Altaussee Salt/Art Mine discovery after WW II
Lieutenants Kern & Sieber, Public domain, via Wikimedia Commons
What must it have been like for Samson Lane Faison, Jr., James S. Plaut, Theodore Rousseau, Jr. and Jean Vlug to watch their reports on Nazi art looting and art dealer networks be buried and lost?
Lieutenants Kern & Sieber, Public domain, via Wikimedia Commons
The ALIU reports contained names, dates, places, specific events, artworks - crucial information for tracking down looted art.
All classified. Hidden away. Inaccessible. Unknown. Unexplored.
What lesson could these museum men possibly have learned from Washington's treatment of their historic work?
On April 23, 2001, I phoned Professor Faison and told him the National Archives was issuing the next day a press release announcing the release of Microfilm Publication M-1782, “OSS Art Looting Investigation Unit Reports, 1945-46.” I told him the microfilmed records—including the detailed, consolidated, and final reports—were being made available on May 8, the 56th anniversary of the U.S. Army’s discovery of the salt mine at Alt Aussee, Austria, where the greatest concentration of Nazi plunder from Western Europe was concealed. I asked him if he minded me making his phone number available if I received press inquiries about the records and the work of the ALIU. He said at his age it was tough enough to get up to change the television channel, much less answer the phone regarding things he had done ages ago and which were well-documented in the records we were making available. So, yes, he did mind.
- "An Office of Strategic Services Monuments Man: S. Lane Faison"
This is the seventh in an ongoing series of posts on real-life Monuments Men. Today’s post is by Dr. Greg Bradsher. See related posts on Sir Charles Leonard Woolley, Walter J. Huchthausen, Seymour J. Pomrenze, Mason Hammond, Edith Standen, and Karol Estreicher.