Below are the provenances of some of the artworks that transited via Kleinberger on their way to US museums.
| Count | Provenance | |
|---|---|---|
| Wikidata Museum | ||
| Q1201549 | 14 | Arthur Cull (London, England);1931, (J. Ledger and Son, London, England and New York, New York, USA);1933, GK (possibly Kleinberger, New York, New York, USA) no. 16130;sold by (F. Kleinberger, Paris, France);May 1935, purchased by (F. Kleinberger Galleries, New York, New York, USA) [for $350];May 1935, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA) [for $750] accnum_Qid: Q1201549_35.22 url: https://www.dia.org/art/collection/object/christ-limbo-34885 Paris, Collection B. Lacombe;Paris, Collection A. Picard;New York & Paris, F. Kleinberger Galleries(dealer-1932);New York, auction F. Kleinberger (American Art Association, Anderson Galleries, Inc.) 18 November, 1932, lot 66, repr.(as by François Clouet or Master of the Group and representing Sebastien Martigues, Vicomte de Luxembourg), bought by J. W. Bentley for $575;Paris, Collection Mr. Helft (from whom purchased by d'Atri);Paris, Galerie P. d'Atri (dealer-1937), from whom purchased by the DIA in August, 1937. accnum_Qid: Q1201549_37.182 url: https://www.dia.org/art/collection/object/nobleman-valois-court-38084 Charles Astor Bristed [1820-1874] (Lenox, Massachusetts, USA);1936-1938, (Galerie F. Kleinberger, Paris, France);Purchased by Anna Scripps Whitcomb [1866-1953] as a gift to the Detroit Institute of Arts;May 1938, gift to the Detroit Institute of Arts (Detroit, Michigan, USA) accnum_Qid: Q1201549_38.29 url: https://www.dia.org/art/collection/object/artist-his-studio-54610 until 1904, Collection Princess Mathilde (Bonaparte) (Paris, France);May 17, 1904, auction (Galerie George Petit, Paris, France) lot 71 [as Milanese School with title "Prince Trivulzio"];May 12, 1938, late Mr. J. Braz auction (Galerie Jean Charpentier, Paris, France) lot 23 [as by Morando];J. Kleinberger (Paris, France);May 12, 1938, (Kleinberger Galleries, Paris, France) no. 150 [initially in partnership with Parisian dealers A. Loebel and "A.W.," then as sole owner in November 1938];November 1938-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA) accnum_Qid: Q1201549_38.80 url: https://www.dia.org/art/collection/object/gentleman-trivulzio-family-41245 Windschmidt Collection (Paris, France);(F. Kleinberger Galleries, Paris, France and New York, New York, USA);1939-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA) [as by P. Stevens] accnum_Qid: Q1201549_39.672 url: https://www.dia.org/art/collection/object/winter-landscape-52704 New York, auction William J. Solomon (American Art Galleries) 4-7 April, 1923, lot 348, repr. (as early Flemish school);New York, F. Kleinberger Galleries (dealer-1941) from whom purchased by the DIA in Oct., 1941. accnum_Qid: Q1201549_41.83 url: https://www.dia.org/art/collection/object/three-virgin-martyrs-49563 until 1852, Alexander, 10th Duke of Hamilton (Hamilton Palace, Glasgow, Scotland);until 1882, 12th Duke of Hamilton;June 24, 1882, Christie’s auction, Collection Duke of Hamilton, lot 399 (London, England) [to dealer, J.W. Vokins acting for H. Bingham Mildmay];until 1893, London & Flete, Collection H. Bingham Mildmay (Devon, England);1922, Kleinberger Galleries, no. 15,510 (Paris, France and New York, New York, USA);1923, Ralph Harmon Booth (Grosse Pointe Michigan, USA);1942-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA) accnum_Qid: Q1201549_42.57 url: https://www.dia.org/art/collection/object/eleonora-toledo-and-her-son-35527 chronology unclear!;France, Château St. Roch, Collection Count Montrizon;Chicago, Collection Mrs. Chauncey J. Blair;Henri Haro Collection, sold at Drouot Dec. 12 and 13, 1911, no. 15 (Oberlin College Library 708.4 H23);New York, F. Kleinberger Galleries;New York, auction F. Kleinberger Galleries (American Art Association at the Plaza Hotel) 23 January, 1918, lot. 44, bought by Parrish Watson;New York, Collection Jules S. Bache, by whom given to the DIA in 1943. accnum_Qid: Q1201549_43.56 url: https://www.dia.org/art/collection/object/virgin-enthroned-st-catherine-and-st-mary-magdalene-53621 London, Collection L. Gordon Stables, until January 1917, from whom purchased by Kleinberger;New York, F. Kleinberger Galleries, 12 January 1917 until 23 January 1918, (no. 15,164);New York, auction F. Kleinberger Galleries (American Art Association -- at the Plaza Hotel), 23 January 1918, lot 16 (as Jerome Bosch), purchased by C. A. Platt for $650.00;Englewood, NJ, Collection C. A. Platt;New York, auction C. A. Platt(American Art Association) 10-11 February 1919, lot 18 (as Jerome Bosch);New York, Collection Jules S. Bache, by whom given to the DIA in 1943. accnum_Qid: Q1201549_43.57 url: https://www.dia.org/art/collection/object/legend-st-christopher-38144 Paris, Collection General R. de Verdier (1816);Paris, auction de Verdier (Laneuville) 13 March, 1816, lot 70;Amsterdam, Collection M. Saportas (1829--according to J. Smith);London, Collection Chaplin;Amsterdam, auction Abraham Saportas (de Vries) 14 May, 1832, lot 83 (bought by Brondgeest);(?) Possibly Paris, Galerie Sedelmeyer (dealer--1873);Paris, Collection Max Kann (or Kahn);Paris, auction M. Kann (or Kahn) (Drouot) 3 March, 1879, lot 57);Paris, F. Kleinberger (dealer - 1910?, by Jan. 1920, inv. 8392), sold to;Moscow and Wiesbaden, Collection Ludwig Mandl, 26 Jan. 1920 (80,000 FF);Amsterdam, auction (Fr. Muller) 10 July, 1923, lot. 128, repr.;Paris/New York, F. Kleinberger (dealer- by Nov. 1923-1925, no. 15,582--advertized in the Burlington Magazine in 1925 as Paris/New York City Kleinberger Gallery) from whom purchased by Mr. & Mrs. Edgar B. Whitcomb on 30 January, 1925;Detroit, Collection Mr. and Mrs. Edgar B. Whitcomb, by whom bequeathed to the DIA in 1953. accnum_Qid: Q1201549_53.352 url: https://www.dia.org/art/collection/object/landscape-farm-house-and-windmill-60039 early 1920s, possibly Luigi Grassi (Florence, Italy);until 1926, Achillito Chiesa (Milan, Italy);April 16, 1926, sold by (American Art Association, New York, New York, USA) lot 41;April-May, 1926, (F. Kleinberger Gallery, New York, New York, USA);May 29, 1926, purchased by Julian H. and Lillian Henkel Haass (Detroit, Michigan, USA) [for $4400];1953-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA) accnum_Qid: Q1201549_53.386 url: https://www.dia.org/art/collection/object/madonna-and-child-enthroned-saints-lucy-margaret-mary-magdalene-and-catherine late 19th century, Baron Arthur de Schickler (Martinvast, Normandy, France);Baron Hubert de Pourtalès (Paris, France);1923, acquired by (Sir Joseph Duveen, London, England and New York, New York, USA);(Kleinberger, Paris, France);Fredore Stern;until ca. 1931, (Howard Young, New York, New York, USA);ca. 1931, Alfred J. Fisher (Detroit, Michigan, USA);1953-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA) accnum_Qid: Q1201549_53.468 url: https://www.dia.org/art/collection/object/young-man-45841 Paris, auction, M. J. Boussac, (dealer), 10-11 May, 1926, no. 56;Paris, G. A. Gaboriaud (for 25,000 francs);New York, F. Kleinberger Galleries (by 1 June, 1931), sold for $3,000;Grosse Pointe Farms, Mrs. Lillian H. Haass, by whom bequeathed to the DIA in 1961. accnum_Qid: Q1201549_61.350 url: https://www.dia.org/art/collection/object/virgin-mary-magdalene-and-st-john-mourning-dead-christ-24952 Marguerite Saintard [d. 1735], Chardin's first wife (Paris, France);by 1745, Antoine de la Roque;May 1745, sold by (Gersaint, Paris, France) Antoine de la Roque sale, no. 75 [sold with pendant];acquired by Delpêche [possibly banker Despueschs, Detroit or Louvre version];August 14, 1760, acquired by Jean-Georges Wille [1715-1808] (Paris, France);Léon Dru [d. 1904] (Paris, France);1905, possibly Comte de Castel (Paris, France);1907, Mme. Léon Kleinberger (Paris, France);October 2, 1931-1932, by consignment to (F. Kleinberger and Co., New York, New York, USA);November 18, 1932, sold by (American Art Association, Anderson Gallery, New York, New York, USA) F. Kleinberger sale, no. 27;1932, purchased by E. Aulmann [possibly collector or agent];1934, sold by (F. Kleinberger and Co., New York, New York, USA);1935, purchased by (Arnold Seligmann, Rey and Co., New York, New York, USA);January 1935, acquired by Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA);1970-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA) accnum_Qid: Q1201549_70.164 url: https://www.dia.org/art/collection/object/still-life-36816 |
| Q1568434 | 4 | Comte de Bourges Collection (?) (Per label on reverse. Other label indicates that the panel was in either Austria or Germany in the 19th century and in Austria after 1918 with stamp of Austrian Bundesdenkmalamt), Kleinberger Galleries, Paris, Maitland F. Griggs Collection, New York, by 1924-1943 (purchased as Pier Francesco Fiorentino).;Bibliography;Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass.: Harvard University Press, 1972), 600. accnum_Qid: Q1568434_1.943.225 url: https://artgallery.yale.edu/collections/objects/45030 James Jackson Jarves Collection, Florence, to 1871, Yale University Art Gallery, New Haven, Conn.;Bibliography;James Jackson Jarves, Descriptive Catalogue of “Old Masters,” Collected by James J. Jarves, to Illustrate the History of Painting from A.D. 1200 to the Best Periods of Italian Art (Cambridge, Mass.: H. O. Houghton and Co., 1860), 42, no. 12.;James Jackson Jarves, Art Studies: The “Old Masters” of Italy (New York: Derby and Jackson, 1861), 114, pl. A, fig. 3.;Russell Sturgis, Jr., Manual of the Jarves Collection of Early Italian Pictures (New Haven, Conn.: Yale University Press, 1868), 24–25, no. 11.;W. F. Brown, Boston, Catalogue of the Jarves Collection of Early Italian Pictures, sale cat. (1871), 12, (Giunta da Pisa), fig. 11.;William Rankin, Notes on the Collections of Old Masters at Yale University, the Boston Museum of Fine Arts, the Fogg Museum of Harvard University (Wellesley, Mass.: Department of Art of Wellesley College, 1905), 7, no. 11.;Osvald Sirén, The Earliest Pictures in the Jarves Collection at Yale University (New York: F. F. Sherman, 1915), 277–79, Guido da Siena, fig. 1.;Osvald Sirén, A Descriptive Catalogue of the Pictures in the Jarves Collection Belonging to Yale University (New Haven, Conn.: Yale University Press, 1916), 7–9, no. 2, (Guido da Siena, panel might have been for a gable crowning an altarpiece), fig. 2.;Osvald Sirén and M. W. Brockwell, Catalogue of a Loan Exhibition of Italian Primitives at the Kleinberger Galleries, exh. cat. (New York: n.p., 1917), 110, (Guido da Siena).;Raimond van Marle, “La pittura senese prima di Duccio,” Rassegna d’arte antica e moderna 7 (1920): 270, (shop of Guido da Siena).;Richard Offner, Italian Primitives at Yale University: Comments and Revisions (New Haven, Conn.: Yale University Press, 1927), 2, 37, (shop of Guido da Siena), fig. 26.;George Harold Edgell, A History of Sienese Painting (New York: Dial Press, Inc., 1932), 33, (cites Sirén attribution to school of Guido, explaining that “Guido is still rather a classification than an individual”).;Bernard Berenson, Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works, with an Index of Places (Oxford: Clarendon Press, 1932), 268, Guido da Siena.;Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi (Milan, Italy: U. Hoepli, 1936), 231, (Guido da Siena).;Edward B. Garrison, Italian Romanesque Panel Painting (Florence: Leo S. Olschki, 1949), 116, no. 298, (shop of Guido da Siena, ca. 1270–80).;Millard Meiss, Painting in Florence and Siena after the Black Death (Princeton, N.J.: Princeton University Press, 1951), 150n.80, (school of Guido da Siena),.;Mrs. Francis Steegmuller, The Two Lives of James Jackson Jarves (New Haven, Conn.: Yale University Press, 1951), 293, (shop of Guido da Siena).;Gertrude Coor-Achenbach, “Notes on Two Unknown Early Italian Panel Paintings,” Gazette des Beaux-Arts 42 (1953): 257–58, (shop of Guido da Siena).;James H. Stubblebine, Guido da Siena (Princeton, N.J.: Princeton University Press, 1964), 16, 91, 92, 102, no. 18, (shop of Guido da Siena, dated 1260), fig. 52.;Charles Seymour Jr., Early Italian Paintings in the Yale University Art Gallery: A Catalogue by Charles Seymour, Jr. (New Haven, Conn.: Yale University Press, 1970), 14–15, no. 3.;Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass.: Harvard University Press, 1972), 599.;Daniel L. Arnheim, Charles Seymour Jr., and Gloria Kury Keach, Italian Primitives: The Case History of a Collection and Its Conservation (New Haven, Conn.: Yale University Art Gallery, 1972), 12, no. 3, (shop of Guido da Siena, ca. 1260–70).;Richard Offner, A Critical and Historical Corpus of Florentine Painting: A Legacy of Attributions (New York: H. B. J. Maginnis, 1981), 2, 37, shop of Guido da Siena, fig. 26.;Ruth Wilkins Sullivan, “The Annointing in Bethany and Other Affirmations of Christ’s Divinity on Duccio’s Back Predella,” Art Bulletin 67, no. 1 (March 1985): 41, 43n.25, (shop of Guido da Siena, ca. 1260–70, dates based on Keach 1972), fig. 19.;Luciano Bellosi, “Per un contesto cimabusesco senese: a) Guido da Siena e il probabile Dietisalvi di Speme,” Prospettiva 61 (1991): 7–8, (Guido da Siena), fig. 8.;Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 131.;Clay M. Dean, Selection of Early Italian Paintings from the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2003), 18–19, no. 2, (Guido da Siena). accnum_Qid: Q1568434_1871.2 url: https://artgallery.yale.edu/collections/objects/275 Collection of Countess Manvers(Marie Louise Pierremont [1889-1984]), North Allerton, Yorkshire, Rayner McCormal Collection, New York, F. Kleinberger & Co., Inc., New York, 1955.;Bibliography;Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass.: Harvard University Press, 1972), 601. accnum_Qid: Q1568434_1960.45 url: https://artgallery.yale.edu/collections/objects/52063 Baron E. de Beurnonville (1825-1906), Paris, Sale of the above, Pillet, Paris, May 9, 1881, lot 468, Jean Dollfus (1823-1911), Paris, Sale of the above, Lair-Dubreuil, Paris, April 1, 1912, lot 99, illus., Frederik Muller, Amsterdam, Franz Kleinberger, Paris, 1913, Harald Petri (1877-1954), Antwerp, Sale of the above, Frederik Muller et Cie, Amsterdam, November 30– December 6, 1926, lot 57. Maurice Lagrand, Brussels. Kunsthandel A.G., Lucerne, and ‘Seling,’ March 1973, jointly owned, Julius Böhler, Munich, received on commission from the above, March 1973, and acquired September, 1973 (Lagerbuch-number 7-73), Dr. Herbert and Mrs. Monika Schaefer, June 1974.;This work appears on our "Artworks with Nazi-Era Provenance Documentation Gaps" page.;Bibliography;Leandre Vaillat, “La peinture hollandaise,” L’A rt et les Artistes 15 (April–September 1912): 146, ill.;Walter Cohen, Ulrich Thieme, and Felix Becker, “Engebrechtsz” in Thieme-Becker, Kunstler Lexikon, 10 (Leipzig: E. A. Seemann, 1914), 527, ill.;Nicolaas Beets, “De tentoonstelling 1575,” Onze Kunst 25 (1914): 53, ill.;Paul Wescher, “Zur Chronologie der Gemalde des Cornelis Engelbrechsten,” Zeitschrift fur bildende Kunst 58 (1924): 99, 103, ill.;E´mile Gavelle, Cornelis Engebrechtsz. L’e´cole de peinture de Leyde et le romantisme Hollandais au de´but de la Renaissance (Lille: Raoust, 1929), 292–93, G. 40.;Max J. Friedländer, Die Altniederla¨ndische Malerei, 10 (Berlin: P. Cassirer, 1932), pl. 52, fig. 93.;G. J. Hoogewerff, De Noord-Nederlandsche Schilderkunst, 3 (The Hague: Martinus Nijhoff, 1939), 202–204, fig. 108.;E. Peinck, “Cornelis Engebrechtsz: de herkomst van sijn kunst,” Nederlands Kunsthistorisch Jaarboek (1948–1949): 53, ill.;Office de Re´cupe´ration E´conomique, Re´pertoire d’oeuvres d’art dont la Belgique a e´te´ spolie´e durant la guerre 1939-1945 (Brussels: Royaume de Belgique, 1948), Illus. 25 (Pl. V), fig. 76.;Max J. Friedländer, Early Netherlandish Paintings, 10 (Leiden & Brussels: Foleor Publishers, 1973), 73, 79, fig. 93.;Walter S. Gibson, The Paintings of Cornelis Engebrechtsz, 34 (New York & London: Garland Publishing, 1977), 167–68, 247, fig. 43.;Missing art works of Belgium (Brusells: Ministère des affaires économiques, 1994), 31, fig. 67.;Collection: Dr. Herbert & Monika Schaefer, Selected Works, exh. cat. (New Haven, Conn.: Mountain View Press, 1998), 12–15, ill.;Joachim Pissarro, Saints, Sinners, and Scenery: European Genre and Landscape Paintings from the Collection of Herbert and Monika Schaefer, exh. cat. (New Haven: Yale University Art Gallery, 1998), 6–7.;Jan Piet Filedt Kok, Walter S. Gibson, and Yvette Bruijnen, Cornelis Engebrechtsz: A Sixteenth-Century Leiden Artist and his Workshop (Turnhout: Brepols, 2014), 126–27, no. 33, fig. 119. accnum_Qid: Q1568434_ILE1981.9.1 url: https://artgallery.yale.edu/collections/objects/64296 |
| Q160236 | 211 | Ludwig Heinrich Bojanus (Russian), Acquired by Hessisches Landesmuseum, Galerie Fischer, Lucerne, sale, 6/2/1945, no.10, pl.2, as Canaletto, F. Kleinberger Galleries, according to Virch, Donor: Walter C. Baker (American) accnum_Qid: Q160236_1.972.118.242 url: https://www.metmuseum.org/art/collection/search/338189 ?Jan Vincent Coster, Amsterdam (in 1622), John Andrews (until 1832, his estate sale, Christie's, London, March 3, 1832, no. 65, for £8.8 to Tuck), Isidor Sachs, Vienna (until d. 1871, his estate sale, Posonyi, Vienna, December 17, 1872, no. 97), [H. O. Miethke, Vienna, about 1889–92], Carl Franze, Tetschen (until 1916, posthumous sale, Lepke's, Berlin, November 7, 1916, no. 63), Prof. Curt Glaser, Berlin (by 1928–33, his anonymous sale, Internationales Kunst- und Auktions-Haus, Berlin, May 9, 1933, no. 241, to Gurlitt), [Wolfgang Gurlitt, Munich, 1933–at least 1962], [Adolphe Stein, Paris, until 1965, sold for $8,000 to Kleinberger], [Kleinberger, New York, 1965–66, sold to Reid], Bagley Reid, New York (1966–72, sold to MMA) accnum_Qid: Q160236_1.972.171 url: https://www.metmuseum.org/art/collection/search/435680 ?conti di Collalto, Castello di San Salvatore, Susegana (from about 1550), Richard Boyle, 3rd Earl of Burlington, Chiswick House, near London (by ca. 1740–d. 1753), his daughter, Charlotte Elizabeth Boyle, Marchioness of Hartington, Chiswick House (1753–d. 1754), her son, William Cavendish, later 5th Duke of Devonshire, Chiswick House (1754–d. 1811), the Dukes of Devonshire, Chiswick House and Chatsworth, Derbyshire (1811–1950, inv., 1863), Andrew Cavendish, 11th Duke of Devonshire, Chatsworth (1950–58, his sale, Christie's, London, June 27, 1958, no. 19, for £4,725 to Sperling [Kleinberger]), [Kleinberger, New York, 1958–66, sold to Fleischman], [Lawrence A. Fleischman, New York, 1966–73, sold to Mont], [Frederick Mont, New York, 1973, sold to MMA] accnum_Qid: Q160236_1.973.116 url: https://www.metmuseum.org/art/collection/search/437638 Harry G. Sperling, Donor: Harry G. Sperling accnum_Qid: Q160236_1.975.131.129 url: https://www.metmuseum.org/art/collection/search/339843 Alan Loebl, 1950 accnum_Qid: Q160236_1.975.131.149 url: https://www.metmuseum.org/art/collection/search/335557 Jan Pietersz Zoomer, Valerius Röver, Johann Edler Goll van Franckenstein (Dutch), Johan Goll van Franckenstein Sr., Pieter Hendrik Goll van Franckenstein, William Esdaile (British), his sale, Christie's, London, June 23, 1840, lot 1024 (as by Rembrandt), Robert Stayner Holford (British), his sale, Christie's, London, July 11–14, 1893, lot 665 (as by Rembrandt), Frank T. Sabin (British), Martin B. Asscher, Harry G. Sperling, Donor: Harry G. Sperling accnum_Qid: Q160236_1.975.131.152 url: https://www.metmuseum.org/art/collection/search/335689 comte Mauduit, Nice (as by a French painter, sold to Spink), [Spink, London, by 1963], [Spink, London, and Kleinberger, New York, 1963–75, sale, Sotheby's, London, July 10, 1974, no. 117, as by Claude Lorrain, bought in, half share bequeathed by Harry G. Sperling, last surviving partner of Kleinberger, and half share purchased by MMA] accnum_Qid: Q160236_1.975.152 url: https://www.metmuseum.org/art/collection/search/435910 Cardinal Franchi, Rome, Commandante Rossi, Rome, Pol. Popiel, Warsaw (not Lvov as stated by R. Lehman, pl. 15), by whom presented to the cathedral in Warsaw, Count Horodetzki, Paris, F. Kleinberger Galleries, New York. Acquired by Philip Lehman in 1923. accnum_Qid: Q160236_1975.1.1 url: https://www.metmuseum.org/art/collection/search/460151 Andrew Fountaine, Narford Hall, Norfolk (inventory 1855-73, no. 111:10, Fountaine sale 1884, lot 58), unknown private colleciton, Madrid (?), [F. Kleinberger Galleries, New York and Paris, 1922]. accnum_Qid: Q160236_1975.1.1120 url: https://www.metmuseum.org/art/collection/search/460221 Probably the Onze-Lieve-Vrouwekerk, Bruges, [Alliance des Arts, Paris], by May 1847, Quedeville collection, Paris, by 1851, Quedeville sale, Malard and François, Paris, 29-31 March 1852 (Lugt 20729), lot 58 (as Hemmeling), R. Labordette, Amiens, [F. Kleinberger Galleries, New York and Paris], 1912. Acquired by Philip Lehman from Kleinberger in February 1912. accnum_Qid: Q160236_1975.1.114 url: https://www.metmuseum.org/art/collection/search/459056 Probably the Onze-Lieve-Vrouwekerk, Bruges, [Alliance des Arts, Paris], by May 1847, Quedeville collection, Paris, by 1851, Quedeville sale, Malard and François, Paris, 29-31 March 1852 (Lugt 20729), lot 58 (as Hemmeling), R. Labordette, Amiens, [F. Kleinberger Galleries, New York and Paris], 1912. Acquired by Philip Lehman from Kleinberger in February 1912. accnum_Qid: Q160236_1975.1.114b url: https://www.metmuseum.org/art/collection/search/460352 Prince Heinrich von Bourbon, Vienna, Bourbon sale, E. Hirschler and Co., Vienna, 2 April 1906 (Lugt 64233), lot 70, [F. Kleinberger Galleries, Paris and New York] (bought from Hirschler, 2 September 1906), [Ehrich Galleries, New York] (bought from Kleinberger, 1908), [F. Kleinberger Galleries, Paris and New York] (bought from Ehrich, 6 July 1911). Acquired by Philip Lehman from Kleinberger in October 1911. accnum_Qid: Q160236_1975.1.117 url: https://www.metmuseum.org/art/collection/search/459059 Private collection, Mrs. Thomson-Sinclair, Dunbeath Castle, 1912 auctioned: London (Sotheby’s) 1912-05-14/15, Private collection Friedrich Lippmann, Berlin, Art dealer F. Kleinberger, Paris/New York, Ickelheimer, New York City, Harry G. Sperling, New York, Acquired by Robert Lehman by 1959. accnum_Qid: Q160236_1975.1.121 url: https://www.metmuseum.org/art/collection/search/459063 Charles Léon Cardon, Brussels, by 1907, [F. Kleinburger Galleries, Paris and New York], 1909 (bought from Cardon), Mary (Mrs. Chauncey J.) Blair, Chicago, 1910 (bought from Kleinburger), [F. Kleinburger Galleries, Paris and New York], 1916 (bought from Mrs. Blair). Acquired by Philip Lehman from Kleinberger in October 1916. accnum_Qid: Q160236_1975.1.129 url: https://www.metmuseum.org/art/collection/search/459071 Don Sebastián Gabriel de Beaujeu, Braganza y Borbón, infante of Spain and Portugal, his son, Prince Pierre de Bourbon et Bourbon, duke of Dúrcal, Paris, his sale, American Art Association, Chickering Hall, New York, 10-11 April 1889, lot 24 (as "Doña Juana La Loca" by Hans Holbein the Elder, not sold), his sale, Haro Frères et Bloche, Hôtel Drouot, Paris, February 3, 1890, lot 23 (as Jean La Folle by Holbein), sold to Prince Manuel de Yturbe, Paris, his granddaughter, Princess Yturbe, Paris, sold to [F. Kleinberger Galleries, New York], 1926. Acquired by Philip Lehman from Kleinberger in March 1926. accnum_Qid: Q160236_1975.1.130 url: https://www.metmuseum.org/art/collection/search/459072 Don Sebastián Gabriel de Beaujeu, Braganza y Borbón, infante of Spain and Portugal, his son, Prince Pierre de Bourbon et Bourbon, duke of Dúrcal, Paris, his sale, American Art Association, Chickering Hall, New York, 10-11 April 1889, lot 24 (as "Doña Juana La Loca" by Hans Holbein the Elder, not sold), his sale, Haro Frères et Bloche, Hôtel Drouot, Paris, February 3, 1890, lot 23 (as Jean La Folle by Holbein), sold to Prince Manuel de Yturbe, Paris, his granddaughter, Princess Yturbe, Paris, sold to [F. Kleinberger Galleries, New York], 1926. Acquired by Philip Lehman from Kleinberger in March 1926. accnum_Qid: Q160236_1975.1.130 url: https://www.metmuseum.org/art/collection/search/150000120 Martin Le Roi, Paris, [F. Kleinberger Galleries, Paris and New York]. Acquired by Philip Lehman from Kleinberger in October 1911. accnum_Qid: Q160236_1975.1.131 url: https://www.metmuseum.org/art/collection/search/459073 Collection Sir John Stromberry, London, 1862, Collection John Heugh, London, Lèopold Goldschmidt, Paris, Count de Sartiges, Paris, [F. Kleinberger Galleries, Paris and New York]. Durlacher, London, 1926, Acquired by Philip Lehman from Kleinberger in July 1912. accnum_Qid: Q160236_1975.1.132 url: https://www.metmuseum.org/art/collection/search/459074 Hollingworth Magniac, London, his sale, Christie, Manson and Wood, London, 2, 4-8, 11-15 July 1892 (Lugt 50986), lot 73, M. de Villeroy, Paris, his sale, Galerie Georges Petit, Paris, 28-29 April 1922 (Lugt 83557), lot 29, ill., sold to [Germain Seligman, New York], sold to [F. Kleinberger Galleries, New York and Paris]. Acquired by Philip Lehman before 1928. accnum_Qid: Q160236_1975.1.137 url: https://www.metmuseum.org/art/collection/search/459079 Commissioned by Jan van Duren, Deventer, his son, Damiaan van Duren, his daughter, Elisabeth van Duren, who married Martinus van Doorninck in 1738, by descent to M. van Doorninck D Jzn., Deventer, by 1882 and still in 1897, P.W. van Doorninck, Bennekom and later Colmschate, at least 1901-1909, C. F. L. de Wild, The Hague, [F. Kleinberger Galleries, Paris and New York], Charles Beistegui, Paris, by 1912, [M. Knoedler and Co., London and New York]. Acquired by Philip Lehman from Knoedler in November 1912. accnum_Qid: Q160236_1975.1.141 url: https://www.metmuseum.org/art/collection/search/459083 Commissioned by Jan van Duren, Deventer, his son, Damiaan van Duren, his daughter, Elisabeth van Duren, who married Martinus van Doorninck in 1738, by descent to M. van Doorninck D Jzn., Deventer, by 1882 and still in 1897, P.W. van Doorninck, Bennekom and later Colmschate, at least 1901-1909, C. F. L. de Wild, The Hague, [F. Kleinberger Galleries, Paris and New York], [Thomas Agnew and Sons, London], [M. Knoedler and Co., London and New York], 1912. Acquired by Philip Lehman from Knoedler in February 1912. accnum_Qid: Q160236_1975.1.142 url: https://www.metmuseum.org/art/collection/search/459084 Commissioned by Vicente Joaquín Osorio Moscoso y Guzmán (1756–1816), 11th conde de Altamira and marqués de Astorga, by descent to Vicente Pío Osorio de Moscoso Ponce de León (1801–1864), conde de Altamira, by descent to his daughter, María Rosalía Luisa, duquesa de Baena, until ca.1870, marqués de Corvera, Madrid, 1900, Léopold Goldschmidt, Paris, ca.1903, Count Pastré, Paris, [F. Kleinberger Galleries, Paris, ca. 1910], acquired by Philip Lehman from Kleinberger in October 1911. accnum_Qid: Q160236_1975.1.148 url: https://www.metmuseum.org/art/collection/search/459090 Cardinal Franchi, Rome, Commandante Rossi, Rome, Pol. Popiel, Warsaw (not Lvov as stated by R. Lehman, pl. 15), by whom presented to the cathedral in Warsaw, Count Horodetzki, Paris, F. Kleinberger Galleries, New York. Acquired by Philip Lehman in 1923. accnum_Qid: Q160236_1975.1.2 url: https://www.metmuseum.org/art/collection/search/460152 [Elia Volpi, Palazzo Davanzati, Florence], Volpi sale, American Art Association, New York, 21-23 November 1916, lot 425, ill., [F. Kleinberger Galleries, New York]. Acquired by Philip Lehman through Kleinberger Galleries in July 1920. accnum_Qid: Q160236_1975.1.2018 url: https://www.metmuseum.org/art/collection/search/460306 Sciarra collection, Rome, Gardner and Vicomte Bernard d'Hendecourt, Paris, F. Kleinberger Galleries, New York, acquired by Philip Lehman in 1914, Pauline Ickelheimer, New York. Acquired by Robert Lehman in 1946. accnum_Qid: Q160236_1975.1.21 url: https://www.metmuseum.org/art/collection/search/458961 Prince Maffeo Barberini Colonna di Sciarra, Rome, Vicomte Bernard d'Hendecourt, Paris, [F. Kleinberger Galleries, New York], Philip Lehman, 1914, Pauline Ickelheimer, New York. Acquired by Robert Lehman in 1946. accnum_Qid: Q160236_1975.1.21b url: https://www.metmuseum.org/art/collection/search/460413 Cardinal Franchi, Rome, Commandante Rossi, Rome, Pol Popiel, Warsaw, Warsaw Cathedral (presented by Popiel), Count Horodetzki, Paris, [F. Kleinberger Galleries, New York]. Acquired by Philip Lehman in 1923. accnum_Qid: Q160236_1975.1.2b url: https://www.metmuseum.org/art/collection/search/461003 Albin Chalandon, Paris, Georges Chalandon, Paris, Camille Benoît, Paris (see M. Logan, "L'exposition de l'ancien art siennois," Gazette des Beaux-Arts, ser. 3, vol. 32, 1904, pp. 210-11, Crowe and Cavalcaselle, New History, vol. 3 1914, p. 178), F. Kleinberger, Paris, acquired by Philip Lehman in January 1917 accnum_Qid: Q160236_1975.1.31 url: https://www.metmuseum.org/art/collection/search/458971 Spedale della Scala, Siena. Johann Anton Ramboux, Cologne (Catalogue des collections d'objets d'arts de la succession de M. Jean Ant. Ramboux, conservateur du Musée de la Ville de Cologne, Heberle, Cologne, May 23, 1867, p. 23, no. 117), Professor A. Müller, Düsseldorf, Fürstliches Hohenzollern'sches Museum, Sigmaringen (F. A. Lerner, Verzeichnis der Gemälde, 1871, pp. 53-55, no. 186, ibid., 1883, pp. 58ff., no. 186), F. Kleinberger & Co., New York. Acquired by Philip Lehman after 1928 and before 1932. accnum_Qid: Q160236_1975.1.33 url: https://www.metmuseum.org/art/collection/search/458973 Sale, Sotheby's, London, July 6, 1920, part of lot 41, P. & D. Colnaghi && Co., London;Richard Owen, Paris, Lady Elliot, London, sale, Sotheby's, London, March 6, 1957, lot 34 (to Kauffmann), Marianne Feilchenfeldt, Zürich, [F. Kleinberger & Co., New York]. Acquired by Robert Lehman from Kleinberger in 1960. accnum_Qid: Q160236_1975.1.465 url: https://www.metmuseum.org/art/collection/search/459935 [Loebl, Paris]. Acquired by Philip Lehman in 1924. accnum_Qid: Q160236_1975.1.62 url: https://www.metmuseum.org/art/collection/search/459002 Possibly Allie Loebl of F. Kleinberger Galleries, Paris, Robert Lehman, New York, possibly by 1948 accnum_Qid: Q160236_1975.1.707 url: https://www.metmuseum.org/art/collection/search/459262 Purchased by Robert Lehman from Allie Loebl (Galerie F. Kleinberger), Paris, 1948. accnum_Qid: Q160236_1975.1.714 url: https://www.metmuseum.org/art/collection/search/459266 Purchased by Robert Lehman from Allie Loebl (Galerie F. Kleinberger), Paris, 1948. accnum_Qid: Q160236_1975.1.722 url: https://www.metmuseum.org/art/collection/search/459273 Artaud de Montor, Paris, by 1811, Artaud de Moontor sale, Hôtel des Ventes Mobilières, Paris, January 16-17, 1851, no. 98-100 (as Andrea Orcagna), bt. Louvisille, Comte Pourtalès-Gorgier, Paris, Pourtalès sale, Hôtel Drouot, Paris, February 21-22, 1867, no. 230 (as Orcagna), Mlle. G. de V. sale, Hôtel Drouot, Paris, March 29, 1922, no. 9, 10 (as School of Benozzo Gozzoli, bt. Bacri, F. Kleinberger, Paris, by 1923. Acquired by Philip Lehman before 1928. accnum_Qid: Q160236_1975.1.75 url: https://www.metmuseum.org/art/collection/search/459017 Artaud de Montor, Paris, by 1811, Artaud de Moontor sale, Hôtel des Ventes Mobilières, Paris, January 16-17, 1851, no. 98-100 (as Andrea Orcagna), bt. Louvisille, Comte Pourtalès-Gorgier, Paris, Pourtalès sale, Hôtel Drouot, Paris, February 21-22, 1867, no. 230 (as Orcagna), Mlle. G. de V. sale, Hôtel Drouot, Paris, March 29, 1922, no. 9, 10 (as School of Benozzo Gozzoli, bt. Bacri, F. Kleinberger, Paris, by 1923. Acquired by Philip Lehman before 1928. accnum_Qid: Q160236_1975.1.76 url: https://www.metmuseum.org/art/collection/search/459018 Kleinberger, Paris. Acquired by Philip Lehman before 1928. accnum_Qid: Q160236_1975.1.8 url: https://www.metmuseum.org/art/collection/search/459132 Professor Magenta, Milan, Cristoforo Benigno Crespi, Milan, Crespi sale, Galerie Georges Petit, Paris, June 4 1914, no. 41 (bt Kleinberger). Acquired by Philip Lehman before 1928. accnum_Qid: Q160236_1975.1.98 url: https://www.metmuseum.org/art/collection/search/459040 Lady Harcourt, Harry G. Sperling accnum_Qid: Q160236_1975.131.31 url: https://www.metmuseum.org/art/collection/search/338930 Gutekunst and Klipstein- May 28, 1953, no. 149, Harry G. Sperling accnum_Qid: Q160236_1975.131.38 url: https://www.metmuseum.org/art/collection/search/340814 August Artaria (Austrian), F. Kleinberger Galleries, Harry G. Sperling, New York, Donor: Harry G. Sperling accnum_Qid: Q160236_1975.131.44 url: https://www.metmuseum.org/art/collection/search/340463 UnidentifiedFrench (?) Collector (Lugt 474), Walter Hugelshofer According to Harry G. Sperling, Galerie Fischer, Lucerne, Harry G. Sperling accnum_Qid: Q160236_1975.131.45 url: https://www.metmuseum.org/art/collection/search/337981 Somasco Convent, Santa Maria della Salute(presented by the artist)(according to accession card), Conte Leopoldo Cicognara(according to accession card), Canova(according to accession card), Monsignor Canova(according to accession card), Francesco Pesaro (Italian)(according to accession card), Edward Cheney (British), London (according to accession card), Sotheby's, London (British), April 29, 1885, no. 1042, Parsons(according to accession card), Dan Fellows Platt (American), F. Kleinberger Galleries, 1940 (according to accession card), Harry G. Sperling accnum_Qid: Q160236_1975.131.52 url: https://www.metmuseum.org/art/collection/search/339404 Ludwig Heinrich Bojanus (Russian), Acquired in 1829 by Hessisches Landesmuseum(see mark and number on verso), sold or exchanged between 1936 and 1945 with Galerie Fischer, Lucernesale, 11/30/1956, no.442, as Canaletto, Harry G. Sperling, Donor: Harry G. Sperling accnum_Qid: Q160236_1975.131.7 url: https://www.metmuseum.org/art/collection/search/338190 Heinz Kisters, Kreuzlingen, Switzerland (in 1965), private collection (until 1968, sold to Böhler), [Julius Böhler, Munich, 1968–1969, sold to Kleinberger], [Kleinberger, New York, 1969–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.1 url: https://www.metmuseum.org/art/collection/search/435678 [Edward Speelman, London, until 1958, sold for $850 to Kleinberger], [Kleinberger, New York, 1958–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.10 url: https://www.metmuseum.org/art/collection/search/436345 ?Marie Darbisse (until d., posthumous inv., 1744, claimed by Hallé),?her godson, the painter's son, Noël Hallé, Paris (1744–d. 1781),?his widow, Françoise Geneviève Lorry Hallé (from 1781, gave to her son, Jean Noël),?her son, Jean Noël Hallé (by 1785), [Ambroselli, Paris, until 1969, as "L'Hérésie détruite (Révocation de l'Édit de Nantes)," by Charles Le Brun, share exchanged with Kleinberger], [Ambroselli, Paris, and Kleinberger, New York, 1969–71, half share exchanged with Ambroselli], [Kleinberger, New York, 1971–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.11 url: https://www.metmuseum.org/art/collection/search/436346 [de Beer, London, until 1963, sold for $950 to Kleinberger], [Kleinberger, New York, 1963–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.12 url: https://www.metmuseum.org/art/collection/search/436344 [Martin Asscher, London, until 1960, as by Nicolas Largilliere, sold for $5,200 to Kleinberger], [Kleinberger, New York, 1960–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.13 url: https://www.metmuseum.org/art/collection/search/436347 comte Robert de Pourtalès, Paris (by 1900–at least 1907), Jeanne de Pourtalès, baronne d'Adelsward, Paris (by 1909), comte James de Pourtalès, Paris (by 1959–66, sold to Mons), [Mons et Cie., Paris, from 1966], [Allen Loebl, Paris, until 1967, sold to Kleinberger], [Kleinberger, New York, 1967–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.14 url: https://www.metmuseum.org/art/collection/search/436561 ?Chalandon family, Paris, [dealer,?Paris, until 1949], [Otto Wertheimer, Paris, 1949–58, as by Pontormo, sold for $4,762 to Kleinberger], [Kleinberger, New York, 1958–75, as by Pontormo, later as by Pier Francesco Foschi, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.15 url: https://www.metmuseum.org/art/collection/search/436770 Delaval Loftus Astley, 18th Baron Hastings, Melton Constable, Norfolk (until d. 1872), his son, Bernard Edward Delaval Astley, 19th Baron Hastings, Melton Constable, (1872–d. 1875), his brother, George Manners Astley, 20th Baron Hastings, Melton Constable, (1875–d. 1904), his son, Albert Edward Delaval Astley, 21st Baron Hastings, Melton Constable, (1904–63, sale, Christie's, London, May 24, 1963, $2,352 to "Spence" [Abdy]), Robert Henry Edward Abdy, London (1963–65, sold to Kleinberger), [Kleinberger, New York, 1965–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.17 url: https://www.metmuseum.org/art/collection/search/437172 Mr. and Mrs. George L. Mesker, Palm Beach (until his d. 1935/36), Mrs. George L. (Elizabeth D.) Mesker, Palm Beach (1935/36–1943, her estate sale, Parke-Bernet, New York, October 27–30, 1943, no. 501, for $775), [Arnold Seligman, Rey & Co., New York, 1943–44, sold for $8000 to Minneapolis], Minneapolis Institute of Arts (1944–58, sold to Weitzner), [Julius Weitzner, New York, from 1958], Mr. Endicott, New York (until 1960, sold to Newhouse and de Boer), [Newhouse, New York, and P. de Boer, Amsterdam, 1960], [P. de Boer, Amsterdam, 1961, sold to Kleinberger], [Kleinberger, New York, 1961–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.18 url: https://www.metmuseum.org/art/collection/search/437600 [Edward Speelman, London, 1967, purchased in Switzerland, sold for $12,000 to Kleinberger], [Kleinberger, New York, 1967–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.19 url: https://www.metmuseum.org/art/collection/search/437842 Jules Porgès, Paris, [Guy Stein and D'Atri, Paris, until 1963], [Kleinberger, New York, 1963–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.2 url: https://www.metmuseum.org/art/collection/search/435688 William à Court, 1st Baron Heytesbury, Heytesbury House, Wiltshire (probably by 1823–d. 1860, purchased in Madrid), his son, William Henry Ashe Holmes à Court, 2nd Baron Heytesbury, Heytesbury House (1860–d. 1891), his grandson, William Frederick Holmes-à Court, 3rd Baron Heytesbury, Heytesbury House (1891–d. 1903), his widow, Margaret Anna, Lady Heytesbury, Heytesbury House (1903–d. 1920, her estate, 1920–26, her estate sale, Hampton & Sons and Edens, Heytesbury, April 27, 1926, no. 1329, for £39.18), [Julius Böhler, Munich, and F. Steinmeyer, Lucerne, by 1927–50, sold to Kleinberger], [Kleinberger, New York, 1950–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.21 url: https://www.metmuseum.org/art/collection/search/437970 Hon. Mrs. Ethel Mary Trollope, Crowcombe Court, near Taunton, Somerset (by 1907–d. 1934, as "The Earl of Northumberland" by Rubens, later as by Thomas de Keyser), her grandson, Major Thomas Fleming Trollope-Bellew, Crowcombe, Taunton (from 1934), [Martin Asscher, London, until 1967, sold to Kleinberger], [Kleinberger, New York, 1967–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.22 url: https://www.metmuseum.org/art/collection/search/437282 ?Sir Joshua Reynolds, London (possibly acting as agent for Chambers),?Sir William Chambers, London, Hampton Court, and Whitton Place, near Hounslow (until d. 1796), by descent to George Chambers, Chambers family, Miss E. M. Chambers (until 1957, sold to Leger), [Leger, London, 1957, sold for £800 to Kleinberger], [Kleinberger, New York, 1957–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.23 url: https://www.metmuseum.org/art/collection/search/436288 [Galerie Marcus, Paris, after 1945–1967, sold for $2,800 to Kleinberger], [Kleinberger, New York, 1967–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.24 url: https://www.metmuseum.org/art/collection/search/437722 David P. Sellar, London (until 1894, sale, Christie's, London, March 17, 1894, no. 111, for £105 to A. Smith), M. van Slochem, New York (in 1912), M. van Gelder, Uccle, near Brussels (in 1929), John Ringling, Sarasota (until 1930, sold to Böhler), [Julius Böhler, Munich, 1930, sold to Neuerburg], Hermann Neuerburg, Hamburg (from 1930), Gottfried Neuerburg, Cologne (until 1961, sold to Böhler), [Julius Böhler, Munich, 1961–67, sold to Kleinberger], [Kleinberger, New York, 1967–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.25 url: https://www.metmuseum.org/art/collection/search/436679 Jules Porges, Paris, [Guy Stein and D'Atri, Paris, until 1963], [Kleinberger, New York, 1963–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.3 url: https://www.metmuseum.org/art/collection/search/435687 [Rothman, London, until 1958, sold for $3,780 to Kleinberger], [Kleinberger, New York, 1958–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.4 url: https://www.metmuseum.org/art/collection/search/436280 [Ambroselli, Paris, until 1968, as by Jacques-Louis David, sold for $3,500 to Kleinberger], [Kleinberger, New York, 1968–71, as "Study for Sabine Women", half share exchanged with Ambroselli], [Kleinberger, New York, and Ambroselli, Paris, 1971–75, bequeathed by Harry G. Sperling, last surviving partner of Kleinberger, to MMA] accnum_Qid: Q160236_1976.100.5 url: https://www.metmuseum.org/art/collection/search/436108 [Galerie Marcus, Paris, after 1945–68, sold for $4,000 to Kleinberger], [Kleinberger, New York, 1968–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.6 url: https://www.metmuseum.org/art/collection/search/436183 [Galerie Marcus, Paris, after 1945–68, sold for $4,000 to Kleinberger], [Kleinberger, New York, 1968–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.7 url: https://www.metmuseum.org/art/collection/search/436182 [Duits, London, until 1961, sold for $10,000 to Kleinberger], [Kleinberger, New York, 1961–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.8 url: https://www.metmuseum.org/art/collection/search/436230 Graf Karol Lanckoronski, Vienna (until d. 1933), Lanckoronski family or Gräfin Adelajda Lanckoronska, Vienna, Vorarlberg, and later Zurich (1933–67, seized by the Nazis in 1939, held at Alt Aussee [676] and at Munich collecting point [767], returned to Austria June 25, 1945, restituted, sale, Christie's, London, June 23, 1967, no. 76, as "Figures and Dogs on a Terrace with a Pool and Statues," by La Hyre, for £367.10.0 to Stein), [Adolphe Stein, London, 1967–68, sold for $4,000 to Kleinberger], [Kleinberger, New York, 1968–75, bequeathed by Harry G. Sperling, last surviving partner of firm, to MMA] accnum_Qid: Q160236_1976.100.9 url: https://www.metmuseum.org/art/collection/search/437039 Barrie Simmons (until 1961, sale, Sotheby's, London, June 14, 1961, no. 107, for £11,000 to Markham, bought in, sold for £10,000 to Kleinberger for Payson), Joan Whitney Payson, New York and Manhasset (1961–d. 1975) accnum_Qid: Q160236_1976.201.11 url: https://www.metmuseum.org/art/collection/search/436041 [Lucerne Fine Art (Böhler), Lucerne, until 1926, as "Portrait of a Man, representing Antoine de Bourbon, Roi de Navarre" by Corneille de Lyon, sold for $5,200 to Kleinberger], [Kleinberger, New York, 1926–27, sold for $10,000 to Pratt], George D. Pratt, Glen Cove, N.Y. (1927–d. 1935, life interest to his widow, Vera Amherst Hale Pratt, 1935–d. 1978) accnum_Qid: Q160236_1978.301.7 url: https://www.metmuseum.org/art/collection/search/435949 Mr. Chaplin, Copenhagen, later England, Edmund Higginson, Saltmarsh Castle, Herefordshire (by 1842–46, his sale, Christie's, London, June 4, 1846, no. 95, for £46), Madame Duval (until 1904, her estate sale, Hôtel Drouot, Paris, November 28, 1904, no. 9, for Fr 27,000 to Kleinberger), [Kleinberger, Paris, from 1904], Marcus Kappel, Berlin (by 1906–30, cat., 1914, no. 16, his sale, Cassirer & Helbing, Berlin, November 25, 1930, no. 11), Mr. and Mrs. Jack Linsky, New York (until his d. 1980), The Jack and Belle Linsky Foundation, New York (1980–82) accnum_Qid: Q160236_1982.60.32 url: https://www.metmuseum.org/art/collection/search/437073 Robert H. and Evelyn Benson, London (acquired in Rome, by 1902–27, cat., 1914, no. 72, sold to Duveen), [Duveen, New York, 1927–29, sold to Kleinberger], [Kleinberger, New York, 1929–33, sold to Duveen], [Duveen, New York, 1933–about 1962], Mr. and Mrs. Jack Linsky, New York (about 1962–his d. 1980), The Jack and Belle Linsky Foundation, New York (1980–82) accnum_Qid: Q160236_1982.60.6 url: https://www.metmuseum.org/art/collection/search/436056 comte de Montbrison, château de St. Roch, Mrs. Chauncey J. Blair, Chicago (by 1914–16, sold to Kleinberger), [Kleinberger, New York, 1916, sold to Dreicer], Michael Dreicer, New York (1916–d. 1921) accnum_Qid: Q160236_22.60.63 url: https://www.metmuseum.org/art/collection/search/435958 Federico Frizzoni-Salis, Villa Frizzoni, Bellagio (in 1862, inv., n.d., no. 24), Léonardus Nardus, Suresnes, Onnes van Nijenrode, Nijenrode Castle, Breukelen (until 1923, his sale, Frederik Müller, Amsterdam, July 10, 1923, no. 13, as by a South German painter, for fl. 36,000), [Kleinberger, New York, 1923, sold to MMA] accnum_Qid: Q160236_23.255 url: https://www.metmuseum.org/art/collection/search/436480 comte Arthur de Vogüé, château de Commarin, near Dijon, his daughter-in-law, comtesse Charles de Vogüé, château de Commarin (?sold to Loebl), [Loebl, Paris, sold to Abdy], Sir Robert Henry Edward Abdy, Newton Ferrers, Callington, Cornwall, [A. S. Drey, Munich, 1925–27, as by Titian, sold to MMA] accnum_Qid: Q160236_27.56 url: https://www.metmuseum.org/art/collection/search/437828 ?Joseph Schwaabe, Amsterdam, private collection, Swanage, Dorsetshire (sold to Clark), [H. M. Clark, London], [Steinmeyer-Groot, Paris, until 1911, sold to Kleinberger], [Kleinberger, Paris and New York, 1911–12, sold to Friedsam], Michael Friedsam, New York (1912–d. 1931) accnum_Qid: Q160236_32.100.1 url: https://www.metmuseum.org/art/collection/search/435806 Charles T. D. Crews, London and Billingbear Park, Wokingham, Berkshire (until 1915, his estate sale, Christie's, London, July 1–2, 1915, no. 41, as by Thomas de Keyser, to Buttery), [Ehrich Galleries, New York, until 1917, sold to Kleinberger], [Kleinberger, New York, 1917, sold for $8,000 to Friedsam], Michael Friedsam, New York (1917–d. 1931) accnum_Qid: Q160236_32.100.10 url: https://www.metmuseum.org/art/collection/search/436248 Mrs. Moylan, London, [Durlacher, London, until 1922, sold to Kleinberger], [Kleinberger, New York, 1922–23, sold for $2,500 to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.100 url: https://www.metmuseum.org/art/collection/search/437866 Holzer, [Piero Tozzi, New York, until 1917, sold to Kleinberger], [Kleinberger, New York, 1917, as by Moroni, sold to Friedsam], Michael Friedsam, New York (1917–d. 1931) accnum_Qid: Q160236_32.100.101 url: https://www.metmuseum.org/art/collection/search/436749 comte G. de Montbrison, château de Saint-Roch, Auvillar, Tarn-et-Garonne (until about 1908), Leopold Hirsch, London, [Kleinberger, Paris, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.103 url: https://www.metmuseum.org/art/collection/search/435947 private collection,?Bavaria (by 1917–at least 1925), [Allen Loebl, Paris, until 1928, sold to Kleinberger], [Kleinberger, Paris and New York, 1928–at least 1929, apparently sold for $7,000 to Friedsam], Michael Friedsam, New York (until d. 1931) accnum_Qid: Q160236_32.100.106–7 url: https://www.metmuseum.org/art/collection/search/436412 possibly Monasterio de Santa María La Real de Las Huelgas, Burgos, Sicilia family, Spain (until 1905, sold to Lionel Harris of Spanish Gallery), [Spanish Gallery, London, 1905–12, sold to Barbazanges], [Galerie Barbazanges, Paris, 1912–?at least 1924, as by Froment], Yves Perdoux, Paris (until 1927, as Northern French School, sold to Kleinberger), [Kleinberger, Paris and New York, 1927, sold for $25,000 to Aldred], John E. Aldred, Lattingtown, N.Y. (1927–29, sold to Kleinberger), [Kleinberger, New York, 1929, sold for $26,500 to Friedsam], Michael Friedsam, New York (1929–d. 1931) accnum_Qid: Q160236_32.100.108–11 url: https://www.metmuseum.org/art/collection/search/436411 ?P. Calkoen (until 1781, his sale, Amsterdam, September 10, 1781, no. 99, for 61 florins to Nijman),?J. D. Nijman, Sir A. Robertson, Chatham, England, [Kleinberger, Paris and New York, sold to Friedsam], Michael Friedsam, New York (by 1917–d. 1931) accnum_Qid: Q160236_32.100.11 url: https://www.metmuseum.org/art/collection/search/437192 baron Tolin, Paris (until 1914, as by Simon Marmion, sold to Kleinberger), [Kleinberger, Paris and New York, 1914–23, sold for $2,500 to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.112 url: https://www.metmuseum.org/art/collection/search/436413 comte de Montbrison, château de St. Roch, Auvillar, Pelletier, Paris, [Kleinberger, Paris and New York, 1928], Michael Friedsam, New York (1928–d. 1931) accnum_Qid: Q160236_32.100.113 url: https://www.metmuseum.org/art/collection/search/435960 ?principe Massino, Rome (in 1912), Trubert, Rome (until 1914, sold to Kleinberger), [Kleinberger, New York, 1914–23, as by the Maître de Moulins, presumably sold to Friedsam], Michael Friedsam, New York (by 1927–d. 1931) accnum_Qid: Q160236_32.100.115 url: https://www.metmuseum.org/art/collection/search/436409 ?duc de Mailly,?comte de Montbrison, Paris and château de Saint Roch, near Toulouse, Charles-Léon Cardon, Brussels (by 1912–d. 1920, his estate sale, Fievez, Brussels, June 27–30, 1921, as "Portrait du vicomte Bastien de Martigues," by François Clouet), [Kleinberger, New York, in 1925], Michael Friedsam, New York (by 1927–d. 1931) accnum_Qid: Q160236_32.100.116 url: https://www.metmuseum.org/art/collection/search/437772 baron Adolphe de Rothschild, Paris (until d. 1900), his heir, baron Maurice de Rothschild, Paris (1900–at least 1919), [Wildenstein, Paris], [Kleinberger, New York, 1920], Michael Friedsam, New York (1920–d. 1931) accnum_Qid: Q160236_32.100.118, 122 url: https://www.metmuseum.org/art/collection/search/436991 Paul Gravier, Paris (until 1923, his estate sale, Schoeller, Féral, Paris, May 3–4, 1923, no. 198, as attributed to Melchior Lorch, for Fr 1,500 to Lecaplain), [Goldschmidt Galleries, until 1929, as by?François Clouet, sold to Kleinberger], [Kleinberger, New York, 1929–30, as by Étienne Dumonstier, sold to Friedsam], Michael Friedsam, New York (1930–d. 1931) accnum_Qid: Q160236_32.100.119 url: https://www.metmuseum.org/art/collection/search/437143 comte Guy de Montbrison, château de St. Roch, Auvillar, France (by 1909, sold to Kleinberger), [Kleinberger, New York, 1909–24, sold to Bloch], [Vitale Bloch, Vienna, from 1924], Mrs. Chauncey J. Blair, Chicago, Michael Friedsam, New York (by 1928) accnum_Qid: Q160236_32.100.120 url: https://www.metmuseum.org/art/collection/search/436796 Monsieur de Mandolx, Dijon (until 1924), [Kleinberger, Paris, 1924–25, sold to Friedsam], Michael Friedsam, New York (1925–d. 1931) accnum_Qid: Q160236_32.100.123 url: https://www.metmuseum.org/art/collection/search/437736 ?William Alleyne, 3rd Marquess of Exeter, Burghley House, near Stamford, Northamptonshire (until d. 1888, his estate sale, Christie's, London, June 9, 1888, no. 282, as "Charles IX" by Janet, for £27.6.0),?Edward Charles Baring, 1st Lord Revelstoke, London (until 1893, his sale, Christie's, London, June 3, 1893, no. 55, for £16.5.6), Château de Nijenrode, Breukelen, Netherlands (until 1923, château sale, Muller, Amsterdam, July 10, 1923, no. 1, as by François Clouet, for fl. 10,000), [J. Goudstikker, Amsterdam, from 1923, cat., 1923, no. 21], [Goldschmidt Galleries, until 1925, sold to Kleinberger], [Kleinberger, New York, 1925, sold for $7,100 to Friedsam], Michael Friedsam, New York (1925–d. 1931) accnum_Qid: Q160236_32.100.124 url: https://www.metmuseum.org/art/collection/search/435912 château Mandoux, Orléans, [Spitzer, Paris], Manoel Fernandez, Paris, [Kleinberger, Paris, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.126 url: https://www.metmuseum.org/art/collection/search/437739 château Mandoux, Orléans, [Spitzer, Paris], Manoel Fernandez, Paris, [Kleinberger, Paris, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.127 url: https://www.metmuseum.org/art/collection/search/437738 Georges, comte de Montbrison, château de Saint-Roch, near Auvillar, France, [Kleinberger, New York, until 1923], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.129 url: https://www.metmuseum.org/art/collection/search/435953 [C. and E. (Ercole) Canessa, New York, until 1916, sold to Kleinberger], [Kleinberger, New York, 1916–19, as by François Clouet, sold to Friedsam], Michael Friedsam, New York (1919–d. 1931) accnum_Qid: Q160236_32.100.131 url: https://www.metmuseum.org/art/collection/search/435954 Dun, Gérard, Paris (until 1901, sold on January 31, for Fr 4,200, to Boussod-Valadon), [Boussod-Valadon, Paris, 1901–2, stock no. 27015, as "Paysage panoramique", sold on July 3, 1902, for Fr 8,500, to Kraushaar], [C. W. Kraushaar, New York, from 1902, sold to Flanagan], Joseph F. Flanagan, Boston (until 1919, sale, American Art Association, New York, April 24–25, 1919, no. 118, as "Landscape with Town, by the Sea," for $1,150 to Kleinberger and Co., New York, for Friedsam), Michael Friedsam, New York (1919–d. 1931) accnum_Qid: Q160236_32.100.133 url: https://www.metmuseum.org/art/collection/search/437521 Pierre Jean Mariette, Paris (by 1763–d. 1774, his estate sale, Basan, Paris, February 1, 1775, no. 24, as "un jeune garçon" with "une jeune fille assise, ayant la tête penchée & la gorge à demi-couverte," each 17 x 14 pouces, for 1,701 livres to De[s]marets),?M. L.*** [Lapeyrière] (sale, Perignon, Paris, April 14 ff., 1817, no. 79, “Un jeune Paysan vu en buste, la tête tournée de trois quarts, et coiffé de longs cheveux blonds qui tombent sur ses épaules,” 17 x 14 pouces), marquis du Blaisel, Paris (until d. 1870, his estate sale, Hôtel Drouot, Paris, March 16–17, 1870, no. 54, for Fr 6,100), Jules Porgès, Paris (until 1919, sale, Galerie du Vicomte Jacques de la L... et autres provenances, Fiévez, Brussels, July 3, 1919, no. 34), [Kleinberger, New York, 1919, sold to Friedsam], Michael Friedsam, New York (1919–d. 1931) accnum_Qid: Q160236_32.100.137 url: https://www.metmuseum.org/art/collection/search/436588 John De Pesters, London (until 1756, his sale, Prestage, [London], April 1, 1756, no. 10 or 11, both to Reynolds), Sir Joshua Reynolds, London (1756–d. 1792, his estate, 1792–95, his estate sale, Christie's, London, March 17, 1795, no. 46, a pair, for 50 gns. [£52.10.0] to Hardman), William Hardman (from 1795), Thomas Hardman (until 1838, his sale, Winstanley and Sons, Manchester, October 19, 1838, no. 54, for 87 gns. to Edwards), Louis Viardot, Paris (until 1863), Gustave Rothan, Paris (until 1890, his estate sale, Georges Petit, Paris, May 29, 1890, no. 95, for Fr 24,000 to Lehmann), Albert Lehmann, Paris (1890–1925, his sale, Galerie Georges Petit, Paris, June 12, 1925, no. 282, for Fr 210,000 to Kleinberger), [Kleinberger, Paris and New York, from 1925], Michael Friedsam, New York (by 1928–d. 1931) accnum_Qid: Q160236_32.100.14 url: https://www.metmuseum.org/art/collection/search/437547 [ F. Kleinberger Galleries, New York], [ Emile Pares, Madrid, Paris and New York], Michael Friedsam, New York accnum_Qid: Q160236_32.100.143 url: https://www.metmuseum.org/art/collection/search/467461 F. Kleinberger Galleries(Bought 1917), Michael Friedsam, New York accnum_Qid: Q160236_32.100.147 url: https://www.metmuseum.org/art/collection/search/467465 Church of Santa Maria, Fuenterrabia, Spain., [ F. Kleinberger Galleries, New York (in 1916)], Michael Friedsam, New York accnum_Qid: Q160236_32.100.148a, b url: https://www.metmuseum.org/art/collection/search/467466 Aron de Joseph de Pinto (until 1785, his sale, [Amsterdam], April 11, 1785, no. 2, for fl. 45 to Van der Schley [one of the organizers of the sale]), Van Helsleuter, Paris, [Henry Héris, Brussels, until 1839, sold for Fr 6,000 to Brié], Colonel Brié, Brussels (1839–41, his anonymous sale, organized by Héris, Hôtel rue des Jeuneurs, 16, Paris, March 25, 1841, no. 12, for Fr 5,950), Mawson (until 1850, his anonymous sale, rue des Jeuneurs, 42, Paris, February 22–23, 1850, no. 31, for Fr 1,980), Mr. Arnold, New York (in 1851), H. A. Hammond Smith, New York (until 1916, sold to Kleinberger on March 9], [Kleinberger, New York, 1916–17, sold for $22,000 to Friedsam], Michael Friedsam, New York (1917–d. 1931) accnum_Qid: Q160236_32.100.15 url: https://www.metmuseum.org/art/collection/search/436676 Richard von Passavant-Gontard, Paris, [ Arnold Seligmann, Rey and Company, New York, sold to Kleinberger ], [ Kleinberger ], Michael Friedsam (until 1931, bequeathed to MMA) accnum_Qid: Q160236_32.100.151 url: https://www.metmuseum.org/art/collection/search/197029 Edouard Aynard (until 1913, sale, Galerie Georges Petit, December 1–4, 1913, no. 227, to Canessa), Canessa, until 1919 (sold to Kleinberger), Mr. and Mrs. Francis Kleinberger (from 1919), Michael Friedsam (until 1931, bequeathed to MMA) accnum_Qid: Q160236_32.100.154 url: https://www.metmuseum.org/art/collection/search/197032 [ Kleinberger, until at least 1917 ], Michael Friedsam (until 1931, bequeathed to MMA) accnum_Qid: Q160236_32.100.157 url: https://www.metmuseum.org/art/collection/search/197035 Paul Mersch, Paris (until 1904, sold through Sedelmeyer[?] to Weber), Eduard F. Weber, Hamburg (1904–d. 1907, his estate sale, Lepke's, Berlin, February 20–22, 1912, no. 288, for 5,400 marks to Kleinberger), [Kleinberger, Paris and New York, 1912, sold for $4,000 to Friedsam], Michael Friedsam, New York (1912–d. 1931) accnum_Qid: Q160236_32.100.16 url: https://www.metmuseum.org/art/collection/search/435843 Herman Stoffelsz van Swoll, Amsterdam (until d. 1698, his estate sale, Amsterdam, April 22, 1699, no. 25, for fl. 400), sale, Amsterdam, July 13, 1718, no. 8, for fl. 500, sale, Amsterdam, April 19, 1735, no. 11, for fl. 53, [David Ietswart, until 1749, sale, Amsterdam, April 22, 1749, no. 152, for fl. 70 to Ravensberg], private collection, Austria (in 1824), Dmitri Shchukin, Moscow (1899), [Wächtler, Berlin, 1899, sold for 700 marks to Bredius], Abraham Bredius, The Hague (1899–1928, on loan to Mauritshuis, The Haugue, 1899–1923, and to Museum Boymans, Rotterdam, 1923–28, sold to Kleinberger), [Kleinberger, Paris, 1928, sold to Friedsam], Michael Friedsam, New York (1928–d. 1931) accnum_Qid: Q160236_32.100.18 url: https://www.metmuseum.org/art/collection/search/437877 Lady Wantage, Lockinge, London, E. A. Leatham, Miserden Park, Cirencester, Gloucestershire (in 1868), [Sir George Donaldson, London], August de Ridder, Schönberg, near Cronberg in the Taunus (until d. 1911, cat., 1913, pl. 27, on loan to the Städelsches Kunstinstitut, Frankfurt, in 1913, sale of his sequestered property, Galerie Georges Petit, Paris, June 2, 1924, no. 7, as "L'entretien galant," for Fr 205,000 to Kleinberger), [Kleinberger, Paris and New York, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.19 url: https://www.metmuseum.org/art/collection/search/435772 Said to be from a church in Liederstedt (according to Kleinberger).;Handwritten note from James Rorimer saying that he could not located Liederstedt in the Gazetteer., Michael Friedsam, New York (until 1931) accnum_Qid: Q160236_32.100.198 url: https://www.metmuseum.org/art/collection/search/467468 the sitters' mother, Adriana van Beveren, Huis te Meerdervoort, Zwijndrecht, near Dordrecht (until d. 1678), the sitter, Cornelis Pompe van Meerdervoort, Huis te Meerdervoort (1678–d. 1680, inv., 1680), his son, Jacob Pompe van Meerdervoort, Huis te Meerdervoort (1680–d. 1720), his son, Johan Diederik Pompe van Meerdervoort, Huis te Meerdervoort (1720–d. 1749, inv., 1749, no. 42), his daughters, Maria Christina (d. 1781), Adriana (d. 1778), and Christina Elisabeth (d. 1801) Pompe van Meerdervoort, Huis te Meerdervoort (from 1749), Pompe van Meerdervoort (until 1806, sale, Bosboom, The Hague, August 20, 1806, no. 94, as "Hunting Party with Three Men on Horses and a Hunter with Dogs in the Foreground," 42 x 50 duim., for fl. 695 to Lafontaine), [P. J. Lafontaine,?Paris, from 1806], Monsieur Lapeyrière, Paris (until 1825, his anonymous sale, Galerie Lebrun, Paris, April 19ff., 1825, no. 103, as "La partie de chasse," for Fr 17,950), [Alexis Delahante, Paris and London], Thomas Emmerson, London (until 1829, his sale, Phillips, London, May 1–2, 1829, no. 165, as "La Partie de Chasse du Prince d'Orange," for £1,102.10), Richard Sanderson, London (by 1834–48, his sale, Christie's, London, June 17, 1848, no. 25, as "Prince of Orange on a grey horse," for £556.10 to Norton), [Norton, London, from 1848], Mrs. Lyne Stephens, Lynford Hall, Norfolk (until d. 1894, her estate sale, Christie's, London, May 9ff., 1895, no. 331, as "The Prince of Orange, with his sons, prepared to depart for the chase," for £2,100 to Wertheimer), [Charles J. Wertheimer, London, and Sedelmeyer, Paris, 1895, Sedelmeyer cat., 1895, no. 3, sold to Kann], Maurice Kann, Paris (1895–d. 1906, his estate, 1906–11, his estate sale, Galerie Georges Petit, Paris, June 9, 1911, no. 12, as "Départ pour la chasse," for Fr 160,000 or 170,000 to Kleinberger and Fischhof), [Kleinberger, Paris, and Eugène Fischhof, Paris, 1911–13, Fischhof sale, Galerie Georges Petit, Paris, June 14, 1913, no. 50, for Fr 145,000 to Kleinberger], [Kleinberger, Paris, from 1913], Monsieur Magin, Paris (until 1922, séquestre sale, Galerie Georges Petit, Paris, June 23, 1922, no. 12, for Fr 62,000 to Kleinberger), [Kleinberger, Paris, 1922, sold to Friedsam], Michael Friedsam, New York (1922–d. 1931) accnum_Qid: Q160236_32.100.20 url: https://www.metmuseum.org/art/collection/search/436063 ?Louis Henri de Loménie, comte de Brienne, Paris, or Versailles (in 1662), L. van Oukerke, Haarlem (until 1818, his sale, Haarlem, May 19, 1818, no. 6, for fl. 62), Jacob de Vos, Amsterdam (until 1833, sale, De Vries-Roos, Amsterdam, July 2, 1833, no. 2, for fl. 490 to Steengracht), Jonkheer Johan Steengracht van Oostcappelle, The Hague (1833–d. 1841), Jonkheer Hendrick Steengracht van Oosterland, The Hague (until d. 1875), Jonkheer Hendrick Adolf Steengracht van Duivenvoorde, The Hague (until d. 1912, his estate sale, Galerie Georges Petit, Paris, June 9, 1913, no. 9, for Fr 450,000 to Kleinberger), [Kleinberger, Paris and New York, 1913–19], Michael Friedsam, New York (1919–d. 1931) accnum_Qid: Q160236_32.100.21 url: https://www.metmuseum.org/art/collection/search/435807 [ C. & E. Canessa, New York, Paris, and Naples], F. Kleinberger Galleries, Michael Friedsam, New York accnum_Qid: Q160236_32.100.211a, b url: https://www.metmuseum.org/art/collection/search/467481 ?Joseph Schwaabe, Amsterdam, private collection, Swanage, Dorsetshire (sold to Clark), [H. M. Clark, London], [Steinmeyer-Groot, Paris, until 1911, sold to Kleinberger], [Kleinberger, Paris and New York, 1911–12, sold to Friedsam], Michael Friedsam, New York (1912–d. 1931) accnum_Qid: Q160236_32.100.3 url: https://www.metmuseum.org/art/collection/search/435805 Count Toggenburg, Bolzano, Toggenburg family, Bolzano, later Frankfurt (sold to Drey), [A. S. Drey, Munich,?by 1924–26, sold to Kleinberger], [Kleinberger, Paris and New York, 1926, sold for $7,000 to Friedsam], Michael Friedsam, New York (1926–d. 1931) accnum_Qid: Q160236_32.100.33 url: https://www.metmuseum.org/art/collection/search/436941 Prince of Charleroi (or Charolais), J. J. van Hal, Antwerp (his estate sale, Snyers, Antwerp, August 23, 1836, no. 80, as by Jan van Eyck, for Fr 2,800 to Nieuwenhuys), C. J. Nieuwenhuys, Brussels (1836–at least 1847), Monsieur Parent, Paris (by 1860), his granddaughter, comtesse O'Gorman, Paris (probably until 1926, sold to Allen Loebl), [Allen Loebl, Paris, 1926, sold to Lehman], Philip Lehman, New York (1926, sold to Kleinberger), [Kleinberger, New York, 1926, sold for $65,000 to Friedsam], Michael Friedsam, New York (1926–d. 1931) accnum_Qid: Q160236_32.100.35 url: https://www.metmuseum.org/art/collection/search/435899 Williaim Fuller Maitland, Stansted Hall, Stansted, Essex (by 1854–d. 1876), his son, William Fuller Maitland, Stansted Hall (1876–1922, sale, Christie's, London, July 14, 1922, no. 84, as "The Money Changer" by Mabuse, for £735 to Sabin), [Frank T. Sabin, London, from 1922], [F. Steinmeyer, Lucerne, until 1923, sold to Kleinberger], [Kleinberger, New York, 1923, sold to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.36 url: https://www.metmuseum.org/art/collection/search/436722 Leopold II, King of Belgium, Brussels (until 1909, sold to Kleinberger), [Kleinberger, Paris, 1909, sold to Ridder for Fr 150,000], August de Ridder, Schönberg, Frankfurt (1909–d. 1911, his widow, Frau August de Ridder, 1911–at least 1913 [on loan to Städelsches Kunstinstitut, Frankfurt], cat., 1913, pl. 73, sale of his sequestered property, Galerie Georges Petit, Paris, June 2, 1924, no. 59, for Fr 125,000 to Kleinberger), [Kleinberger, New York, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.37 url: https://www.metmuseum.org/art/collection/search/437540 ?Kloster Gutenzell, Baden-Württemberg (until 1803, to Braun),?Braun, Gutenzell (1803–d.),?his son, Pfarrer [Pastor] Johann Baptist Braun, Dietenheim (until d. 1904),?his nephew, Pfarrer [Pastor] Albert Baur, Walpertshofen (1904–d. 1920), [Julius Böhler, Munich, before 1925], [Steinmeyer, Lucerne, until 1924, sold to Kleinberger], [Kleinberger, Paris and New York, 1924, as by Conrad Witz, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.38 url: https://www.metmuseum.org/art/collection/search/436476 ?Kloster Gutenzell, Baden-Württemberg (until 1803, to Braun),?Braun, Gutenzell (1803–d.),?his son, Pfarrer [Pastor] Johann Baptist Braun, Dietenheim (until d. 1904),?his nephew, Pfarrer [Pastor] Albert Baur, Walpertshofen (from 1904), M.-C. Hoogendijk, The Hague (by 1907–d. 1911, on loan to the Rijksmuseum, Amsterdam, 1907–11, his estate sale, Frederik Muller, Amsterdam, May 14, 1912, no. 51, as by a fifteenth-century Lower Rhenish master, for fl. 2,000), Charles-Léon Cardon, Brussels (until d. 1920, his estate sale, Fievez, Brussels, June 27, 1921, no. 32, as by the Master of Flémalle, to Kleinberger), [Kleinberger, Paris and New York, 1921–22, sold to Friedsam], Michael Friedsam, New York (1922–d. 1931) accnum_Qid: Q160236_32.100.39 url: https://www.metmuseum.org/art/collection/search/436477 duc de Galliera, Paris (in 1874, as by Memling), Mr. Gore, London (?in 1878), [Steinmeyer, Lucerne, until 1923, sold to Kleinberger], [Kleinberger, Paris and New York, 1923, sold to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.40a url: https://www.metmuseum.org/art/collection/search/436100 private collection, Genoa, Richard von Kaufmann, Berlin (1898–d. 1908, his estate, 1908–17, his estate sale, Cassirer & Helbing, Berlin, December 4, 1917, nos. 76 and 77, for Mk. 105,000), Omnes van Nijenrode, Breukelen (1917–23, sale, Muller, Amsterdam, July 10, 1923, no. 7, for fl. 29,000), [Paul Bottenwieser, Berlin, 1923, sold to Kleinberger], [Kleinberger, New York, 1923, sold to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.40bc url: https://www.metmuseum.org/art/collection/search/438385 [Édouard Warneck, Paris, by 1907–26, his sale, Galerie Georges Petit, Paris, May 27, 1926, no. 2, as by Dirck Bouts, for Fr 900,000 to Kleinberger], [Kleinberger, New York, 1926, sold to Friedsam], Michael Friedsam, New York (1926–d. 1931) accnum_Qid: Q160236_32.100.41 url: https://www.metmuseum.org/art/collection/search/436284 [Étienne Le Roy, Brussels, until 1861, sold to Bus de Gisignies], vicomte Bernard du Bus de Gisignies, Brussels (1861–d. 1874, his estate, 1874–82, cat., 1878, pp. 130–31, ill., his estate sale, Victor Le Roy, Brussels, May 9–10, 1882, no. 61, as by Rubens, for Bfr 15,500 to Sedelmeyer), [Sedelmeyer, Paris, from 1882], Maurice Kann, Paris (by 1886–d. 1906, his estate, 1906–11, cat., 1911, pp. 24–25, his estate sale, Galerie Georges Petit, Paris, June 9, 1911, no. 55, for Fr 52,000), [Kleinberger, Paris and New York, by 1920, probably sold shortly thereafter to Friedsam], Michael Friedsam, New York (until d. 1931) accnum_Qid: Q160236_32.100.42 url: https://www.metmuseum.org/art/collection/search/437544 private collection or art market, Modena (until 1800, sold to Northwick), John Rushout, 2nd Lord Northwick, Harrow Park, Harrow-on-the-Hill (1800–23, his sale, Denew, Harrow Park, September 24, 1823, no. 16, "A very ancient small Portrait on panel, on the reverse side are the Arms of France quartered with the Eagle of the Family of Este, purchased at Modena in 1800," for 12 s.), J. Taylor (until 1828, his sale, June 23–28, 1828, Phillips, London, same description as in Northwick sale cat., 11 1/4 x 8 in., for £ 4.16, to Messman), Daniel Mesman (from 1828), Sir Audley Neeld, Grittleton House, Wiltshire (until 1909, as "Portrait of Leonello d'Este," sold to Douglas), [R. Langton Douglas, London, 1909], [Colnaghi, London, 1910, sold to Speyer], Sir Edgar Speyer, London and New York (1911–16, sold to Kleinberger), [Kleinberger, New York, 1916–18, sold for $80,000 to Friedsam], Michael Friedsam, New York (1918–d. 1931) accnum_Qid: Q160236_32.100.43 url: https://www.metmuseum.org/art/collection/search/437487 Guicciardi, Milan (as by Van der Goes), Benigno Crespi, Milan (by 1900–1914, his sale, Galerie Georges Petit, Paris, June 4, 1914, no. 96, as by Rogier van der Weyden), [art dealer, Rome, in 1924], Achillito Chiesa, Milan (until 1926, his sale, American Art Galleries, New York, April 16, 1926, no. 36, for $14,500 to Kleinberger), [Kleinberger, New York, 1926–27, sold for $20,000 to Friedsam], Michael Friedsam, New York (1927–d. 1931) accnum_Qid: Q160236_32.100.44 url: https://www.metmuseum.org/art/collection/search/437492 Oscar Hainauer, Berlin (by 1883–d. 1894, his estate, 1894–1906, cat., 1906, no. 82, as by Bartholomäus Bruyn, sold to Duveen), [Duveen, London, from 1906], [V. G. Fischer Art Galleries, New York, by 1912–at least 1913, as by Ludger Tom Ring the Elder], [Duveen, New York, until 1916, sold to Kleinberger], [Kleinberger, New York, 1916, sold for $3,830 to Friedsam], Michael Friedsam, New York (1916–d. 1931) accnum_Qid: Q160236_32.100.45 url: https://www.metmuseum.org/art/collection/search/437210 Luc Kraemer, Paris (until 1910, sold to Kleinberger), [Kleinberger, Paris, 1910, as Charles V, attributed to Mabuse, sold to Cardon], Charles Léon Cardon, Brussels (in 1912), [Kleinberger, New York and Paris, until 1920, as Netherlandish Master, about 1520, sold to Friedsam], Michael Friedsam, New York (1920–d. 1931) accnum_Qid: Q160236_32.100.46 url: https://www.metmuseum.org/art/collection/search/437204 Philip Hill (by 1807, sale, Christie's, London, June 20, 1807, no. 11, for £6.6, bought in), [Goudstikker, Amsterdam, and Kleinberger, Paris and New York, until 1927, sold for $34,000 to Kleinberger], Michael Friedsam, New York (1928–d. 1931) accnum_Qid: Q160236_32.100.47 url: https://www.metmuseum.org/art/collection/search/436986 Leicester Fitzgerald Charles Stanhope, 5th Earl of Harrington, Elvaston Castle, Derbyshire (by 1857–d. 1862), the Earls of Harrington, Elvaston Castle (1862–1917), Dudley Henry Eden Stanhope, 9th Earl of Harrington, Elvaston Castle (1917–24, sale, Christie's, London, July 18, 1924, no. 85, as by Holbein, "Portrait of a Gentleman [said to be the Protector Somerset]," for £399 to Sabin), [Frank T. Sabin, London, 1924], [Agnew, London, 1924, sold to Kleinberger], [Kleinberger, Paris and New York, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.49 url: https://www.metmuseum.org/art/collection/search/436985 Hon. Henry Labouchere, later 1st Baron Taunton, Taunton, Somerset, and Stoke, near Windsor (by 1842–?d. 1869),?his daughter, Hon. Mary Dorothy Labouchere, later Mrs. Edward James Stanley, Cross Hall, Lancashire (from 1869), [Scott & Fowles, New York, until 1916, sold for $25,000 to Kleinberger], [Kleinberger, New York, 1916–17, sold for $27,500 to Friedsam], Michael Friedsam, New York (1917–d. 1931) accnum_Qid: Q160236_32.100.5 url: https://www.metmuseum.org/art/collection/search/436932 Count Charles Robert de Nesselrode, Moscow, comte André de Ganay, Paris, Benjamin Altman, New York, [Kleinberger, New York], Michael Friedsam, New York (by 1928–d. 1931) accnum_Qid: Q160236_32.100.50 url: https://www.metmuseum.org/art/collection/search/435820 ?private collection, Spain, Baron Albert Oppenheim, Cologne (by 1902–d. 1912, cat., 1904, no. 26, his estate, 1912–18, his estate sale, Lepke's, Berlin, March 19, 1918, no. 24, as by Quentin Massys), [Kleinberger, New York, until 1921], Michael Friedsam, New York (1921–d. 1931) accnum_Qid: Q160236_32.100.52 url: https://www.metmuseum.org/art/collection/search/436987 von Arnim family, Schwedt an der Oder (until 1904, to Kaufmann), Richard von Kaufmann, Berlin (1904–d. 1908, his estate, 1908–17, his estate sale, Cassirer & Helbing, Berlin, December 4 ff., 1917, no. 69, for 72,000 marks), [Kleinberger, New York, 1921], Michael Friedsam, New York (1921–d. 1931) accnum_Qid: Q160236_32.100.54 url: https://www.metmuseum.org/art/collection/search/437061 Alfred Beurdeley, Paris (until 1920, his sale, Galerie Georges Petit, Paris, May 6–7, 1920, no. 138), [Kleinberger, New York], Michael Friedsam, New York (until d. 1931) accnum_Qid: Q160236_32.100.55 url: https://www.metmuseum.org/art/collection/search/435760 Monsieur G. Aelbrechts, Brussels (in 1886, as Flemish School, XV century), Charles Léon Cardon, Brussels (by 1902–at least 1913, as Flemish School, later as Dirk Bouts, sold to Kleinberger), [Kleinberger, Paris and New York, until 1920], Michael Friedsam, New York (1920–d. 1931) accnum_Qid: Q160236_32.100.56a–d url: https://www.metmuseum.org/art/collection/search/437028 E. Secrétan, Paris (until 1885, sold to Spiridon), Joseph Spiridon, Paris (1885–1929, his sale, Cassirer & Helbing, Berlin, May 31, 1929, no. 73, for Reichsmark 310,000 to Kleinberger), [Kleinberger, Paris and New York, 1929–30, sold for $70,000 to Friedsam], Michael Friedsam, New York (1930–d. 1931) accnum_Qid: Q160236_32.100.57 url: https://www.metmuseum.org/art/collection/search/436793 Monsieur Sommier, Paris (in 1902), [Kleinberger, Paris and New York, 1919–20], Michael Friedsam, New York (1920–d. 1931) accnum_Qid: Q160236_32.100.58 url: https://www.metmuseum.org/art/collection/search/437060 John Rushout, 2nd Lord Northwick, Northwick Park, Blockley, Worcestershire (until 1838, sale, Christie's, London, May 26, 1838, no. 117, as by Van Eyck, for £3.15 to Greenland), William Hart Dyke, later 7th Baronet, Lullingstone Castle, Dartford, Kent (in 1865), Sir Charles Wentworth Dilke, 3rd Baronet, London (probably until 1912), [Percy Moore Turner, Paris, until 1912, sold to Kleinberger], [Kleinberger, Paris and New York, 1912–15, sold for $25,000 to Dreicer], Michael Dreicer, New York (1915–16, sold to Kleinberger), [Kleinberger, New York, 1916, sold for $23,400 to Friedsam], Michael Friedsam, New York (1916–d. 1931) accnum_Qid: Q160236_32.100.59 url: https://www.metmuseum.org/art/collection/search/437057 ?Leopold II, King of Belgium, [Kleinberger, Paris and New York, sold to Friedsam], Michael Friedsam, New York (by 1917–d. 1931) accnum_Qid: Q160236_32.100.6 url: https://www.metmuseum.org/art/collection/search/436556 Francis Douce, London (until d. 1834), Sir Samuel Rush Meyrick, Goodrich Court, Herefordshire (1834–d. 1848), his cousin, Lt. Col. Augustus Meyrick, Goodrich Court (from 1848),?his son, Gen. A. W. H. Meyrick, Goodrich Court (until about 1872), Mr. W. Twopenny, Woodstock Park, Sittingbourne, Mr. B. M. Twopenny (until 1896, sale, Christie's, London, June 20, 1896, no. 71, as by Martin Schongauer, for £504 to Dowdeswell && Dowdeswell);[Dowdeswell & Dowdeswell, London, from 1896], Jules Porgès, Paris (by 1902–about 1920, as by the Maître dit de la Mort de Marie or Schongauer), [Kleinberger, Paris and New York], Michael Friedsam, New York (by 1924–d. 1931) accnum_Qid: Q160236_32.100.60 url: https://www.metmuseum.org/art/collection/search/436791 [Lindemann, Vienna, in 1927], [Rothschild Bros., London, 1928], James C. Cabey (1928, sold to Kleinberger), [Kleinberger, Paris and New York, 1928–30, sold for $16,000 to Friedsam], Michael Friedsam, New York (1930–d. 1931) accnum_Qid: Q160236_32.100.61 url: https://www.metmuseum.org/art/collection/search/436044 Sir Joshua Reynolds, London (until d. 1792, his estate sale, Christie's, London, March 16, 1795, no. 41, as "The Portrait of John Duke of Flanders," by J. Mabeuse, for £12.12 to Bryan), [Michael Bryan, London, 1795, his sale, Bryan's Gallery, London, April 27, 1795, no. 47, as "The Portrait of the Painter," by J. de Mabeuse], Edward Coxe, London (until 1807, his sale, Peter Coxe, London, April 25, 1807, no. 33, as "His own Portrait," by J. de Mabuse, for £7.17 to Panné), [Philippe Panné, London, from 1807], comte de Quincey (until 1904, his sale, Hôtel Drouot, Paris, June 22, 1904, no. 35, as "Portrait présumé de l'artiste," by Mabuse, for Fr 28,000 to Kleinberger), [Kleinberger, Paris, from 1904], Richard von Kaufmann, Berlin (by 1906–d. 1908, his estate, 1908–17, his estate sale, Cassirer & Helbing, Berlin, December 4, 1917, no. 91, as "Bildnis eines Mannes," for Mk. 63,000), Camillo Castiglioni, Vienna (until 1926, his sale, Frederik Müller, Amsterdam, July 13–15, 1926, no. 21,?to Kleinberger), [Kleinberger, Paris and New York, 1926, sold for $17,500 to Friedsam], Michael Friedsam, New York (1926–d. 1931) accnum_Qid: Q160236_32.100.62 url: https://www.metmuseum.org/art/collection/search/436538 ?Paolo Pagagnotti, Florence (probably from the late 1480s), Marchese Gioacchino Ferroni, Florence (until about 1923), [Kleinberger, Paris and New York, by 1923–24, sold for $7500 to Friedsam], Michael Friedsam, New York (1924–31) accnum_Qid: Q160236_32.100.63ab url: https://www.metmuseum.org/art/collection/search/437032 ?Estate of Albrecht Dürer, Nuremberg, sold by Ursula Dürer to Imhoff, Willibald Imhoff, Nuremberg (by 1573 [probably before 1564]–d. 1580, inv., 1573–74, no. 2, inv., 1580, no. 2), Imhoff family, Nuremberg (1580–1750, by descent through marriage to Haller), Christoph Joachim Freiherr Haller von Hallerstein, Nuremberg (1750–d. 1792), his son, Hans Christoph Joachim Freiherr Haller von Hallerstein, Nuremberg (1792–d. 1814), his brother, Johann Sigmund Christoph Joachim Freiherr Haller von Hallerstein, Nuremberg (1814–d. 1838, his estate, 1838–61, sold to Geuder), [Georg Friedrich Geuder, Nuremberg, 1861, sold for fl. 40 to Finke], [Gustav Finke, Bamberg, 1861], Franz R. Reichardt, Munich (1861–69), Alexander Posonyi, Vienna (1869–at least 1873), Eugen Ferdinand Felix, Leipzig (by 1880–d. 1888), his son, Hans E. C. Felix, Leipzig (1888–about 1904), Charles Fairfax Murray, London (by 1906–14, on loan to Fitzwilliam Museum, Cambridge, 1911–14, his sale, Galerie Georges Petit, Paris, June 15, 1914, no. 8, for Fr 2,000 to Kleinberger), [Kleinberger, Paris and New York, 1914–21, sold to Friedsam], Michael Friedsam, New York (1921–d. 1931) accnum_Qid: Q160236_32.100.64 url: https://www.metmuseum.org/art/collection/search/436243 private collection, Florence (until about 1847, sold to Grosvenor), Richard Grosvenor, 2nd Marquess of Westminster (about 1847–d. 1869), Hugh Lupus Grosvenor, 3rd Marquess of Westminster, later 1st Duke of Westminster (from 1869?), his sister, Lady Theodora Guest, Inwood House, Templecombe, Somerset, [R. Langton Douglas, London, until 1917, sold to Kleinberger], [Kleinberger, New York, 1917, as by Bronzino, sold to Friedsam], Michael Friedsam, New York (1917–d. 1931) accnum_Qid: Q160236_32.100.66 url: https://www.metmuseum.org/art/collection/search/436739 private collection, Italy (until 1829), Königliche Museen, later Kaiser Friedrich Museum, Berlin (1829–1924, bought through Rumohr, Wagen, cat., 1837, no. 196, as by Domenico Ghirlandaio, Bode, cats., 1898, 1906, no. 85, as by Sebastiano Mainardi, Posse, cat., 1909, no. 85, as by Mainardi), [Julius Böhler, Munich, 1924, sold to Kleinberger], [Kleinberger, Paris and New York, 1924–25, sold to Friedsam], Michael Friedsam, New York (1925–d. 1931) accnum_Qid: Q160236_32.100.67 url: https://www.metmuseum.org/art/collection/search/436490 marchese Eugenio Niccolini, Florence (as by Sandro Botticelli, sold to Grassi), [Grassi, Florence, until 1925, sold to Lugt], [Frits Lugt, Amsterdam, 1925, sold to Kleinberger and Lucerne Fine Arts Co.], [Kleinberger, New York, 1925, sold for $100,000 to Friedsam], Michael Friedsam, New York (1925–d. 1931) accnum_Qid: Q160236_32.100.68 url: https://www.metmuseum.org/art/collection/search/435664 Galleria Borghese, Palazzo Borghese, Rome (by 1837–at least 1866, cat., 1859, no. 51, as by Pinturicchio), principe Borghese, Rome (until 1891, his anonymous sale, Galerie Georges Petit, Paris, July 2–3, 1891, no. 126, as "Joseph à la cour Pharaon," by Pinturicchio for Fr 3,400), Jean Dollfus, Paris (until d. 1911, his estate sale, Galerie Georges Petit, Paris, April 1–2, 1912, no. 52, as Florentine School, XV century, for Fr 41,500 to Wildenstein and Kleinberger), [Wildenstein, Paris and New York, and Kleinberger, Paris and New York, 1912–22, as by Giovanni Battista Utili da Faenza, sold for Fr 60,000 to Friedsam], Michael Friedsam, New York (1922–d. 1931) accnum_Qid: Q160236_32.100.69 url: https://www.metmuseum.org/art/collection/search/435666 Eugen Boross, Larchmont, N.Y. (1922–31, bought at auction in London, sold to Kleinberger), [Kleinberger, Paris and New York, 1931, sold to Friedsam], Michael Friedsam, New York (d. 1931) accnum_Qid: Q160236_32.100.7 url: https://www.metmuseum.org/art/collection/search/437728 Friedrich Wilhelm II, King of Prussia (until d. 1797, bequeathed to Ingenheim), Counts of Ingenheim, Hirschburg, Silesia (from 1797), Countess Ingenheim, Friedrich Lippman Jr.,?Berlin, [Osvald Sirén, Stockholm, until Nov. 28, 1917, sold to Kleinberger], [Kleinberger, New York, 1917–18, sold for $8,000 to Friedsam], Michael Friedsam, New York (1918–d. 1931) accnum_Qid: Q160236_32.100.70 url: https://www.metmuseum.org/art/collection/search/436073 Léopold Goldschmidt, Paris (before d. 1904), comte André Pastré, Paris (until 1924, sold to Kleinberger), [Kleinberger, Paris and New York, 1924, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.71 url: https://www.metmuseum.org/art/collection/search/436491 Eugène Féral, Paris (until 1901, his sale, Hôtel Drouot, Paris, April 22, 1901, no. 113, as Umbrian School, 15th century), marquis d'Aoust, Paris, Eugène Kraemer, Paris (until 1913, his estate sale, Galerie Georges Petit, Paris, June 2, 1913, no. 34, as Umbrian School, 15th century, but with a note that it was once attributed to Antonio da Viterbo, for Fr 10,200 to Kleinberger), [Kleinberger, Paris and New York, 1913–16, sold for $5,500 to Friedsam], Michael Friedsam, New York (1916–d. 1931) accnum_Qid: Q160236_32.100.74 url: https://www.metmuseum.org/art/collection/search/436760 ?Luigi and Girolamo Tommasi, Cortona (in 1858, inv., 1858, no. 176), conte Tommasi-Aleotti, Arezzo (by 1905–at least 1907), [Elia Volpi, Florence, until 1916], [Duveen, New York, 1916–19, sold to Kleinberger], [Kleinberger, New York, 1919–22, sold to Friedsam], Michael Friedsam, New York (1922–d. 1931) accnum_Qid: Q160236_32.100.76 url: https://www.metmuseum.org/art/collection/search/436508 Charles Butler, London (by 1881–d. 1910, his estate sale, Christie's, London, May 25–26, 1911, no. 106, as "The Infant Moses brought to Pharaoh's Palace," for £110.5.0 to Colnaghi), [Colnaghi, London, from 1911], private collection, London (until 1917, sale, American Art Association, New York, April 16–17, 1917, no. 139, for $6,700 to Kleinberger), [Kleinberger, New York, 1917, sold to Friedsam], Michael Friedsam, New York (1917–d. 1931) accnum_Qid: Q160236_32.100.78 url: https://www.metmuseum.org/art/collection/search/435705 [Sir George Donaldson, London and Brighton], [Duveen, New York, by 1917–19, as by Pier Francesco Fiorentino, sold to Kleinberger], [Kleinberger, New York, 1919–21, sold for $6,000 to Friedsam], Michael Friedsam, New York (1921–d. 1931) accnum_Qid: Q160236_32.100.79 url: https://www.metmuseum.org/art/collection/search/437024 [Genolini, Milan, sold to Crespi], Cristoforo Benigno Crespi, Milan (by 1909–14, as by Mariotto Albertinelli, Galerie Crespi de Milan sale, Galerie Georges Petit, Paris, June 4, 1914, no. 24, as by Ridolfo Ghirlandaio, for Fr 5,000 to Agnew), [Agnew, London, 1914, sold to Sirén], Oswald Sirén, Stockholm (1914–?1916), [Agnew, London, 1916, sold to Kleinberger], [Kleinberger, Paris and New York, 1916, sold for $6,000 to Friedsam], Michael Friedsam, New York (1916–d. 1931) accnum_Qid: Q160236_32.100.80 url: https://www.metmuseum.org/art/collection/search/436494 ?Monsieur Nogaret (until 1782, his sale, J. B. P. Le Brun, Paris, March 18, 1782, no. 1),?Josephine Bonaparte, Empress of France, Malmaison, [Férréol de Bonnemaison, Paris, 1806–8, sold to Oldenburg], Peter Friedrich Ludwig von Oldenburg, Grand Duke of Oldenburg, Oldenburg (1808–d. 1829), Grand Dukes of Oldenburg, Oldenburg (1829–1900, cats., 1888, 1890, no. 47), Friedrich August von Oldenburg, Grand Duke of Oldenburg, Oldenburg (1900–at least 1912, cats., 1902, no. 47, 1906, 1912), [F. Steinmeyer, Lucerne, until 1923, sold to Kleinberger], [Kleinberger, New York, 1923, sold to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.81 url: https://www.metmuseum.org/art/collection/search/437699 Don Giulio Alliata (or Agliata), Palermo (in 1653), Don Gaspar de Haro y Guzmán, Marquis of Carpio, Count Duke of Olivares, Rome and Naples (until d. 1687, inv., 1687, no. 770), Ferdinando Maria Spinelli, principe di Tarsia, Naples (until d. 1780), duca di Gresso, conte Giacomo Lazzari, Naples (until 1843, posthumous inv., 1843, no. 61), Don Dionisio Lazzari, Naples (in about 1858), Gaetano Zir, Naples (by 1861–at least 1874, cat., 1874, no. 110), his widow, Signora Eleonora Torazzini, Naples (in about 1877), [Haro, Paris], baron Arthur de Schickler, Paris and Martinvast (by 1908–at least 1916), his daughter, comtesse Hubert de Pourtalès, Martinvast (until 1920, sold to Duveen), [Duveen, Paris and London, 1920–27, sold to Wendland], [Dr. Hans Wendland, Lugano, 1927], [Kleinberger, Paris and New York, 1927], Michael Friedsam, New York (1927–d. 1931) accnum_Qid: Q160236_32.100.82 url: https://www.metmuseum.org/art/collection/search/435580 Alphonse Kann, Paris (in 1914), [Duveen, New York], [Kleinberger, New York, until 1919], Michael Friedsam, New York (1919–d. 1931) accnum_Qid: Q160236_32.100.83a–d url: https://www.metmuseum.org/art/collection/search/436514 Valesi, Florence (probably sold to Gimpel && Wildenstein);[Gimpel & Wildenstein, Paris and New York, 1910–at least 1911], Mrs. Benjamin Thaw, New York (by 1917–22, her sale [Madame X... ], Galerie Georges Petit, Paris, May 15, 1922, no. 36, as "La Vierge à l'agrafe de perles," for Fr 44,000 to Kleinberger), [Kleinberger, Paris and New York, 1922–23, sold for $9,000 to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.84 url: https://www.metmuseum.org/art/collection/search/437509 the artist's son, Pomponio Vecellio, Venice (until 1581, sold to Barbarigo), Cristoforo Barbarigo, Venice (from 1581, as by Titian), by descent to the Barbarigo della Terrazza family, San Polo, Venice, by descent to conte Sebastiano Giustiniani Barbarigo, Padua (by 1861–at least 1881, sold to Lenbach), Franz von Lenbach, Munich (sold to Von Heyl), General Baron von Heyl zu Herrnsheim, Darmstadt (?in 1910), [Kleinberger, Paris, in 1914], Michael Friedsam, New York (by about 1929–d. 1931) accnum_Qid: Q160236_32.100.85 url: https://www.metmuseum.org/art/collection/search/437830 ?Morisey, Paris, [Kleinberger, Paris and New York, until 1924, as by Franciabigio, sold to Friedsam], Michael Friedsam, New York (1924–d. 1931) accnum_Qid: Q160236_32.100.89 url: https://www.metmuseum.org/art/collection/search/437608 Josua van Belle (until 1730, his sale, Rotterdam, September 6, 1730, no. 83, for 32 florins), Robbert de Neufville, Leiden (until 1736, his sale, Leiden, March 15, 1736, no. 10, for 38 florins),?[J. Wijsman, until 1828, sale, Amsterdam, November 24, 1828, no. 172],?[Jean Bleuland, Utrecht, sale, Utrecht, May 6, 1839, no. 342, for 2,000 florins to Engelberts], Messchert van Vollenhoven (until 1892, sale, Amsterdam, March 29, 1892, no. 4, for 4,300 florins), [Sedelmeyer, Paris, in 1898, cat., 1898, no. 217, ill., as "Lecture interrompue," by ter Borch], Max Wasserman, Paris (in 1898), [Kleinberger, Paris, in 1910], August de Ridder, Schönberg, near Cronberg in the Taunus (until d. 1911, cat., 1913, pl. 20, on loan to the Städelsches Kunstinstitut, Frankfurt, in 1913, sale of his sequestered property, Galerie Georges Petit, Paris, June 2, 1924, no. 82, as by ter Borch, for Fr 128,000), Michael Friedsam, New York (until d. 1931) accnum_Qid: Q160236_32.100.9 url: https://www.metmuseum.org/art/collection/search/437193 conte della Porta, Gubbio, [Elia Volpi, Villa Pia, Florence, until 1916, his sale, American Art Galleries, New York, November 21–27, 1916, no. 992, as by Gentile da Fabriano, for $4,700 to Kleinberger], [Kleinberger, New York, 1916, sold for $5,170 to Friedsam], Michael Friedsam, New York (1916–d. 1931) accnum_Qid: Q160236_32.100.93 url: https://www.metmuseum.org/art/collection/search/436762 [Volterra, Florence, by 1929–30, as by Francesco Francia, sold to Kleinberger], [Kleinberger, Paris, 1930, sold to Friedsam], Michael Friedsam, New York (1930–d. 1931) accnum_Qid: Q160236_32.100.94 url: https://www.metmuseum.org/art/collection/search/435601 church of the hospital of Santa Maria della Scala, Siena (by at least 1482), altar of Santa Cristina in the cemetery of the hospital, rector's rooms of the hospital of Santa Maria della Scala (until shortly before 1800), Johann Anton Ramboux, Cologne (by 1838?–d. 1866, cat., 1862, no. 116, his estate sale, J. M. Heberle [H. Lempertz], Cologne, May 23, 1867, no. 116), Karl Anton, Prinz von Hohenzollern-Sigmaringen, Sigmaringen (1867–at least 1883, cat., 1871, no. 186–4, cat., 1883, no. 186–4),?[Kleinberger, New York], Michael Friedsam, New York (by 1927–d. 1931) accnum_Qid: Q160236_32.100.95 url: https://www.metmuseum.org/art/collection/search/436511 Richard von Kaufmann, Berlin (until d. 1908, his estate, 1908–17, his estate sale, Cassirer and Helbing, Berlin, December 4, 1917, no. 45, as by a Venetian painter, about 1440), Marczell von Nemes, Budapest, [Kleinberger, New York, until 1930], Michael Friedsam, New York (1930–d. 1931) accnum_Qid: Q160236_32.100.96 url: https://www.metmuseum.org/art/collection/search/436743 J. Stirling Dyce, London (in 1891), Charles Butler, London and Warren Wood, Hatfield, Hertfordshire (by 1901–4, sold to Agnew), [Agnew, London, 1904–5, sold to Thomson], Mrs. James Thomson (from 1905), Dr. Hans Wendland, Basel (until 1926, sold to Kleinberger), [Kleinberger, New York, 1926, sold for $33,000 to Friedsam], Michael Friedsam, New York (1926–d. 1931) accnum_Qid: Q160236_32.100.97 url: https://www.metmuseum.org/art/collection/search/436968 Alexander Casella, London (in 1884, as by Cosimo Tura), Édouard Aynard, Lyons (until d. 1913, his estate sale, Galerie Georges Petit, Paris, December 1–4, 1913, no. 53, as Attributed to Fra Filippo Lippi, for Fr 44,100 to de Ricci for Kleinberger), [Kleinberger, Paris and New York, 1913–23, as by Fra Diamante, sold for $12,000 to Friedsam], Michael Friedsam, New York (1923–d. 1931) accnum_Qid: Q160236_32.100.98 url: https://www.metmuseum.org/art/collection/search/437859 Charles-Léon Cardon, Brussels (by 1902–d. 1920), his estate sale, Fievez, Brussels, June 27–30, 1921, no. 17, as Lombard School, 15th century), [Kleinberger, Paris and New York,?sold to Friedsam], Michael Friedsam, New York (by about 1926–d. 1931) accnum_Qid: Q160236_32.100.99 url: https://www.metmuseum.org/art/collection/search/436472 John Campbell, 4th Duke of Argyll (until d. 1770, his estate sale, Langford and Son, London, March 19–23, 1771, no. 71, as a sketch of the Ascension),?John Pratt, Bayham Abbey, Lamberhurst, Kent (until d. 1797), John Jeffreys Pratt, 2nd Earl and 1st Marquess Camden, Bayham Abbey (until d. 1840, his estate sale, Christie's, London, June 12, 1841, no. 65, for £442, to Bredel), Charles A. Bredel, London (1841–d. 1851), his daughters, the Misses Bredel, London (1851–75, posthumous sale, Christie's, London, May 1, 1875, no. 123, for £430, to Grant), Leopold II, King of Belgium, Brussels (by 1879–1909, sold to Kleinberger), [Kleinberger, Paris, 1909, sold to Ridder for Fr 150,000], August de Ridder, Schönberg, Frankfurt (1909–d. 1911, his widow, Frau August de Ridder, 1911–at least 1913 [on loan to Städelsches Kunstinstitut, Frankfurt], cat., 1913, pl. 74, sale of his sequestered property, Galerie Georges Petit, Paris, June 2, 1924, no. 57), [Pietro Stettiner, Rome, from 1924], Ogden Mills, New York (until d. 1929, life interest to his son, Ogden L. Mills, 1929–d. 1937) accnum_Qid: Q160236_37.160.12 url: https://www.metmuseum.org/art/collection/search/437527 Pierre Bezine (until 1927, sale, Galerie Fievez, Brussels, June 14, 1927, no. 170, as by Lely), A. Neumann, Paris (until 1928, sold to Kleinberger), [Kleinberger, Paris and New York, 1928–32, their sale, American Art Association-Anderson Galleries, New York, November 18, 1932, no. 74, for $600], Colonel Jacob Ruppert, New York and Garrison, N.Y. (until d. 1939) accnum_Qid: Q160236_39.65.9 url: https://www.metmuseum.org/art/collection/search/436874 F. Kleinberger Galleries accnum_Qid: Q160236_39.79 url: https://www.metmuseum.org/art/collection/search/338362 Prince Antonin Juritzky, also known as Alfred Juritzky-Warberg, Vienna or Schloss Gablitz, near Vienna (in 1923), [Nicholas A. Karger, until 193(?), sold to Kleinberger], [Kleinberger, Paris and New York, until 1934, sold to Wildenstein], [Wildenstein, New York, 1934–41, sold to MMA] accnum_Qid: Q160236_41.48 url: https://www.metmuseum.org/art/collection/search/437006 Joseph John Martin, Ham Court, Upton-on-Severn, Worcestershire (by 1854–d. 1873), George Edward Martin, Ham Court (1873–d.1905), Eliot George Bromley Martin, Ham Court (1905–24, sale, Christie's, London, March 28, 1924, no. 155, for £325.10 to Buttery), [Horace Buttery, London, from 1924], [Kleinberger, Paris and New York, until 1927, sold for $5,500 to Aldred], John Edward Aldred, Lattingtown, N.Y. (1927–40, his sale, Parke-Bernet, New York, December 6, 1940, no. 14, for $2,100), Bertha H. (Mrs. Henry C.) Buswell, Buffalo, N.Y. (1940–41) accnum_Qid: Q160236_42.23.1 url: https://www.metmuseum.org/art/collection/search/436265 Hans Graf Wilczek, Burg Kreuzenstein, near Vienna (until 1907, sold to Kleinberger), [Kleinberger, Paris and New York, 1907–10, as by Dieric Bouts, sold to Pratt], George D. Pratt, Glen Cove, N.Y. (1910–d. 1935, as by Dieric Bouts, life interest to his widow, Vera Amherst Hale Pratt, 1935–43) accnum_Qid: Q160236_43.95 url: https://www.metmuseum.org/art/collection/search/437202 the Dukes of Marlborough, Blenheim Palace, Oxfordshire (by 1777–1883, cat., 1861, p. 24), George Charles Spencer-Churchill, 8th Duke of Marlborough, Blenheim Palace (1883–86, his sale, Christie's, London, July 24 and 26, 1886, no. 61, for 520 gns., to Cavendish-Bentinck), Hon. George Augustus Frederick Cavendish–Bentinck, London and Brownsea Island (1886), [Sedelmeyer, Paris, 1886–at least 1887], Rodolphe Kann, Paris (by 1892–d. 1905, his estate, 1905–7, cat., 1907, vol. 1, no. 23, sold to Duveen), [Duveen, Paris and New York, 1907–15, sold for $24,129 to Kleinberger], [Kleinberger, New York, 1915–22, sold for $25,000 to Goldman], Henry Goldman, New York (1922–d. 1937, cat., 1922, no. 11), his widow, Mrs. Henry Goldman, New York (1937–at least 1939), [Duveen, New York, until 1944, sold to MMA] accnum_Qid: Q160236_44.22 url: https://www.metmuseum.org/art/collection/search/437523 Sir Henry Hoyle Howorth, London (until d. 1923, his estate sale, Christie's, London, December 14, 1923, no. 68, as by Bruyn, for £162.15.0 to Smith), Leo S. Bing, New York (by 1927–46, sold for $11,825 to Kleinberger), [Kleinberger, New York, 1946, sold to MMA] accnum_Qid: Q160236_46.68 url: https://www.metmuseum.org/art/collection/search/435914 Jos Hessel, Paris (from 1928, purchased on October 7 from the artist), Marcel Kapferer, Paris, Georges Renand, Paris (by 1931–at least 1938), Jean Walter, Paris (in 1942), [Alfred Daber, Paris], [F. Kleinberger & Co., New York, 1947, purchased in June, sold to Lehman], Robert Lehman, New York (1947–48, his gift to MMA) accnum_Qid: Q160236_48.162.4 url: https://www.metmuseum.org/art/collection/search/488259 Graeff van Polsbroek, Amsterdam (by 1877–84, sale, van Pappeldam and Schouten, Amsterdam, May 16, 1877, no. 28, for fl. 200, bought in, sale, Muller and van Pappeldam, Amsterdam, October 14, 1884, no. 20, for fl. 450), Chevalier Alphonse de Stuers, Madrid and Paris (1884–at least 1912), by descent to H. de Stuers (until 1947, sale, Fischer, Lucerne, October 21–25, 1947, no. 2975), [N. Katz, Dieren, until 1949, exchanged with Kleinberger], [Kleinberger, New York, 1949, sold to MMA] accnum_Qid: Q160236_49.107 url: https://www.metmuseum.org/art/collection/search/435904 Bellesi (until 1920, sold to Duveen), [Duveen, Paris and New York, 1920–27, as a member of the Giovanni Francesco Gonzaga family, by Mantegna, sold to Kleinberger], [Kleinberger, New York, 1927, sold for $22,000 to Bache], Jules S. Bache, New York (1927–d. 1944, his estate, 1944–49, cats., 1929, unnumbered, 1937, no. 12, 1943, no. 11) accnum_Qid: Q160236_49.7.11 url: https://www.metmuseum.org/art/collection/search/436969 Ganniba Collection, Turin (until early 1870s), Wilhelm von Bode, Berlin (early 1870s, purchased in Florence for a good friend, presumably Vieweg), Heinrich Vieweg, Braunschweig (from early 1870s–d. 1890), Vieweg family, Braunschweig (1890–1926), [Teppelmann, Braunschweig, 1926], [Paul Cassirer, Berlin, 1926], [Julius Böhler, Munich, 1926], [Kleinberger, Paris and New York, 1926, sold for $55,000 to Bache], Jules S. Bache, New York (1926–d. 1944, his estate, 1944–49, cats., 1929, unnumbered, 1937, no. 24, 1943, no. 23) accnum_Qid: Q160236_49.7.23 url: https://www.metmuseum.org/art/collection/search/437059 Julia, Countess of Dartrey, London, [A. H. Buttery, London, in 1923], [Barbizon House, London, until 1925], [Julius Böhler, Munich, 1925, sold half share to Kleinberger], [Julius Böhler, Munich, and Kleinberger, Paris and New York, 1925–26, sold to Lucerne Fine Art], [Lucerne Fine Art Co. Ltd., 1926], Gaston Neumans, Brussels (1926, sold for $121,176.25 to Bache), Jules S. Bache, New York (1926–d. 1944, his estate, 1944–49, cats., 1937, no. 35, 1944, no. 34) accnum_Qid: Q160236_49.7.34 url: https://www.metmuseum.org/art/collection/search/436617 widow of the sitter, María Cristina de Borbón, Palacio Viejo del Real Sitio de Vista Alegre en Carabanchel, Madrid (by 1846–until 1858, inv., 1846, no. 342), Antoine-Marie-Philippe d'Orléans and the Infanta María Luisa Fernanda, duc and duchesse de Montpensier (1858–until his d. 1890, by 1860, housed at Palacio de San Telmo, Seville, inv., 1866, no. 64, inv., 1892, no. 5156), their daughter, princesse Marie Isabella Francesca d' Orléans, comtesse de Paris, Infanta of Spain, Palacio de San Telmo (from 1890), her son, Louis-Philippe-Robert d'Orléans, comte de Paris, duc Antoine de Montpensier, prince d'Orléans (until 1910, sold to Durand-Ruel), [Durand-Ruel, Paris, 1910, sold to Stillman], James Stillman, Paris and New York (from 1910), his grandson, Avery Rockefeller, Greenwich, Conn. (until 1950, consigned to Knoedler, New York, 1950, consigned to Rosenberg & Stiebel, New York, 1950, sold to Rosenberg && Stiebel);[Rosenberg & Stiebel, New York, 1950, sold to Kleinberger], [Kleinberger, New York, 1950, sold to Fribourg], René Fribourg, New York (1950–51) accnum_Qid: Q160236_51.70 url: https://www.metmuseum.org/art/collection/search/436551 ?Graf van Limburg Stirum, Rijksdorp, The Netherlands, Herr Schäfer, Düsseldorf (until 1953, sale, Lempertz, Cologne, May 6, 1953, no. 95, for $297 to Kleinberger), [Kleinberger, New York, 1953, sold to MMA] accnum_Qid: Q160236_53.155 url: https://www.metmuseum.org/art/collection/search/436976 Leopold II, King of Belgium, Brussels (until 1909, sold to Kleinberger), [Kleinberger, Paris, 1909, sold to Morgan], J. Pierpont Morgan, New York (1909–d. 1913), his son, J. P. Morgan, New York (1913–d. 1943, his estate, 1943, sold to Knoedler), [Knoedler, New York, 1943, sold to Pinakos], [Pinakos, Inc. (Rudolf J. Heinemann), New York, 1943–at least 1944], Evander B. Schley, New York (until d. 1952) accnum_Qid: Q160236_53.18 url: https://www.metmuseum.org/art/collection/search/437419 Reverend J. Green(ca. 1868) (annotation on old mount), F. Kleinberger Galleries accnum_Qid: Q160236_54.118 url: https://www.metmuseum.org/art/collection/search/339948 Lorenzo Chigi Montoro, Viterbo (until d. 1697, inv., 1697), Giovanni Chigi Montoro, Palazzo Chigi, Rome (until d. 1771), his widow, Virginia Patrizi, or his daughter, Porzia Patrizi Naro Montoro, Rome (1771–at least 1776, inv., 1776), [Marcus-Galerie LePeletier, Paris, until 1953, as "The Sacrifice of Iphigenia", sold for $229 to Kleinberger], [Kleinberger, New York, 1953–54, sold to MMA] accnum_Qid: Q160236_54.166 url: https://www.metmuseum.org/art/collection/search/437496 [M. Payen, Paris], [Ryaux, Paris, until 1954, as by Carreno de Miranda, sold for $800 to Kleinberger], [Kleinberger, New York, 1954, sold to MMA] accnum_Qid: Q160236_54.168 url: https://www.metmuseum.org/art/collection/search/437862 Christ Church, South Hackney, London (about 1898?–1956, sold for £75 to Foxell), Nigel Foxell, Oxford (1956, sale, Sotheby's, London, November 28, 1956, no. 115, to Sperling for MMA) accnum_Qid: Q160236_56.228 url: https://www.metmuseum.org/art/collection/search/435817 Lucrezia Bonamin, widow of Giovanni Andrea Lumaga, Venice (in 1677, inv., 1677, as "Uno con Giudit stando dritta in piedi, in una mano tiene la testa di Holoferne et nell'altra la nuda spada come trionfante con à canto la vecchia che stà aprendo il sacho per ricevere la testa figura al naturale del Cavaliere Massimo"), Princess Louise, Duchess of Argyll (probably until d. 1939), her great-nephew, Prince George, Duke of Kent (until 1940, sale, Christie's, London, April 12, 1940, no. 19, as by Gentileschi, for £63 to Frank), [Robert Frank, London, from 1940], Mrs. Robert Frank, London (until 1957, sold to Kleinberger), [Kleinberger, New York, 1957–59, sold to Carter], Edward W. Carter, Los Angeles (1959) accnum_Qid: Q160236_59.40 url: https://www.metmuseum.org/art/collection/search/437745 From the church of San Piero Scheraggio, Florence, Baron Joseph van der Elst, Belgian ambassador to Italy (1896–1971), [ F. Kleinberger Galleries Galleries, New York (sold 1960)] accnum_Qid: Q160236_60.140 url: https://www.metmuseum.org/art/collection/search/471848 private collection, Spain, [Lucas Moreno, Paris, until 1910, sold to Kleinberger for Fr 1,500], [Kleinberger, Paris, 1910–31], Mr. and Mrs. William R. Timken, New York (1931–49), Mrs. William R. (Lillian S.) Timken, New York (1949–d. 1959) accnum_Qid: Q160236_60.71.1 url: https://www.metmuseum.org/art/collection/search/435897 Vendor: F. Kleinberger Galleries accnum_Qid: Q160236_61.162.4 url: https://www.metmuseum.org/art/collection/search/348316 Vendor: F. Kleinberger Galleries accnum_Qid: Q160236_61.20.1 url: https://www.metmuseum.org/art/collection/search/335077 Vendor: F. Kleinberger Galleries accnum_Qid: Q160236_61.20.3 url: https://www.metmuseum.org/art/collection/search/339672 F. Kleinberger Galleries accnum_Qid: Q160236_61.20.4 url: https://www.metmuseum.org/art/collection/search/341376 Vendor: F. Kleinberger Galleries accnum_Qid: Q160236_61.20.5 url: https://www.metmuseum.org/art/collection/search/336716 Vendor: F. Kleinberger Galleries accnum_Qid: Q160236_61.28 url: https://www.metmuseum.org/art/collection/search/336405 Philip V, King of Spain (until 1701, given to Noailles), Adrien Maurice, duc de Noailles, Paris (from 1701–17), Rt. Hon. Richard Rigby (until 1789, his estate sale, Christie's, London, January 9, 1789, no. 4, for £39.10.0 to Ad[... ]?for "Lord Heytesbury"),?Sir William Pierce Ashe à Court, 1st Baronet, Heytesbury (from 1789), by descent to Lady Margaret Anna Heytesbury, Heytesbury House, Wiltshire (until d. 1920, her estate, 1920–26, her estate sale, Hampton & Sons and Edens, Heytesbury House, April 30, 1926, no. 1345), Prince Charles Max Lichnowsky, Kuchelna, Prussian Silesia and Berlin, Paul Bottenwieser, Berlin (in 1927), [Seligmann, Rey && Co., New York;sold for $800 to Kleinberger], [Kleinberger, New York, until 1935, sold for $1,000 to Landon], Mr. and Mrs. Harold M. Landon, Baltimore and New York (1935–61) accnum_Qid: Q160236_61.50 url: https://www.metmuseum.org/art/collection/search/436503 F. Kleinberger Galleries accnum_Qid: Q160236_61.501 url: https://www.metmuseum.org/art/collection/search/341987 Vendor: F. Kleinberger Galleries accnum_Qid: Q160236_61.56.1 url: https://www.metmuseum.org/art/collection/search/343405 Meatyard, Henry Scipio Reitlinger (British), F. Kleinberger Galleries accnum_Qid: Q160236_61.56.2 url: https://www.metmuseum.org/art/collection/search/338736 Sir Thomas Lawrence (British)(sale, S. and A. Woodburn, The Lawrence Gallery, May 1835, no.81), Robert Prioleau Roupell, his sale, Christie's, London, July 12–14, 1887, lot 1138 as Rubens, Victor Koch, his sale, Sotheby's, London (British), June 29, 1949, lot 110 as Rubens (£60 to Dr. Hasson), Dr. James Hasson, his sale, Christie's, London, March 24, 1961, lot 22, Vendor: Kleinberger accnum_Qid: Q160236_61.68 url: https://www.metmuseum.org/art/collection/search/347982 F. Kleinberger Galleries accnum_Qid: Q160236_61.76 url: https://www.metmuseum.org/art/collection/search/336209 From the church of San Leonardo al Frigido, near Massa, Tuscany, Italy, Domenico Ricci, Sarzana (by 1773), Eugenio Giovannini, Massa, [ Luigi Barna, Florence], Countess Benkendorff-Schouvaloff, Villa Monticello, Nice (after 1879 and before 1893), Alessandro de Millo, Villa Belvedere, Nice-Cimiez, [ F. Kleinberger Galleries Galleries, New York (sold 1962)] accnum_Qid: Q160236_62.189 url: https://www.metmuseum.org/art/collection/search/471911 [Nikolaus Steinmeyer, Cologne, until 1911, sold to Kleinberger], [Kleinberger, Paris, 1911–12, sold for Fr 47,500 to Knoedler], [Knoedler, New York and London, 1912–20, sold for $7,000 to Antik], [A. B. Antik, Stockholm, from 1920], Osborn Kling, Stockholm (by 1928–35, his sale, Christie's, London, June 28, 1935, no. 39, for £483 to Cumming), [Galerie Sanct Lucas, Vienna, until 1935/36, sold to Neuman], Baron Karl Neuman (Charles Neuman de Végvár), Vienna, later Greenwich, Conn. (1935/36–d. 1959, seized in Paris by the Nazis, held at Munich collecting point, restituted), his widow, Mrs. Charles (Edith) Neuman de Végvár, Greenwich (1959–64, life interest, 1964–d. 1984) accnum_Qid: Q160236_64.65.4 url: https://www.metmuseum.org/art/collection/search/436818 [ French and Co., New York ], Mr. and Mrs. Francis Kleinberger, New York (until 1932, sale, American Art Association–Anderson Galleries, November 19, 1932, no. 58) ], Cortlandt Field Bishop, New York (until 1935, sale, American Art Association–Anderson Galleries, New York, November 21–23, 1935, no. 585) ], [ French and Co., New York ], Irwin Untermyer, New York (until 1964, to MMA) accnum_Qid: Q160236_641.011.485 url: https://www.metmuseum.org/art/collection/search/203957 [ French and Co., New York ], Mr. and Mrs. Francis Kleinberger, New York (until 1932, sale, American Art Association–Anderson Galleries, New York, November 19, 1932, no. 57, as by Coysevox), Cortlandt Field Bishop, New York (until 1935, sale, American Art Association–Anderson Galleries, New York, November 21–23, 1935, no. 587, as Antoine Coysevox), [ French and Co., New York (in 1960) ], Irwin Untermyer, New York (until 1964, to MMA) accnum_Qid: Q160236_641.011.486 url: https://www.metmuseum.org/art/collection/search/203958 Nathaniel Thayer, Boston (by 1912–d. 1927, his estate, 1927–35, posthumous sale, American Art Association-Anderson Galleries, New York, April 25, 1935, no. 62, as "Landscape with Figures," by Hobbema, for $1,150 to Plaza Curiosity Shop), [Karl Loevenich and Frank Schnittjer, Plaza Curiosity Shop, New York, 1935–36, sold to Kleinberger], [Kleinberger, New York, 1936, sold to Silberman], [E. and A. Silberman Galleries, New York, 1936–37, sold to Lehman], Adele L. (Mrs. Arthur) Lehman, New York (1937–d. 1965) accnum_Qid: Q160236_65.181.10 url: https://www.metmuseum.org/art/collection/search/437545 From the chapel of Saint-Victor at Montvianeix, near Vichy., M. Guérin, Clermont-Ferrand (by 1933), Mme. M. Favery, Paris (sold 1967), [ F. Kleinberger & Co., Inc., New York (sold 1967)] accnum_Qid: Q160236_67.153 url: https://www.metmuseum.org/art/collection/search/471853 |
| Q1743116 | 1 | 1749 David Ietswaart (Sold: Beukelaar;v.d. Land, Amsterdam;Apr. 22, 1749, lot 33);1885 A. J. Bösch, Vienna;(Sold: Plach, Kohlbacher;Kaeser, Vienna, Apr. 28;1885, lot 23);1906 Baron Königswarter;Vienna (Sold: Eduard;Schulte, Berlin, Nov. 20;1906, lot 27);1911 Dealer: Kleinberger, Paris;by 1934 Dealer: D. Katz, Dieren;by 1937 H. E. ten Cate, Almelo;by 1954 1972 Frits Markus, New York;Dealer: G. Cramer, The Hague;1972 Toledo Museum of Art accnum_Qid: Q1743116_1972.1 url: https://www.toledomuseum.org/wordpress/wp-content/uploads/Provenance-Research-lowres.pdf |
| Q1752085 | 1 | Johannes, Count of Fugger-Oberkirchberg, Castle Oberkirchberg, Ulm.;Walter C. Schnackenberg, Munich and Monaco, until Dec. 10, 1926 when sold to;[F. Kleinberger and Co., New York (stock no. 15773) and Paris, 1926 – sold May 17, 1928 for accnum_Qid: Q1752085_M.1969.13.P url: http://www.nortonsimonartfoundation.org/collections/provenance.php?id=M.1969.13.P |
| Q1976985 | 3 | Commissioned from;the artist by Abbot Jacques Coëne (1466-1542) for the Benedictine Abbey Church;Marchiennes, 1514;Charles X;(Charles Gustavus of Sweden, 1622-1660), Chateau de Ris Orangis, by 1660;Pineau;collection, Paris;By;inheritance to his nephew, Jacques de Chefdebien (1867-1940), Paris;With F.;Kleinberger Galleries, Paris;Mortimer L.;Schiff (1877-1931), New York, by 1930-1931;By descent to;his son, John Mortimer Schiff (1904-1987), New York, 1931-June 24, 1938;Purchased at;his sale, Important Pictures and Drawings;by Old Masters, being a part of the collection formed by the late Mortimer L.;Schiff, Esq., Christie, Manson and Woods, London, June 24, 1938, lot 77, by;the dealer Frank Partridge, London, 1938;LeRoy M.;Backus (1879-1948), Seattle and New York, by June 15, 1943-1948 [1];Backus;estate, 1948-1953 [2];Purchased;from the Backus estate, through Schaeffer Galleries, by The Nelson-Atkins;Museum of Art, Kansas City, MO, 1953.;NOTES;[1] The;painting was documented as in the Backus collection when it was sent to William;Suhr for conservation in 1943. Getty Research Institute, Los Angeles, William Suhr;Papers, box 110, account ledgers.;[2];Manson F. Backus II, executor of the Leroy M. Backus estate, entered into a;consignment agreement with Schaeffer Galleries December 10, 1948. accnum_Qid: Q1976985_53-39 url: https://art.nelson-atkins.org/objects/18892/the-knighting-of-saint-martin-by-the-emperor-constantine Possibly to the;presumed sitter, Élisabeth Fréret d’Héricourt (née Gonnet or Gounet or Gonet;b. ca. 1730, Lyon) or her husband, Nicolas Louis Fréret d’Héricourt (b. ca.;1732, Herbies), 1769;Count Pavel;Pavlovich Demidov, 2nd Prince of San Donato (1839-1885), Villa San Donato, Polverosa;Italy, and Villa Demidoff, Pratolino;Italy, by 1880 [1];Purchased;at his sale, Palais de San Donato: Objets;d’Art et d’Ameublement, Tableaux, Villa San Donato, Polverosa, March 15;1880, lot 1439, as by François-Hubert Drouais, Portrait de Femme, by Thomas Agnew and Sons, London, no. 1402;March 15, 1880-April 7, 1880 [2];Purchased;from Agnew by Alfred Charles de Rothschild (1842-1918), London and Halton, Buckinghamshire;England, April 7, 1880-at least 1884 [3];To his cousin, Constance;Flower, Lady Battersea (née de Rothschild, 1843-1931), Aston Clinton, Buckinghamshire;by 1918 [4];Possibly inherited;by her first cousin twice removed, Rosemary de Rothschild (1913-2013), 1931 [5];To;Edmund Leopold de Rothschild (1916-2009), London and Exbury Estate, Hampshire;England, until possibly 1942 [6];With Edward Speelman Ltd., London, on joint account with F. Kleinberger;Galleries, New York, no. 1187, as by Francois-Hubert Drouais, Woman with dog on her Lap, December;1950-December 8, 1953 [7];Purchased;from Speelman and Kleinberger by The Nelson-Atkins Museum of Art, Kansas City;MO, 1953.;NOTES;[1] This;constituent is also sometimes known as Paul Demidoff. Count Demidov inherited;the Villa San Donato from his uncle, Anatoly;Nikolaievich Demidov, Prince of Demidov (1813-1870), in 1870. He may;have also inherited the painting from his uncle Anatoly, his father Pavel;Nikolaievich Demidov (1798-1840), or his grandfather Nikolai Nikitich Demidov;(1773-1828), who were all art collectors. From around 1872 until 1880, Count;Demidov lived in the Villa Demidov in Pratolino, Italy, but he did not sell the;Villa San Donato until 1881 after the painting had sold.;[2] See;National Gallery, London, Thomas Agnew Archive, NGA 27/1/1/6, Picture Stock;Book 4, p. 70-71. See also paper label with ink script, partially encapsulated;on stretcher reverse of painting: Purchased for A de Rothschild Esq / by Thos;Agnew Sons from the / [S]a[n] Donato Collection March 1880.;[3] The;painting may have hung in Halton, Alfred’s mansion in Buckinghamshire, until;his death in January 1918. See Rothschild Archive, London, Alfred Charles de Rothschild (1842-1918): will;and estate papers, RAL 000/174, Halton, “Schedule of Furniture and General;Contents of the Mansion and Outbuildings, Messers. Knight, Frank and Rutley, Auctioneers;and Values,” August 1918, p. 127, as Library – Drouais, A three-quarter length portrait of a lady. However, as of 1884;Alfred also owned another Drouais, known then as Portrait of Mademoiselle Duthé (or Dutet), see Charles Davis, A Description of the Works of Art Forming;the Collection of Alfred de Rothschild, vol. 1 (London: [Chiswick Press];1884), nos. 50 and 198. If the Duplessis painting was still in Alfred’s;collection at the time of his death, it would have been inherited, along with;his estate, by his nephew, Lionel Nathan de Rothschild (1882-1942). Lionel sold;the estate to the War Office in May 1918, but retained ownership of the;contents of the mansion.;[4] See;small paper label on upper left corner of the stretcher reverse, faint graphite;which appears to read: Lord Barters[z?]e. The first and last Lord Battersea (né;Cyril Flower, 1843-1907) received his title to Baron on September 5, 1892. In;1877, he married Constance de Rothschild, who was Alfred de Rothschild’s first;cousin. By 1918, the painting hung in the “Blue Drawing Room” at Aston Clinton;which was Lady Battersea’s family home. See Constance Flower Battersea, Thoughts in Verse (Norwich: Goose and;Son, 1920), 8. After the death of Lady Battersea’s mother, Louisa, in;1910, and Alfred de Rothschild in 1918 (the last of Lionel Nathan de Rothschild’s;sons), Aston Clinton and its contents were inherited by Lady Battersea’s first;cousin once removed, N. Charles de Rothschild (1877-1923). Throughout this;time, Lady Battersea continued to live there. After Charles’ death in 1923, his;executors convinced Lady Battersea to sell Aston Clinton and its contents;although the Duplessis painting does not appear in the sales catalogues.;[5] The painting may have gone with Lady Battersea to;another one of her houses after 1923. She leased a London mansion at 10;Connaught Place, and owned an estate called The Pleasaunce in Overstrand;Norfolk, England, which were inherited by her first cousin twice removed;Rosemary de Rothschild, in 1931. See Lucy Cohen, Lady de Rothschild and her daughters, 1821-1931 (London: J. Murray;1937), 285. According to Michael Hall, curator of Exbury House, in an email to;Meghan Gray, Curatorial Associate, October 22, 2018, NAMA curatorial files, because;Rosemary was only 18 at the time, her father, Lionel Nathan de Rothschild;(1882-1942), took over Rosemary’s interest in the estates. He sold The;Pleasaunce in 1936 and 10, Connaught Place, sometime after 1931, but the;painting is not listed in either sales catalogue.;[6] In his memoirs, Edmund;de Rothschild, A Gilt-Edged Life;Memoir (London: John Murray, 1998), 7-8, Edmund de Rothschild recounts inheriting his great-uncle’s estate and artwork;through his father and Alfred;de Rothschild’s nephew, Lionel Nathan de Rothschild (1882-1942), London. It is;possible that this painting was among the works he inherited in this manner. Although;Edmund inherited his art collection from Lionel, the presence of Lady Battersea;and possibly Rosemary de Rothschild in the provenance makes a direct transfer;between Lionel and Edmund unlikely. Edmund was forced to sell most of the;family’s fine art and furniture in 1942 in order to raise funds for estate;duties. Many of the paintings were sold to Thomas Agnew and Sons and to the;Finnish dealer Tancred Borenius (1885-1948), who was also a part-time advisor;to Sotheby’s. This painting may have been one of them.;A;handwritten note in the NAMA curatorial files amends the provenance listed in;the accessioning paperwork, crossing out the name Edmund and replacing it with;Edouard. Alfred’s second cousin, Edouard;Alphonse de Rothschild (1868-1949) was a banker and art collector who lived in;Paris. The German National Socialist (Nazi) regime confiscated most of his art;collection in late 1941. This version of the provenance, in which Edmund is replaced;with Edouard, was published in the 1975 exhibition catalogue titled The Age of Louis XV. French Painting;1715-1774. It;is not clear who made this amendment, and though it appears very likely to have;been an error, research is being conducted in the appropriate archives to verify;the painting was in Edmund’s possession and that there are no known claims to;the painting.;[7];See The Metropolitan Museum of Art, New York, F. Kleinberger Galleries (New York;N.Y.), Stock cards, 1897-1973, and clipping file. accnum_Qid: Q1976985_53-80 url: https://art.nelson-atkins.org/objects/9914/portrait-of-madame-freret-dhericourt Devillon, by November 1736 [1];John Tetlow (d. before 1840), Alkington Hall, Lancashire, UK;[2];With F. Kleinberger Galleries, New York, by 1959;Purchased from F. Kleinberger Galleries by Durlacher;Brothers, New York, September 2, 1959-1959;Purchased from Durlacher Brothers by The Nelson-Atkins Museum;of Art, Kansas City, MO, 1959.;NOTES;[1] Inscription at lower right reads: “Novembre 1736/Devillon”;[2] Lugt 2868, mark on verso accnum_Qid: Q1976985_F59-60/1 url: https://art.nelson-atkins.org/objects/11671/study-of-a-nude-model |
| Q214867 | 13 | Unknown collector (Lugt 324a). (F. Kleinberger & Co., New York, 1958). Curtis O. Baer [1898-1976], by descent, gift to NGA, 2005. accnum_Qid: Q214867_2005.39.1 url: https://www.nga.gov/collection/art-object-page.106881.html Principe Giovanni-Battista del Drago [1860-1956], Rome, 1904.[1] Unknown [probably a dealer], Hamburg, 1905, Arthur Maier [d. 1935], Karlsbad.[2] (Steinmayer and Bourgeois, Paris), sold 16 October 1904 to (F. Kleinberger Galleries, Paris). [3] (Schaeffer Galleries, New York), purchased 1940 by the Samuel H. Kress Foundation, New York,[4] gift 1943 to NGA.;[1] According to Adolfo Venturi, "Tre quadri della raccolta dei principi del Drago in Roma", L'Arte 7 (1904): 64. Martha Hepworth of the Getty Provenance Index (letter of 15 March 1993, NGA curatorial files) noted that some of del Drago's paintings came from Spain: the Mantegna Sacra Conversazione, now in the Isabella Stewart Gardner Museum, Boston, was given by Maria Cristina, Queen Regent of Spain, to her daughter on her marriage to Filippo, Principe del Drago in 1856.;[2] According to Eduard Sack, Giambattista und Domenico Tiepolo. Ihr Leben und Ihre Werke, Hamburg, 1910: 216, the painting was briefly in Hamburg in 1905 before passing to Maier.;[3] Kleinberger Gallery stock card no. 6729, Department of European Paintings, Metropolitan Museum of Art. Sack 1910: 216, placed the painting with Kleinberger, but does not mention that it was owned by Steinmayer and Bourgeois, which is included in Pompeo Molmenti, G. B. Tiepolo, La sua vita e le sue opere, Milan, 1909: 310-311, repro. 315, Pompeo Molmenti, G. B. Tiepolo, Paris, 1911: 253, pl. 241.;[4] According to notations in the Kress records, NGA curatorial files. There is a card in the file of "Paintings Sold," Box 6, Schaeffer Gallery Records, Getty Research Institute, which confirms the sale to Kress in 1940 and gives stock no. as 497, but there is no separate stock card for this number. accnum_Qid: Q214867_1943.4.40 url: https://www.nga.gov/collection/art-object-page.12138.html (Walter Schnackenberg, Munich), by April 1925.[1] (F. Kleinberger, Paris and New York), by 1927.[2] Private collection, New York.[3] (Count Alessandro Contini-Bonacossi, Florence), by 1929,[4] sold 26 June 1935 to the Samuel H. Kress Foundation, New York,[5] gift 1939 to NGA.;[1] According to a hand-written notes by Bernard Berenson on the back of a photograph of the painting in the I Tatti archive in Florence (copy in NGA curatorial files).;[2] Kleinberger lent the painting to a 1927 exhibition at The Lotos Club.;[3] Raimond Van Marle, The Development of the Italian Schools of Painting, The Hague, 1931: 13:180, fig. 119, relates that he saw the painting "in a private collection in New York," but does not specify when.;[4] An opinion written by Roberto Longhi and dated October 1929 was addressed to Contini-Bonacossi (copy and translation in NGA curatorial files).;[5] The bill of sale was for seven paintings and a number of decorative art objects, NGA 1939.1.179 was identified as "Florentine about 1475" (copy in NGA curatorial files). accnum_Qid: Q214867_1939.1.179 url: https://www.nga.gov/collection/art-object-page.320.html Possibly (Duveen Brothers, Inc., London and New York).[1] Harold Irving Pratt [1877-1939] and Harriet Barnes Pratt [1879-1969], New York, by 1917 until at least 1939.[1] (Wildenstein & Co., Inc., New York), sold December 1943 to the Samuel H. Kress Foundation, New York,[2] gift 1952 to NGA.;[1] The provenance of the painting in the 1939 World's Fair catalogue begins with "Joseph Duveen, Millbank," although no other source lists Duveen. The second name in the 1939 provenance in "Francis Kleinberger." The picture first came to public attention when Pratt exhibited it in 1917 at Francis Kleinberger's in New York, but there is no convincing evidence that Pratt actually acquired the work from Kleinberger's.;[2] The bill of sale was for two paintings, both of which had been in the Pratt collection (copy in NGA curatorial files). accnum_Qid: Q214867_1952.5.29 url: https://www.nga.gov/collection/art-object-page.41639.html Sir John Rushout, 6th bt. and 2nd baron Northwick [1770-1859], Northwick Park, near Moreton-in-the-Marsh, originally Worcestshire, now Gloucestershire, and Thirlestane House, near Cheltenham, Gloucestershire, (sale, Phillips, Thirlestane House, 26 July-16 August 1859, no. 412, as by Velázquez), Mrs. Garcia, London. William Heathcote, London, by 1883.[1] (sale, Sotheby's, London, 24 June 1931, no. 31, as by Velázquez), Malcolm.[2] (F. Kleinberger & Co, New York and Paris), sold half interest 25 November 1947 to (Durlacher Brothers, New York),[3] purchased 19 May 1948 by the Samuel H. Kress Foundation, New York,[4] gift 1952 to NGA.;[1] The Knoedler British Sales microfiche copy of the 1859 Northwick sale catalogue includes a marginal notation that the painting was subsequently purchased by Heathcote, a note at the beginning of the catalogue indicates that these corrections were taken from a "priced and named list" in the possession of the auctioneer, Mr. Phillips. C.B. Curtis, Velázquez and Murillo, London, 1883: 29, repeats this information.;[2] The Sotheby's catalogue lists the purchaser as Malcolm, about whom nothing is known.;[3] Durlacher Gallery papers, Accession no. 95003, Series II, box 17, no. DK-1 (Getty Research Institute, Los Angeles, copies in NGA curatorial files).;[4] Kress Foundation records, in NGA curatorial files. accnum_Qid: Q214867_1952.5.58 url: https://www.nga.gov/collection/art-object-page.41673.html Possibly commissioned as part of the high altarpiece of a church dedicated to Saint John the Baptist in Emilia Romagna or in the Marche, Italy. George Edmund Street [1824-1881], London, by 1880,[1] probably by inheritance to his son, Arthur Edmund Street [1855-1938], Bath. Harold Irving Pratt [1877-1939], New York, by 1917.[2] (Wildenstein & Co., Inc., London, New York and Paris), sold 1947 to the Samuel H. Kress Foundation,[3] gift 1952 to NGA.;[1] The painting must have been acquired by Street, the English Gothic Revival architect, together with two other fragments from the same dismantled altarpiece: the Annunciation of the Baptist’s Birth and the Baptist Sending His Disciples to Christ. In addition to the Gallery’s painting, these two panels were also exhibited at the Royal Academy in 1880 (nos. 231 and 234). Both were presented anew at an exhibition in Bristol in 1937 as the property of Street’s son in Bath. But since then all trace of them has been lost: it is possible these two were destroyed in a bombardment that struck the Street family’s house during World War II, see Richard Offner, A Critical and Historical Corpus of Florentine Painting. Sec. III, vol. V, The Fourteenth Century. Bernardo Daddi and his circle (Brattleboro, 1947), 2nd edition: Miklós Boskovits, assisted by Ada Labriola and Martina Ingedaay Rodio, Florence, 2001: 472, citing information provided by Federico Zeri. The date of Street’s acquisition of the panels is uncertain, perhaps it occurred between the dates of the first and second edition of his book Brick and Marble in the Middle Ages. Notes of a Tour in the North of Italy, London, 1855 (Brick and Marble in the Middle Ages. Notes of Tours in the North of Italy, London, 1874). In the first edition the author shows little interest in painting, but in the preface to the second he recalls his many visits to Italy and draws the reader’s attention to the publication of James Archer Crowe and Giovanni Battista Cavalcaselle, A New History of Painting in Italy from the Second to the Sixteenth Century, London, 1864-1871.;[2] Exactly when the panel passed into the collection of Pratt, the American oil industrialist and philanthropist, is also uncertain. Reports of this collection are found from 1909 onward (see Edward Fowles, Memories of Duveen Brothers, London, 1976: 33). Pratt lent the painting to a 1917 exhibition at Kleinberger Galleries in New York, from whom he possibly acquired it. By the time of the 1947 exhibition of Italian paintings at Wildenstein's in New York, it was no longer in the Pratt collection: the catalogue lists the owner as Wildenstein.;[3] The bill of sale (copy in NGA curatorial files) from Wildenstein & Co. to the Kress Foundation for thirteen paintings and one tapestry room is dated 30 October 1947, payment was made in installments. The painting is described as by Giovanni Baronzio da Rimini. accnum_Qid: Q214867_1952.5.68 url: https://www.nga.gov/collection/art-object-page.41683.html Possibly Willem Six [1662-1733], Amsterdam,[1] possibly (his estate sale, Amsterdam, 12 May 1734, no. 170), possibly Wilkins. Possibly John(?) or W.(?) Blackwood, possibly (his sale, Mr. Prestage, London, unknown dates in 1757, 2nd day, no. 70).[2] Francis Charteris, de jure 7th earl of Wemyss [1723-1808], Gosford House, Longniddry, East Lothian, Scotland, Ralph Willett [1719-1795], Great Canford, Dorset, bequeathed to his cousin, John Willett Adye [d. 1815], who later assumed the surname Willett in lieu of Adye, (his sale, Peter Coxe & Co., London, 31 May-2 June 1813, 2nd day, no. 62, bought in), (sale, Christie's, London, 8 April 1819, no. 124), Anthony Stewart [1773-1846], London, sold to Andrew Geddes [1789-1844], London, by December 1820, (sale, Christie & Manson, London, 23 May 1835, no. 94, bought in), by inheritance to his wife, Mrs. Andrew Geddes, (Geddes estate sale, Christie & Manson, London, 8-12 and 14 April 1845, 5th day [12 April], no. 646, bought in), (sale, Christie, Manson & Woods, London, 30 November 1867, no. 53), (Alimonde).[3] Étienne-Edmond Martin, baron de Beurnonville [1825-1906], (his sale, by Paul Chevallier, Paris, 3 June 1884 and days following, no. 295). Madame Levaigneur, Paris, (her estate sale, Hôtel Drouot, Paris, 2-4 May 1912, no. 29), (F. Kleinberger & Co., Paris and New York), (Kleinberger sale, American Art Association, New York, 18 November 1932, no. 50), (L.J. Marion), Dr. and Mrs. Walter Timme, Cold Spring, New York, gift 1956 to NGA.;[1] Francis Kleinberger, letter to the editor, The Burlington Magazine 11 (July 1912): 296–297, reconstructs much of the earlier provenance of the painting, through the 1912 sale, based on “the researches of Mr. W. Roberts.” His account does not include the 1757 Blackwood sale, and instead speculates that Charteris might have acquired the painting on the continent during his tour from 1739 to 1744.;[2] This information comes from a two-volume manuscript in the library of the Victoria and Albert Museum, London, containing transcripts of collection and sale catalogues from the years 1711 to 1759, these volumes are partially examined by Frank Simpson, "Dutch Paintings in England before 1760," The Burlington Magazine 95 (January 1953): 42.;[3] Helen Smailes, Andrew Geddes, 1783–1844, Painting-Printmaker, “A Man of Pure Taste”, Edinburgh, 2001: 49–50, 113 n. 76. accnum_Qid: Q214867_1956.1.1 url: https://www.nga.gov/collection/art-object-page.43512.html (Thomas Humphrey Ward [1845-1926], London).[1] (Kleinberger Galleries, New York), by 1932.[2] (Parke-Bernet Galleries, New York, 3 December 1942, no. 34), purchased by Victor Bacchi.[3] Howard Sturges [d. 1955], Providence, Rhode Island, bequest 1956 to NGA.;[1] "[F]rom the collection of Mr. Humphrey Ward," according to handwritten notes by W. R. Valentiner, dated May 1932, on the back of an old photograph (NGA curatorial files). The painting does not appear in any of the sales at Christie, Manson and Woods, London, which, according to Lugt, included paintings owned by Ward (20 June 1913, Lugt 72986, 28 February 1919, Lugt 78563, 14 March 1919, Lugt 78618, 19 November 1920, Lugt 81216). Ward's name does not appear on the catalogues. Martha Hepworth of the Getty Provenance Index reported that Ward was a sometime dealer who sold to Agnew's at the turn of the century and to the National Gallery, London, and the Museum of Fine Arts, Boston (letter of 15 March 1993, NGA curatorial files).;[2] According to the College Art Association exhibition catalogue of 1932 and the Springfield Museum catalogue of 1933.;[3] According to a marginal notation in the copy of the catalogue held by the Frick Art Reference Library. The sale included works from several collections and the catalogue does not list the sellers of individual lots. accnum_Qid: Q214867_1956.9.16 url: https://www.nga.gov/collection/art-object-page.43610.html (N. van Slochem, New York) by 1908,[1] sold 1910 to Dan Fellows Platt [1873-1938], Englewood, New Jersey,[2] sold November 1943 by Trustees of the Platt Estate to the Samuel H. Kress Foundation, New York,[3] gift 1961 to NGA.;[1] Dan Fellows Platt to Richard Offner, see Offner, A Critical and Historical Corpus of Florentine Painting, Sec. III, vol. VIII, New York, 1958: 142.;[2] Dan Fellows Platt Papers, Department of Rare Books and Special Collections, Princeton University, New Jersey: box 2, folder 23, call number C0860. The painting was lent by Platt to the Loan Exhibition of Italian Primitives at F Kleinberger Galleries, New York, in November 1917.;[3] Copies of the documents recording the sale are in NGA curatorial files, the painting was one of six purchased from the Platt estate and is listed as “Attributed to Bernardo Daddi.” accnum_Qid: Q214867_1961.9.2 url: https://www.nga.gov/collection/art-object-page.46101.html Possibly a church in Arnhem.[1] Count Jacques de Bryas, Paris, (sale, Hôtel Drouot, Paris, 6 February 1905, no. 20), (Galerie F. Kleinberger, Paris).[2] Richard von Kaufmann [1849-1908], Berlin, (his sale, Paul Cassirer and Hugo Helbing, Berlin, 4 December 1917, no. 132), possibly purchased by (Paul Graupe, Berlin)[3] for Otto Henkell [1869-1929], Wiesbaden. (Rosenberg & Stiebel, New York), purchased February 1955 by the Samuel H. Kress Foundation, New York, gift 1961 to NGA.;[1] Unfortunately, we know nothing about the commission or the original location of the panel. Based on a note affixed to the back of the picture, the painting is traditionally thought to have been in a church in Arnhem, in the Gelderland region of the Netherlands. Colin Eisler's assertion that the painting may have been done for the high altar of the Sint Janskerk in Arnhem, is possible, but awaits confirming evidence. (Eisler 1977, 9, where he also suggests that the commission may have been given to Johan van Hatstein, Commander of the Order of Saint John from 1486 to 1497.) The Sint Janskerk was demolished in 1817 and the first mention of the painting in connection with the "cathédrale" in Arnhem occurs in 1905: Catalogue des Tableaux Anciens... Provenant de la Collection de M. le Comte Jacques de Bryas, Hôtel Drouot (Paris, 1905), 11, "Cette oeuvre du plus grand caractère, et dans le plus admirable état de conservation, provient de la cathédrale d'Aarnheim, édifice gothique qui fut au XVIIe siècle désaffecté du culte catholique." Friedländer in the sales catalogue Die Sammlung Richard von Kaufmann Berlin, Paul Cassirer and Hugo Helbing (Berlin, 1917), no. 132, cites a "Notiz auf der Rückseite" as the basis for the Arnhem provenance. This notice was never described and had disappeared by 1941, as per Karl vom Rath, Der Meister des Bartholomäusaltares. (Bonn, 1941), 125, no. 9.;[2] Handwritten note in the margin of the copy of the catalogue in the NGA library.;[3] Handwritten note in vol. 2 of the catalogue in the NGA library. accnum_Qid: Q214867_1961.9.78 url: https://www.nga.gov/collection/art-object-page.46177.html British private collection, until 1895.[1] (Bourgeois Frères, Cologne), in 1895.[2] Baron Albert Oppenheim [1834-1912], Cologne, from 1895, purchased 1912 by (F. Kleinberger and Co., New York), sold 5 January 1916 to Michael Dreicer [1868-1921], New York,[3] bequest 1921 to The Metropolitan Museum of Art, New York (acc. no. 22.60.45), returned 8 March 1933 to Michael Dreicer's widow, Maisie Dreicer Whyte [1889-1976, née Shainwald, from 1923 Mrs. Jardine Bell Whyte, and from 1935 Baroness de Kerchove],[4] (M. Knoedler && Co., New York);[5] purchased February 1936 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh,[6] gift 1937 to NGA.;[1] According to a letter of 17 November 1912, from Friedländer to Kleinberger in the Kleinberger archives held by the Department of European Paintings, Metropolitan Museum of Art, New York, under Bouts, Portrait of a Man (acc. no. 14.40.644), information supplied by Lorne Campbell, letter of 28 August 1980 to John Hand, in NGA curatorial files.;[2] Friedländer letter cited in note 1.;[3] Information about Kleinberger's purchase and sale of the painting is according to the Kleinberger archives held by the Department of European Paintings, Metropolitan Museum of Art, New York, see the letter of 6 September 1979 from Mary Sprinson to John Hand, in NGA curatorial files, which was sent with a copy of the Kleinberger card for the painting.;[4] Letter cited in note 3, which was sent with copies of the Metropolitan Museum of Art's original catalogue card for the painting. Mrs. Dreicer Whyte obtained the painting from the Metropolitan Museum of Art as a result of the contestation of Michael Driecer's will by his heirs.;[5] The painting is number 1427 in Knoedler's Painting Stock Book 8 (stock numbers A1-A2680, January 1928-November 1943, M. Knoedler & Co. Records, Getty Research Institute, Los Angeles). The entry is listed under Mrs. Whyte, and there is an added reference "A.S. Drey July 21 / 33.;[6] The purchase date is recorded in Mellon records documenting the gift to NGA, copies in NGA curatorial files. The sale date is recorded in the Knoedler stock book (see n. 5) as June 1936, this could have been when payment was completed. accnum_Qid: Q214867_1937.1.42 url: https://www.nga.gov/collection/art-object-page.49.html Don José de Madrazo y Agudo, Madrid [d.1859], by 1856,[1] by inheritance to his son, Don Federigo de Madrazo y Kuntz [d. 1894], Madrid.[2] Marqués de Salamanca [1805-1866], Madrid,[3] (his sale, Paris, 3-6 June 1867, no. 155, as by Hugo van der Goes).[4] Don Pedro de Madrazo, Madrid, until 1909, (Durlacher, London), by 1909.[5] (Duveen Brothers, Inc., London and New York), September 1912. (Kleinberger, New York), May-June, 1914,[6] (Duveen Brothers, Inc., London and New York), June 1914, purchased 15 December 1936 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh,[7] gift 1937 to NGA.;[1] Catalogo de la Galeria de Cuadros Del Excmo. Sr. D. José de Madrazo (Madrid, 1856), 519.;[2] Unverified, but very likely, information from Duveen Brothers brochure in NGA curatorial files.;[3] John Oliver Hand in Early Netherlandish Painting, (National Gallery of Art, Washington, D.C., 1986), 254, n. 3, states that he was unable to locate the catalogue of the Marques' collection, Catalogo de la galeria de Cuadros de la posesion de Vista-Alegre, de propriedad del Excmo. Sr. Marqués de Salamanca (Madrid, 1865).;[4] The Getty Provenance Index names a Guadré as the buyer at the 1867 sale, and records that the sale was held at Pillet, Paris. It lists its source as "procés verbal (Arch. Paris D48E358)".;[5] Duveen Brothers brochure in NGA curatorial files. W.H. James Weale, " The Risen Saviour Appearing to His Mother: a masterpiece by Roger de la Pasture," Burlington Magazine 16 (December 1909), 159, cites the painting as being with Durlacher and mentions the previous owner as Pedro de Madrazo.;[6] Kleinberger archives, card no. 9561, department of European painting, Metropolitan Museum. John O. Hand (as per n. 3 above), 256, n. 5, acknowledges Lorne Campbell for bringing this information to his attention, and Mary Sprinson de Jesús for access to the files.;[7] The original Duveen Brothers invoice is in Gallery Archives, copy in NGA curatorial files. accnum_Qid: Q214867_1937.1.45 url: https://www.nga.gov/collection/art-object-page.52.html (Kleinberger Gallery, Paris). (Paul Cassirer, Amsterdam, by June 1936). (Rudolf Heinemann, New York, by 1937-January 1975). (Feilchenfeldt, Zurich),[1] purchased 1978 by NGA.;[1] Information on the provenance was provided by Walter M. Feilchenfeldt and Mrs. Rudolf Heinemann. See NGA curatorial files. accnum_Qid: Q214867_1978.46.1 url: https://www.nga.gov/collection/art-object-page.56668.html |
| Q239303 | 1 | Gertrude D. Webster, Mass., probably to 1947 [Kleinberger archives, Metropolitan Museum of Art, New York]. Sold, Plaza Art Galleries, New York, 6–8 November 1947, no. 234, as Dutch School, to Kleinberger, New York [annotated sale cat. in Frick Art Reference Library, New York]; sold by Kleinberger to the Art Institute through the Wirt D. Walker Fund, 1948. accnum_Qid: Q239303_1948.78 url: http://www.artic.edu/aic/collections/artwork/62450 |
| Q3783572 | 4 | Ludwig Hermann Philippi, Hamburg, Germany (L.1335), sold [through his sale, Berlin, 1884], to [Rudolph Lepke]. F. Kleinberger, New York, by 1925. Charles A. Loeser, Florence, Italy, bequest, to Fogg Art Museum, 1932. accnum_Qid: Q3783572_1.932.280 url: https://www.harvardartmuseums.org/art/298973 Collection Dumbar, Deventer. Mrs. Dyckmester-Dumbar, Deventer. C.F. L. de Wild, the Hague. [F. Kleinberger, Paris]. Paul M. Warburg, New York,?by descent, to his son, James P. Warburg, New York, (by 1932)gift, to the Fogg Art Museum, 1962.;Notes;Paul M. Warburg died 1932. accnum_Qid: Q3783572_1.962.149 url: https://www.harvardartmuseums.org/art/228239 [F. Kleinberger, New York], sold, to Paul Warburg, February 22, 1910, by descent, to Bettina Warbug Grimson, bequest, to Fogg Art Museum, 1991 accnum_Qid: Q3783572_1.991.635 url: https://www.harvardartmuseums.org/art/227264 Palazzo Riccardi, Florence. Emile Peyre (Paris). Edouard Aynard (Lyon, c. 1900-1913), purchased in Florence, sold by his heirs through [Galerie Georges Petit, Paris, December 1-4, 1913, lot 38, not sold]. Marczell von Nemes, Munich, until 1922. [F. Kleinberger Galleries (by 1924)] sold, to Edward Forbes, sold, to Fogg Art Museum, 1924.;Note: The painting was not in the Nemes collection between 1922 and 1924. accnum_Qid: Q3783572_1924.27 url: https://www.harvardartmuseums.org/art/299923 |
| Q49133 | 6 | 1685 or 1688, Jan (Johann) van Musschenbroek (b. 1660 - d. 1707) and his wife, Margaretha van Straaten (b. 1659 - d. 1743), Leyden (original commission) [see note 1]. By 1854, Évrard Rhoné (d. by 1861), Paris [see note 2], May 6-8, 1861, posthumous Rhoné sale, Hotel des Commissaires-Priseurs, Paris, lot 55, to Isaac Péreire, Paris, March 6-9, 1872, Péreire sale, Boulevard des Italiens, Paris, lot 160. 1901, F. Kleinberger, Paris. Before 1913, Thomas Humphry Ward (b. 1845 - d. 1926), London [see note 3]. By 1913 until at least 1945, John Walter, Bear Wood, Berkshire [see note 4]. 1970, Hon. R.F. Watson, November 25, 1970, R. F. Watson and others sale, Sotheby's, London, lot 31, to Terry Engell Gallery, London, 1971, still with Engell Gallery [see note 5]. 1971, Claus Virch, Art Associates Partnership, Paris [see note 6], 1981, sold by Art Associates Partnership to the MFA. (Accession Date: May 13, 1981);NOTES;[1] In a now largely obliterated inscription on the reverse of the panel are the birth and death dates of the sitters and the date of their marriage (August 25, 1685). Musschenbroek was a musical instrument maker in Leyden.;[2] According to C. Hofstede de Groot, "A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century," vol. 5 (London, 1913), p. 459, no. 137.;[3] He is listed as a former owner by Hofstede de Groot (as above, n. 2).;[4] He owned the painting by 1913, according to Hofstede de Groot (as above, n. 2) and lent it to the exhibition "Masterpieces of Dutch Painting in the Seventeenth Century," Eugene Slatter Gallery, London, June 27 - July 28, 1945, cat. no. 5.;[5] The name of the buyer is annotated in a copy of the auction catalogue and on the reverse of the frame in chalk. The painting was included in the exhibition "Fine Paintings by Old Masters: Recent Acquisitions and Selections from Stock" (Terry Engell Gallery, London, 1971), p. 23 in catalogue.;[6] In a letter from Claus Virch, Art Associates Partnership, to John Walsh of the MFA (December 13, 1978), the painting is said to have been in storage in Geneva since 1971. In a subsequent letter (January 19, 1979) Virch writes that he is removing it from storage and lending it to the MFA. accnum_Qid: Q49133_1.981.133 url: https://collections.mfa.org/objects/34438/johan-van-musschenbroek-and-his-wife Max Kann, Paris (?) [see note 1]. 1881, Étienne-Edmond Martin, Baron de Beurnonville (b. 1825 - d. 1906), Paris, May 9-16, 1881, Beurnonville sale, Galerie Georges Petit, Paris, lot 405, sold for 2,600 fr. Max Wassermann, Paris [see note 2]. 1890, Ernest May (b. 1845 - d. 1925), Paris, June 4, 1890, May sale, Galerie Georges Petit, Paris, lot 118, sold for 2050 fr. 1897, Galerie Sedelmeyer, Paris, November 16, 1897, Sedelmeyer sale, Lepke, Berlin, lot 37, bought in. 1910, Dr. Paul Müller, Paris, May 25, 1910, Müller sale, Hôtel Drouot, Paris, lot 40, sold for 7500 fr. 1918, Goudstikker, Amsterdam [see note 3]. 1919, with Kleinberger, Paris. By 1923 until at least 1927, Goudstikker, Amsterdam [see note 4]. Possibly as early as the 1930s, Leopold R. Gellert (b. 1896 - d. 1969), Prague and New York [see note 5], 1969, by inheritance from Gellert to his daughter, Elinor G. Barber, New York, January 15, 1985, anonymous (Barber) sale, Christie's, New York, lot 19, unsold, January 15, 1986, anonymous (Barber) sale, Christie's, New York, lot 153, unsold, 1986, gift of Elinor G. Barber to the MFA. (Accession Date: June 25, 1986);NOTES;[1] The 1897 Sedelmeyer sale catalogue states that this had been in the collection of Max Kann, the catalogue of the 1910 Paul Müller sale erroneously states that it was included in the Max Kann sale ("Catalogue des tableaux anciens de l'école hollandais," Hotel Drouot, Paris, March 3, 1879). It was not, in fact, included in that auction.;[2] The 1910 Müller catalogue indicates this was in the Wasserman sale ("vente Wasserman"), however, this sale has not been identified.;[3] See "Catalogus van de Collectie Goudstikker" exh. cat. Den Haag, October, 1918, cat. no. 39, ill., and exh. cat. Amsterdam, November-December, 1918, cat. no. 46, ill. The painting is not included in the Goudstikker gallery catalogues published between 1919 and 1922.;[4] See "Catalogue of the Exhibition of Dutch and Flemish Pictures XV to XX Century from the Goudstikker Collection of Amsterdam," exh. cat. Anderson Gallery, New York, March 10 - April 7, 1923, cat. no. 82 and "Catalogue des Nouvelles Acquisitions" de la Collection Goudstikker, exh. cat. Amsterdam, October - November, 1927, cat. no. 99.;[5] According to a member of the Gellert family, Leopold Gellert may have purchased the painting as early as the 1930s. The family left Prague in 1938 and safeguarded many of their belongings in England during World War II. This may have been among the articles they kept in England and retrieved after the war. accnum_Qid: Q49133_1.986.283 url: https://collections.mfa.org/objects/34779/peasants-gathered-round-a-barrel Until 1650, possibly the Oneto family, Genoa [see note 1], 1650, possibly brought by Don Giovan Stefano Oneto and Don Agostino Oneto from Genoa to Palermo, Sicily, by descent within the Oneto family to Don Giuseppe Oneto e Lanza (d. 1852), Duke of Sperlinga, Palermo and Naples, 1864, sold by the heirs of Oneto e Lanza to the Count of Francavilla, Palermo, by descent to his son, Luigi Maria Majorca Mortillaro, Count of Francavilla, Palermo, who owned it until at least 1901 [see note 1]. Thos. Agnew and Sons, Ltd., London [see note 2]. Trotti et Companie, Paris [see note 3]. By 1907, purchased in Paris by Cottier and Company, New York [see note 4], April 29, 1907, sold by Cottier to Frederick Bayley Pratt (b. 1865 - d. 1945), Brooklyn, April 3, 1943, sold by Pratt to Knoedler and Co., New York (stock no. A2555) and Pinakos, Inc., New York, 1943, sold by Knoedler and Pinakos to the MFA for $70,000. (Accession Date: April 8, 1943);NOTES;[1] The provenance given here (to 1901) is taken from Luigi Maria Majorca Mortillaro, "Ritratto di Giovan Paolo Baglione, Signore di Perugia, dipinto da Tiziano esistente in Palermo nella Galleria Francavilla" (Palermo: Alberto Reber, 1901), written when the painting was in the author's possession.;[2] According to a letter from Charles R. Herschel, Knoedler, to W. G. Constable, MFA (April 13, 1943, in MFA curatorial file), "Agnew bought the picture in Palermo from the Count of Francovilla" [sic]. Agnew stockbooks (Getty Research Institute, Records of Thos. Agnew and Sons Ltd., 1852-1938, Microfiche no. 32) record a "Portrait of a Man" by Titian, stock no. 2214, that was sold by dealer Arthur Sulley to Agnew on May 6, 1907, and sold by Agnew to the Paris dealer Alexandre Imbert on July 22, 1907. These transactions postdate the documented acquisition of the painting by Frederick Bayley Pratt, making it difficult to identify with the MFA painting.;[3] According to Harold E. Wethey, "The Paintings of Titian," vol. 2, "The Portraits" (London: Phaidon, 1971), p. 106, cat. no. 47.;[4] John C. Van Dyke confirmed in letters to James Inglis of Cottier (April 25, 1907) and Frederick Pratt (April 27, 1907) that he saw the painting in Paris with Mr. Inglis, and that his admiration for it may have influenced Mr. Inglis's buying it for Cottier and Co. Whether it was purchased at Trotti is not known. accnum_Qid: Q49133_43.83 url: https://collections.mfa.org/objects/32870/portrait-of-a-man-holding-a-book 1946, in Amsterdam [see note 1]. By 1953, Alfred Weinberger (dealer), Paris [see note 2], 1956, sold by Weinberger, through Kleinberger and Co., New York, to the MFA. (Accession Date: April 12, 1956);NOTES;[1] This picture was examined by Max Friedländer in Amsterdam on May 17, 1946, according to photo-documentation from the Kleinberger files at the Metropolitan Museum of Art. In whose possession it was at this time is not known. On the reverse of the panel is an export stamp from Amsterdam, as well as similar stamps from Munich and Paris. [2] This is according to a statement of January 14, 1955 by Hanns Swarzenski of the MFA that he first saw the panel in Weinberger's possession in Paris in October 1953. Swarzenski notes that Weinberger was a dealer in Paris who was a relative of Harry G. Sperling of Kleinberger and Co., New York. accnum_Qid: Q49133_56.262 url: https://collections.mfa.org/objects/33560/christ-as-the-man-of-sorrows By 1801, Richard Gough (b. 1735 - d. 1809), London [see note 1]. By 1862, Henry Danby Seymour (b. 1820 - d. 1877), Ashridge [see note 2], by descent to his niece, Miss Jane Margaret Seymour (b. 1873 - d. 1943), Knoyle, Wiltshire, May 9, 1928, Seymour sale, Sotheby's, London, lot 61. November 9, 1959, anonymous sale ("the property of a lady"), Sotheby's, London, lot 28, to F. Kleinberger and Co., New York, 1960, sold by Kleinberger to the MFA for $3,000. (Accession Date: March 10, 1960);NOTES;[1] For the history of this miniature, see "Catalogue of Fine Portrait Miniatures, Scientific Instruments, Watches, and Objects of Vertu," Sotheby's, London, November 9, 1959, lot 28. The work was recorded in the Gough collection in "Gentlemen's Quarterly," October 1801, p. 897.;[2] Henry Danby Seymour lent the work to the South Kensington Museum as early as 1862, and, according to a letter from Harry G. Sperling of Kleinberger to the MFA (November 12, 1959), from 1912 to 1928, J. M. Seymour lent it to the Victoria and Albert Museum, London. Information about the dates of these loans (but not about the lenders) is confirmed in the 1959 auction catalogue (as above, n. 1). accnum_Qid: Q49133_60.155 url: https://collections.mfa.org/objects/33656/selfportrait Possibly Eugène Kraemer, Paris [see note 1], by 1910, from Kraemer to Comte Jean de la Riboisière [see note 2], March 27, 1936, Riboisière sale, Hôtel Drouot, Paris, lot 9, possibly to Mrs. Meyer Sassoon [see note 3], by descent to her daughter, Mrs. Derek Fitzgerald, Heathfield Park, Sussex, England, July 3, 1963, Fitzgerald sale, Sotheby's, London, lot 1, to Kleinberger and Co., New York, 1963, sold by Kleinberger to the MFA for £67,800. (Accession Date: September 18, 1963);NOTES;[1] Until 1936, when a false signature was removed, this painting was attributed to Jacques-Louis David. Richard Cantinelli, "Jacques-Louis David, 1748-1825 " (Paris and Brussels, 1930), p. 117, no. 174, recorded that it had been acquired from M. Kraemer and belonged to the Comte de la Riboisière. This may refer to the collector Eugène Kraemer. Subsequent authors have not repeated this information, and it has not yet been verified. [2] It was in the possession of Jean de la Riboisière by 1910, when he lent it to the exhibition "Ausstellung Französischen Rokokokunst," Königliche Akademie der Kunst, Berlin, 1910, cat. no. 76. [3] According to a letter from Neil Maclaren of Sotheby's, London to Angelica Rudenstine of the MFA (October 31, 1963), Mrs. Sassoon acquired it either at the Riboisière sale or shortly thereafter. accnum_Qid: Q49133_631.082 url: https://collections.mfa.org/objects/33764/jeanjacques-caffieri |
| Q5043873 | 5 | Galerie Kleinberger, Paris, 1937; Arnold Seligmann, Rey & Company, Inc., New York; (Parke-Bernet Galleries sale, New York, January 23, 1947, no. 830) [1]; Mr. [1898-1973] and Mrs. Charles J. Rosenbloom, Pittsburgh, PA, 1947 until February 1969; gift to Museum of Art, Carnegie Institute, Pittsburgh, PA, February 1969. \n\nNotes:\n[1]. Seligmann sale.\n\nUnder review by CGK. accnum_Qid: Q5043873_69.3 url: http://collection.cmoa.org/CollectionDetail.aspx?item=1012575 Jacob Ochtervelt [1634-1682]. Kleinberger, Paris, 1912 [1]. Baron Max von Goldschmidt-Rothschild [1843-1940], Frankfurt am Main, by 1925 until 1938? [2]. Rosenberg & Stiebel, New York, NY [3]; purchased by Department of Fine Arts, Carnegie Institute, Pittsburgh, PA, January 1954. \n\nNotes:\n[1]. See Susan Donahue Kuretsky "The Paintings of Jacob Ochtervelt", Phaidon Press, 1979, no.78. \n[2]. The Baron lent the painting to the exhibition "Ausstellung von Meisterwerken alter Malerie aus Privatbesitz" in Frankfurt in the summer of 1925. The painting was possibly included in the forced sale of the Baron's art collection to the city of Frankfurt am Main in November 1938. The legality of this sale was challenged by the Baron's heirs after WWII; as a result, the sale was legally voided and the collection returned to the heirs in 1949. \n[3]. Likely obtained from the the estate/heirs of Max von Goldschmidt-Rothschild. Rosenberg & Stiebel had a very close relationship with members of the Goldschmidt-Rothschild family during this period; see correspondence with Gerald G. Stiebel of the gallery in the curatorial file. accnum_Qid: Q5043873_54.1 url: http://collection.cmoa.org/CollectionDetail.aspx?item=1009241 Leopold Goldschmidt, Paris, by 1908; (F. Kleinberger Galleries, New York, by 1908). Mr. George I. Pratt, New York, 1929; Mrs. George Dupont Pratt, New York; (H. Shickman Gallery, New York, by 1969); purchased by Museum, December 1969.\n\nUnder review by CGK accnum_Qid: Q5043873_69.53 url: http://collection.cmoa.org/CollectionDetail.aspx?item=1012985 Mme. C. Boski, Bordeaux, 1948; Edmond Amiaud; Madame Andree Chappert, Paris; purchased by Museum through F. Kleinberger & Company, Inc., New York, May 1965. accnum_Qid: Q5043873_65.15 url: http://collection.cmoa.org/CollectionDetail.aspx?item=1011866 Peter Casteel; James Stanley, 10th Earl of Derby, 1728; Collection of the Earls of Derby, Knowsley Hall, England; (sale, Christie, Manson & Woods, Ltd., London, 8 October 1954, no. 134); L. Loyd; F. Kleinberger & Company, Inc., New York, until 1963; Mr. and Mrs. George L. Craig; gift to Museum, December 1963. accnum_Qid: Q5043873_63.24 url: http://collection.cmoa.org/CollectionDetail.aspx?item=1011662 |
| Q657415 | 5 | Provenance 1889-1891 Theo van Gogh [1857-1891] Paris, France, by descent to the artist's brother from the artist's estate. 1891-1905 Johanna van Gogh-Bonger [1862-1915] his wife, Amsterdam, Netherlands by gift to Willem Steenhoff. 1905-1910 Willem Steenhoff [1863-1932] Amsterdam, Netherlands sold to Alfred Flectheim 1912 (Alfred Flectheim, Dusselforf, Germany, sold to Max Stiller) Max Siller, Barman, Germany 1942 Harry G, Sperling [1925-1971] New York, NY 1942-1946 Sam Saltz, New York, NY 1946-1958 Leonard C. Hanna, Jr, Cleveland, OH, purchased March 12, 1946 1958 Leonard C. Hanna, Jr. [1889-1957] Cleveland, OH by bequest to the Cleveland Museum of Art 1958- The Cleveland Museum of Art, Cleveland, OH accnum_Qid: Q657415_1958.32 url: https://www.clevelandart.org/art/1958.32 Provenance Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire;[F. Kleinberger &: Co., New York]. Purchase, Leonard C. Hanna Jr. Bequest, 1959. accnum_Qid: Q657415_1959.189 url: https://www.clevelandart.org/art/1959.189 Provenance 1961- The Cleveland Museum of Art, Cleveland, Ohio 1960-1961 (F. Kleinberger & Co., New York, sold to the Cleveland Museum of Art) Until 1960 (Alessandro Morandotti, Zurich, sold to F. Kleinberger in 1960)1 1 Until c. 1960? Private collection, Italy, probably consigned to Alessandro Morandotti1 2;Provenance Footnotes 1 1In Richard Spear’s Caravaggio and his Followers, as well as in the museum’s files, the owner of the painting prior to F. Kleinberger was cited as a private collector in Italy. The Kleinberger stock card for this painting reveals that the gallery purchased the painting from “Morandotti,” presumably Alessandro Morandotti, a dealer based in Zurich. A letter from Harry G. Sperling, the president of F. Kleinberger, to former CMA curator Henry S. Francis suggests that Morandotti sold the painting to Kleinberger on behalf of this unnamed private collector: “The Ribera was purchased by me officially in Zurich, Switzerland. I had seen it for the first time in Italy and agreed to buy it if it was offered to me in Zurich…The painting came directly from private hands, where supposedly it was in the family for generations. I was not given the name of the family.” When Morandotti died in 1979, his archives were dismantled. 2 1According to Harry G. Sperling, the president of F. Kleinberger, & Co., the painting had been in an unknown private collection in Italy for generations.;Provenance Citations;Harry G. Sperling, letter to Henry S. Francis, Oct. 6, 1961, in CMA curatorial file.;Spear, Richard E. Caravaggio and His Followers. New York: Harper & Row, 1975.;Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.;Stock cards, 1897-1973, and clipping file, F. Kleinberger, & Co., European Paintings, the Metropolitan Museum of Art, New York, NY.;Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 198 accnum_Qid: Q657415_1961.219 url: https://www.clevelandart.org/art/1961.219 Provenance M. Greene, London, 1932;Harry Quilter, London, 1961;[F. Kleinberger, New York], sold to the Cleveland Museum of Art, 1962. (Christie's, London, June 22-25,1895, no. 282, illus.);Henry Doetsch, London, 1895;Possibly Jacques Kina (N. de Roever, "De Coninxloo's," Oud Holland, III, 1885,42);Possibly Anna de Schot (inventory of April 21, 1663;see J. Denuce, De Antwerpsche 'Konst-kamers' Inventarissen van Kunstverzamelingen te Antwerpen in de 16 en 17 Eeuwen, II, Amsterdam, 1932,238);Possibly Gillis van Coninxloo the Elder (inventory of January 19, 1607) accnum_Qid: Q657415_1962.293 url: https://www.clevelandart.org/art/1962.293 Provenance 1889 Clément Jourdan [1836-1908], Paris, France, 1889. Seganville family, Château St. Pierre-de-Groupiac, France (Probably Harry Sperling, New York.) 1960-1963 Paul Rosenberg & Co., Paris and New York, by 1960. 1963 Paul Rosenberg & Co., Paris, France and New York, NY, sold to the Cleveland Museum of Art 1963 The Cleveland Museum of Art, Cleveland, OH accnum_Qid: Q657415_1963.91 url: https://www.clevelandart.org/art/1963.91 |
| Q731126 | 2 | Provenance before about 1623 -;Church of Sainte Gudule (Brussels, Belgium);Source: Dubuisson-Aubenay ca. 1623 recorded having seen in the church of St. Gudule a painting in two parts, description in accord with Getty painting and National Gallery, London Exhibition. by 1796 - 1844;Frederick Ponsonby, 3rd earl of Bessborough, 1758 - 1844 (Bessborough House, Roehampton, London, Surrey, England) [unsold, anonymous sale, Christie's, London, May 7, 1796, lot 34], by inheritance to his son, John William Ponsonby, 4th Earl of Bessborough, 1844. 1844 - 1847;John William Ponsonby, 4th Earl of Bessborough, 1781 - 1847, by inheritance to his son, John George Brabazon Ponsonby, 5th Earl of Bessborough, 1847. 1847 - 1850;John George Brabazon Ponsonby, 5th Earl of Bessborough, 1809 - 1880 [sold, Bessborough sale, Christie's, London, July 11, 1850, lot 186, to Webb] 1850 - 1851;Webb, sold to Henry Labouchère, 1851. 1851 - 1869;Henry Labouchère, 1st Baron Taunton, 1798 - 1869 (Stoke Park, Stoke Poges, Buckinghamshire, England, Quantock Lodge, Bridgewater, Somerset, England), by inheritance (as a life interest only) to his second wife, Mary Matilda Georgiana Labouchère, 1869.;Source: JPGM, Paintings Department, curatorial files, correspondence with Barry Phillips, November 27, 2018, Quantock Lodge heirloom inventory, 1870, no. 103. 1869 - 1892;Mary Matilda Georgiana Labouchère, Baroness of Taunton, 1823 - 1892 (Quantock Lodge, Bridgewater, Somerset, England), by inheritance to Henry Labouchère's daughter by his first marriage, Mary Dorothy (Labouchère) Stanley, 1892. 1892 - 1914;Mary Dorothy (Labouchère) Stanley, 1842 - 1920 (Quantock Lodge, Bridgewater, Somerset, England);Source: JPGM, Paintings Department, curatorial files, correspondence with Barry Phillips, November 27, 2018, Quantock Lodge heirloom inventory (1914), no. 103. 1914 - probably 1920;Mary Dorothy (Labouchère) Stanley, 1842 - 1920 (Quantock Lodge, Bridgewater, Somerset, England) and Edward Arthur Vesey Stanley, 1879 - 1941 (Quantock Lodge, Bridgewater, Somerset, England), probably sold privately in this period by Mary Dorothy (Labouchère) Stanley's son, Edward Arthur Vesey Stanley.;Source: JPGM, Paintings Department, curatorial files, correspondence with Barry Phillips, November 27, 2018. by 1923 - about 1924;Ayerst Hooker Buttery, 1868 - 1929 (London, England);Source: Photo in Courtauld Institute of Art, Witt Library. in 1924 -;Kleinberger Galleries (New York, New York) 1924 - 1928;Michael Friedsam, American, 1858 - 1931 (New York, New York) 1928 - 1931;Mortimer Leo Schiff, American, 1877 - 1931 (New York, New York), by inheritance to his son, John Mortimer Schiff, 1931. 1931 - 1938;John Mortimer Schiff, American, 1904 - 1987 (New York, New York) [sold, Schiff sale, Christie's, London, June 24, 1938, lot 84, to S. & R. Rosenberg.] 1938 -;S. & R. Rosenberg (London, England, Amsterdam, The Netherlands) by 1945 - 1972;von Pannwitz (Haartekamp, The Netherlands, New York, New York, Brazil), sold through French and Company (New York, New York) to the J. Paul Getty Museum, 1972. accnum_Qid: Q731126_72.PB.20 url: https://www.getty.edu/art/collection/objects/623/workshop-of-rogier-van-der-weyden-the-dream-of-pope-sergius-netherlandish-late-1430s/ Provenance - 1708;Private Collection [sold, Amsterdam, May 15, 1708, lot 7.];Source: Hoet, Gerard. Catalogue of naamlyst van schilderyen [...] (The Hague: P.G. van Baalen, 1752), p. 308 - 1746;François van Hessel, died 1746 (possibly Utrecht province, The Netherlands), upon his death, held in trust by the estate. 1746 - 1747;Estate of François van Hessel, died 1746 [sold, Van Hessel sale, Posthumus, Amsterdam, April 11, 1747, lot 1, to Willem Lormier for 255 florins.];Source: Korthals Altes, Everhard. "The Eighteenth-Century Gentleman Dealer Willem Lormier [...]." Simiolus 28, no. 4 (2000-2001), p. 274 1747 - 1748;Willem Lormier, 1682 - 1758 (The Hague, The Netherlands), sold to Marc-René de Voyer de Paulmy d'Argenson, 1748. 1748 -;Marc-René de Voyer de Paulmy d'Argenson, marquis de Voyer, 1722 - 1782 (Paris, France) - 1780;Louis-César de La Baume Le Blanc, duc de La Vallière, French, 1708 - 1780 (Paris, France), upon his death, held in trust by the estate. 1780 - 1781;Estate of Louis-César de La Baume Le Blanc, duc de La Vallière, French, 1708 - 1780 [sold, La Vallière sale, Paillet, Paris, February 21, 1781, lot 74, to Hypolite Delaroche.] 1781 -;Hypolite Delaroche, about 1761 - 1839 (Paris, France);Source: annotated RKD copy of La Vallière sale catalog, February 21, 1781. 1784 -;Desmarest, French, (Paris, France);Source: annotated RKD copy of supplement to sale catalog, April 14, 1784. by 1897;Martin H. Colnaghi, 1821 - 1908 (London, England);Source: Ripps, Michael J. "Bond Street Picture Dealers [...]." Ph.D. diss (University of Oxford, 2010), p. 40 by 1901;Forbes & Paterson (London, England) by 1907;Dowdeswell & Dowdeswell, Ltd. (London, England) by 1910;Kleinberger Galleries (Paris, France) by 1913 - 1924;Mrs. August de Ridder (Schönberg bei Cronberg, Germany, Frankfurt-am-Main, Germany) [sold, De Ridder sale, Georges Petit, Paris, June 2, 1924, lot 68.] 1924 -;Kleinberger Galleries (Paris, France);Source: Galerie Georges Petit, Paris. Catalogue des tableaux anciens [...] de Ridder. June 2, 1924 [GRI, annotated catalogue] by 1926 - 1983;A. Reimann (Stensbygaard, Stensved, Denmark), sold to Edward Speelman, Ltd., 1983. 1983;Edward Speelman, Ltd. (London, England), sold to the J. Paul Getty Museum, 1983. accnum_Qid: Q731126_83.PB.388 url: https://www.getty.edu/art/collection/objects/725/jan-steen-the-drawing-lesson-dutch-about-1665/ |
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