |
| Madonna and Child | Master of The Half-Figures | c.1525 | 74.7.21 | Bequest of Charles J. Rosenbloom | Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. | https://collection.carnegieart.org/objects/231b9673-1914-4f85-8ac9-7ef43c012be1 |
| Madonna and Child and Three Female Saints | Master of Frankfurt|Hendrik van Wueluwe | early 16th century | 74.7.20 | Bequest of Charles J. Rosenbloom | Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting, as "Adoration," was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. It was illustrated in the exhibition catalogue. | https://collection.carnegieart.org/objects/dcedfea4-4e71-4b18-a06e-5e1131caef78 |
| Cathedral Rendevous | A. W. Atkinson | c. 1870 | 81.110.1 | Gift of Mr. and Mrs. Emmanuel Fellouzis | Emmanuel and Mary Fellouzis, Wintersville, Ohio; gift to Museum, February 1982. | https://collection.carnegieart.org/objects/080b4a76-0fc0-4c2b-838a-fa162a9d3d5c |
| Acacias | Albert Moore | c. 1880 | 93.7 | Heinz Family Fund | Frederick Gossage, 1894; Sir W.H. Tate, 1922; (sale, Christie's, London, 25-26 July 1974, lot 216); Pre-Raphaelite Trust, 1974-?; purchased by Museum through Julian Hartnoll, London, England, February 1993. | https://collection.carnegieart.org/objects/b6294ae1-a96d-4e16-a44f-9a811a22570f |
| The Judge | Georges Rouault | c. 1937 | 74.7.24 | Bequest of Charles J. Rosenbloom | Georges Rouault [1871-1958], Paris, France. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), until April 1, 1973; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Updated and under review by CGK | https://collection.carnegieart.org/objects/08443157-25ec-47e8-b132-290fcae51864 |
| The King and the Shepherd | Sir Edward Coley Burne-Jones | 1888 | 1997.26.1 | Heinz Family Fund | Commissioned by Church of St John the Apostle [1861-], Torquay, England, in 1888; (sold at Sotheby's, London, England, November 21, 1989, lot 31); Lord Andrew Lloyd Webber [1948-], London, England, 1989 until 1997; purchased by Carnegie Museum of Art, Pittsburgh, PA, February 1997. | https://collection.carnegieart.org/objects/f14c813c-3519-4957-aeb1-b5619d8cf5cf |
| The Nativity | Sir Edward Coley Burne-Jones | 1888 | 1997.26.2 | Heinz Family Fund | Sir Edward Coley Burne-Jones [1833-1898]; commissioned by Church of St John the Apostle [1861-], Toquay, England, in 1888; (sold at Sotheby's, London, England, November 21, 1989, lot 31); Lord Andrew Lloyd Webber [1948-], London, November 21, 1989 until 1997; purchased by Carnegie Museum of Art, Pittsburgh, PA, February 1997. | https://collection.carnegieart.org/objects/05ad5ca1-0128-4c0a-b3c8-fc85a902897b |
| Allegorical Representation of the Crucifixion with Saints Andrew and Paul | Francesco Traini | c. 1350-1360 | 74.37 | Gift of the Martha Edwards Lazear Foundation | Henri Chalandon, Chateau de la Grange Blanche, Parcieux, France; Wildenstein & Company, Inc., New York; Martha Edwards Lazear Foundation; gift to Museum, October 1974. | https://collection.carnegieart.org/objects/05e8a445-16a8-4227-93a4-e3ff3ff2d471 |
| Meeting at Emmaus | Jean Louis Forain | c. 1900-1910 | 74.7.11 | Bequest of Charles J. Rosenbloom | Jean Louis Forain [1852-1931], Paris, France. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [1]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946; it was illustrated in the exhibition catalogue. | https://collection.carnegieart.org/objects/ea296f27-e25d-4efd-ad01-5082ac7079c4 |
| Melisande | Gerald L. Brockhurst | 1915 | 74.7.7 | Bequest of Charles J. Rosenbloom | Gerald Leslie Brockhurst [1890-1978]. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by March 1938 until April 1, 1973 [1]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. Mr. Rosenbloom lent a Brockhurst painting to the exhibition "A Survey of British Paintings" held at Carnegie Institute in May-June 1938. The painting was titled in the catalogue "The Head of a Young Girl" (referred to in March 1938 correspondence as "from an early period, painted about 1915.") When it was included in "Exhibition of Paintings by Gerald L. Brockhurst held at Carnegie Institute, February 1940, it was titled "Portrait of a Young Woman." And, when this painting was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" held at Carnegie Institute in February-March 1946, it was titled "Woman's Head" (see curatorial file for a photograph of the painting with the exhibition label affixed on verso.) | https://collection.carnegieart.org/objects/ad809111-d8aa-4eaa-9989-f98a2a456af6 |
| Summer [L’Eté - 1937] | Marie Laurencin | 1937 | 74.7.16 | Bequest of Charles J. Rosenbloom | Marie Laurencin [1885-1956], Paris, France until 1938 [1]; Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), December 1938 until April 1, 1973 [2]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting was exhibited in "The 1938 International Exhibition of Paintings" at Carnegie Institute, Pittsburgh, PA, October-December 1938 (no. 159). It was lent by Paul Rosenberg, Paris, the artist's representative (stock no. 3833; see curatorial file.) [2]. Mr. Rosenbloom purchased the painting from the 1938 International for $400. It was delivered to him on December 12, 1938. See copies of records from museum archives and of relevant digitized documents from Archives of American Art in curatorial file. | https://collection.carnegieart.org/objects/7377b518-4874-4c87-a3b0-e2c1e8af9e95 |
| Flowers | Maurice de Vlaminck | c. 1936 | 74.7.26 | Bequest of Charles J. Rosenbloom | Maurice de Vlaminck [1876-1958], Rueil-la-Gadelière, France until October 1936; Galerie de L’ Elysée, Paris, France [1]; Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), October 1936 until April 1, 1973 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting was exhibited in "The "1936 International Exhibition of Paintings" at Carnegie Institute, October-December 1936 (no. 154, lent by Galerie de L’ Elysée, Paris.) [2]. Mr. Rosenbloom purchased the painting from the International for 8,000 francs and it was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. See curatorial file for copies of relevant digitized documents from Archives of American Art. | https://collection.carnegieart.org/objects/68a9d3cf-4c42-484e-9ee4-d8d436b1a20f |
| Rue Norvins à Montmartre | Maurice Utrillo | c. 1939-1940 | 74.7.25 | Bequest of Charles J. Rosenbloom | Maurice Utrillo [1883-1955], Paris, France. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by September 1963 until April 1, 1973 [1]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. Mr. and Mrs. Rosenbloom lent the painting to "Exhibition of Paintings - Maurice Utrillo" held at Carnegie Institute in October-December 1963; it was no. 102, illustrated in the catalogue. See also label removed from the back of the painting in curatorial file. | https://collection.carnegieart.org/objects/d5d61219-9015-4e59-aacc-f2a0416adb18 |
| The Adoration of the Magi | Pieter Brueghel II | 1625 | 74.7.6 | Bequest of Charles J. Rosenbloom | Mme. Vve Kuhn, Brno (Brünn), Czech Republic; sale, Frederik Muller, Amsterdam, Netherlands, June 4, 1929, no. 3. P. de Boer, Amsterdam, Netherlands, 1934 [1]. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by February 1946 until April 1, 1973 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. Early provenance according to Georges Marlier's "Pierre Brueghel Le Jeune," Editions Robert Finck, Bruxelles, 1969, p. 83. no. 2. [2]. The painting was included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. It was illustrated in the exhibition catalogue. | https://collection.carnegieart.org/objects/90c72add-71b8-4e15-9ae0-77e8600b4b1f |
| Garden Scene (fragment) | unknown Flemish | c. 1500-1530 | 74.8 | Gift of Mrs. Alexander C. Speyer, Sr. in memory of Alexander C. Speyer, Sr. | Mrs. Alexander C. Speyer, Sr., Pittsburgh, by October 1973 [1]; gift to Museum, February 1974. Notes: [1]. Art in Residence: Art Privately Owned in the Pittsburgh Area - Exhibition (10/17/1973 - 01/06/1974) Under review by CGK | https://collection.carnegieart.org/objects/ef2dd83d-0e39-4e22-929c-914785cb8890 |
| Turquoise Sea No. 1, 1920, Tangier | Sir John Lavery | 1920 | 73.32 | Gift of Miss Alice B. Robinson in memory of Mr. and Mrs. George B. Gordon | Sir John Lavery [1856-1941], London, England, until 1925 [1]; Mrs. George B. Gordon, Pittsburgh, PA [2]. Alice B. Robinson; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, October 1973. Notes: [1]. The painting was exhibited in the "Twenty-fourth Annual International Exhibition of Paintings" at Carnegie Institute, October-December 1925 (no. 147, see photo in Carnegie International photo archive.) [2]. Mrs. Gordon purchased the painting from the 1925 International for $750 (see copy of relevant document from Archives of American Art in curatorial file.) | https://collection.carnegieart.org/objects/abb3ffe6-0ee1-41a2-8de2-d06710b8d57f |
| The Flight of Queen Mathilde from Oxford | Thomas Lowinsky | 1923 | 74.7.19 | Bequest of Charles J. Rosenbloom | Thomas Lowinsky [1892-1947], London, England until November 1936 [1]; Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), November 1936 until April 1, 1973 [2]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. The painting was exhibited in "The "1936 International Exhibition of Paintings" at Carnegie Institute, October-December 1936 (no. 108.) [2]. Mr. Rosenbloom purchased the painting from the 1936 International for £105 ($525). See copies of relevant digitized documents from Archives of American Art in curatorial file. | https://collection.carnegieart.org/objects/c2754285-afac-422d-b190-6c06d28873ef |
| Brother and Sister | Dod Procter | 1923 | 50.18 | Gift of Mr. and Mrs. Walter A. May, Jr. in memory of his Parents, Mr. and Mrs. Walter A. May | Walter May, Pittsburgh, PA, purchased from CI in 1924; by descent to Mr. and Mrs. Walter A. May, Jr.; gift to Museum, 1950. No. 247 in Twenty-third Annual International Exhibition of Paintings Under review by CGK | https://collection.carnegieart.org/objects/5d432539-3248-412b-8037-43d1a6f13eaa |
| Cliffs near Dieppe | Claude Monet | 1882 | 73.3.3 | Acquired through the generosity of the Sarah Mellon Scaife Family | Claude Oscar Monet [1840-1926], France, until 1884; purchased by Durand-Ruel, Paris, France, 1884 until 1891; sold to J. E. Chase, Boston, MA, April 20, 1891 [1]; Higginson, 1891 until April 1907 [2]; purchased by Durand-Ruel, Paris, France, April 1907; Durand-Ruel, New York, NY, by June 1936 [3]; Durand-Ruel family collection, Paris, France [4]; Sam Salz [1894-1981], Inc., New York, NY, by January 1973; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1973 Notes: [1]. Recorded as "For Higginson", likely Henry Lee Higginson [1834-1919], Boston, MA. J. E. Chase was probably acting as Higginson's agent. [2]. Received by Durand-Ruel on consignment from Higginson, April 1906; purchased by Durand Ruel, April 1907 (see correspondence with Sam Salz in curatorial file.) [3]. Durand-Ruel Galleries, New York is recorded as the lender for the painting in "The Centennial Exposition", Dallas Museum of Fine Arts, June 6 to November 29, 1936. Durand -Ruel, Paris photograph in curatorial file is inscribed on the back as follows: "A1035 - Monet - Falaises près Dieppe - N.Y. 7395 - 60 x 81." Sam Salz provided further Durand-Ruel information, i.e., St. NY: 1345, 108, 3179. [4]. See letter from Sam Salz, dated January 8, 1973, in curatorial file. | https://collection.carnegieart.org/objects/08863216-87a4-49a1-a692-f8c7314a4b32 |
| Philosopher Contemplating Waterfall | unknown Chinese | 1368-1644 | 73.48.79 | Gift of Walter Read Hovey | Dr. Walter Read Hovey, Pittsburgh, PA | https://collection.carnegieart.org/objects/bc297af6-92d3-4a3f-afe5-e867d8ca7222 |
| Madonna and Child with Angel | Francesco Francia | c. 1495-1500 | 73.9 | Howard A. Noble Fund | Possibly from the Dominican convent of S. Agnese, Bologna, Italy (suppressed in 1799); probably Galli Family; Palagi Family collection, by 1816 [1]; Francesco Palagi, until 1821; by descent to his son, Torquato Palagi (obtained in the division of Francesco’s estate among his sons, Pelagio, Torquato, and Giuseppe); his gift to his nephew Dr. Alessandro Palagi (Giuseppe’s son), Bologna, Italy, on February 16, 1844 [2]; sold on May 19, 1847 to John Campbell, 2nd Marquess of Breadalbane [1796-1862], Taymouth Castle, Perthshire [2]; by descent to Hon. Thomas George Breadalbane Morgan-Grenville [1891-1965], until 1954; sold at auction, Christie’s, London, England, June 18, 1954, no. 23 [3]; purchased by Leonard F. Koetser [1906-1979], London, England [4]; David Koetser [5]; Wildenstein & Co., New York, NY, by May 1963 [6]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1973. Notes: [1]. Listed in the collection of Pelagio Palagi by Petronio Bassani in his 1816 guide to Bologna. Palagi family name has also appeared variously and apparently erroneously in the literature as Palazzi, Palazi, Pelagi. [2]. See copy of Giorgia Mancini's article "History of a Fake" for August 2013 Burlington Magazine and also National Gallery Technical Bulletin, Volume 31, p.64 in curatorial file. [3]. Sale entitled "Pictures by Old Masters; Old Pictures and Paintings." [4]. Purchased for 6,000 guineas; see annotated copy of sales catalogue from the Frick Library in curatorial file. [5]. See provenance of painting in exhibition in [6]. Also, see undated note in curatorial file. [6]. Wildenstein & Co., New York, NY lent the painting to the exhibition "Major Masters of the Renaissance," Poses Institute of Fine Arts, The Rose Art Museum, Brandeis University, Waltham, MA, May 3 to June 9, 1963, no.5. | https://collection.carnegieart.org/objects/7c08db75-6022-42e8-9904-a5e12a59242e |
| Lace in Stone (Facade of Rouen Cathedral) | John Taylor Arms | 1927 | 48.2 | Leisser Art Fund | John Taylor Arms | https://collection.carnegieart.org/objects/494b7a69-586d-43bd-a8c3-24cca6c31d80 |
| La Galerie des Glaces | William Bruce Ellis Ranken | 1927 | 43.6 | Gift of Mrs. Ellis Miller | Mrs. Ellis Miller, New York; gift to Museum, November 1943. | https://collection.carnegieart.org/objects/08f490c3-a418-4c1d-a5f4-0ea770134d32 |
| Abstract Composition | John Piper | 1936 | 53.24.3 | Gift of G. David Thompson | Curt Valentin, New York; Bucholtz Gallery, New York; G. David Thompson [1899-1965], Pittsburgh, PA; gift to Museum, October 1953. Updated and Under review by CGK. | https://collection.carnegieart.org/objects/0d0e8151-1d4f-4350-bde2-e81fa573362b |
| Portrait of Charles J. Rosenbloom | Gerald L. Brockhurst | 1939 | 92.187 | Gift of the Estate of Charles J. Rosenbloom | Gerald Leslie Brockhurst [1890-1978], London, England and New York, NY [1]; Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), December 1939 until April 1, 1973 [2]; Mrs. Lucile (Charles J.) Rosenbloom [1898-1992], Pittsburgh, PA, until September 1992; bequest to Carnegie Museum of Art, Pittsburgh, PA, November 1992. Notes: [1]. The portrait was listed in Knoedler's sales book no. 14 on December 30, 1939 as one of several portrait commissions from Brockhurst, this one at a price of $5,000 (see curatorial file for copy of relevant information from the Knoedler Archive, The Getty Research Institute.) [2]. Copies of correspondence (Carnegie Institute archives in curatorial file suggest that the portrait was still unfinished in mid-December 1939 but that it was finished by the end of the year. The portrait was in Mr. Rosenbloom's possession in Pittsburgh by January 3, 1940. | https://collection.carnegieart.org/objects/1454906d-787a-4374-a43b-ed0875138f55 |
| Still Life with Chelsea Buns | Lucian Freud | 1943 | 80.68 | Gift of Mary C. Hazard in honor of Leland Hazard (1893-1980 | Mary C. Hazard (Mary Chorn Hazard) [1900-1983], Pittsburgh, PA, 1956/1957 until 1981; gift to Museum, February 1981. Updated and under review by CGK. | https://collection.carnegieart.org/objects/0c0d24b1-cf1f-4ec6-b2a5-9cbe16568ebf |
| The Crossroads, Pontoise, or Square at the Old Cemetery, Pontoise (Le Carrefour, Pontoise, or Place du Vieux Cimetière, Pontoise) | Camille Pissarro | 1872 | 71.7 | Acquired through the generosity of the Sarah Mellon Scaife Family | Camille Pissarro [1830-1903], until August 23, 1872; Durand-Ruel, Paris, 1872 [1]; Catholina Lambert [1834-1923], Paterson, NJ, by 1916; Lambert sale, American Art Association, Plaza Hotel, New York, NY, February 21-24, 1916, no. 67 [2]; purchased by Durand-Ruel, New York, NY and Paris, France, 1916-1930 [2]; sold to Simon Bauer, Paris, France on October 22, 1930; spoliated during World War II and listed and illustrated in "List of Property Removed from France during the War 1939-1945" (no. 7114, as belonging to Simon Bauer); recovered after the war by Simon Bauer [3]; anonymous sale, Parke-Bernet Galleries, Inc., New York, NY, February 25, 1970, no. 19, illustrated [4]; Sam Salz [1894-1981], Inc., New York, NY, by April 2, 1971; purchased by Museum of Art, Carnegie Institute, May 1971. Notes: [1]. Bought from the artist for 500 francs on August 23, 1872. [2]. "The Valuable Paintings and Sculptures by the Old and Modern Masters Forming the Famous Catholina Lambert Collection." This lot sold on February 21, 1916 for $1225 (see annotated copies of auction catalogue and article in "American Art News" in curatorial file). [3]. Provenance information from various sources, including "Pissarro: Critical Catalogue of Paintings" by Joachim Pissarro and Claire Durand-Ruel Snollaerts, vol. 2, 2005, (no. 259.) See curatorial file for information on the painting's WW II history. [4]. "Highly Important Impressionist, Post-Impressionist & Modern Paintings and Drawings"; probably sold by the Simon Bauer estate; see above reference and curatorial file for other examples of works with Bauer provenance also sold at auction. | https://collection.carnegieart.org/objects/dd10e4c9-a3e6-4871-a7df-ed8d9a647978 |
| Scroll, Bird and Flower Painting | unknown Japanese|unknown Chinese | 1568-1615 | 63.15.2 | Gift of Merlin C. Hamilton | Merlin C. Hamilton, Pittsburgh,PA | https://collection.carnegieart.org/objects/8e161047-8a85-49a4-bc4a-4adf0512f0b4 |
| Florence au Beret | Maurice Marinot | 1930 | 71.38.21 | Gift of Mlle. Florence Marinot | Mlle. Florence Marinot, Troyes Aube, France; gift to Museum, October 1971. | https://collection.carnegieart.org/objects/1d8f521b-51b8-41ef-b1a4-ae8640301c67 |
| Madonna and Child Enthroned with SS. Leonard, Jerome, John the Baptist, and Francis | Nicola di Maestro Antonio | 1472 | 71.4 | Howard A. Noble Fund | Nicola di Maestro Antonio d'Ancona [?-1510] [1], possibly commissioned by Girolamo Ferretti, Church of San Francesco delle Scale, Ancona, Italy. Unnamed owner, Rome, Italy, by 1828 [2]. Alexander Barker [ca. 1797-1873], London and Hatfield (near Doncaster), England, by 1854 [3]. Unnamed owner, Hall's Place, Canterbury, England [4]; Colnaghi, London, England, in 1880; George Richmond, R.A. [1809-1896], London, England, 1880 until March 19, 1896 [5]; estate of George Richmond, March 19, 1896 until May 1, 1897; sold at Christie, Manson & Woods, London, England, on May 1, 1897, lot 46 [6]; purchased by L. Lesser [1849-1911], London, England, May 1897 until 1899 [7]; purchased by Vernon J. Watney [1861-1928], Cornbury Park, Charlbury, Oxfordshire, England, 1899 until August 1928 [8]; by descent to Lady Margaret Watney, his wife [-1943], Cornbury Park, Charlbury, Oxfordshire, England, 1928 until February 1943 [9]; by descent to Oliver Vernon Watney, her son [1902-1966], Cornbury Park, Charlbury, Oxfordshire, England, 1943 until August 1966; estate of Oliver Vernon Watney, August 1966 until June 1967; sold at Christie, Manson & Woods, London, England, on June 23, 1967, lot 31, illustrated [10]; Wildenstein & Company, Inc., New York, NY, February 1971; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1971. Notes: [1]. The artist was active in 1472; the year of his death is most often recorded as 1510. [2]. This information comes from correspondence with Matteo Mazzalupi, see curatorial file. [3]. The work is recorded as being in Barker's collection in 1854 by the German art historian Gustav Friedrich Waagen. See Waagen, "Treasures of Art in Great Britain" 1854, v. II, page 128. [4]. Hall's Place, in Harbledown near Canterbury, was a country home that underwent several changes in ownership and had many residents. It is uncertain which individual or family purchased this work. [5]. George Richmond, R.A. attached a lengthy handwritten label found on the reverse of this work. On the label, he states that he purchased this work from Colnaghi and records the early provenance of the work. It is signed and dated G. R. December 4, 1885 and gives his address as 20 York Street, Portman Square W. Richmond lent the work to the 1881 Royal Academy exhibition, which opened on January 3, 1881 (no. 222, as Early Venetian, "The Virgin and Child, and Four Saints.") [6]. Auction entitled "Pictures of the Early English, Old Italian and Flemish Schools, Formed by the Late George Richmond, R.A. Also a selection from the Works of the Late George Richmond, R. A." See copy of auction catalog and correspondence with Christie's, February-March 1971. [7] Annotated catalogues from the George Richmond, R.A. sale record Lesser as the buyer of this work. Lesser was a London art dealer. His sale to Vernon J. Watney is recorded in "A Catalogue of Pictures and Miniatures At Cornbury and 11 Berkley Square, January 1915," which was compiled by "V. J. W." (Vernon J. Watney) on page 16: "Bought from Mr. L. Lesser, 1899." It is unclear if Watney purchased this work from Lesser privately or through his gallery. [8] Vernon Watney's label was attached to the reverse of this work; it was recorded in his catalogue of artworks written in 1915, as noted in [7] above. The catalogue indicates that the Watney family also maintained art works in their residence in London. [9] She is also referred to as Lady Margaret Wallop, not to be confused with her daughter, Lady Rosalind Margaret Watney. [10] Sale entitled "Highly Important Pictures by Old Masters" and listed as "The Virgin and Child With Saints". See catalogue, supplied to the museum by Christie's, in curatorial file. It contains a price list, which indicates that this work, lot 31, was bought by M. Creswell for 58000 Gns. | https://collection.carnegieart.org/objects/dd9f99cb-fede-4322-ab82-065da722d597 |
| Madonna and Child, and Crucifixion | Master of The Straus Madonna | c. 1380 | 70.29.2 | Howard A. Noble Fund | Wildenstein & Company, Inc., New York, 1947; Schaeffer Galleries, Inc. [1925-1990?], New York, by May 1970; purchased by Museum, May 1970. Under review by CGK | https://collection.carnegieart.org/objects/43b37461-9166-4afc-9f1a-ded13b1a9379 |
| The Road to Louveciennes (La route de Louveciennes) | Alfred Sisley | 1874 | 69.11 | Acquired through the generosity of the Sarah Mellon Scaife Family | Alfred Sisley [1839-1899], France. L. Dubois, Bordeaux, France [1]. Bernheim-Jeune, Paris, France. Percy Moore Turner [1905-1952], London, England, by September 1930 until at least January 1932 [2]. Paul Rosenberg [1881-1959], Paris, France, until 1934; purchased by Paul Gadala, Paris, France, 1934 until at least May 1939 [3]. Wildenstein & Company, Inc., New York, NY; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1969. Notes: [1]. Early provenance based on information from Wildenstein & Co. and from Francois Daulte, "Alfred Sisley: Catalogue raisonné de l'oeuvre peint," Durand-Ruel, Paris,1959, no. 129. [2]. Turner lent it to the exhibitions "Vincent van Gogh en zijn tijdgenooten," Amsterdam September 6-November 2, 1930 and "Exhibition of French Art," Royal Academy, London, January 4-March 12, 1932. [3]. Paul Gadala lent it to two exhibitions at Paul Rosenberg's Paris gallery, "Exposition Le Grand Siècle," June 15-July 11, 1936 and "Exposition Sisley," May 9-June 10, 1939. | https://collection.carnegieart.org/objects/05810922-2322-4c03-b6fa-50c5814d6fe8 |
| The Appearance of St. Michael on the Castel Sant'Angelo to Pope Gregory the Great | Domenico Beccafumi | c. 1526-1528 | 69.9.2 | Howard A. Noble Fund | Church of Santa Maria del Carmine, Siena [1]. Private Collection, Switzerland; Wildenstein & Company, Inc. [1903-], New York, by April 1969; purchased by Museum, April 1969. NOTES:1. Until sometime in the 17th century when the altarpiece was dismantled. Under review by CGK | https://collection.carnegieart.org/objects/08ca9062-7c8c-4802-87ed-5a28e20e59c7 |
| The Miracle of St. Michael on Mt. Gargano | Domenico Beccafumi | c. 1526-1528 | 69.9.1 | Howard A. Noble Fund | Church of Santa Maria del Carmine, Siena [1]. Private Collection, Switzerland; Wildenstein & Company, Inc., New York, by 1969; purchased by Museum, April 1969. NOTES:1. Until sometime in the 17th century when the altarpiece was dismantled. Under review by CGK | https://collection.carnegieart.org/objects/01e0594f-0193-4090-81f6-b66898f249bd |
| King Hezekiah | unknown Spanish | late 15th century | 69.3 | Gift of Mr. and Mrs. Charles J. Rosenbloom | Galerie Kleinberger, Paris, 1937; Arnold Seligmann, Rey & Company, Inc., New York; (Parke-Bernet Galleries sale, New York, January 23, 1947, no. 830) [1]; Mr. [1898-1973] and Mrs. Charles J. Rosenbloom, Pittsburgh, PA, 1947 until February 1969; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1969. Notes: [1]. Seligmann sale. Under review by CGK. | https://collection.carnegieart.org/objects/900ee12b-32dd-4247-a065-31ab0b09fc5a |
| Henri Rouart in front of his Factory | Edgar Degas | c. 1875 | 69.44 | Acquired through the generosity of the Sarah Mellon Scaife Family | Hilaire-Germain-Edgar Degas [1834-1917], Paris, France; Henri Rouart [1833-1912], Paris, France; his son, Ernest Rouart [1874-1942], Paris, France; his wife, Mme. Ernest (Julie Manet) Rouart [1878-1966], Paris, France, until 1960; their son, Clément Rouart [1906-1992], Paris, France, in 1960; Private Collection, Paris, France [1]; Wildenstein & Company, Inc., New York, NY, by November 1969 until December 1969; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, December 1969. Notes: [1]. According to Wildenstein; see curatorial file. | https://collection.carnegieart.org/objects/ea45ddd0-0371-4954-8efa-8e879b43910e |
| The Garden (Le jardin) | Ker-Xavier Roussel | 1894 | 69.27 | Gift of Mr. and Mrs. John F. Walton, Jr. | Ker-Xavier Roussel [1867-1944]. Edouard Vuillard [1869-1940], Paris, France; Jacques Roussel, Paris, France; Walter Feilchenfeldt [1939-], Zurich, Switzerland, by 1969; purchased by Museum, September 1969 [1]. NOTES:1. Updated by CGK July 2012. | https://collection.carnegieart.org/objects/57da4db4-d1c1-4f21-9dd6-fa3c1f5addb0 |
| Madonna and Child with Musical Angels | Master of the Legend of Saint Lucy | c. 1500 | 69.53 | Howard A. Noble Fund | Leopold Goldschmidt, Paris, by 1908; (F. Kleinberger Galleries, New York, by 1908). Mr. George I. Pratt, New York, 1929; Mrs. George Dupont Pratt, New York; (H. Shickman Gallery, New York, by 1969); purchased by Museum, December 1969. Under review by CGK | https://collection.carnegieart.org/objects/52b3b9bc-e4a8-4422-b008-c568b740c23a |
| Self-Portrait | Paul Cézanne | c. 1883-1887 | 68.11 | Acquired through the generosity of the Sarah Mellon Scaife Family | Paul Cézanne [1839-1906], France. Ambroise Vollard [1866-1939], Paris, France [1]; Baron Denys Cochin, Paris, France, until April 26, 1913; purchased by Galerie Bernheim-Jeune, Paris, France, April 26, 1913 until December 29, 1916 [2]; purchased by Georges Bernheim, Paris, France, December 29, 1916; Galerie Tanner, Zurich, Switzerland; Rudolf Staechelin, Basel, Switzerland, by 1930?; Rudolf Staechelin Foundation, Basel, Switzerland, 1931? [3]; Galerie Beyeler, Basel, Switzerland; Wildenstein & Company, Inc., New York, NY, until April 1968; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1968. Notes: [1]. Stock no. 3465A "Cézanne huile portrait d’homme assis les mains appuyés sur le genou se détachant sur un fond vert 55x46, Vollard archives photo no. 288." [2]. Stock no. 19935. [3]. On long-term loan to the Kunstmuseum Basel. Updated by CGK July 2012 and under review. | https://collection.carnegieart.org/objects/2748d220-a434-41ff-be97-31f854000b09 |
| Wheat Fields after the Rain (The Plain of Auvers) | Vincent van Gogh | 1890 | 68.18 | Acquired through the generosity of the Sarah Mellon Scaife Family | Vincent van Gogh [1853-1890]; Theo van Gogh; Johanna van Gogh-Bonger; V. W. van Gogh, Amsterdam, The Netherlands [1]; possibly Mme. Maria Slavona, Paris, France [2]; possibly Paul Cassirer Art Gallery, Berlin, Germany [2]; Harry Graf Kessler [1868-1937], Berlin, Germany and Weimar, Germany, by May 1901, probably 1897 to at least 1929, likely Fall 1931 [3]; Alex Reid and Lefevre Ltd, London, England [4]; Bignou Gallery, New York, NY, in March 1937 [5]; Mr. and Mrs. Marshall Field, New York, NY, possibly by October 1937 until November 1956 [6]; Mrs. Marshall Field (Ruth Pruyn Field) [c.1907-1994], New York, NY, until at least Summer 1966 [7]; Galerie Beyeler, Basel, Switzerland, by August 1968; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, October 1968. Notes: [1]. Early provenance from Walter Feilchenfeldt, "Vincent van Gogh - The Years in France - Complete Paintings 1886-1890," English edition, published by Philip Wilson Publishers, 2013. The painting is no. 284 "Champs T.30" on the AB list (Andries Bonger list.) [2]. Reference sources vary, but the Slavona and Cassirer provenance has not been established. [3]. Kessler loaned the painting to the "Third Art Exhibition of the Berlin Secession," no. 68, "Flachlandschaft." The painting appears in a 1910 photograph of the library of Kessler's house in Weimar (see "Die Sammlung Harry Graf Kessler in Weimar und Berlin" by Sabine Walter in "Die Moderne Und Ihre Sammler," Akademie Verlag, Berlin, 2001, p.75 (copy from Frick Art Reference Library in curatorial file.) [4]. The gallery appears in references to the painting in 1939 and 1941. [5]. Exhibited at Bignuou Gallery in "The Post Impressionists," March-April 1937, no.11, illustrated. The painting is no. 2576 in the Bignou Gallery Albums, Frick Art Reference Library Archives. [6]. Mr. Marshall Field lent a van Gogh painting, “Provencal Landscape”, 1888-89, to a MOMA “small one-man show” in October 1937. This is possibly the CMOA painting, which was, as late as 1929, assigned to van Gogh’s Arles period. Mr. Field is credited again as the lender of the painting "Fields at Auvers" to the MOMA exhibition "Art in our Time," May-September 1939. Mr. and Mrs. Marshall Field subsequently loaned the painting to other exhibitions, including the "Van Gogh Loan Exhibition" at Wildenstein, New York, NY, in March-April 1955. [7]. Mrs. Marshall Field lent it to the Van Gogh exhibition in Los Angeles in July-August, 1957 and to "Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections," The Metropolitan Museum of Art, 1966. | https://collection.carnegieart.org/objects/3c5512b1-e195-4b77-9671-f8c1e73e9b25 |
| Sir George Nevill, Lord Bergavenny | Hans Holbein the Younger | 1534 | 67.11 | Bequest of Roy A. Hunt | Attributed to Hans Holbein the Younger [1497-1543], London, England. Possibly the Wotton family, Boughton Malherbe [1]; Thomas, Lord Wotton and by descent to his daughter Katherine who married Henry, Lord Stanhope in 1628; by descent in the Stanhope family to the Earl of Stanhope, Chevening, Kent [2]; Frank T. Sabin, London, England, by July 1923 until April 1925; sold to Duveen Brothers, London, England, Paris, France, and New York, NY, on April 24, 1925; sold by Duveen Bothers, Inc., New York, NY in March 1926 to Mr. Alfred W. Erickson [1876-1936], New York, NY [4]; Alfred W. Erickson, New York, NY, March 1926 until November 2,1936; by inheritance to his wife, Mrs. Alfred (Anna Edith) Erickson [-1961], New York, NY, November 2, 1936 until February 7, 1961; her estate sale, Parke-Bernet Galleries, New York, NY, November 15, 1961, no. 8 [5]; purchased by Roy Arthur Hunt [1881-1966], Pittsburgh, PA [6]; Roy Arthur Hunt [1881-1966], Pittsburgh, PA, November 1961 until October 21, 1966; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, June 1967. Notes: [1]. A member of the Wotton family married a daughter of the sitter, 3rd Lord Bergavenny. [2]. The preceding provenance is according to Duveen documents and correspondence (copies from Getty Research Institute) in curatorial files. [3]. Duveen purchased the painting from Mr. Sabin, a London dealer, for £2,000 (see copies of Duveen documents and correspondence.) [4]. Mr. Erickson purchased the painting after restoration (see curatorial file) for $130,000. [5]. Sale entitled "The Erickson Collection of Old Master Paintings." [6]. Purchased for $35,000. See annotated sales catalogue in curatorial file. | https://collection.carnegieart.org/objects/44b61d47-87ec-453e-9db2-b50c9d03be4a |
| Waterloo Bridge, London | Claude Monet | 1903 | 67.2 | Acquired through the generosity of the Sarah Mellon Scaife Family | Claude Oscar Monet [1840-1926], France, until October 30, 1905; purchased from the artist by Durand-Ruel, Paris, France, October 30, 1905 [1]; private collection of the Durand-Ruel Family, Paris, France [2]; Sam Salz [1894-1981], Inc., New York, NY, September 1966 until April 1967 [3]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1967. Notes: [1]. See document dated September 12, 1966 from Durand-Ruel & Cie prepared for Sam Salz in curatorial file, which also gives the relevant Durand-Ruel information for the painting (Ph. D-R No. 5393 - 9077 - St 8014 - No. A1 212.) It was purchased by Durand-Ruel for 10,000 F, according to the entry for the painting (no. 111) in the catalogue for the 1980 exhibition "Hommage à Claude Monet (1840-1926)" at the Galeries nationales du Grand Palais, Paris, France. [2]. According to Sam Salz correspondence in curatorial file. [3]. See both references in note [1]. | https://collection.carnegieart.org/objects/989f9731-8e24-4f62-b940-e68671c0bc33 |
| Still Life with Fruit | Suzanne Valadon | 1937 | 67.17 | Gift of Sara M. Winokur and James L. Winokur | Suzanne Valadon [1865-1938], Paris, France. Winston Collection, Paris, France; Hirschl and Adler, New York, NY; James L. Winokur [1922-2009] and Sara M. Winokur, Pittsburgh, PA; their gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, November 1967. Updated by CGK and under review by CGK. | https://collection.carnegieart.org/objects/605c22bc-8c5c-4389-9364-834a2ed4e3ad |
| Le Moulin de la Galette | Vincent van Gogh | 1886—1887 | 67.16 | Acquired through the generosity of the Sarah Mellon Scaife Family | Vincent van Gogh [1853-1890]; gift to Andries Bonger [1861-1936], Amsterdam, Netherlands, 1888 until January 20, 1936 [1]; bequest to F. W. M. Bonger, Baroness van der Boch van Verwolde, his second wife [1887-1975], Amsterdam, Netherlands [2]; her gift to C. H. Huguenot van der Linden, Amsterdam, Netherlands, after January 1936 [3]. Possibly Bignou Gallery, New York, NY [4]. Georges Bigar, New York, NY, 1955?; Mr. [1914-2011] and Mrs. Raymond Bigar, New York, NY, by March 1955 until at least July 1957 [5]; private collection, England [6]; Wildenstein & Company, Inc., New York, NY, by 1967; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, October 1967. Notes: [1]. Given by the artist on the occasion of Andries Bonger's marriage to Annie van der Linden in 1888. See "Odilon Redon and Emil Bernard, Masterpieces from the Andries Bonger Collection", Van Gogh Museum, Amsterdam, 2009, no.89, illustrated on p.24. Walter Feilchenfeldt in "Vincent van Gogh, The Years in France" (English edition published by Philip Wilson Publishers, London, 2013), gives an alternate early provenance beginning with Theo van Gogh, Johanna van Gogh-Bonger, and V. W. van Gogh. This is probably because he identifies this work as no. 47 ("Au Moulin de la Galette") on the Andries Bonger list. See the reference for a discussion of the origin and uncertainties of this list. [2]. Her full name was Françoise Willemina Maria Bonger, Barones van der Borch van Verwolde. [3]. Heir of Andries Bonger's first wife, Annie Bonger-van der Linden. The middle initial of this owner is in some doubt. The reference from the Van Gogh Museum given above gives it as "H.” and Walter Feilchenfeldt as “L.” Also, the van Gogh Museum reference lists only one heir as recipient of the gift under the painting's catalogue entry (no. 89, p. 120), but in the text (p. 83) the painting is referred to as a gift to "C. H. Huguenort van der Linden and E. C. van der Linden". [4]. The painting is illustrated in the Bignou Gallery Albums (no. 2923), The Frick Fine Arts Library Archives, New York, NY. The Bignou Gallery in New York closed by 1953. [5]. Mr. and Mrs. Raymond Bigar lent the painting to Van Gogh exhibitions in New York in March-April 1955 and in Los Angeles in July-August 1957. [6]. See correspondence with Wildenstein & Company in curatorial file. | https://collection.carnegieart.org/objects/01fd8421-c117-4309-8f99-b08b7bacec79 |
| Portrait of a Young Man | Master of the 1540s | c. 1545 | 66.9.2 | Gift of Mr. and Mrs. Richard M. Scaife | Baron Leon Pitteurs Hugaerts D'Orange [1833-1902], Brussels, until 1902 [1]; (Galerie Fievez? sale, Brussels, December 14, 1927 until December 17, 1927, no. 26) [2]; Edouard Jonas, Paris and New York, 1929; Ira Haupt [1889-1963], New York; (sold at Anderson Galleries, Inc., New York, November 16, 1935, no. 59); French & Company [1907-], New York; William Randolf Hearst [1863-1951], New York; Mr. and Mrs. Richard M. Scaife, Ligonier, Pennsylvania, until 1966; gift to Museum, September 1966. NOTES:1. Also recorded as Léon-Charles-Georges-Marie-Louis, baron de Pitteurs Hiegaerts d'Ordange 2. Baron Leon Pitteurs Hugaerts sale | https://collection.carnegieart.org/objects/20143305-8e8a-4d56-9995-9b5845494299 |
| Beach at Trouville (La Plage de Trouville) | Eugène Louis Boudin | c. 1885 | 66.19.2 | Acquired through the generosity of the Sarah Mellon Scaife Family | Eugène Louis Boudin [1824-1898], France. Possibly Mme. Soucaret, Paris, France; (Hotel Drouot, Paris, France, May 29, 1903, no. 8) [1]. (Durand-Ruel, Paris, France); Private collection, Paris, France; Wildenstein & Company, Inc., New York, NY; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, December 1966 [2]. NOTES:1. Recorded on page 11. Sale entitled "Collection de Madame S... (Soucaret)". 2. Updated by CGK July 2012. | https://collection.carnegieart.org/objects/c8ff179d-b6e8-4a8f-943f-0bf9cd448ca5 |
| Landscape with a Natural Arch | Gaspard Dughet | c. 1670-1673 | 66.11.1 | Bequest of Howard A. Noble | Gaspard Dughet [1615-1675]. William Harris, by 1811; sale, Christie's, London, England, on February 9, 1811, lot 10 [1]; purchased by Sir Henry Charles Englefield [1752-1822], February 9, 1811 until 1822 [2]; estate of Sir Henry Charles Englefield, 1822 until March 8, 1823; Christie's sale, London, England, March 8, 1823, lot 64; purchased by Mr. Norton [3]. Colonel Hugh Duncan Baillie [1777-1866], by 1824; Baillie sale, Christie's, London, March 6, 1824 [4]. Mr. Farrer, by 1849; purchased by Thomas Baring, M.P. [1799-1873], 1849 until 1873; bequest to his nephew Thomas George Baring, Lord Northbrook, subsequently 1st Earl of Northbrook [1826-1904], 1873 until 1904 [5]; by descent to Francis George Baring, 2nd Earl of Northbrook [1850-1929], London, until 1929; Florence Anita, Countess of Northbrook [1860-1946 ], his wife, 1929 until at least June 1937; sale, Christie, Manson & Woods, London, England, June 11, 1937, no. 13 [6]; purchased by Sneyd [7]; sale, Christie, Manson & Woods, London, England, February 25, 1938, no. 118 [8]; purchased by Smith, February 1938 [9]. Howard A. Noble [1874-1964], Pittsburgh, PA by November 1939 until April 30, 1964 [10]; estate of Howard A. Noble, April 30, 1964 until September 20, 1966 [11]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, September 1966. Notes: [1]. William Harris sale. [2]. Purchase price of £35, 14s. [3]. Purchase price of £39, 18s. [4]. The sale of Colonel Hugh Duncan Baillie. This work did not sell, according to Marie-Nicole Boisclair's "Gaspard Dughet, Sa vie et son oeuvre", Paris, 1987, no. 349, p. 277; also The Getty Provenance Index shows that the work was bought in for 39Gs; the 1889 catalogue of the Earl of Northbrook collection lists a price in pounds, £40, 19s., for this sale. [5]. See 1889 catalogue of the Earl of Northbrook collection, no. 254, as "The Arch". It is listed as being on panel but when lent by Mr. Baring to the 1872 Royal Academy Winter exhibition as "Landscape and Figures," no. 102, it is listed as on canvas. [6]. Countess of Northbrook sale entitled "Pictures by Old Masters;" this work was listed as "A Landscape, with classical figures". [7]. Purchase price of £12 12s, according to annotated sales catalogue at the Frick Library, but apparently bought in, according to annotated sales catalogue at the Getty Research Institute (see curatorial file.) [8]. Sold under the heading of "Property of a Lady" as "A Landscape, with classical figures". Countess of Northbrook was the likely seller (see curatorial file.) [9]. Purchase price of £27, 6s. [10]. Negative 32926 FARL was made from Bachrach photograph Mr. Noble lent to the Frick Art Reference Library in November 1939. In 1944, the painting hung along the stairway of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. [11]. The painting was transferred from the Noble residence to the museum with the rest of Mr. Noble's collection. Correspondence with the estate trustee (see donor file) and Museum Committee meeting minutes indicate that it was subsequently acquired from the estate at the appraised value with funds provided by Mr. Noble's bequest. It was accessioned in September 1966. | https://collection.carnegieart.org/objects/e7d3087d-25f3-474b-b8c5-e63213c13c32 |
| Portrait of Dr. Henri Bourges | Henri Marie Raymond de Toulouse-Lautrec | 1891 | 66.5 | Acquired through the generosity of the Sarah Mellon Scaife Family | Henri Marie Raymond de Toulouse-Lautrec [1864-1901], until 1891; Dr. Henri Bourges (1861-?), Paris, France, c. 1891 until at least 1926 [1]; by descent to Jacques Bourges, his son, Arcachon, France, until at least August 1965 [2]. M. Knoedler & Company, Inc., New York, NY, by January 21, 1966 until April 13, 1966 [3]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1966. Notes: [1]. Included in "Henri de Toulouse-Lautrec" by Maurice Joyant, H. Floury, ed., Paris, 1926: p.131, reproduced on p.135, and noted as "Coll. de M. H. Bourges" on p.270. [2]. See letter by J. Bourges dated August 2, 1965 in curatorial file. [3]. No. A 8976; see correspondence and notes from M. Knoedler in curatorial file and Knoedler Archive, The Getty Research Institute. Knoedler correspondence indicates that the painting was bought "from off the wall" of the owner's house. The Knoedler archive shows that the painting was owned in shares by Sarec, SA (7/15), Knoedler (7/15) and Madame Dortu (1/15). | https://collection.carnegieart.org/objects/3ed7e910-49a0-4e5f-9355-0bfd9863115b |
| Early Spring near Mantes | Jean-Baptiste-Camille Corot | c. 1855-1865 | 66.19.3 | Acquired through the generosity of the Sarah Mellon Scaife Family | Jean-Baptiste-Camille Corot [1796-1875]. Possibly Beugniet [1]. Michel Lévy [-1875?], Paris, France; Mme. Michel Lévy, until March 1876; (sold at Hotel Drouot [1852-], Paris, France, on March 17, 1876); Leon Michel-Lévy, Paris, France, by 1895 [2]. (Durand-Ruel & Cie, Paris, France); Harry Samuel Henry, Philadelphia, PA, 1907; Eugene Glaenzer [-1923], New York, NY, 1912; Henry Walters [1848-1931], New York, NY, until 1931; Mrs. Henry Walters, New York, NY, until 1941. Sold at Park-Bernet Galleries, Inc. [1937-1964], New York, April 30, 1941 until May 1, 1941, no. 969, illustrated. [3]. Wildenstein & Company, Inc. [1875-], New York, NY, 1942 until 1966; purchased by Museum, December 1966 [4]. NOTES:1. See Rodolphe Walter, "Corot à Mantes", Les editions de l’Amateur, 1997, p. 122 2. See Rodolphe Walter, "Corot à Mantes", Les editions de l’Amateur, 1997, p. 122. 3. See page 278 of catalog. 4. Updated by CGK July 2012. | https://collection.carnegieart.org/objects/92dbe9e0-8720-4517-a335-ed90d21bdb46 |
| Glass of Water and Coffeepot | Jean-Siméon Chardin | c. 1761 | 66.12 | Howard A. Noble Fund | Jean-Siméon Chardin [1699-1779]. Philippe Burty [1830-1890], probably in 1874 until June 3, 1890 [1]; estate of Phillipe Burty, June 3,1890 until March 1891; sold at Hotel Drouot, Paris, March 2-3, 1891, no. 30 [2]; Charles Haviland [1839-1921], until March 15, 1921 [3]; estate of Charles Haviland, March 1921 until December 1922; sale, Hotel Drouot, Paris, December 14-15, 1922, no. 42, illustrated [4]; his son George Haviland [1870-1947], probably 1922 until 1932; sold at Galerie Georges Petit, Paris, June 2-3, 1932, no. 105, illustrated [5]. A. M. Schwenk [6]; Wildenstein & Company, Inc., New York, NY, by May 1966; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, September 1966. Notes: [1]. See "Chardin," Èditions de la Réunion des musées nationaux, 1999, p. 292, which states "Philippe Burty, sans doute dès 1874." [2]. Sale entitled "Tableaux Modernes et Anciens"; this work is listed as "Object divers, sur une table de pierre". This sale is recorded on the back of the painting with the phrase "payé 5,000." [3]. Charles Haviland's second wife, Madeleine, was Philippe Burty's daughter. [4]. Sale entitled "Tableaux Anciens et Modernes"; the work is listed as "La Bouillotte"; bought in. [5]. Sale entitled "Tableaux Anciens et Modernes"; this work listed as "La Bouillotte", sold for 120,000 francs. In reporting this sale, "Art News" noted that the work had brought "only 35,000 francs in 1922," though it was probably, as noted above, bought in. [6]. Information from Wildenstein & Company, Inc. | https://collection.carnegieart.org/objects/f7fe7406-d3ad-405e-b172-93a8dfe0643e |
| Midday Rest | Marcel Gromaire | 1938 | 66.6 | Mrs. George Liggett Craig, Jr. Fund | Marcel Gromaire [1892-1971], Paris, France, until 1939 [1]; G. David Thompson [1899-1965], Pittsburgh, PA, January 1940 until June 26, 1965 [2]; G. David Thompson estate, June 1965 until March 1966; Thompson sale, Parke-Bernet Galleries, Inc., New York, NY, March 23-24, 1966, lot 65 [3]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1966 [4]. Notes: [1]. The painting was exhibited in "The 1939 International Exhibition of Paintings" at Carnegie Institute, Pittsburgh, PA, October-December 1939 (no. 194, as "Afternoon Rest".) A hand-written letter from the artist, dated February 18, 1940, gives the title as "Repos de Midi" (see copy from Archives of American Art in curatorial file.) [2]. Mr. Thompson purchased the painting from the 1939 International for 6,500 francs. The payment to the artist was made in January 1940. See copies of relevant digitized documents from Archives of American Art in curatorial file. An image of the painting is included in the Carnegie International photo archive. [3]. "The G. David Thompson Collection of Twentieth Century Paintings and Sculptures;" this lot, illustrated in the catalogue and titled "Le Repos du Midi," sold in the second session, March 24, 1966. [4]. The museum acquired the painting at the Parke-Bernet auction in March 1966; it was accessioned the following month. | https://collection.carnegieart.org/objects/3b9a56f7-3b70-4fa8-b7f3-596e2e46a4f1 |
| Landscape | Charles Camoin | 66.15 | Gift of Mr. and Mrs. Ernest E. Donath | Mr. and Mrs. Ernest E. Donath, Pittsburgh; gift to Museum, December 1966. | https://collection.carnegieart.org/objects/270dea47-8669-4739-acfb-28dd23a88065 | |
| Head of a Boy | Pablo Picasso | 1906 | 66.13 | Purchase: gift of the Howard Heinz Endowment | Pablo Picasso [1881-1973], Paris, France. Helena Rubinstein [1872-1965], New York, NY, until April 1, 1965 [1]; her estate, until April 20, 1966; Rubinstein sale, Parke-Bernet Galleries, Inc., New York, NY, April 20, 1966, no. 33 [2]; purchased by Museum of Art, Carnegie Institute, September 1966 [3]. Notes: [1]. Born Chaja Rubinstein, also known as Princess Gourielli. [2]. Illustrated in the catalogue of Sale no. 2428, "The Helena Rubinstein Collection, Modern Paintings and Sculptures, Part One." [3]. The musuem purchased the painting at the Rubinstein sale as a gift of the Howard Heinz Endowment. It was accessioned on September 20, 1966. Updated and under review by CGK | https://collection.carnegieart.org/objects/8e524354-3eb6-4379-8c50-4bed3a2f66c9 |
| Landscape Near Aix, The Plain of the Arc River | Paul Cézanne | 1892-1895 | 66.4 | Acquired through the generosity of the Sarah Mellon Scaife Family | Paul Cézanne [1839-1906], France. Dikran Khan Kelekian [1868-1951], Paris, France, by 1922; sale, American Art Association, New York, NY, January 31, 1922, no. 148, [1]; John Quinn [1870-1924], New York, NY; Paul Cassirer [1871-1926], Berlin, Germany; Hugo Simon [1880-1950], Berlin, Germany; sale, Galerie Georges Petit, Paris, France, June 9, 1932, no. 12 [2]; Private Collection, Nantes, France; Bignou Gallery, New York, NY, by 1935; C. Suydam Cutting [1889-1972], Gladstone, NJ [3]; Mrs. C. S. Cutting, Gladstone, NJ, by 1937; Brady Foundation, New York, NY; Wildenstein & Company, Inc., New York, NY; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1966. Notes: [1] Kelekian sale, January 30-31, 1922; the work was illustrated. [2] "Collections de Messieurs S... et S... (Silberg and Simon);" the work was illustrated. [3] The Cutting home is sometimes recorded as being in Mine Mount, NJ. | https://collection.carnegieart.org/objects/ac12fb84-ff00-4d0d-8e63-117311e714ac |
| Rocks at the Seashore (Rochers au bord de la mer) | Paul Cézanne | 1865-1866 | 66.3 | Gift of Sam Salz | Paul Cézanne [1839-1906], France. Possibly Galerie Durand-Ruel, Paris, France [1]; Ambroise Vollard [1866-1939], Paris, France. Sam Salz [1894-1981], New York, NY; his gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, April 1966. Notes: [1]. Photograph number 19 194. Updated by CGK July 2012 and under review. | https://collection.carnegieart.org/objects/51f45552-6505-48fb-b6c2-326b727aeca7 |
| Place des Lices, St. Tropez | Paul Signac | 1893 | 66.24.2 | Acquired through the generosity of the Sarah Mellon Scaife Family | Paul Signac [1863-1935]; Atelier Paul Signac, 1893 until 1924; Marcel Kapferer, Paris, France, 1924. Raphaël Gérard, Paris, France, March 26, 1931 until at least December 1933 [1]. E. Raudag?, Glasgow, Scotland, by 1940 [2]. Alex Reid & Lefèvre, London, England, 1966; Sam Salz [1894-1981], Inc., New York, NY; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, December 1966. Notes: [1]. Exhibited in "Seurat et ses Amis", Paris, December 1933-January 1934. [2]. This name might also be "Randag". See Signac catalogue raisonné by Françoise Cachin, Gallimard, Paris, 2000. | https://collection.carnegieart.org/objects/5fbdc219-e649-4912-b366-f4d2f5b0c395 |
| The Violet Fence (La palissade violette) | Pierre Bonnard | 1923 | 66.19.1 | Acquired through the generosity of the Sarah Mellon Scaife Family | Pierre Bonnard [1867-1947], until 1947; Estate of Pierre Bonnard, France, 1947 until 1966 [1]; Wildenstein & Company, Inc., New York, NY, by 1966; purchased by Museum, December 1966 [2]. NOTES:1. Bonnard-Terrasse family. 2. Updated by CGK July 2012. | https://collection.carnegieart.org/objects/0a4525cf-12df-44af-836d-35d5a4fe94d7 |
| Birches | Paula Modersohn-Becker | c. 1904 | 65.2.2 | Gift of Sara M. Winokur and James L. Winokur | Allan Frumkin Gallery [1959-1995], New York; Mr. and Mrs. James L. Winokur, Pittsburgh; gift to Museum, May 1965. | https://collection.carnegieart.org/objects/ceae8269-0ef1-4114-9941-048a38bb05c9 |
| Street in Pontoise (Rue de Beaujour, Pontoise) | Camille Pissarro | 1872 | 65.31 | Acquired through the generosity of Mrs. Alan M. Scaife and family | Camille Pissarro [1830-1903], France. Alfred Nunès, the artist's cousin, Paris, France, until sometime in or before 1894 [1]; estate of Alfred Nunès, Paris, France, until April 1894; sold at Hotel Drouot, Paris, France, on April 16, 1894, no. 39 [2]; Pierre Durand-Ruel, Paris, France [3]; Philippe Durand-Ruel, Paris, France [3]; sold to Wildenstein & Co., Inc., New York, NY on February 20, 1964; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, October 1965. Notes: [1]. Since the 1894 sale refers to "Succession de M.A.N."(unes), Nunès died in or before 1894. [2]. Sold for 900 francs. In Pissarro: "Critical Catalogue of Paintings" by Joachim Pissarro and Claire Durand-Ruel Snollaerts, vol. 2, 2005, (no. 245), the buyer at the Nunès sale is given as Durand-Ruel; however, neither of the individual Durand-Ruel collections are mentioned (see note below). [3]. Provenance given by Wildenstein at the time of purchase; see curatorial file. | https://collection.carnegieart.org/objects/3bee590e-5830-45de-8201-023dd1f18433 |
| Garden Overlooking the Sea, Cannes | Edouard Vuillard | 1901 | 65.17.3 | Purchased through the generosity of Mrs. Alan M. Scaife and family | Edouard Vuillard [1868-1940]; Ernest Coquelin Cadet [1848-1909], Paris, France, 1901 until 1909; Coquelin Cadet sale, Hôtel Drouot, Paris, France, May 26, 1909, lot 52; Gaston Bernheim de Villers [1870-1953], Paris, France, until 1953 [1]; sale, Galerie Charpentier, Paris, France, December 7, 1954, lot 47; Galerie Bernheim Jeune, Paris, France, until ca. September 1955 [2]; M. Knoedler & Company, Inc., New York, NY, ca. September 1955 until December 1, 1960 [3]; Grant J. Pick [1910-1963], Chicago, IL, December 1, 1960 until January 1963 [4]; bequest to The Art Institute of Chicago, Chicago, IL, 1963 until April 1965 [5]; sale, Parke-Bernet Galleries , New York, NY, April 14, 1965, lot 78 [6]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1965 [7]. Notes: [1]. Early provenance from "Vuillard: The Inexhaustible Glance. Critical Catalogue of Paintings and Pastels" by Antoine Solomon and Guy Cogeval, Skira, 2003, Volume II, no. VIII-18, p. 838. According to this reference, Gaston Bernheim de Villers purchased the painting for 960 F. He lent the painting to "Exposition E. Vuillard" held in May-July 1938 at the Musée des arts décoratifs. Note that some early sources, as well as the catalogue of the 1965 Parke-Bernet sale (see note [6],) include Thadée Natanson as an early owner but this has not been confirmed. [2]. Knoedler's painting stock book 10, The Getty Research Institute, lists Knoedler's source as Bernheim Jeune. [3]. Knoedler stock no. A-6107, as "L'Esterel vue de Cannes." See [2] above. [4]. Purchased from Knoedler in December 1960 for $8,000 (see copy of relevant sales entry in Knoedler archive, The Getty Research Institute.) [5]. See correspondence with the The Art Institute of Chicago in curatorial file. [6]. Sale no. 2344 entitled "Impressionist and Modern Paintings, Sculptures, Drawings" as "Property of a Midwestern Educational Institution." [7]. The museum acquired the painting at the Parke-Bernet sale in April 1965 and officially accessioned it the following month. | https://collection.carnegieart.org/objects/851aeaba-c677-4536-a082-4cce08f2a800 |
| Standing Nude | Edouard Vuillard | c. 1906 | 65.17.4 | Purchased through the generosity of Mrs. Alan M. Scaife and family | Edouard Vuillard [1868-1940]. Gaston Bernheim de Villers [1870-1953], Paris, France by May 1938 until 1953 [1]; Bernheim Family Collection, Paris, France [2]; Bernheim Jeune & Cie, Paris, France, until May 1960 [3]; M. Knoedler & Company, Inc., New York, NY May 1960 until June 1, 1961 [4]; Grant J. Pick [1910-1963], Chicago, IL, June 1, 1961 until January 1963; bequest to Art Institute of Chicago, Chicago, IL, 1963 [5]; sale, Parke-Bernet Galleries, New York, NY, April 14, 1965, lot 79 [6]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1965 [7]. Notes: [1]. Also referred to as Gaston de Villers, Gaston Bernheim-Jeune, and Gaston Bernheim. He lent the painting to "Exposition E. Vuillard" held in May-July 1938 at the Musée des arts décoratifs. See also "Vuillard: The Inexhaustible Glance. Critical Catalogue of Paintings and Pastels" by Antoine Solomon and Guy Cogeval, Skira, 2003, Volume II, no. VII-231, p. 657. [2]. See Knoedler brochure about the painting in curatorial file. [3]. Knodler's painting stock book 11, The Getty Research Institute, lists Knoedler's source as Bernheim Jeune & Cie. [4]. Knoedler stock no. A-7601, as "Petit nu, 1906." See [2] above. [5]. See correspondence with the The Art Institute of Chicago in curatorial file. [6]. Sale no. 2344, "Impressionist and Modern Paintings, Sculptures, Drawings" listed as "Property of a Midwestern Educational Institution," no. 79 as "Femme nue debout." [7]. The museum acquired the painting at the Parke-Bernet sale in April 1965 and officially accessioned it the following month. | https://collection.carnegieart.org/objects/bc49b96c-b4df-4b72-ae17-acc178b44cbf |
| Girl Under Apple Tree | Edvard Munch | 1904 | 65.16 | Acquired through the generosity of Mrs. Alan M. Scaife and family | H. Nobel Roede [1877-1963], Oslo; Schlesisches Museum für bildende Künst, Breslau, Germany [1]; Nasjonalgalleriet, Oslo, 1939? until 1945? [2]; Ragnar Moltzau [1901-], Oslo, 1949? [3]; Marlborough-Gerson Gallery, Inc., New York, by 1965; purchased by Museum, May 1965. NOTES:1. It is unspecified if the painting was on loan or owned by the museum. 2. on deposit 3. purchased from the Norwegian government. Under review by CGK | https://collection.carnegieart.org/objects/d76ebcea-3c04-4bda-a552-258543dbffe0 |
| Pittsburgh Hills, Duquesne Mills, Liberty and Sixth Street Bridges, Three Rivers | Julius I. Jacik | 1929 | 65.24.1 | Gift of the A. W. Mellon Educational and Charitable Trust | Harry Eichleay, Pittsburgh; Carnegie Institute, Pittsburgh, 1956; gift to Museum, October 1956. | https://collection.carnegieart.org/objects/76adfc11-1675-4f0a-bb5a-93cb41a6bc9b |
| Pittsburgh Hills, Duquesne Mills, Liberty Bridge, and Monongahela River | Julius I. Jacik | 1929 | 65.24.2 | Gift of the A. W. Mellon Educational and Charitable Trust | Harry Eichleay, Pittsburgh; Carnegie Institute, Pittsburgh, 1956; gift to Museum, October 1956. | https://collection.carnegieart.org/objects/9d4c927a-462b-4257-819d-c72a06c67da7 |
| Pittsburgh Mills, South Side, Jones and Laughlin Mills, Pittsburgh Bridge and River | Julius I. Jacik | 1929 | 65.24.3 | Gift of the A. W. Mellon Educational and Charitable Trust | Harry Eichleay, Pittsburgh; Carnegie Institute, Pittsburgh, 1956; gift to Museum, October 1956. | https://collection.carnegieart.org/objects/c447a1af-64a4-4517-9513-b1a1d655976b |
| The Miracle of St. Anthony | Francisco de Goya | 1798 | 65.15 | Purchased with funds contributed through the generosity of Mrs. Alan M. Scaife and family | Mme. C. Boski, Bordeaux, 1948; Edmond Amiaud; Madame Andree Chappert, Paris; purchased by Museum through F. Kleinberger & Company, Inc., New York, May 1965. | https://collection.carnegieart.org/objects/d725242b-2230-499b-bee3-8a9db3c02261 |
| The Garden in the Rue Cortot, Montmartre | Pierre-Auguste Renoir | 1876 | 65.35 | Acquired through the generosity of Mrs. Alan M. Scaife | Pierre Auguste Renoir [1841-1919], Paris, France; Eugène Murer [1846-1906], Paris, France and Auvers-sur-Oise, France, until 1884; with Galerie Durand-Ruel, Paris, France, 1884 until 1886 [1]; possibly Pierre Auguste Renoir [1841-1919], Paris, France [2]; acquired by Galerie Durand-Ruel, Paris, France, on April 29, 1890 [3]; Durand-Ruel Gallery, New York, NY [4]; Sam Salz [1894-1981], New York, NY, by November 1965 [5]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, December 1965. Notes: [1]. Livre de depôt no. D. 10078, with no indication of provenance, but ‘Murer, sans doute’, as per letter from Charles Durand-Ruel to Sam Salz, November 2, 1965 in curatorial file. [2]. See "Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles" by Guy-Patrice et Michel Dauberville avec la collaboration de Camille Fremontier-Murphy, volume 1, no. 96. [3]. Acquired for 500 F, as per reference in note [2] above; Durand-Ruel no. 1530, D. 13796. [4]. The painting was included in various exhibitions around the United States, beginning with the "Panama-Pacific International Exposition," San Francisco, 1915 (see curatorial file.) [5]. Sam Salz was President of 19th and 20th Century French Art, Inc. in New York. | https://collection.carnegieart.org/objects/47822a57-46d7-4e4f-9ffb-6e72cce533f8 |
| Bathers with Crab | Pierre-Auguste Renoir | c. 1890-1899 | 65.30.2 | Acquired through the generosity of Mrs. Alan M. Scaife and family | Pierre Auguste Renoir [1841-1919], Paris, France. Possibly Durand-Ruel, Paris, France, by ca.1900 [1]; purchased by Bernheim-Jeune, Paris, France, July 5, 1905 [2]; sold to Alexandre Louis Philippe Marie Berthier, 4th Prince de Wagram [1883-1918], Boissy-Saint-Léger, France, on July 18, 1905; Jos Hessel [1859-1942], Paris, France, by 1917 until at least 1929 [3]. Jacques Laroche [4]; Durand-Ruel Family Collection, Paris, France [5]; Durand-Ruel, Paris, France and New York, NY, by November 1941 [6]; Sam Salz [1894-1981], Inc., New York, NY, by 1965; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, October 1965. Notes: [1]. Label on back of painting with partial id no. from Durand Ruel, 16 Rue Laffitte, Paris, where the gallery was located until 1920; see also photo of exhibition room at Durand Ruel’s in Paris in Walter Feilchenfeldt’s "By Appointment Only", p.22.) [2]. From label on the back of the painting. Stock no. 14406. See also "Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles" by Guy-Patrice et Michel Dauberville avec la collaboration de Camille Fremontier-Murphy, volume 3, no. 2408. BJ Photo no. 10662. [3]. Most commonly used name for the dealer Joseph Hessel who is also sometimes known as Josse Hessel. He lent the painting to an exhibition in Zurich in October 1917. In the 1929 edition of "Renoir" by Julius Meier-Graefe, the painting is illustrated on p.266 as belonging to Hessel. [4]. From correspondence with Sam Salz in curatorial file. [5]. From correspondence with Sam Salz in curatorial file. [6]. D 15938; No. 11347. Durand Ruel, New York lent the painting to an exhibition at the Duveen Galleries in New York in November 1941. | https://collection.carnegieart.org/objects/484a0c6e-0173-4dec-bbab-e736980f9731 |
| The Full-Length Mirror | Pierre Bonnard | 1910 | 65.17.1 | Purchased through the generosity of Mrs. Alan M. Scaife and family | Pierre Bonnard [1867-1947], France, until 1910 [1]; Galerie Bernheim-Jeune, Paris, France, by 1910 [2]; Gaston Bernheim de Villers [1870-1953], Paris, France, in 1952 [3]. Sam Salz [1894-1981], Inc., New York, NY; Mr. and Mrs. Adolphe A. Juviler, New York, NY and Palm Beach, FL, by 1961; sale, Parke-Bernet Galleries, New York, NY, October 25, 1961, no. 33 [4]. Nicolas Reisini, New York, NY, until April 1965; sale, Parke-Bernet Galleries, New York, NY, April 14, 1965, no. 64 [5]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1965. Notes: [1]. The artist left Paris for the South of France in 1910. [2]. Clishé Bernheim-Jeune 322 (see "Bonnard" by Jean and Henry Dauberville, no. 595.) [3]. Also referred to as Gaston Bernheim-Jeune, or Gaston Bernheim. [4]. "Notable Modern Paintings, Drawings, and Sculpture from the Collection of Mr. and Mrs. Adolphe A. Juviler." The work, listed as "La Glace Haute (or La Glace Longue)," is illustrated in color in the catalogue. [5]. Sale entitled "Impressionist and Modern Paintings, Sculptures, Drawings." The work, listed as "La Glace Haute (or La Glace Longue)," is illustrated in color in the catalogue. | https://collection.carnegieart.org/objects/ca0a4439-6a56-4a46-99ff-9c941c0f705e |
| Beach at Trouville | Jean-Baptiste-Camille Corot | 19th century | 65.30.1 | Acquired through the generosity of Mrs. Alan M. Scaife and family | Prevost Collection, Paris; David Rockefeller, New York; Sam Salz [1894-1981], Inc., New York; purchase by Museum, October 1965. Under review by CGK. | https://collection.carnegieart.org/objects/491de137-7854-45bd-a514-93a1bdf58ebf |
| Tree at Montmagny Quarry | Suzanne Valadon | c. 1910 | 65.17.2 | Purchased through the generosity of Mrs. Alan M. Scaife and family | Suzanne Valadon [1865-1938]. (Galerie Serret-Fauveau, Paris, France); Private collection sale, until April 1965; (sold at Sotheby Parke-Bernet [1964-], New York, NY, on April 14, 1965, no. 27 lot no. 27) [1]; purchased by Museum, May 1965. NOTES:1. Sale no. 2344 entitled "Impressionist and Modern Paintings, Sculptures, Drawings". | https://collection.carnegieart.org/objects/c2e11c59-5c23-431f-948e-0ff867028638 |
| Portrait of a Woman | Jan Anthonisz. van Ravesteyn | 1639 | 64.11.22 | Bequest of Howard A. Noble | Abraham Preyer, The Hague, Netherlands, 1890?. Private Collection, Germany. Kurt Walter Bachstitz [1882-1949], The Hague, Netherlands. Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in a bedroom of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/8550fa8f-4891-4f58-85d5-3b52c6da7a74 |
| Vision of Saint Ildephonsus | Adrien Ysenbrandt | c. 1520-1550 | 64.11.15 | Bequest of Howard A. Noble | Adrien Ysenbrandt [1500?-1551?]. M. Nieuwenhuys, in 1856 [1]; purchased by Thomas Baring, M.P. [1799-1873], in 1856 [2]; bequest to his nephew, Thomas George Baring, Lord Northbrook, subsequently 1st Earl of Northbrook [1826-1904], in 1873 [3]; by descent to Francis George Baring, 2nd Earl of Northbrook [1850-1929], until at least 1927 [4]. Julius Böhler, Munich, Germany, August 30, 1929 until at least January 16, 1935, stock no. 217-29 [5]; Howard A. Noble [1874-1964], Pittsburgh, PA by April 1944 until April 30, 1964 [6]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. NOTES: [1]. The information is from entry no. 5 in the 1889 catalogue of the Earl of Northbrook collection. It refers, most likely, to noted collector and dealer C. J. Nieuwenhuys [1799-1883], Brussels and London. [2]. As by Bernard Van Orley. [3]. In the 1889 catalogue of the Earl of Northbrook collection, this work, no. 5, is simply listed under the "Early Netherlandish School" section, with the following footnote: "A similar picture was, in 1860, in the collection of the Rev. Mr. Heath, Vicar of Enfield." [4]. The Earl lent it to the Royal Academy Exhibition of Flemish and Dutch art in 1927. [5]. Photo, no. R 770. Information from a copy of the firm's inventory records at the Getty Research Institute. The record for this painting lists the source as "Sarasota N 248", which may suggest a connection with John Ringling with whom the Böhler firm had a long and close relationship. [6]. Notes: In 1944, the painting hung in the living room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. | https://collection.carnegieart.org/objects/0f33d481-a0dd-4e1a-b088-cc5bc060ace1 |
| Head of Christ | Gerard David | c. 1480-1520 | 64.11.12 | Bequest of Howard A. Noble | C. Vallin, Barcelona. Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the living room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/ce0800bf-4fb9-4663-acb1-549609b7efae |
| St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz | Simon Bening | c. 1522-1523 | 64.11.6 | Bequest of Howard A. Noble | Cardinal Albrecht of Brandenburg (1490-1545). Frederick Stewart (fourth marquess of Londonderry), purchased in 1856. Captain G. Pitt Rivers. sold in single lot at Christie's auction to A. Horace Buttery, 1929. sold to Howard A. Noble [1874-1964], 1937; Howard A. Noble [1874-1964], Pittbsurgh, PA, 1937 until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964.. Notes: [1]. In 1944, the painting was displayed in the living room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/1f233f62-b6ab-4b5c-8d3e-e83115b373c2 |
| Crucifixion | Miguel Alcanyís | c. 1425 | 64.11.14 | Bequest of Howard A. Noble | Don Apolinar Sanchez, Madrid; Thomas Harris, London; Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the hall of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/7d172c24-0eee-4ff7-a6e3-d1261eede351 |
| Head of a Young Man | Andrea del Sarto | 64.11.5 | Bequest of Howard A. Noble | Dr. Rolph Grosse, Berlin. Howard A. Noble [1874-1964], Pittsburgh, PA, 1929 until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in a bedroom of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/fc6278b7-2ffd-4749-a016-5e04d6af9005 | |
| Portrait of a Nobleman | unknown French | c. 1550-1600 | 64.11.9 | Bequest of Howard A. Noble | Falk Collection, Paris, France; Baron Lazzaroni, Rome, Italy; John Levy Galleries, New York, NY; Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the hall of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/b2a3e6ec-5649-4a1a-b452-e8ee8f79daad |
| Portrait of a Man | unknown French | 16th century | 64.11.2 | Bequest of Howard A. Noble | Galerie Neumans, Paris, France and Brussels, Belgium until August 1, 1929 [1]; sold to M. Knoedler & Co., London, England, Paris, France, and New York, NY [2]; M. Knoedler & Co., London, England, Paris, France, and New York, NY, August 1, 1929 until September 9, 1932 [3]; sold to Howard A. Noble [1874-1964], Pittsburgh, PA on September 9, 1932 [4]; Howard A. Noble, Pittsburgh, PA, September 9, 1932 until April 30, 1964 [5]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. Provenance information before acquisition by Mr. Noble is from the Knoedler Gallery Archive (The Getty Research Institute). Art dealer Gaston Neumans had galleries in Paris and Brussels. [2]. Sold for £500, as French School, 16th century, attributed to C. de Lyon. [3]. Knoedler London stock no. A913 [4]. Mr. Noble purchased the painting in London. The Knoedler New York invoice, dated September 30, 1932, lists a price of $3500 for two paintings purchased in London, this work and 64.11.3. [5]. In 1944, the painting hung in a bedroom of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. | https://collection.carnegieart.org/objects/800aea83-0443-41e5-a5df-c02048eccf73 |
| Christina | Giovanni Domenico Tiepolo | 1762-1770 | 64.11.26 | Bequest of Howard A. Noble | Giovanni Domenico Tiepolo [1727-1804]. Possibly Duke of Salamanca, Spain [1]. Tomas Harris, Ltd., London, by June 1932 until at least 1938 [2]; Howard A. Noble [1874-1964], Pittsburgh, PA by November 1939 until April 30, 1964 [3] [4]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. This and another female portrait by Tiepolo are said to have been previously in the collection of the Duke of Salamanca, Spain (see copy of catalogue for the 1938 Tiepolo exhibition at the Art Institute of Chicago in curatorial file.) [2]. It is not clear whether Mr. Harris owned the paining personally or whether it was owned by one of his firms. It was included in exhibitions at Tomas Harris, Ltd., London in June-July 1932 (no. 12) and later, in August 1934 and June 1936, at the Spanish Art Gallery, London (a Harris family firm.) In the 1938 Tiepolo exhibition in Chicago, the lender is identified as Mr. Tomas Harris. [3]. Mr. Noble lent a Bachrach photograph of the painting to the Frick Art Reference Library in November 1939 for documentation in the FARL Photoarchive (FARL 32945.) [4]. A 1944 listing of the Noble collection in museum archives lists the painting as hanging in the dining room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. | https://collection.carnegieart.org/objects/d7fe4458-e2ee-40b6-8fb9-ba9c6d8d2dbd |
| Portrait of El Conde - Duque de Olivares | Peter Paul Rubens | 1629 | 64.11.24 | Bequest of Howard A. Noble | Haberstock Gallery, Berlin, 1928; Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in a bedroom of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/37ecb358-eeb4-40d5-b009-dbc83d499f63 |
| Madonna and Child | Liberale da Verona | c.1500-1529 | 64.11.19 | Bequest of Howard A. Noble | Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in a bedroom of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/9edbe381-b0ed-4fc3-b77c-d408c2479df1 |
| Flight into Egypt, Joseph and Mary at the Inn | unknown Flemish | 16th century | 64.11.1 | Bequest of Howard A. Noble | Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the work was displayed on the piano in the parlor of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/c5baf453-890e-4875-86fe-1ad795f5d9c9 |
| Portrait of a Young Woman with Wimple and Holding a Pink | unknown Flemish | c. 1500-1530 | 64.11.3 | Bequest of Howard A. Noble | Marczell von Nemes [1866-1930] Munich, Germany and Budapest, Hungary until May 20, 1927 [1]; sold to M. Knoedler & Co., London, England, Paris, France, and New York, NY [2]; M. Knoedler & Co., London, England, Paris, France, and New York, NY, May 20, 1927 until September 9, 1932 [3]; sold to Howard A. Noble [1874-1964], Pittsburgh, PA on September 9, 1932 [4]; Howard A. Noble, Pittsburgh, PA, September 9, 1932 until April 30, 1964 [5]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. Provenance information before acquisition by Mr. Noble is from the Knoedler Gallery Archive (The Getty Research Institute). The Hungarian art collector and dealer Marczell von Nemes was also known as Marczell or Marcel de Nemes. [2]. Sold for £800, as "Woman with a Pink" by Master of the Half Lengths. [3]. Knoedler London stock no. 8178; Knoedler New York stock no. 16912. During this period, Knoedler changed the attribution of the work, first to Master of the Parrot and then to Flemish School. [4]. Mr. Noble purchased the painting in London. The Knoedler New York invoice, dated September 30, 1932, lists a price of $3500 for two paintings purchased in London, this work and 64.11.2. [5]. In 1944, the painting hung in the parlor of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. | https://collection.carnegieart.org/objects/592fabcf-ed57-4bc6-b86b-8ee64151d65b |
| Portrait of a Young Man | Domenico Puligo | early 16th century | 64.11.13 | Bequest of Howard A. Noble | Medici collection, Palazzo Riccardi, Florence; Jean-Baptiste-Pierre Lebrun, Paris, by 1809 [1]; Sir Thomas Baring (1772-1848) by 1824 [2]; Thomas Baring, M.P. (1799-1873), c.1848 [3]; bequeathed to his nephew, Lord Northbrook, subsequently 1st Earl of Northbrook (1826-1904), in 1873; by descent to the 2nd Earl of Northbrook (1850-1929) until at least 1925? [4]; sold from Northbrook collection at an unknown date (see comment on next entry); sale, Sotheby and Co., London, July 16, 1930, no. 101 [5]. Lilienfeld Galleries, New York, NY, by January 1934. Howard A. Noble [1874-1964], Pittsburgh, PA, by 1939 until April 30, 1964 [6]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1809, Lebrun published an engraving of the portrait as by Raphael (plate no. 40) as part of a collection formed during trips in 1807 and1808. [2]. Sir Thomas Baring likely acquired the painting through Mr. Harris, Bond Street, London who received many of the Lebrun pictures on consignment. See information on its early provenance and attribution in various sources, including W. Buchanan, "Memoirs of Painting", London, 1824 (p. 254, as by Raphael) and "A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook", 1889, no. 211 (as by Andrea del Sarto). [3]. As stated in the Introduction of "A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook", 1889: "In 1848, on the death of Sir Thomas Baring, his collection was sold in accordance with his will; and the Italian, Spanish, and French pictures were bought at a valuation by Mr. Baring." Waagen in Vol. 2 of "Treasures" published in 1854, describes the picture in Mr. Baring's collection and attributes it to Pontormo (p. 176). [4]. Bernard Berenson attributes the picture to Franciabigio in 1896 and 1909 editions of "Florentine Painters of the Renaissance" and so does Venturi in "Storia dell' Arte Italiana" (1925, p. 452). All three publications still refer to the painting as being in the Northbrook collection. [5]. Listed and illustrated as by Raphael under section "The Property of a Gentleman" of the sale entitled "Pictures and Drawings by Old Masters"; several other pictures in that section were also part of the Northbrook collection, so, perhaps, the "Gentleman" referred to was the Earl himself (though he died in 1929) or someone else who bought a number of the pictures and resold them at this auction. Bought by Asscher for £500 (see copy of annotated catalogue from the Frick Library in the curatorial file). [6]. In 1944, the painting hung in the parlor of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. | https://collection.carnegieart.org/objects/546c6e90-5bf7-4fa9-8003-5754f3a661bb |
| Miniature Painting - Roundel in the Style of Boucher | unknown French | 19th century | 64.13.4 | Gift of Miss Thompson, Mesdames Reed, Van Cleef, and Eddy in memory of Mrs. William Reed Thompson | Miss Thompson; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. | https://collection.carnegieart.org/objects/e29c8325-a9be-4748-9121-52124ef35143 |
| Louise Renee de Penencoet de Kerouaille, Duchess of Portsmouth | Sir Peter Lely | c. 1670-1680 | 56.51 | Gift of Mrs. George Leary | Earl of Shannon. Lord James Butler [1]. George Arnold Hearn [1835-1913], New York, NY, by February 1898-December 1913 [2]; George A. Hearn estate, December 1913-March 1918; sale, "The Notable Art Collection Formed by the Late George A. Hearn", American Art Galleries, Plaza Hotel, New York, NY, February 25 to March 4, 1918, lot 421 [3]; purchased by M. J. Samuels [3]; sale, "Old and Modern Paintings by Celebrated Masters of the Foreign and American Schools", American Art Association, Plaza Hotel, New York, NY, February 10, 1919, lot 65 [4]; Mr. [1869?-1942] and Mrs. [Julia May Crofton, d. July 1935] George Leary, New York, NY, Ferbuary 1919 until ? [5]; by descent to their son, George Leary, Jr. [1902?-1955], New York, NY and Wilton, CT, until September 1955; Mrs. George (Eugenia Peabody) Leary; her gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, December 1956 [6]. Notes: [1]. Early provenance from the 1918 Hearn auction catalogue; see copy in curatorial file. [2]. Illustrated in a New York Times article, "The Private Gallery of George A. Hearn", published on February 13, 1898. The painting is also illustrated in "Catalogue of the Collection of Foreign and American Paintings Owned by Mr. George A. Hearn", New York, Privately Printed,1908, no. 3, p. 5. [3]. This lot sold on March 1, 1918 for $900 (see information from Frick Library Photoarchive in curatorial file). [4]. The New York Times reported on February 11, 1919 that the painitng sold to Mrs. George Leary for $300. [5]. The New York Times reported on September 21, 1927 that the couple agreed to a separation; apparently they did not divorce. It is not clear who physically processed the painting after 1927. [6]. The painting was on long-term loan to the musuem from Mr. Leary since Decembmer 1952. | https://collection.carnegieart.org/objects/c72e80c6-8435-4c32-8655-c2e844423c7c |
| Portrait of a Young Lady with Ruff | Paulus Moreelse | c. 1625 | 64.11.20 | Bequest of Howard A. Noble | Paulus Moreelse [1571-1638], Utercht, Netherlands. Dr. Benedict & Company, Berlin, Germany, 1926; Howard A. Noble [1874-1964], Pittsburgh, PA, 1926 until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the living room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Updated and under review by CGK | https://collection.carnegieart.org/objects/e6596c5b-03a3-4c02-8680-b4a13e9f2273 |
| Philip IV of Spain | Peter Paul Rubens | c. 17th century | 64.11.23 | Bequest of Howard A. Noble | Possibly W. Stirling Collection; Tomas Harris Ltd., London, England, 1937; Howard A. Noble [1874-1964], Pittsburgh, PA, by September 17, 1937 until April 30, 1964 [1] [2]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. See letter from London dealer Tomas Harris, dated Septmber 17, 1937 in curatorial file. [2]. In 1944, the painting hung in the dining room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/0aa8f7e7-11e7-44fa-8780-b5233964ec7e |
| Portrait of a Woman by a Fountain | Nicolaes Maes | c. 1665 | 64.11.17 | Bequest of Howard A. Noble | Private Collection, Frankfurt, Germany; Van Diemen Galleries; Howard A. Noble [1874-1964], Pittsburgh, PA by 1944 until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. Llikely the one of the two Maes works in the Noble collection that in 1944 hung in the parlor of their residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/12844107-2bdf-4605-bde0-ceaad152a8b2 |
| Portrait of a Man Holding a Book | Ambrosius Benson | c. 1530 | 64.11.7 | Bequest of Howard A. Noble | Ralph Bernal [1784-1854], England; his estate sale, Christie & Manson, London, March 13, 1855, no. 933 [1]. Morant, in March 1855 [2]. Sir John Ramsden, Bart., Bulstrode, Gerrards Cross, Bucks. until July 11, 1930 [3]; Christie, Manson & Woods sale, London, July 11, 1930, no. 16 [4]; Tomas Harris, London, England, July 11, 1930 until at least 1933 [4]. Baron Heinrich Thyssen-Bornemisza [1875-1947], Lugano, Switzerland [5]. Howard A. Noble [1874-1964], Pittsburgh, PA by November 1939 until April 30, 1964 [6]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1.] Bernal's collection was sold in a series of auctions beginning on March 5, 1855. This lot was part of the eighth sale on March 13, 1855, as "School of Georgione", "The Chevalier Bayard"; [2]. The Frick Photoarchive record for this work states that at the Bernal sale it was "bought by Morant, for £22.11.6". [3]. It is unclear whether the ownership of the painting involved one or two generations of the Ramsden family, that is Sir John William Ramsden, 5th Baronet [1831-1914] and/or Sir John Frecheville Ramsden, 6th Baronet [1877-1958]. The heading of the relevant section of the 1930 sale reads "The following are the Property of Sir John Ramsden, Bart., and have been removed from Bulstrode, Gerrards Cross, Bucks.", suggesting that the owner was living at the time of the sale. [4]. "Pictures by Old Masters"; illustrated in catalogue, as "Portrait of a Gentleman" by Ambrosius Benson. Sold to T. Harris for £462 (see annotated copy of the sale from the Frick Library in curatorial file). The Frick Photoarchive record for this work states that it was with Tomas Harris in 1933. [5]. See curatorial file for copy of Frick Photoarchive record for this work. See also catalogue entry no. 16 in "Exhibition of Paintings from the Collection of Howard A. Noble," Department of Fine Arts, Carnegie Institute, 1944. [6]. Negative 32932 FARL was made from Bachrach photograph lent by Mr. Noble to the Frick Art Reference Library in 1939. In 1944, the painting hung in the living room of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. | https://collection.carnegieart.org/objects/1a7ed4a5-698a-42eb-87da-3c91a3d1cce2 |
| Saint Jerome with Three Cardinals and Five Choristers | unknown Northern Italian | 14th century | 64.11.4 | Bequest of Howard A. Noble | Reverend J. Fuller Russell, 1885. J. R. Carrington, Esq.. Hugh B. Carrington, Esq., Blacklands, Essex, England. Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the hall of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/404fd210-0948-410b-b2a5-aa87ec85395b |
| Portrait of a Woman | Giusto Suttermans | 1630s | 64.11.25 | Bequest of Howard A. Noble | Stefano Bardini [1836-1922], Florence, Italy; Friedrich von Amerling [1803-1880], Vienna, Austria; Dr. Arthur Figdor, Vienna, Austria; Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung along the staircase of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/b5adea04-65d6-423d-b797-63fb909a2084 |
| Holy Family with Saint Elisabeth and Saint John the Baptist | Jan Massys | 1530s | 64.11.18 | Bequest of Howard A. Noble | Thomas Harris, London, 1933; Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the parlor of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/fd8f8b19-5378-4e31-9a5c-eed62cb1e697 |
| Frederick the Wise, Elector of Saxony | Lucas Cranach the Elder | 1532 | 64.11.11 | Bequest of Howard A. Noble | Thomas Harris, Ltd., London, 1930. Howard A. Noble [1874-1964], Pittsburgh, PA, 1930? until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the hall of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/8135577d-e3c7-4a82-be27-97e677e67434 |
| Young Lady in Interior | Caspar Netscher | mid- to late-17th century | 64.11.21 | Bequest of Howard A. Noble | Van Diemen & Company, Amsterdam, Netherlands; Howard A. Noble [1874-1964], Pittsburgh, PA until April 30, 1964 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, May 1964. Notes: [1]. In 1944, the painting hung in the parlor of the Noble residence at 1245 Shady Avenue, Pittsburgh, PA. Under review by CGK | https://collection.carnegieart.org/objects/4ee072d7-4578-43d9-bf2f-e83263386e7d |
| The Sower | Jean François Millet | after 1850 | 63.7 | Purchase: gift of Mr. and Mrs. Samuel B. Casey and Mr. and Mrs. George L. Craig, Jr. | Alfred Sensier?; (Mr. B. sale, Hotel Drouot, Paris, 8 March 1883, no. 53); Détrimont, Paris, 1883-?; Harry Payne Whitney, until 1930; his estate; (Whitney sale, Parke-Bernet, New York, NY, listed as "After Millet", April 29-30, 1942, no. 351); Julius H. Weitzner, Inc., New York, NY; purchased by Museum, March 1963. Updated by CGK July 2012 | https://collection.carnegieart.org/objects/8a1a2643-7889-49f4-ac04-5e2911d6026b |
| Allegory of Spring and Summer | Jacopo Robusti (called Tintoretto) | c. 1575-1585 | 63.6 | Gift of Baron Wilhelm Ofenheim | Baron Wilhelm Ofenheim, Schloss Jaispitz, Moravia; gift to Museum, March 1963. | https://collection.carnegieart.org/objects/6e22345f-d017-4b59-973e-c55f1c234082 |
| Woman Lacing Her Shoe | Paul Kleinschmidt | 1937-1938 | 63.2.1 | Gift of Erich Cohn | Erich Cohn, New York; gift to Museum, March 1963. | https://collection.carnegieart.org/objects/2c321f13-ba9c-4375-a786-6b1583ecd5fc |
| A Picturesque Landscape | unknown British | c. 1740-1760 | 90.7 | Gift of Mr. and Mrs. James H. Heroy, Jr. in memory of Eva Winkler Weill | Mr. and Mrs. James H. Heroy, by 1990; gift to Museum, April 1990. | https://collection.carnegieart.org/objects/c4d2d1a3-ddc0-425b-9682-70f807af0540 |
| Scroll, Monkey Painting | unknown Japanese|Mori Sosen | 1747-1821 | 63.15.3 | Gift of Merlin C. Hamilton | Merlin C. Hamilton, Pittsburgh,PA | https://collection.carnegieart.org/objects/73e14b1d-48c8-410a-8f9b-9b52d9347f78 |
| Landscape with Three Figures | Paul Gauguin | 1901 | 63.9 | Acquired through the generosity of Mrs. Alan M. Scaife | Paul Gauguin [1848-1903]. Julius Stern [1859-1914], until 1914; estate of Julius Stern, 1914 until 1916; sold at Galerie Paul Cassirer, Berlin, Germany, May 22, 1916, no. 22, illustrated [1]; Siemens, Berlin, Germany [2]. Georg Hofmann, Munich, Germany [3]; Private Collection, France [4]; Jacques Dubourg [1897-1981], Paris, France; with Jacques Lindon, New York, NY [5]; Sylvester W. Labrot, Jr. [1901-1958], Hobe Sound, FL until October 21, 1958; estate of Sylvester W. Labrot, Jr., 1958-1963; on deposit with M. Knoedler & Company, New York, NY, June 7, 1962 until June 20, 1963 [6]; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, June 1963. Notes: [1]. This was the sale of Julius Stern's estate, entitled "Sammlung Julius Stern." [2]. Perhaps C. H. von Siemens or Siemmens?; see curatorial file. [3]. The last name could possibly be "Hoffmann" as it appears in George Wildenstein's "Paul Gauguin," Paris, 1964, no. 601, p. 255-56; see also curatorial file. [4]. The dealer Jacques Dubourg was asked repeatedly but did not identify the private collector; see curatorial file. [5]. In half share with Jacques Dubourg. [6]. Knoedler No. CA6405, dated June 7, 1962; see Knoedler commission book 5b, Knoedler Archives, The Getty Research Institute. | https://collection.carnegieart.org/objects/460aab36-31cc-4ee6-901a-c297a5be3201 |
| Christ Giving the Keys to St. Peter | Peter Paul Rubens | c. 1700 | 63.24 | Gift of Mr. and Mrs. George L. Craig in memory of Samuel Brown Casey | Peter Casteel; James Stanley, 10th Earl of Derby, 1728; Collection of the Earls of Derby, Knowsley Hall, England; (sale, Christie, Manson & Woods, Ltd., London, 8 October 1954, no. 134); L. Loyd; F. Kleinberger & Company, Inc., New York, until 1963; Mr. and Mrs. George L. Craig; gift to Museum, December 1963. | https://collection.carnegieart.org/objects/68a02f61-b4f1-486b-8cb6-a8914d9bf65a |
| [View from Uhlenhorst Ferry House on the Outer Alster Lake with St. Johannis] | Pierre Bonnard | 1913 | 63.12.1 | Purchased through the generosity of Mrs. Alan M. Scaife | Pierre Bonnard [1867-1947], Le Cannet, France, until January, 1947; estate of Pierre Bonnard, France, January 1947 until 1963; Wildenstein & Company, Inc., New York, NY, until October 1963; purchased by Museum of Art, Carnegie Institute, Pittsburgh, PA, October 1963. | https://collection.carnegieart.org/objects/49f239c1-f8da-4113-82b1-525fef600033 |
| Allegory of Winter and Autumn | Jacopo Robusti (called Tintoretto) | c. 1575-1585 | 62.13 | Patrons Art Fund: gift of the Howard Heinz Endowment | Baron Wilhelm Ofenheim, Schloss Jaispitz, Moravia, by 1962; sold at Rosenberg & Stiebel, New York, until February 1962; purchased by Museum, February 1962. | https://collection.carnegieart.org/objects/33125b9a-719b-479f-84ce-b675266c8c8f |
| Water Lilies (Nymphéas) | Claude Monet | c. 1915 - 1926 | 62.19.1 | Acquired through the generosity of Mrs. Alan M. Scaife | Claude Oscar Monet [1840-1926], until 1926; estate of Claude Oscar Monet, France, 1926; Michel Monet [1878-1966], son of the artist, Sorel-Moussel, Eure-et-Loir, France, 1926 until 1950; Walter P. Chrysler, Jr. [1909-1988], New York, NY, 1950 until April 10, 1962 [1]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, July 1962. Notes: [1]. See original bill of sale dated April 10, 1962 from Mr. Chrysler to Carnegie Institute. The museum's accesion of the work was on July 5, 1962. | https://collection.carnegieart.org/objects/7053d468-bf1f-42c9-b5bd-c7ccdb335c66 |
| Interior with Women | Edouard Vuillard | 1902 | 62.32 | Purchased through the generosity of Mrs. Alan M. Scaife | Edouard Vuillard [1868-1940], until 1902; purchased by Bernheim-Jeune, Paris, France, October 11, 1902 [1]; sold to Romaine Brooks [1874-1970], Paris, France, April 28, 1905 [2]; Romaine Brooks Collection. Wildenstein & Co., Inc., New York, NY, by October 1962; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, October 1962. Notes: [1]. Purchase price 600 francs; stock no. 12704. [2]. Purchase price 1500 francs. Early provenance from "Vuillard, The Inexhaustible Glance", by Antoine Salomon and Guy Cogeval, vol. 2, Skira, 2003, p. 862. | https://collection.carnegieart.org/objects/a66b0a95-18ad-4a3e-86a6-8e55bbeaf5d0 |
| Odalisque Coiffure Verte (Odalisque with Green Headdress) | Henri Matisse | 1923 | 62.19.2 | Acquired through the generosity of Mrs. Alan M. Scaife | Henri Matisse [1869-1954]; M. Paul Guillaume [1891-1934], Paris, France. Galerie Beyeler, Basel, Switzerland until February 8, 1962; M. Knoedler & Co., Inc., New York, NY, February 8, 1962 until April 3, 1962 [1]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, July 1962 [2]. Notes: [1]. Knoedler stock no. A-8187, as "L'Odalisque a la cruche." Knoedler purchased the painting from Galerie Beyeler for $70,000. See curatorial file for copies of relevant entries from the Knoedler archive, The Getty Research Institute. [2]. Knoedler's bill is dated April 3, 1962; payment was acknowledged on April 11, 1962. The painting was accessioned on July 5, 1962. | https://collection.carnegieart.org/objects/a8e1158a-e24e-4dfa-9f11-191f6b18fdc3 |
| The Bath (Le bain) | Edgar Degas | c. 1895 | 62.37.1 | Acquired through the generosity of Mrs. Alan M. Scaife | Hilaire-Germain-Edgar Degas [1834-1917], Paris, France, until 1917; his estate, Atelier Degas, Paris, France, September 1917 until May 1918; sale, Galerie Georges Petit, Paris, France, May 6, 1918 until May 8, 1918, no. 39 [1]; purchased by Ambroise Vollard [1866-1939], Paris, France [2]. Likely Durand-Ruel, Paris, France, 1918 [3]; Sam Salz [1894-1981], Inc., New York, NY, 1940? until December 1962 [4]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, December 1962. Notes: [1]. This was Degas Atelier Sale I. The work was illustrated in the catalogue. [2]. Possibly in shares with Durand-Ruel, Paris, for 10,100 francs. Information about the early provenance of the work included in Rebecca A. Rabinow, ed., “Cézanne to Picasso. Ambroise Vollard, Patron of the Avant-Garde,” The Metropolitan Museum of Art, New York, NY, 2006, no. 52, pp. 345-46. [3]. Stock no. 11296. [4]. Stock no. 11301; the work was possibly purchased on May 6, 1940 (see reference in Note [2] above.) Sam Salz, in correspondence with the museum (telegram dated February 4, 1963,) states that he bought the paitning directly from Durand-Ruel but gives no indication as to the date of purchase. | https://collection.carnegieart.org/objects/cf6350dd-23fc-4c01-b13d-442a47fc84f4 |
| Crucifixion Scene | unknown Flemish | 1500-1530 | 62.23 | Gift of Mrs. George Magee Wyckoff | Mrs. George Magee Wyckoff, Sewickley, Pennsylvania; gift to Museum, July 1962. | https://collection.carnegieart.org/objects/f3d52d38-4b1f-40f6-bb5c-a461e1beebcc |
| Young Girl in Pink (Petite fille en rose) | Pierre-Auguste Renoir | 1895 | 62.37.2 | Acquired through the generosity of Mrs. Alan M. Scaife | Pierre Auguste Renoir [1841-1919], France. Josse and Gaston Bernheim-Jeune, Paris, France, by March 1913 [1]; purchased by Galerie Bernheim-Jeune, Paris, France, on November 12, 1927 [2]; purchased by Gordon C. Edwards, Ottawa, Canada, May 25, 1928. Possibly Galerie Durand-Ruel, Paris, France [3]; Durand-Ruel Family collection, Paris, France [4]; Sam Salz [1894-1981], Inc., New York, NY; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, December 1962. Notes: [1]. Possibly bought in1896; see correspondence from Sam Salz in curatorial file. [2]. Purchased for 250,000 francs; stock no. 25082, photograph no. 6607. See also "Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles" by Guy-Patrice et Michel Dauberville avec la collaboration de Camille Fremontier-Murphy, volume 3, no. 2340. [3]. See Durand-Ruel photograph in curatorial file (with "Photographie/Durand-Ruel/Paris et New York" stamp on verso and the following typed information: A 2003 - RENOIR "Petite Fille en rose"/ 5756 - 65 x 54 cm.) [4]. Information from Sam Salz (see curatorial file.) | https://collection.carnegieart.org/objects/f6b25a07-9a8a-4019-a641-e7ea98e68394 |
| Pieter Cornelisz. van der Morsch | Frans Hals | 1616 | 61.42.2 | Acquired through the generosity of Mrs. Alan M. Scaife | Frans Hals [c.1581-1666]. Van Tol, Zoeterwoude, Netherlands, until June 15, 1779 [1]; van Tol collection sale, June 15, 1779, no. 8 [2]; purchased by Mr. Delfos. Sold at Philippus van der Schley, Amsterdam, Netherlands, on June 16, 1802, no. 75 [3]; purchased by Barend Kooy [1750-1819], Amsterdam, Netherlands [4]; Barend Kooy collection until 1819; Kooy estate, 1819 until April 20, 1820; Kooy estate sale, April 20 1820, no. 38; purchased by Casparus Kopersmit [1784-1857] [5]. C. H. Hodges and Other Collections sale, Amsterdam, February 27, 1838, no. 294. Jan Andries Töpfer, Amsterdam, Netherlands, until November 16, 1841; Töpfer sale, November 16, 1841, no. 28 [6]; Tijssen, in 1841 [6]. Martin Colnaghi, London, England, by 1866; purchased by Thomas Baring, M. P. [1799-1873] in 1866; bequest to his nephew, Thomas George Baring, Lord Northbrook, subsequently 1st Earl of Northbrook [1826-1904], London and Stratton Park, Hampshire, England, 1873 until 1904 [7]; by descent to his son, Francis George Baring, 2nd Earl of Northbrook, [1850-1929], London and Stratton Park, Hampshire, England, until 1927 [8]; purchased by Duveen Brothers, London, Paris, New York, NY in March 1927 [9]; purchased by Mr. Alfred W. Erickson [1876-1936], New York, NY, January 1929 until November 2, 1936; by inheritance to his wife, Anna Edith Erickson [-1961], New York, NY, November 2, 1936 until February 7, 1961; estate of Anna Edith Erickson, February 7, 1961 until November 15, 1961; Erickson sale, Parke-Bernet Galleries, New York, NY, November 15, 1961, no. 13 [10]; purchased, with funds provided by Mrs. Alan Mellon Scaife, by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, November 1961. Notes: [1]. The location of this owner is recorded as Zoeterwoude, near Leyden. Leyden is the older Dutch spelling of the city of Leiden, which borders the municipality of Zoeterwoude. [2]. Sold for 15 fl. The date of the van Tol sale is from the Frick Art Reference Library Photoarchive and also from the provenance of another painting lot in the same sale, now at the National Gallery of Art, Washington DC. The sale date of June 15, 1772 given in the 1889 Northbrook collection catalogue is apparently in error. [3]. The seller is identified in the Getty Provenance Index as "Merrem." [4]. Purchased for 55 fl. [5]. Purchased for 10 fl. The purchaser Casparus Kopersmit, identified in the Getty Provenance Index, was married to Barend Kooy's daughter Alida Elisabeth Kooy. See curatorial file. [6]. Frick Photoarchive gives the purchaser's name asTijssen and records15 fl 50 as the purchase price. See copies of the Frick Library annotated sale catalague and of Frick Photoarchive record for the work. [7]. See 1889 catalogue of the Earl of Northbrook collection, no. 61. [8]. The painting was listed by a Duveen representative as hanging in the dining room of the Earl's London house in 1913. [9]. See copies of Duveen correspondence (from the Getty Research Institute) in curatorial file regarding the sale of the Hals, still on panel, as part of a group of seven paintings. [10]. Sale entitled "The Erickson Collection of Old Master Paintings." | https://collection.carnegieart.org/objects/7e57a3ef-f920-4657-b99a-5d985a02d5e6 |
| The Honorable Mrs. Trevor (Viscountess Hampden) | George Romney | 1779-1780 | 61.5 | Gift of Sarah Mellon Scaife | George Romney [1734-1802], London, England; Thomas Trevor Hampden, 2nd Viscount Hampden [1746-1824]; Right Honorable Jane Maria, Viscountess Hampden, his second wife, until 1833; by descent to George W. Hope, her nephew [1808-1863], in 1833; by descent to Henry W. Hope, his son [1839-1913], until 1913; estate of Henry W. Hope, 1913 until December 1919 [1]; sold at Christie, Manson & Woods, London, on December 12, 1919, no. 67 [2]; purchased by Blair [3]. M. Knoedler & Company, London and New York, NY, December 18, 1919 until August 23, 1921 [4]; purchased by Richard B. Mellon [1858-1933], Pittsburgh, PA on August 23, 1921 [5]; Mrs. Sarah Mellon Scaife, his daughter [1903-1965], Pittsburgh, PA until February 1961 [6]; her gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1961. Notes: [1]. See curatorial file for information on the Hampden and Hope families. [2]. Listed as as "The Property of the Trustees of the Late Henry W. Hope, Esq." in the sale entitled "Early British Portraits and Pictures by Old Masters". The catalogue entry indicates that the work was illustrated, but no illustration was included in the Frick Reference Library copy. [3]. Purchased for £3780, from the annotated auction catalogue at the Frick Reference Library. The Knoedler London and New York stock books indicate that P. & D. Colnaghi & Co, London purchased the picture from (or after?) this auction for £3675; it is possible that "Blair" represented Colnaghi or that the picture was first bought-in; see also note [4] below. [4]. Knoedler London No. 6565 and Knoedler New York No. 14937 in joint account with Colnaghi (1/2 share). [5]. Sometimes referred to as R. B. Mellon or by his full name, Richard Beatty Mellon. He purchased the picture at Knoedler London for £18000. The information for the Colnaghi-Knoedler relationship in this painting comes from the Knoedler Archives, The Getty Research Institute. [6]. Sarah Mellon Scaife retained life interest in this work until December 1965. The Museum formally received the painting from the estate in November 1966. | https://collection.carnegieart.org/objects/77cb8d53-6698-4c7e-a294-0f582f29e6ca |
| The Flight into Egypt | Enoch Wood | c. 1780-1790 | 86.6 | Purchase: gift of the Women's Committee, in memory of Mary Reed Sutton | D.M. & P. Manheim, NY, New York | https://collection.carnegieart.org/objects/57396865-cd7d-44cf-96b1-843c9d0a4310 |
| Landscape | Henri-Joseph Harpignies | 1909 | 61.16 | Gift of Miss Mabel Gillespie | Mabel Lindsay Gillespie, Pittsburgh; gift to Museum, September 1961. | https://collection.carnegieart.org/objects/6ea73578-051c-44cb-8dd4-deff564b6de9 |
| St. Augustine with Members of the Confraternity of Perugia | Pietro di Cristoforo Vannucci (Perugino) | c. 1500 | 61.42.1 | Acquired through the generosity of Mrs. Alan M. Scaife | Perugino [1450?-1523]. Commissioned by Confraternity of St. Augustine, Perugia, Italy, 1500? [1]. Possibly Confraternity of St. Augustine sale, Perugia, Italy, in the 17th century [2]. Lucien Bonaparte [1775-1840], Paris, France, by 1802 until February 6, 1815 [3]; (sold at Buchanan, London, February 6, 1815, no. 86) [4]; Chevalier Boyer, his nephew, London, England, until May 16, 1816 [5]. Christian William Huybens, London, England, by 1822; (sold at George Stanley, London, England, March 27, 1822, lot 110) [6]. Acquired by L. J. Nieuwenhuys, July 15, 1823 [7]; purchased by King Willem II of the Netherlands [1792-1849], Kneuterdijk Palace, The Hague, Netherlands, after July 1823 until 1849 [8]; Estate of King William II, 1849 until August 12, 1850. King Willem II of the Netherlands sale, Kneuterdijk Palace, The Hague, Netherlands, on August 12, 1850, no. 169 [9]. King William II of the Netherlands sale, 1851. (Weimar as agent, 1851) [10]; Prince Hendrik of the Netherlands [1820-1879], Luxembourg, 1851 until 1879 [11]; by descent to Grand Duchess Sophie [1824-1897], Grand-Duchal Palace, Weimar, Germany, 1883 [12]. By descent to Grand Duke Willhelm Ernst [1876-1923], Weimar, Germany, 1901? until 1923 [13]. Schlossmuseum Weimar, Weimar, Germany, by 1926 [14]. (Sold at Cassirer, Amsterdam, Netherlands); Richard Weininger, Berlin, Germany, by January 1930 [15]. (Wildenstein & Company, Inc., New York, NY); Mr. and Mrs. Alfred W. Erickson, New York, NY; estate of Mrs. Alfred W. Erickson until November 1961; (sold at Parke-Bernet Galleries, New York, November 15, 1961) [16]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, November 1961. NOTES: [1] See O'Malley, "Quality, Demand, and the Pressures of Reputation: Rethinking Perugino", The Art Bulletin, Volume LXXXIX, Number 4, 2007 for information on the date of commission and completion of this work. [2] In the exhibition catalogue for the 1930 Royal Academy exhibition Italian Art 1200-1900, the provenance reports that this work was "Sold by auction of the Brothers in the 17th century." See page 208. [3] For information on Lucien Bonaparte's ownership of this work, see Béatrice Edelein-Badie, "La collection de tableaux de Lucien Bonparte, prince de Canino", 1995, page 239 and generally. This work then appears on page 126, plate 28, of "Choix de gravures à l'eau-forte d'après les peintures et les marbres de la galerie de Lucien Bonaparte", published in 1812. It is then listed for sale in Bonaparte's auction on Febuary 6. 1815. [4] Bought in. [5] Because this work was bought in at the Bonaparte sale in 1815, in 1816 it appears in the "Catalogue of the Splendid Collection of Pictures Belonging to Lucien Buonaparte, Prince of Canino". It advertises an exhibition of works "Now on private view at Chevalier Boyer's, No. 31 Leicester Square, London." Inside is a disclosure that "Proposals for the Purchase of any of the Pictures in this Collection are to be made to the Chevalier Boyer, nephew of Lucien Buonaparte, Prince of Canino, at No. 31 Leicester Square." This work is listed as no. 80, "St. Augustine" on page 22. The sale occurred on May 14-16, 1816. [6] This sale was entitled "The beautiful, choice, and truly valuable collection of pictures, the property of Christian William Huybens, a bankrupt; comprising unusually fine specimens of the greatest masters of the Florentine, Roman, Venetian, Lombard, and Bolognese schools, with many exquiste bijoux of the renowned and highly coveted painters of Flanders and Holland", and sold for £68.5 according to the Getty Provenance Index. [7] his work was bought for Dfl 2,825. See "'A small but choice collection'; the Art Gallery of King Willem II of the Netherlands" by Hinterding and Horsch, pg. 108. [8] See Hinterding and Horsch, pg. 10. This work is recorded as being purchased by Nieuwenhuys in July of 1823, and then sold to King Willem II sometime after. [9] This work is bought in at this sale, failing to reach its reserve of Dfl. 8,000, only reaching Dfl. 7,400. See Hinterding and Horsch, pg 108. [10] Hinterding and Horsch list this work as being sold for Dfl. 6,000 to "Weimar (art dealer) for Prince Hendrik", referring to [11] Prince Hendrik, or Prince Willem Frederik Hendrik was the 3rd son of King Willem II of the Netherlands, and third in line for the throne. By 1850, Prince Hendrik was serving as Governor of Luxembourg, a post he served in until his death. [12] Grand Duchess Sophie of Saxe-Weimar-Eisenach was the daughter of King Willem II, and the sister of Prince Hendrik. She married her first cousin, Karl Alexander August Johann, Grand Duke of Saxe-Weimar-Eisenach, also known as Charles Alexander. [13] It is likely that this work descended to Willhelm Ernst through his grandfather, Grand Duke Charles Alexander, the spouse of Grand Duchess Sophie. When Grand Duke Charles Alexander died in 1901, Willhelm Ernst succeeded him as Grand Duke. This work is recorded as being in the possession of the "Grand Duke, Weimar" on page 191 in Bombe, "Perugino: Des Meisters Gemälde", written in 1914, so we know that it was with Willhelm Ernst at this point during his reign as Grand Duke. It then appears again in Umberto Gnoli's "Pietro Perugino", 1923, page 68, where the location is recorded as Weimar, and the "Castello" [14] This work is recorded as being in "Schlossmuseum Weimar" in Fritz Knapp "Perugino", 1926, and is number 69 in the book. Following the abdication of Grand Duke Wilhem Ernst in 1923, the title of Grand Duke was abolished, and the Schloss Weimar was turned in to a museum. [15] Weininger lent this work to the Royal Academy, London, for their exhibition on Italian Art from 1200-1900, which ran from January 1 until March 20, 1930. It appears on page 208 of the exhibition catalog, number 370, as "St. Augustine". [16] Erickson sale. | https://collection.carnegieart.org/objects/23d3c984-8f85-46de-b313-8377ed9d8957 |
| Portrait of the Honorable John W. Blessing | Augustin Amant Constant Fidele Edouart | 1842 | 61.13.4 | Bequest of Annie Myrtle Hoey Burns | The Estate of Annie Myrtle Hoey Burns | https://collection.carnegieart.org/objects/9e3537eb-6fd2-4c8f-8d7b-98f7033213a6 |
| Trees | Piet Mondrian | c. 1912 | 61.1 | Patrons Art Fund | Willem Beffie [1880-1950], Amsterdam and Brooklyn, New York, 1912 until 1943?. (Nierendorf Gallery, New York, 1943? until 1946?). Charmion von Wiegand [1896-1983], New York, 1945?; G. David Thompson [1899-1965], Pittsburgh, PA, after 1956; Galerie Beyeler, Basel, Switzerland, 1959 until 1961; purchased by Museum, February 1961. Under review by CGK. | https://collection.carnegieart.org/objects/a0afab1e-c47a-40e2-aa77-42f2cf899817 |
| Self-Portrait | unknown Italian | late 17th century | 60.26.1 | Gift of Arthur E. Braun | Arthur E. Braun [-1976], Pittsburgh, PA; his gift to Museum, September 1960. | https://collection.carnegieart.org/objects/017c5110-ca0f-4bd1-929e-3226c04f1478 |
| Orchard | Gustav Klimt | 1907 | 60.1 | Patrons Art Fund | Gustav Klimt [1862-1918], Vienna, Austria; Gustav Nebehay [1881-1935], Vienna, Austria [1]; Joseph Urban [1872-1933], Yonkers, NY and New York, NY, by June 1922 until July 10, 1933 [2]; private collection, New York, NY, 1959 [3]; Galerie St. Etienne, New York, NY [4]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1960. Notes: [1]. From Fritz Novotny and Johannes Dobai, "Gustav Klimt," Verlag Galerie Weltz, Salzburg, 1967, no. 164, p. 347, illustrated. [2]. Carl (Karl) Maria Georg Joseph (Josef) Urban, born in Vienna, Austria, was a noted stage and film designer and architect, who immigrated to the United States in 1912. See letter from Neue Galerie, New York, dated June 13, 2016, regarding Urban's ownership of the painting and its exhibition at the opening of Wiener Werkstätte of America, Inc. in June1922. [3]. Mrs. Joseph Urban (Mary Porter Beegle Urban.) Mrs. Urban is listed as a lender to the 1959 Klimt exhibition at Galerie St. Etienne in New York City, where the painting was included and illustrated in the catalogue. Information from Jane Kallir and Hildegard Bachert of Galerie St. Etienne (specifically e-mails reporting on conversations with them, dated May-June 2003) confirms the descent of the painting in the Urban family, specifically his widow, who sold it to the gallery after the 1959 Klimt exhibition there. [4]. Galerie St. Etienne (Otto Kallir) sent the painting to the museum on approval sometime in late 1959, likely in December 1959. The museum agreed to terms for the purchase of the painting in January 1960 and accessioned it the following month. | https://collection.carnegieart.org/objects/491e509e-df29-446e-8c28-d1329251d0f2 |
| Robert Colt of Auldhame, M.P., and his wife Grizel | Sir Henry Raeburn | c. 1785-1795 | 58.25.1 | Gift of Baroness Cassel Van Doorn | Captain Colt, England, 1876-1901; Mrs. Jane Colt, Gartsherrie; Jean Germain Leon, Baron Cassel van Doorn, New York; Baroness Cassel van Doorn, New York; gift to Museum, November 1958. | https://collection.carnegieart.org/objects/af3e75fb-2b87-4734-81fb-e6a8098fa5fd |
| La Malle de Douvres (Marine) | Alfred Stevens | 1892 | 60.47 | Gift of Gerard J. Stora | Stora Family Collection, ?-1950; Gerard J. Stora, New York; gift to Museum, September 1960. | https://collection.carnegieart.org/objects/01c1e8d0-e567-49f5-8a51-c9fac3ced2a4 |
| Portrait of M. Usquin | Jean-Desiré-Gustave Courbet | 1861 | 60.8 | Gift of G. David Thompson | Usquin family, 1861 until 1912?. Marius de Zayas [1880-1961], New York, NY, ca. 1912? until 1920. Hillyer Art Gallery, Smith College, Northhampton, Massachusetts, 1920 until 1953; Vose Galleries, Boston, 1953; G. David Thompson [1899-1965], Pittsburgh, 1953 until 1959; gift to Museum, December 1959. Updated and Under review by CGK. | https://collection.carnegieart.org/objects/6e705db0-fa5a-4f63-8ba2-921e59b0bdb6 |
| Leaves and Vines | unknown Chinese | 1558-1637 | 59.26.2 | Purchase: gift of heirs of H. J. Heinz Fund | Howard Hollis, OH, Cleveland | https://collection.carnegieart.org/objects/d9fd23e2-127f-43cd-9b52-7909dcef4e02 |
| The Broken Wagon | Eugène Louis Gabriel Isabey | 1844 | 59.5.15 | Bequest of Johanna K. W. Hailman | Johanna K. W. Hailman [1871-1958], Pittsburgh, PA; bequest to Museum, March 1959. Under review by CGK | https://collection.carnegieart.org/objects/a18f2d25-2d4b-44aa-9ce8-234b570af1e0 |
| The Coronation of the Virgin | unknown Russian | 19th century | 59.5.18 | Bequest of Johanna K. W. Hailman | Johanna K. W. Hailman, Pittsburgh; bequest to Museum, March 1959. | https://collection.carnegieart.org/objects/934a8acc-4ba0-4b99-a109-d01871e1caab |
| Daikoku, God of Farmers and Good Harvest | unknown Japanese | 17th-19th century | 89.28.618 | Bequest of Dr. James B. Austin | Bequest of Dr. James B. Austin, Pittsburgh, PA | https://collection.carnegieart.org/objects/2b9ee110-0d1e-4d5d-a82b-6500bd3d2e3c |
| Windsor Castle from the Meadows | William Havell | c. 1820-1830 | 90.6 | Gift of Mr. and Mrs. Aleon Deitch | Mr. and Mrs. Aleon Deitch; gift to Museum, October 1979. | https://collection.carnegieart.org/objects/52024385-dde8-4a18-a58a-e7027e9d84c9 |
| St. Augustine in His Study | Pedro de Berruguete | c. 15th century | 58.45.1 | Sarah Mellon Scaife Foundation Fund | H. P. Kraus, New York City | https://collection.carnegieart.org/objects/a496ba5d-7738-40b6-8308-67640067de5e |
| The Tribulations of Saint Anthony | James Ensor | 1909 | 58.83 | John Henry Craner Fund | James Ensor [1860-1949], Ostend, Belgium. M. Van Haelen, likely François Van Haelen [1872-1939], Calevoet-Bruxelles, Belgium, by January 1929 until at least 1938 [1]. Jean van Weyenbergh, Quaregnon, Belgium, until November 1958; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, November 1958. Notes: [1]. M. Van Haelen is listed as the owner of the painting (no. 212, illustrated, plate 16) in the major Ensor retrospective in January-February, 1929 at the Palais des Beaux-Arts de Bruxelles. François Van Haelen is listed in the Carnegie International archives as the lender of the painting (no. 216, illustrated, plate 57) to the "1938 International Exhibition of Paintings" held at Carnegie Institute, October-December, 1938 (see copy of list of lenders, AAA archives, in curatorial file.) Entry no. 424 for this painting in Xavier Tricot's "James Ensor Catalogue Raisonne Des Peintures," La Bibliothèque des Arts, Paris, 1992, lists the names D. Van Haelen, Brussels and J. Van Haelen, Brussels in the provenance of the work but not François Van Haelen. The relationship between the three Van Haelens is not yet clear. | https://collection.carnegieart.org/objects/4166c391-1fe7-4af2-a4ec-133c0957720d |
| Still Life | Harriet Seymour | c. 1880-1890 | 84.64 | Gift of Mr. R. C. Ernst | Mr. R. C. Ernst, Evans City, Pennsylvania; gift to Museum, October 1984. | https://collection.carnegieart.org/objects/02cc227e-60e2-42ef-a88a-36f4c3e9225d |
| Witchcraft Scene | Pseudo Bocchi | early 18th century | 57.42.3 | Gift of G. David Thompson | G. David Thompson [1899-1965], Pittsburgh, PA. Updated and under review by CGK. | https://collection.carnegieart.org/objects/66e95e74-f1a1-4e3e-98bd-1ddeafb23444 |
| Landscape with Cattle and Figures | unknown English | 19th century | 78.10.41 | Gift of Mrs. Paul B. Ernst | Mrs. Paul B. Ernst, Pittsburgh; gift to Museum, May 1978. | https://collection.carnegieart.org/objects/e8ee3f4a-f07a-4aaf-9df2-95917065f27b |
| Open Door on the Garden | Gustave Singier | 1944 | 57.26.3 | Gift of Mr. and Mrs. Charles Zadok | Mr. And Mrs. Charles Zadok; gift to Museum, October 1957. Under review by CGK | https://collection.carnegieart.org/objects/3da8dd98-084b-4e86-a961-2fd165090bce |
| The Concert | Adolphe Monticelli | c. 1875-1880 | 56.54.2 | Gift of G. David Thompson | Adolphe Monticelli [1824-1886]. Catholina Lambert [1834-1923], until February 1916; (American Art Association sale, New York, February 21, 1916 until February 24, 1916, no. 161) [1]; purchased by Robert C. Vose, Boston, 1916 until 1918 [2]; sold to R. Cudney, Chicago, on May 16, 1918 [3]; Cudney Estate; (Babcock Gallieries, New York); (Vose Galleries, Boston); G. David Thompson [1899-1965], Pittsburgh, PA, by 1956; gift to Museum, December 1956. Notes: [1]. Catholina Lambert sale. [2]. See correspondence from Passaic County Historical Society in curatorial file. [3]. Sold under the title of "Un Concert Sylvestre", see correspondence from Passaic County Historical Society in curatorial file. Updated and Under review by CGK. | https://collection.carnegieart.org/objects/5e9719de-8d3d-4e49-a12b-567870bd2cb9 |
| Landscape with Cows | unknown British | 19th century | 60.34 | Gift of Mrs. Grant McCargo | Mrs. Grant McCargo, Laughlintown, Pennsylvania; gift to Museum, September 1960. | https://collection.carnegieart.org/objects/3a79b62b-cabb-4f20-90be-c9fe96b3e8c9 |
| The Red Turban | H. Max Pechstein | 1911 | 56.15 | Patrons Art Fund | Hofrat Koch, Darmstadt, until 1917; Dr. Karl Lilienfeld [1885-1966], New York, NY, 1917 until 1956; Van Diemen-Lilienfeld Galleries [1930-], New York, NY, 1956; purchased by Museum, March 1956. | https://collection.carnegieart.org/objects/7a4dcafd-e52a-4244-8901-23fff42291d5 |
| Herbstmeer | H. Max Pechstein | 1924 | 56.37 | Gift of Morton D. May | Morton D. May, St. Louis, Missouri; gift to Museum, October 1956. | https://collection.carnegieart.org/objects/961558c5-b993-45ef-9b57-617ee176eae2 |
| Portrait of Tomas Garrigue Masaryk | Oskar Kokoschka | 1935-1936 | 56.46 | Patrons Art Fund | Mr. and Mrs. Paul V. Eisner, New York; Feigle Gallery, New York; purchased by Museum, October 1956. | https://collection.carnegieart.org/objects/8291314f-4a0c-4330-8ada-221250b0bf26 |
| The Lighthouse of Fehmarn | Ernst Ludwig Kirchner | 1912 | 55.56 | Patrons Art Fund | Artist's Collection, until 1938; Stuttgarter Kunstkabinett through Roman Norbet Ketterer, Germany; purchased by Museum, March 1955. | https://collection.carnegieart.org/objects/62b63807-c8f0-430a-9e55-defca0c80e48 |
| The Vase | Fernand Léger | 1925 | 55.4 | Gift of Peter H. Deitsch | Ferdnand Léger [1881-1955], France. Peter H. Deitsch; gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1955. | https://collection.carnegieart.org/objects/9edba8cd-a2a1-4e53-a03e-5ca529e239ee |
| Portrait of a Gentleman | Willem Wissing | c. 1685 | 55.8 | Gift of George Leary | George Leary, Jr. [1902?-1955], New York, NY and Wilton, CT, by September 1946; his gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, February 1955. Updated and under on-going review by CGK | https://collection.carnegieart.org/objects/2f23ba01-ca11-4769-a2d6-cd6fc46095eb |
| The Swimmers | Carlo Carrà | 1910-1912 | 55.54.5 | Gift of G. David Thompson | Private Collection, Japan; (Rose Fried Gallery, New York, 1955); G. David Thompson [1899-1965], Pittsburgh, PA, by 1955; gift to Museum, December 1955. Under review by CGK. | https://collection.carnegieart.org/objects/57647280-b059-4a1b-9075-366c41e21ef3 |
| Fresco of a Goddess | unknown Chinese | 1279-1644 | 54.8 | Gift of Cornelius Ruxton Love, Jr. | Cornelius Ruxton Love, Jr., New York, NY | https://collection.carnegieart.org/objects/879769d8-2b6c-4771-a7b2-f47022b00019 |
| Lady with Servant and Dog | Jacob Ochtervelt | c. 1671-1673 | 54.1 | Henry Lee Mason Memorial Fund | Jacob Ochtervelt [1634-1682]. Kleinberger, Paris, 1912 [1]. Baron Max von Goldschmidt-Rothschild [1843-1940], Frankfurt am Main, by 1925 until 1938? [2]. Rosenberg & Stiebel, New York, NY [3]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, January 1954. Notes: [1]. See Susan Donahue Kuretsky "The Paintings of Jacob Ochtervelt", Phaidon Press, 1979, no.78. [2]. The Baron lent the painting to the exhibition "Ausstellung von Meisterwerken alter Malerie aus Privatbesitz" in Frankfurt in the summer of 1925. The painting was possibly included in the forced sale of the Baron's art collection to the city of Frankfurt am Main in November 1938. The legality of this sale was challenged by the Baron's heirs after WWII; as a result, the sale was legally voided and the collection returned to the heirs in 1949. [3]. Likely obtained from the the estate/heirs of Max von Goldschmidt-Rothschild. Rosenberg & Stiebel had a very close relationship with members of the Goldschmidt-Rothschild family during this period; see correspondence with Gerald G. Stiebel of the gallery in the curatorial file. | https://collection.carnegieart.org/objects/5a7a5fa2-7746-4679-a349-eb1856c29fef |
| Composition with Three Figures--Fragment | Fernand Léger | 1932 | 54.19 | Gift of Mr. and Mrs. Henry J. Heinz II | Mme. Yvonne Zervos, Paris, until 1952; Mr. and Mrs. H. J. Heinz II, Sewickley, Pennsylvannia, 1952 until 1954; gift to Museum, May 1954. | https://collection.carnegieart.org/objects/5c508695-99d4-45d8-a035-82b63ce5c4ae |
| Madonna and Child | Benedetto Diana | late 15th - early 16th century | 54.24 | Gift of Mr. and Mrs. Charles J. Rosenbloom | Mr. [1898-1973] and Mrs. [1898-1992] Charles J. Rosenbloom, Pittsburgh, PA by May 1954 [1]; gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, May 1954. Notes: [1]. Lucile Johnson Rosenbloom married Charles J. Rosenbloom in December 1944. She is sometimes referred to as Lucile Harrison (especially during and immediately after her years as a harpist with the Pittsburgh Symphony) or as Lucile Johnson Harrison. Under review by CGK. | https://collection.carnegieart.org/objects/554b783d-fa00-4337-8e9f-9dfa6c632a2f |
| The Sea at Le Havre | Claude Monet | 1868 | 53.22 | Purchase | Claude Oscar Monet [1840-1926], France. Possibly M. Guillemet, by 1879 [1]. Bernheim-Jeune, Paris, France. Percy Turner, London, England. Private Collection, England; Arthur Tooth & Sons, Ltd., London, England; Sam Salz [1894-1981], Inc., New York, NY, by May 1953; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, June 1953. Notes: [1]. The painting was possibly exhibited in the 4th Impressionist Exhibition in 1879 as "Etude de mer", described in the catalogue as "Appartient à M. Guillemet". See "The New Painting: Impressionism 1874-1886", directed and coordinated by Charles S. Moffet with the assistance of Ruth Berson et al, Richard Burton SA, Publishers, Geneva, Switzerland, 1986, p. 269. | https://collection.carnegieart.org/objects/c5504912-4fce-440c-b41e-b18c1671b9f3 |
| Going to the Meet | David Dalby of York | before 1836 | 72.14.1 | Bequest of Robert S. Waters | The Sporting Gallery and Bookshop, Inc., New York; Robert S. Waters, Johnstown, Pennsylvania; bequest to Museum, May 1972. | https://collection.carnegieart.org/objects/d004b7c1-0d48-4ff5-a756-cef5d03ad775 |
| Man with Pipe | Jean Metzinger | c. 1912 | 53.1.1 | Gift of G. David Thompson | Possibly with Herwarth Walden [1879-1941], Berlin, until 1919; Paul Citroen [1896-1983], 1919 until 1929? [1]; Possibly with Neumann & Nierendorf Gallery, Berlin, Germany, by 1929 [2]. G. David Thompson [1899-1965], Pittsburgh, PA, by 1946 until 1953 [3]; gift to Museum, April 1953. Notes: [1]. Citroen lent this painting, recorded as Der Raucher, to Schlossmuseum, Weimar, Germany, from 1923 until c.1930. [2]. From Paul Citroen. [3]. G. D. Thompson lent the painting to the Department of Fine Arts, Carnegie Institute in 1946, per Annual Report. Updated and Under review by CGK. | https://collection.carnegieart.org/objects/65d1e5d9-0968-4f6b-aa48-03363eaa4c1a |
| Young Nobleman | Giulio Campi | c.1520-1570 | 53.26.1 | Bequest of William J. Strassburger | William J. Strassburger; bequest to Museum, October 1953. | https://collection.carnegieart.org/objects/bee4154c-99c9-4a5b-9727-69b637b9fd1b |
| Forest Scene | Narcisse Virgile Diaz De La Peña | mid-19th century | 52.21.1 | Bequest of Henry Lee Mason, Jr. | Henry Lee Mason, Jr., Pittsburgh; bequest to Museum, February 1952. | https://collection.carnegieart.org/objects/7fb3b5a7-1d0f-40b3-aed8-644804ee2da8 |
| Pastoral Scene | Constant Troyon | c. mid- to late-19th century | 52.21.4 | Bequest of Henry Lee Mason, Jr. | Henry Lee Mason, Jr., Pittsburgh; bequest to Museum, February 1952. | https://collection.carnegieart.org/objects/eabc553e-28b4-40eb-adb9-1e0e07861930 |
| Fontainebleau | Theodore Rousseau | c. 1860 | 52.21.3 | Bequest of Henry Lee Mason, Jr. | Henry Lee Mason, Jr., Pittsburgh; bequest to Museum, February 1952. | https://collection.carnegieart.org/objects/e40f2737-2eae-4d1c-828d-b56b85278340 |
| The Toilet of Venus | Simon Vouet | c. 1640 | 52.7 | Gift of Mrs. Horace Binney Hare | Jules Burat [1807-1885], Paris, France, until February 15, 1885 [1]; Burat estate sale, April 28, 1885 until April 29, 1885, no. 204 [2]. Jean-Paul Mazaroz-Ribalier [1823-1900?], Paris, until 1890; Mazaroz-Ribalier sale, May 13, 1890 until May 14, 1890, no. 94 [3]. Mary Cassatt [1844-1926], Paris and Chateau de Beaufresne, Le Mesnil-Theribus, France, c.1905 [4]; her brother, J. Gardiner Cassatt [1849-1911], Philadelphia area, PA, c.1906 [4]; his daughter, Mrs. Horace Binney Hare [1894-1966], Radnor, Pennsylvania, before November 8, 1951 [5]; her gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, November 1952. Notes: [1]. Previous references in the literature regarding the early provenance of this painting included the Marquis d'Effiat [-1632], Chateau de Chilly, France, 1630 until 1632, Madame du Barry [1743-1793], Versailles, France, and the sale of her collection in Paris in 1777. However, the description of the relevant lot in the du Barry sale matches the Vouet Cincinnati painting of the subject rather than this work. So, that early provenance likely belongs with the Cincinnati picture. See curatorial file for a copy of the 1777 auction catalogue from the Frick Library and Pierre Rosenberg's entry on the CMOA painting in "France in the Golden Age", The Metropolitan Museum of Art, 1982, no. 122, p. 340. [2]. Sale entitled "Tableaux Anciens des maîtres français du XVIIIe siècle". Sold for 660 francs, as per Pierre Rosenberg reference given in [1]. [3]. Sale entitled "Tableaux Anciens des écoles Française, Flamande et Hollandaise". The Pierre Rosenberg reference referes to Jean-Paul Mazaroz-Ribalier as "fabricant de meubles d'art". [4]. See curatorial file for date of acquisition by Cassatt, which is given in references as 1904 or "around 1905". The date that the painting came into the pocession of her brother J. Gardner Cassatt is also given variously as 1904, 1905, or 1906. [5]. See correspondence with Ellen Mary Hare (Mrs. Horace Binney Hare) in curatorial file regarding the history of the painting in the Cassatt family. Mrs. Hare wrote that the painting "was bought by my Aunt - Miss Cassatt about 1904 for my father & hung in our drawing room for many years-/ Our house having been sold - we no longer have room to hang it and I wondered if the Carnegie Institute would be interested in it as a gift?" This suggests that she owned the painting for some time before November 8,1951, when she wrote this letter. | https://collection.carnegieart.org/objects/7093a02e-4ea1-4892-9ace-6538065ebdab |
| Mrs. Janet Bolt Lamb | Sir Henry Raeburn | c.1785-1795 | 81.116 | Gift of Matthew T. Mellon | Sir Henry Raeburn [1756-1823]; the sitter, Janet Bolt Lamb [1746-1819]; by descent to her son David Lamb II [1787-1863], Charleston, SC, Glasgow, Scotland, Liverpool, England, until 1863; by descent to his daughter Mary Lamb [1815-1888], Hereford Square, Kensington, London, 1863 until 1888; by descent to her niece Mrs. Wade Hampton Perry (Florence Charlotte Cropp Davies Perry) [1860-1942], Charleston, SC, by 1898 [1]; Macbeth Galleries, New York, NY; John Levy Galleries, New York, NY; Howard Young Galleries, New York, NY, in March 1919; John Levy Galleries, New York, NY; W. L. Mellon (William Larimer Mellon) [1868-1949], Pittsburgh, PA [2]; likely by descent to his son Dr. Matthew T. Mellon [1897-1992], Pittsburgh, PA and Miami, FL, by November 1981; his gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1982. Notes: [1]. The early provenance is from Reginald Poland's article about this painting in "Art in America", volume 5, February 1917, p. 60. Information from the Shetland Family History website gives the sitter's place of birth as Cruister, Bressay, SHI (Cruista, Shetland Isles in the article) and confirms and supplements the genealogy given in the article (see curatorial file). Also, see curatorial file for information on a version of the painting that appeared at Brunk Auctions, Asheville, NC in November 2013 (bought in) and again in May 2014 (sold for $1500). The catalogue entry for the latter auction refers to the information included in the "Art in America" article referenced above as pertaining to that version and lists its provenance as by "descent in the Rutledge Family". [2]. The New York art market information and the W. L. Mellon provenance are from the Frick Library photoarchive. The painting was advertised in "International Studio", vol. 67, no. 265, March 1919. | https://collection.carnegieart.org/objects/88237179-eda1-4540-ad94-a1e13cbd20cf |
| The Starry Mantle-Portrait of a Young Woman | Gerald L. Brockhurst | 74.7.8 | Bequest of Charles J. Rosenbloom | Gerald Leslie Brockhurst [1890-1978]. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), likely by March 1938 until April 1, 1973 [1]; bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. Mr. Rosenbloom lent the painting to the Brockhurst exhibition at the Department of Fine Arts, Carnegie Institute, in February 1940 (no. 12, "Star Mantle," illustrated in the exhibition catalogue.) In correspondence with the museum's John O'Connor, dated March 25, 1938, Mr. Rosenbloom mentioned a Brockhurst painting in his collection from "about 1923 or 1925" without giving a title. It is almost definitely this work, because, though his collection included many works by this artist, it contained only three oils. One was a commissioned portrait of Mr. Rosenbloom from 1939 and the other a work from about 1915 (74.7.7) | https://collection.carnegieart.org/objects/9efab272-1142-46c1-94d9-df2975e7920d | |
| Flowers in Green Vase | Odilon Redon | c. 1905 | 46.21 | Gift of Mrs. Beram D. Saklatwalla in memory of Beram D. Saklatwalla | Odilon Redon [1840-1916]. Dr. Beram D. Saklatwalla, Pittsburgh, PA, by 1931; Dr. and Mrs. Beram D. Saklatwalla, Pittsburgh, PA, until 1944; Mrs. Beram D. Saklatwalla, Pittsburgh, PA, 1944 until 1946 [1]; gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, June 1946. Notes: [1]. Ann Richards Saklatwalla. | https://collection.carnegieart.org/objects/4c3ac76b-560c-4fca-8062-211520ecfc9c |
| Charlotte Marie de Gasville | Antoine Vestier | 1785 | 44.7 | Bequest of Mrs. Alexander Glass | Antoine Vestier [1740-1824], Paris, France. Edward Rathbone Bacon [1846-1915], New York, NY, until December 2, 1915 [1]; bequest to his brother, Walter Rathbone Bacon [1845-1917], New York, NY, December 1915; Mr. and Mrs. Walter Rathbone Bacon, New York, NY, until November 14, 1917 [2]; Mrs. Walter Rathbone Bacon (Virginia Purdy Barker Bacon) [1853-1919], until April 7, 1919; estate of Mrs. Virginia Purdy Barker Bacon, April 7, 1919 until December 12, 1919; sale, Christie, Manson & Woods, London, England, December 12, 1919 [3]; purchased by Smith [4]; Edouard Jonas [1883-1961], Paris, France, 1919; "Beaverey" collection, likely François Baverey [1873-1956], Lyon, France [5]; Edouard Jonas, Paris, France and New York, NY, until December 1930 [6]; Mrs. Alexander Glass (Sarah Whitaker Glass) [1864-1944], Wheeling, WV, December 20, 1930 until January 20, 1944 [7]; Sarah Whitaker Glass estate; bequest to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, November 1944 [8]. Notes: [1]. Edward R. Bacon spent considerable time abroad, especially in Paris and London. It's possible that he acquired this painting during his travels. During this period, his primary residence was in New York City, however, where he made his home at 247 Fifth Avenue with his brother and sister-in-law, Mr. and Mrs. Walter Rathbone Bacon (see note 2.) Edward R. Bacon bequeathed his art collection to his brother; the residue of the estate was shared equally by his brother and sister-in-law. The painting is no. 105 in the "Memorial Catalogue of Paintings by Old and Modern Masters Collected by Edward R. Bacon," privately printed for Virginia P. Bacon, New York, 1919. [2]. Mr. and Mrs. Walter Rathbone Bacon's primary residence was in New York City (see note 1.) Though they maintained an estate in Turriff, Aberdeenshire, Scotland, they were not able to travel there after the outbreak of World War I. [3]. "Early British Portraits and Works by Old Masters." A group of pictures (lots 68 to 108) in this sale were "Sold by Order of the Executors of Mrs. Virginia Purdy Bacon, late of Netherdale House, Turriff, Aberdeenshire, and are from the Collection of her brother-in-law, the late Edward R. Bacon, Esq., of 247 Fifth Avenue, New York, U.S.A." The Vestier portrait, lot no. 105, sold for £777. [4]. Probably Edward Smith of Christie, Manson and Woods, as agent for Edouard Jonas (see copies of correspondence and of annotated auction catalogue in curatorial file.) [5]. See curatorial file for copy of letter from Edouard Jonas, dated December 20, 1930, which states that the painting "formed part of the Beaverey collection." The reference is likely to François Baverey, a Lyon industrialist collector (see additional correspondence in curatorial file.) [6]. See copy of letter from Mr. Jonas referenced in note [5]. Edouard Jonas of Edouard Jonas of Paris, Inc. also maintained the Edouard Jonas Galleries in New York City from ca. October 1926 until the early 1930s. [7]. Mrs. Alexander Glass purchased the painting for $11,000 (see copy of letter from Mr. Jonas in note [5].) [8]. Mrs. Glass offered the painting to Carnegie Institute as a potential bequest in 1938. The Fine Arts Committee tentatively accepted it at the December 1, 1938 meeting. The painting was formally presented to Carnegie Institute by her estate on February 17, 1944 and was accessioned on November 29, 1944. | https://collection.carnegieart.org/objects/79ef1370-95ec-4354-98fc-a9dc576d3b88 |
| Portrait of Mrs. Hoppner | John Hoppner | 74.7.14 | Bequest of Charles J. Rosenbloom | John Hoppner [1758-1810], London, England. Charles J. Rosenbloom [1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), by 1937 until April 1, 1973 [1]; his bequest to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1974. Notes: [1]. In correspondence with John O'Connor, dated March 25, 1938, Mr. Rosenbloom wrote "....I possess a painting by George Morland, and last year acquired a portrait done by Hoppner." The painting was subsequently included in the exhibition "Paintings and Prints from the Collection of Charles J. Rosenbloom" that was held at the museum in February-March 1946. | https://collection.carnegieart.org/objects/fd100942-6902-4b7d-a45e-d5ec49d46c16 | |
| Fiesta in Mallorca | Joan Junyer | 1926 | 42.3.1 | Gift of Mrs. Lambert G. Oppenheim in memory of Albert C. Lehman | Albert C. Lehman; Mrs. Lambert G. Oppenheim; gift to Museum, Septemer 1942. | https://collection.carnegieart.org/objects/36c93f5b-429f-4695-b648-0fbdda869d46 |
| Landscape | José Weiss | 57.21 | Gift of Charles A. McClintock | Charles A. McClintock, Pittsburgh; gift to Museum, October 1957. | https://collection.carnegieart.org/objects/d6fcc050-5208-41a6-aa87-ded848b55f3f | |
| Portrait of an Englishwoman | André Derain | c. 1920 | 40.2 | Gift of Charles J. Rosenbloom | André Derain [1880-1954], Frrance; Adolph Lewisohn, New York, NY; Charles J. Rosenbloom[1898-1973], Pittsburgh, PA (Lugt Suppl. 633b), 1938 until May 1940 [1]; his gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, May 1940. Notes: [1]. Mr. Rosenbloom loaned the painting to the 1939 International Exhibition of Paintings at Carnegie Institute, October-December 1939. | https://collection.carnegieart.org/objects/ecfd0954-e08c-44da-a31f-d513b9012fa5 |
| Madonna and Child | School of Granada | 17th century | 40.5.2 | Gift of Sarah Mellon Scaife and Richard King Mellon in memory of their mother, Jennie King Mellon | Frank Hall Standish [1799-1840], Seville, Spain and Duxbury Hall, Lancashire, England, until December 21, 1840 [1]; bequeathed to King Louis Philippe of France [1773-1850], Paris, France and England until August 26, 1850 [2]; by descent to his heirs, August 1850-May 1853; Standish Collection sale, Christie, Manson, & Woods, London, England, May 27-28,1853, no.5 [3]; Richard Ford [1796-1858], Heavitree, Devon and Park Street, London, England, May 28, 1853 until August 31, 1858 [4]; by descent to his son Sir Francis Clare Ford [1828-1899] [5]; by descent to his son, Captain Richard Ford [1860-1940], Park Street, London, England; sold to Knoedler & Co, London and New York, October 1911 until November 22, 1911 [6]; purchased by David Thompson Watson (1844-1916), Pittsburgh, PA November 22, 1911 until February 24, 1916; D. T. Watson estate, February 1916 until April 1917; D. T. Watson sale, American Art Association, Plaza Hotel, New York, NY, April 16-17, 1917, no. 153 [7]; Richard Beatty Mellon [1858-1933], Pittsburgh, PA, April 1917 until December 1, 1933; his wife, Jeannie King Mellon (d. November 1938); by descent to their daughter, Sarah Mellon Scaife [1903-1965], Pittsburgh, PA and their son, Richard King Mellon [1899-1970], Pittsburgh PA [8]; their gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, December 1940. Notes: [1]. According to the June 4, 1853 issue of "The Athenaeun", pp 680-681, Standish formed his collection "about twenty years ago,-chiefly in Spain... " [2]. Louis Philippe loaned the collection to the Louve in 1842, where it was exhibited in Le Musée Standish. This painting is no. 179, "La Vierge donnant le sein à l’Enfant Jésus", by unknown, Spanish School (p. 35) in "Catalogue des Tableaux, Dessins et Gravures de la Collection Standish, Légués au Roi par M. Frank Hall Standish”, Paris, 1842. After his abdication in 1848 Louis Philippe claimed the collection, which was, after several years, sent to England and subsequently auctioned (see notes below for references.) [3]. Apparently the sale was postponed from the advertised date to May 28 and 30, 1853. This painting, listed as "The Virgin Giving Suck" by unknown, sold on the first day for 53 guineas (£55 13s.) to Richard Ford, author of the "Handbook of Spain" (see "Velazquez and Murillo" by Charles Boyd Curtis, London 1883, pp 158-159 and "The Athenaeum" reference given above.) [4]. Waagen lists "The Virgin Nursing the Infant" by Murillo in Richard Ford's collection on page 224 of "Treasures of Art in Great Britain", Volume II, 1854. [5]. F. Clare Ford, Esq. lent the painting to the Royal Academy of Arts, Burlington House for "Exhibition of Works of the Old Masters" in 1873; it was no. 148, listed as "The Virgin and Child" by Murillo. He is also listed as the owner in the 1883 catalogue by Curtis, given above. [6]. Knoedler London stock no. 5141 (October 1911) records the seller as "Capt. Ford...17 Park St., London"; Knoedler NY stock no. 12601 (November 20, 1911) records the seller as "Richard Ford, London" and the cost as £2700. Knoedler's New York sales book for November 22, 1911 shows the sale to D. T. Watson for $15000. [7]. "Highly Important Old and Modern Paintings of Sterling Artistic Distinction". This painting, "Madonna and Child" by Murillo, sold on April 17, 1917 for $20000 to Otto(?) Bernet agent, apparently, for R. B. Mellon. See American Art News, April 21, 1917, p. 9. [8]. Mrs. Scaife and Mr. Mellon donated this and two other paintings in memory of their mother. | https://collection.carnegieart.org/objects/8443f374-823b-4523-85a2-9ed6457c685e |
| The Old King | Georges Rouault | 1916-1936 | 40.1 | Patrons Art Fund | Georges Rouault [1871-1958], Paris, France; Ambroise Vollard [1866-1939], Paris, France, until July 1939; estate of Ambroise Vollard, July 1939 until March 1940 [1]; purchased from the estate by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, March 1940 [2]. Notes: [1]. See curatorial file for copies of correspondence from John O'Connor, Jr., October-December 1939, regarding ownership of the painting (Carnegie Institute archives, Archives of American Art.) [2]. The painting was included in the 1939 International Exhibition of Paintings (1939 Carnegie International.) Director reported the purchase (on March 4, 1940) to Fine Arts Committee on May 9, 1940, "in accordance with action taken at the meeting of December 6, 1939." Guillaume Lerolle, Paris, France served as agent. | https://collection.carnegieart.org/objects/728c647f-2050-4885-b5bf-6b8e3886a0ae |
| Dawn | Jules Adolphe Aimé Louis Breton | 1896 | 40.5.3 | Gift of Sarah Mellon Scaife and Richard King Mellon in memory of their mother, Jennie King Mellon | Jules Breton [1827-1906] until July 20, 1896; M. Knoedler & Company, Paris, France and New York, NY, July 20, 1896; David Thompson Watson (1844-1916), Pittsburgh, PA, July 20, 1896 until February 24, 1916 [1]; D. T. Watson estate, February 1916 until April 1917; D. T. Watson sale, American Art Association, Plaza Hotel, New York, NY, April 16-17, 1917, no. 72 [2]; Richard Beatty Mellon [1858-1933], Pittsburgh, PA, April 1917 until December 1, 1933; his wife, Jeannie King Mellon (d. November 1938); by descent to their daughter, Sarah Mellon Scaife [1903-1965], Pittsburgh, PA and their son, Richard King Mellon [1899-1970], Pittsburgh PA [3]; their gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, December 1940. Notes: [1]. Purchased from Knoedler, Paris on July 20, 1896 for $5000; Knoedler stock No. 1708 and 8129 (NY). The painting was entered in the Knoedler NY stock book on August 20, 1896, on the same date D. T. Watson was billed for it. See Knoedler Archive (Getty Research Institute). [2]. "Highly Important Old and Modern Paintings of Sterling Artistic Distinction". This painting sold on April 16, 1917 for $5800 to Robert B. Harshe, agent, apparently, for R. B. Mellon. See American Art News, April 21, 1917, p. 7. [3]. Mrs. Scaife and Mr. Mellon donated this and two other paintings in memory of their mother. | https://collection.carnegieart.org/objects/1c16661a-b2c7-4ace-b86e-e793d5deee03 |
| The Beggar Boy | unknown Spanish | 19th century | 40.5.1 | Gift of Sarah Mellon Scaife and Richard King Mellon in memory of their mother, Jennie King Mellon | Private Collection, Seville, Spain, before 1905; Sully & Co., London, England, until 1905; purchased by David Thompson Watson (1844-1916), Pittsburgh, PA, 1905 until February 24, 1916; D. T. Watson estate, February 1916 until April 17, 1917; D. T. Watson sale, American Art Association, Plaza Hotel, New York, NY, April 16-17, 1917, no. 154 [1]; Richard Beatty Mellon [1858-1933], Pittsburgh, PA, April 1917 until December 1, 1933; his wife, Jeannie King Mellon (d. November 1938); by descent to their daughter, Sarah Mellon Scaife [1903-1965], Pittsburgh, PA and their son, Richard King Mellon [1899-1970], Pittsburgh, PA [2]; their gift to Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, December 1940. Notes: [1]. " Highly Important Old and Modern Paintings of Sterling Artistic Distinction". This painting, titled "Boy with Fruit and Bread" and illustrated in the catalogue, sold on April 17, 1917 for $6000 to W. W. Seaman, agent, apparently, for R. B. Mellon. See American Art News, April 21, 1917, p. 9. [2]. Mrs. Scaife and Mr. Mellon donated this and two other paintings in memory of their mother. | https://collection.carnegieart.org/objects/1e8a9ab6-6939-4cd0-9eb5-ebee7e13e15c |
| Portrait of E. Berry Wall | Kees van Dongen | 1938 | 39.1 | Patrons Art Fund | Kees van Dongen [1877-1968], Paris, France [1]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, January 1939 [2]. Notes: [1]. The painting was no. 154 (illustrated, plate 32) in the "1938 International Exhibition of Paintings" held at Carnegie Institute, October-December 1938. It was lent by the artist. [2]. The painting was purchased by the museum likely in December 1938 and accessioned on January 17, 1939. | https://collection.carnegieart.org/objects/ae854e0e-4eb4-4ab5-82d0-668621b60fe9 |
| Portrait of Judge Thomas Mellon | Théobald Chartran | 1896 | 33.2.1 | Gift of James R. Mellon | James R. Mellon, Pittsburgh; gift to Museum, February 1933. | https://collection.carnegieart.org/objects/b1645903-2eb7-4810-a261-45fd95f42083 |
| Portrait of Mrs. Thomas Mellon (Sarah Negley) | Théobald Chartran | 1896 | 33.2.2 | Gift of the children of Judge Thomas Mellon | James R. Mellon, Pittsburgh; gift to Museum, February 1933. | https://collection.carnegieart.org/objects/fc6464e2-35b9-40e9-907d-0dfbe1715023 |
