Questions on the 241 works of art owned by the Republic of Austria

Answers to written parliamentary questions No 4024 - 4263 / J - NR / 1998 concerning works of art in Possession of the Republic of Austria 

for complete German text please see: https://www.parlament.gv.at/PAKT/VHG/XX/AB/AB_05184/fnameorig_135077.html

example of one artwork included in the Austrian list, with provenance, "collection of Martin Bormann"

(original text in German: "Die schriftlichen parlamentarischen Anfragen Nr. 4024 - 4263/J - NR/1998 betreffend Kunstwerke im Besitz der Republik Österreich, die die Abgeordneten Mag. Terezija Stoisits und Freundinnen am 15. März 1998 an mich richteten, wird wie folgt beantwortet:"...

** Below - after the list -  please find the original questions concerning the artworks published by the Austrian parliament)

For English readers, we jump immediately to the list:

Details of the 241 art objects

ÖSTERREICHISCHE GALERIE

Werk:                                    Portrait Kitty Rothschild

Künstler:                              John Quincy ADAMS

derzeit:                                  Österreichische Galerie Belvedere

angegebene Herkunft:        1975 Widmung von Eugène de Rothschild

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1975 Widmung von Eugène de Rothschild, Monte Carlo

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Schenkung stellt in keinem Konnex mit der Erlangung einer Ausfuhrbewilligung (Einfuhr nach

Österreich)

UK Spoliation Reports: The Princes Gate Collection and the Courtauld

In 1978 the Courtauld Institute received an important bequest from Count Antoine Seilern. Officially anonymous, it was to be presented as  "Bequeathed as part of the Princes Gate Collection".

At present, 277 of the artworks donated by Antoine Seilern (17 September 1901 – 6 July 1978) to the Courtauld have been found to have gaps in their 1933-1945 provenance. The artworks with provenance gaps are listed on the Collections Trust "Spoliation Reports for UK Museums" website for the Courtauld Gallery.
(above photo: cover of book The Princes Gate Collection)

Several of the artworks in the Spoliation Report for the Courtauld display a question concerning the Glaser collection.

"Under what circumstances was the Glaser collection sold?" 

Curt Glaser was a "physician and prominent art historian, an art critic, author of important art historical works and a well-known art collector" in addition to being the Director of the National Art Library in Berlin. A Jew, he fled into exile in 1933. (see: lootedart.com for the November 2012 SPK press release announcing the restitution of four artworks).


Below are the artworks listed by the Courtauld with the UK Spoliation Report provenance commentary.

Artworks "Bequeathed as part of the Princes Gate Collection, 1978" in Courtauld Gallery Spoliation Report

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Artist	Description	Reference	Provenance
after Mantegna	Man of Sorows	P.1978.PG.235	Where was this painting between 1933-45?;Materials: Tempera on linen;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 42.3 x 30.3;Provenance: Agnew, London;from whom acquired by Seilern in 1964.
Alessandro Magnasco	Landscape with Washerwomen	P.1978.PG.230	When was the picture acquired by F.M. Nichols?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Dimensions: 98 x 71.2;Provenance: Sir W. Burrell, sold Christie's, 12 June 1897 (65, as Marco Ricci).;It may have been sold to the same buyer as the previous lot, recorded as 'Turner', who may have been an agent for F. M. Nichols.;Sir Philip Nichols (Lawford Hall, Manningtree, when called S. Ricci);from whom acquired by Seilern in 1961.
Anthony van Dyck	Man of Sorows	P.1978.PG.104	Where was this painting between 1933-45?;Materials: Oil on paper;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 71 x 54;Provenance: Private collection, Genoa.;Acquired by Seilern through Hugelshofer, Switzerland, 1968.
Anthony van Dyck	Virgin and Child with a Bishop donor and St. Anthony Abbot	P.1978.PG.105	Where was this painting between 1933-41?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 19.4 x 22.3;Provenance: Alfred Scharf, London;from whom acquired by Seilern in 1941.
Attributed to Giovanni Battista Piranesi	Architectural sketch	D.1978.PG.142	Under what circumstances was the Glaser collection sold?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 21.8 x 24;Provenance: Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933, No. 473 (as by Domenico Fossati);where acquired by Seilern
Berthe Morisot	Reading the newspaper	D.1978.PG.242	Where was this drawing between 1933-45?;Materials: Watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 35.9 x 22.5;Provenance: In the artist's studio at her death (Lugt 1826);Rouart Collection, Paris;Dina Vierny;from whom acquired by Seilern in March 1950
Boscoli, Andrea (1550-1606)	Head of a young girl	D.1978.PG.104	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: None;Dimensions: 16.3 x 10.7;Provenance: Conte(?) Gelozzi or Gelosi, Turin, Acquired by Seilern from Mme Farnoushe(?) in Paris in October 1952
Camille Pissarro	Festival at l'Hermitage	P.1978.PG.318	Where was this painting between 1933-41?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 46.5 x 55.1;Provenance: Durand-Ruel, Paris.;Cassirer, Berlin, 1913.;Louis Ullstein, Berlin.;Grete Ring (Paul Cassirer Ltd), London;from whom acquired by Seilern in 1941.
Claude Lorrain	Pastoral scene in a clearing (recto), Study of a tree (verso)	D.1978.PG.416	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20 x 28.7;Provenance: Jonathan Richardson Snr.;F. Keppel, dealer, New York, 1915;Ruth Heidsieck, sale, Parke-Bernet, New York, 12 May 1960, No. 8 (or 85?);Where acquired by Marcel Röthlisberger;from whom acquired by Seilern in October 1961
Claude Lorrain	Clump of trees 1650	D.1978.PG.417	Where was this drawing between 1933-45?;Materials: Chalk (black) & wash (brown);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22 x 30.8;Provenance: Charles Morin?;New York art market, c.1960;Acquired by the London dealer Herbert N. Bier, together with Dr A Scharf in May 1962;from whom acquired by Seilern on 23 January 1963
Claude Lorrain (attributed to)	Study of a tree	D.1978.PG.216	Where was this drawing between 1933-45?;Materials: Graphite & bodycolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 38.7 x 24.2;Provenance: Sir Thomas Lawrence;William Esdaile, sale, Christie's, Part V, 30 June 1840, No.5 (?);W. Benoni White;Sir Edward Poynter;P. P. Matthiesen Ltd, London;from whom acquired by Seilern in May 1946
Correggio (Antonio Allegri)	Putto blowing a pipe (?)	D.1978.PG.353	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.2 x 15.3;Provenance: Colnaghi, London;from whom acquired by Seilern in May 1960
Correggio, Antonio Allegri	Christ;a study for 'The Coronation of the Virgin' c.1522	D.1978.PG.352	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Dimensions: 16 x 13.4;Provenance: J. Richardson Senior, The Earls Spencer, Althorp (George John, 2nd Earl Spencer), Lord David Cecil, sale, Sotheby's, 1 July 1965, No.154, where acquired through Colnaghi by Seilern
Cosimo Rosselli (attributed to)	Sheet of studies	D.1978.PG.347	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 8 x 7;Provenance: Colnaghi, London;from whom acquired by Seilern in 1960
David Teniers II, after Antonello	Sts. George or Liberalis and Sts. Rosalia or Cecilia	P.1978.PG.439	When did the picture enter the collection of the Earl of Wicklow?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 23.5 x 17.3;Provenance: Earl of Wicklow, Shelton Abbey, sold 1950;from whom bought by F.A. Drey, London;from whom acquired by Seilern in 1951.
David Teniers II, after Bassano	The Good Samaritan	P.1978.PG.433	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 18.1 x 24;Provenance: Marlborough sale, Christie's 26 July 1886 (2nd day, lot n. 149);where bought by Buck Archives.;Colnaghi, London;from whom acquired by Seilern in 1967.
David Teniers II, after Carracci(?)	Cupid overcoming Pan	P.1978.PG.431	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 22.2 x 16.8;Provenance: Marlborough sale, Christie's 1886;where bought by Agnew.;A. Stein, Paris;from whom acquired by Seilern in 1965.
David Teniers II, after Fetti	The Parable of the Wicked Husbandman	P.1978.PG.434	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 17.3 x 23.3;Provenance: Alfred Scharf, London;from whom acquired by Seilern in 1951.
David Teniers II, after Mantegna	St. Sebastian	P.1978.PG.441	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 22.9 x 16.7;Provenance: Marlborough sale, Christie's 1886;where bought by Grindlay.;Colnaghi, London;from whom acquired by Seilern in 1960.
David Teniers II, after Moroni	Portrait of a Sculptor	P.1978.PG.437	Where was this painting between 1933-45?;Materials: Oil on paper on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 16.5 x 11.5;Provenance: Marlborough sale, Christie's 26 July 1886. 2ND day of sale. Lot 104;where bought by Kellock.;Henri Leroux, Paris, sold Drouot, Paris, 1968 (122);where acquired by Seilern.
David Teniers II, after Palma Giovane(?)	Mary Magdalen in Ecstasy	P.1978.PG.440	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 23.2 x 18.5;Provenance: Marlborough sale, Christie's 1886.;Henri Leroux, Versailles.;Sale Dorotheum, Vienna, September 1970 (122);where acquired by Seilern.
David Teniers II, after Reni	Susannah and the Elders	P.1978.PG.442	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 17 x 22.9;Provenance: Marlborough sale, Christie's 1886;where bought by Murray.;Johann Stumpf, sold Lepke, Berlin, 1918 (15).;Colnaghi, London;from whom acquired by Seilern in 1966.
David Teniers II, after Schiavone	Aeneas and Anchises	P.1978.PG.430	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 23 x 16.9;Provenance: Marlborough sale, Christie's 1886;where bought by Grindlay.;Colnaghi, London;from whom acquired by Seilern in 1960.
David Teniers II, after Titian	Portrait of a Man	P.1978.PG.436	When and under what circumstances did the painting enter and leave the private collection in Paris?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 22.6 x 17;Provenance: Private coll. Paris, 1937.;Colnaghi, London;from whom acquired by Seilern in 1960.
David Teniers II, after Varotari(?)	Ecce Homo	P.1978.PG.432	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 23 x 17;Provenance: Marlborough sale, Christie's, 1886 (lot n. 189);where bought by Harle.;Sale Christie's, 26 February 1960 (lot n.136) (different properties);David Carritt;from whom acquired by Seilern (through M. Koblitz, London) in 1960.
David Teniers II, after Veronese	Adam and Eve after the Expulsion	P.1978.PG.429	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 22.9 x 31.3;Provenance: Marlborough sale, Christie's 1886;where bought by Talbott.;Private collection, London.;W. Burchard, London/Farnham;from whom acquired by Seilern in 1961.
Domenico Fetti	Parable of the Sower of Tares	P.1978.PG.121	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 60.4 x 44.4;Provenance: Mrs Ruth Spratting of Ethingham Court, Finchley, London, Christie's, 2 April 1948 (lot n.143).;Alfred Scharf, London;from whom acquired by Seilern in 1951.
Domenico I Piola	Kitchen still-life	D.1978.PG.124	Under what circumstances was the Glaser collection sold?;Materials: Pen and ink & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 18 x 28.9;Provenance: Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933, No. 483 (as Genoese 17th century);where acquired by Seilern
Dyck, Anthony van (1599-1641)	Saint Mary Magdalene 1628-32	D.1978.PG.328	Where was this drawing between 1933-45?;Materials: Chalk (black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.9 x 22;Provenance: De Beer Fine Art Ltd, London, from whom acquired by Seilern in March 1963
Dyck, Anthony van (1599-1641)	Christ on the cross with Saint Mary Magdalene (recto), Landscape (verso)	D.1978.PG.329	Where was this drawing between 1933-45?;Materials: Pen and ink (brown) (recto and verso);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.2 x 18.9;Provenance: Colnaghi, London, from whom acquired by Seilern in February 1965
Dyck, Anthony van (1599-1641)	Sheet of studies after Giulio Romano	D.1978.PG.393	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.3 x 15.2;Provenance: Jean Pierre Mariette (Lugt 1852), Sotheby's, Yvonne Tan Bunzl, from whom acquired by Seilern in July 1969
Dyck, Anthony van (1599-1641), attributed to	Martyrdom of Saint Lawrence	D.1978.PG.327	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 37.8 x 27.9;Provenance: Pierre Crozat, sale, Paris, 10 April - 13 May 1741, No. 823, Adolphe Stein, Paris, from whom acquired by Seilern in November 1967
Edouard Manet	Au Bal	P.1978.PG.233	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 55.7 x 35.5;Provenance: Manet's studio sale, Feb. 1884;bought by Le Meilleur.;Private collection, Austria.;Acquired by Seilern before 1960.
EugËne Delacroix	Sheet with two studies of a female nude	D.1978.PG.234	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25.7 x 38.4;Provenance: Sale of the contents of the artist's studio after his death, Paris, 17-29 February 1864;Acquired by Seilern c.1954
EugËne Delacroix	Two branches with leaves	D.1978.PG.235	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25.3 x 39.2;Provenance: Sale of the contents of the artist's studio after his death, Paris, 17-29 February 1864;Acquired by Seilern from de Bayser, Paris, through Arthur Goldschmidt, October 1953
EugËne Delacroix	Moroccan Jewess	D.1978.PG.419	Where was this drawing between 1933-45?;Materials: 26.8 x 19.6;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: Watercolour;Provenance: Charles F. Worel, London;from whom acquired by Seilern in December 1964
EugËne Delacroix	Copy of the child from Rubens' 'La Vierge au Perroquet	D.1978.PG.420	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.5 x 19.2;Provenance: Estate of the artist;H. Larraine, Indochina;John Rewald, sale, Sotheby's, 7 July 1960, No.28;where acquired through Colnaghi by Seilern
Flemish School	Landscape with St. Onophrius	P.1978.PG.124	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 16.7 x 19.3;Provenance: Sale Gallery Georges Giroux, Brussels, 1/2 March 1957;where bought by W. Burchard;from whom acquired by Seilern in 1957.
Fra’ Bartolomeo	Approach to a mountain village	D.1978.PG.83	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 29.1 x 20.5;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957, No. 2;where acquired by Seilern
Fra’ Bartolomeo	Tree in winter c.1504	D.1978.PG.84	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 28.7 x 21.2;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957;where acquired by Seilern
Fra’ Bartolomeo	Northern village (recto), Town on the banks of a river (verso)	D.1978.PG.85	Where was this drawing between 1933-45?;Materials: Pen and ink (recto and verso);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 26.8 x 20.2;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957, No.24;where acquired by Seilern
Fra’ Bartolomeo	Path between rocks	D.1978.PG.86	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.4 x 29;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957;where acquired by Seilern
Fra’ Bartolomeo	Windswept bank	D.1978.PG.87	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20.4 x 28;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957;where acquired by Seilern
Fra’ Bartolomeo	Sweep of a river with fishermen and a town in the background c.1504	D.1978.PG.88	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.1 x 29;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957, No.36;where acquired by Seilern
Fra’ Bartolomeo	Steep rise of rocky ground (recto), Buildings and a hayrick (verso)	D.1978.PG.89	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.5 x 29.3;Provenance: Private collection in Southern Ireland, 1925;Sale, Sotheby's, 20 November 1957;where acquired by Seilern
Fra’ Bartolomeo	Study for Saint Mary Magdalene (recto and verso)	D.1978.PG.348	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23 x 18;Provenance: Jonathan Richardson the Elder;The Marquess of Northampton, D.S.O., sale, Christie's, 1 May 1959, No. 2;where acquired through Colnaghi by Seilern
Fra’ Bartolomeo	Study for 'Saint Mark'	D.1978.PG.349	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17 x 11.2;Provenance: Petzold collection, Vienna;Sale, Gilhofer and Ranschburg, Vienna, 16 March 1908, No.15;Meslen;Leopold Blumka;Oscar von Bondy, Vienna;Wildenstein & Co., London;from whom acquired by Seilern in January 1961
Francesco dai Libri the Elder, formerly attributed to Bernardino di Jacopo Butinone	Entombment 1480-1500	D.1978.PG.346	Where was this drawing between 1933-45?;Materials: Watercolour & gold leaf;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.1 x 12;Provenance: Don Domenico Ricci, Treviso?;John Walter, sale, Sotheby's, 2 February 1960, No. 249;Colnaghi, London;from whom acquired by Seilern in February 1960
Francesco de Mura	Rest on the Flight into Egypt	P.1978.PG.281	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 47.2 x 63.2;Provenance: Acquired by Seilern through Dr. Zarnowski, Paris, 1950.
Francesco Guardi	Peasants (?) dancing	D.1978.PG.134	Where was this drawing between 1933-45?;Materials: Graphite & pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 24.6 x 17.7;Provenance: Colnaghi, London;from whom acquired by Seilern in August 1949
Francesco Guardi	Saint Mark	D.1978.PG.135	Where was this drawing between 1933-45?;Materials: Graphite & brush and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27 x 25.8;Provenance: The Archbishop of Belluno, sold Ongania, Venice, 1878;Count Wodinski;Mr Ritchie;Colnaghi, London;from whom acquired by Seilern in May 1950
Francesco Guardi	Archway with figures	D.1978.PG.136	Did Fauchier-Magnan own this drawing by 1933?;When was it acquired by Partridge?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 35 x 26.8;Provenance: A. Fauchier-Magnan, Paris, sale, Sotheby's, 4 December 1935, No. 24;Frank Partridge and Sons, London;from whom acquired through Alfred Scharf by Seilern in October 1941
Francesco Guardi	Landscape capriccio	D.1978.PG.137.1	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.4 x 7.3;Provenance: Sir Algernon Peyton, Bt.;Colnaghi, London;from whom acquired by Seilern in December 1951
Francesco Guardi	Landscape capriccio	D.1978.PG.137.2	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.4 x 7.3;Provenance: Sir Algernon Peyton, Bt.;Colnaghi, London;from whom acquired by Seilern in December 1951
Francesco Guardi	Feast of Ascension Day	D.1978.PG.138	Where was this drawing between 1933-45?;Materials: Pen and ink & wash & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 19.6 x 38.8;Provenance: Marius Paulme (Lugt 1910), sale, Paris, Georges Petit, 11-13 May 1929, No. 100;Where acquired by R. Owen, London;H. R. Chapman, New York;A. & R. Ball, New York;from whom acquired through A. Goldschmidt by Seilern in April 1950
Francesco Guardi	Bull baiting	D.1978.PG.139	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 16.9 x 28.6;Provenance: F. Cavendish-Bentinck;Langton Douglas (?);Dr A. Scharf, London;from whom acquired by Seilern in February 1940
Francesco Guardi	Scenes of bull baiting	D.1978.PG.140	Where was this drawing between 1933-45?;Materials: Chalk (red) & pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 16 x 30.4;Provenance: Vernon Wethered;Colnaghi, London;From whom acquired by Seilern in April 1954
Francesco Guardi	Lagoon capriccio	D.1978.PG.141	Where was this drawing between 1933-45?;Materials: Graphite & pen and ink & watercolour & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.3 x 18.7;Provenance: The Earl of Warwick;Mrs Frances L. Evans;Colnaghi, London;from whom acquired by Seilern in April 1955
Francesco Guardi	River scene	D.1978.PG.388	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.5 x 36.7;Provenance: Sale of various collections, Frederik Muller & Cie., Amsterdam, 5 and 6 July 1927, part II, No. 218;Walters (?) Collection;Sale, Christie's, 7 July 1959, No. 15 (different properties);where acquired through Colnaghi by Seilern
Francesco Guardi	Venetian scene	D.1978.PG.389	Where was this drawing between 1933-45?;Materials: Pen and ink & graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25 x 8.3;Provenance: W. Benoni White? (d.1880);Colnaghi, London;from whom acquired by Seilern in July 1960
Francesco Guardi	Macchiette	D.1978.PG.403	When did Greeley own the drawing?;Where was it 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 16 x 10.7;Provenance: Marquis de Gouy d'Arsy;Russell Greeley;Sale, Sotheby's, 26 June 1969, No. 7;where acquired through Colnaghi by Seilern
Francisco Jose de Goya y Lucientes	Page from a sketchbook - Cantar y bailar	D.1978.PG.256	Where was this drawing between 1933-45?;Materials: Graphite & pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23.4 x 14.5;Provenance: E. Calando, sale, Paris (Roblin), 11 December 1899, No. 75;A. Goldschmidt;from whom acquired by Seilern in March 1953
Franz Wiegele	Portrait study of a lady	D.1978.PG.272	Did Frankl acquire the drawing from the artist?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 42.8 x 25.2;Provenance: Dr Emil Frankl, Vienna;from whom acquired by Seilern in 1939
Franz Wiegele	Female nude, standing	D.1978.PG.273	Did Frankl acquire the drawing from the artist?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 41.4 x 24.5;Provenance: Dr Emil Frankl, Vienna;from whom acquired by Seilern in 1939
Franz Wiegele	Female nude, lying down	D.1978.PG.274	Did Frankl acquire the drawing from the artist?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.8 x 38.2;Provenance: Dr Emil Frankl, Vienna;from whom acquired by Seilern in 1939
French School 18th Century, formerly attributed to Watteau	Nymph - after Giulio Romano	D.1978.PG.225	Where was this drawing between 1933-45?;Materials: Graphite & chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22 x 22.7;Provenance: David Carritt, London;from whom acquired by Seilern in December 1952
Gabriel Jacques de Saint-Aubin	Statue in the Tuileries Gardens	D.1978.PG.228	Did Fauchier-Magnan own the drawing by 1933?;Materials: Graphite & pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20.2 x 13;Provenance: Anonymous sale, Paris, 3-4 June 1920 (200);A. Fauchier-Magnan, sale, Sotheby's, 4 December 1935 (51);where acquired by Seilern
Giovanni Battista Crosato	Saint Charles Borromeo	D.1978.PG.127	Under what circumstances was the Glaser collection sold?;Materials: Pen and ink & watercolour & graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 21 x 17.4;Provenance: Unknown Austrian (?) collection;Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933, No.443;where acquired by Seilern
Giovanni Battista Piranesi	Sheet of studies	D.1978.PG.144	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.2 x 23.7;Provenance: Given to Seilern by Mme Zarnowska in memory of her husband, Dr Jan Zarnowski
Giovanni Battista Piranesi	Study of monks	D.1978.PG.145.1	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12 x 14.5;Provenance: Given to Seilern by Mme Zarnowska in memory of her husband, Dr Jan Zarnowski
Giovanni Battista Piranesi	Study of a monk	D.1978.PG.145.2	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.3 x 4.9;Provenance: Given to Seilern by Mme Zarnowska in memory of her husband, Dr Jan Zarnowski
Giovanni Battista Piranesi	Study of monks	D.1978.PG.145.3	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.3 x 10.4;Provenance: Given to Seilern by Mme Zarnowska in memory of her husband, Dr Jan Zarnowski
Giovanni Battista Piranesi	Nine fragments of a study of monks	D.1978.PG.145.4	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: -;Provenance: Given to Seilern by Mme Zarnowska in memory of her husband, Dr Jan Zarnowski
Giovanni Battista Piranesi	Man standing	D.1978.PG.146	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 18.1 x 8;Provenance: Given to Seilern by Mme Zarnowska in memory of her husband, Dr Jan Zarnowski
Giovanni Battista Pittoni	The Holy Family	P.1978.PG.323	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 70.9 x 56;Provenance: Goldschmidt, Paris;from whom acquired by Seilern in 1959 as S. Ricci.
Giovanni Battista Pittoni	The Adoration of the Shepherds	P.1978.PG.324	Where was this painting between 1933-45?;Materials: Oil on canvas on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 17.8 x 8.9;Provenance: Possibly with the Arcade Gallery, London, where exhibited in 1943 (18).;Richard Buckle, sold Sotheby's, April 1951 (93);where acquired by Seilern.
Giovanni Battista Pittoni the Younger	Sheet of studies with heads of angels and arms	D.1978.PG.129	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.5 x 35;Provenance: Colnaghi, London;from whom acquired by Seilern in July 1951
Giovanni Battista Tiepolo	Allegory of the Power of Eloquence	P.1978.PG.445	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 49.2 x 70.8;Provenance: Private coll., Madrid.;Private coll., Zurich.;Acquired by Seilern through Hugelshofer, Zurich, 1959.
Giovanni Battista Tiepolo	St Aloysius Gonzaga in Glory	P.1978.PG.447	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 58.1 x 44.6;Provenance: Presumably (inscription on verso) the family of Andrea Fantoni, from 1735;by descent at Casa Fantoni, Rovetta, near Bergamo.;W. Burchard, London/Farnham;from whom acquired by Seilern in 1953.
Giovanni Battista Tiepolo	St. Roch	P.1978.PG.448	What was the precise date that Zoubow acquired the picture?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 44.6 x 32.7;Provenance: Francis Capel-Cure;by whom sold at Christie's, London, May 6 1905 (66);where bought by Hofantiquar J. Bohler, Munich;from whom bought by Baron von Stumm, Holzhausen in 1906.;Count Zoubow, Paris, by c.1932;from whom acquired by Seilern in 1952.
Giovanni Battista Tiepolo	The Martyrdom of St. Agatha	P.1978.PG.449	When and under which circumstances did the picture leave the private collection in Vienna?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 48.9 x 30;Provenance: Private coll. Vienna;Exhibited at the Gallery Sanct Lucas, Vienna 1937;from which acquired by Broglio coll., Paris in c.1945;Agnew, London;from whom acquired by Seilern in 1969.
Giovanni Battista Tiepolo	The Martyrdom of St. Clement	P.1978.PG.450	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 61.1 x 34.4;Provenance: Cheremetiev coll., Russia(?);Sale Fievez, Brussels, 10 December, 1928 (73);Nicholson, London.;J. Bass, sold Parke-Bernet, New York, 25 Jan. 1945 (3).;Sale Sotheby's, 24 June 1970 (34);where acquired by Seilern.
Giovanni Battista Tiepolo	St. Charles Borromeo meditating on the Crucifix	P.1978.PG.452	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 63.4 x 38.3;Provenance: Francisco Bayeu (1734-95);acquired from his executors by Leonardo Chopinot.;South American coll.(?);F. Drey, London;from whom acquired by Seilern in 1948/9.
Giovanni Battista Tiepolo	St. Paschal Baylon's vision of the Eucharist	P.1978.PG.454	When and where was the picture acquired by Bernheim?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 63.6 x 38.7;Provenance: Francisco Bayeu;acquired from his executors by Leonardo Chapinot.;Hulot coll., 1800, sold G. Petit, Paris, May 1892 (141).;Private coll. Brazil.;Bernheim, Milan;from whom acquired by Seilern in 1937.
Giovanni Battista Tiepolo	The Stigmatization of St. Francis	P.1978.PG.455	When and where was the picture acquired by Bernheim?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 63.5 x 38.9;Provenance: Francisco Bayeu;acquired from his executors by Leonardo Chapinot.;Hulot coll., 1800, sold G. Petit, Paris, May 1892 (141).;Private coll. Brazil.;Bernheim, Milan;from whom acquired by Seilern in 1937.
Giovanni Battista Tiepolo	Two Heads of Angels	P.1978.PG.456	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 51.4 x 42.4;Provenance: Tomas Harris, London, 1928/9.;F. Rothmann, Berlin.;Caspari, Munich.;Frey, Paris.;A.C. Canessa, Rome;from whom acquired by Seilern in 1959.
Giovanni Niccolo’ Servandoni (attributed to)	Study of a park scene	D.1978.PG.226	Where was this drawing between 1933-37?;Materials: Chalk (red and black) & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25.5 x 39.1;Provenance: Victor Koch;from whom acquired by Seilern in 1937
Giovanni Paolo Pannini	Interior of the Pantheon	D.1978.PG.130	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 33.4 x 26.1;Provenance: De Burlett, Basel;from whom acquired by Seilern in 1946
Girolamo Muziano (reworked by Peter Paul Rubens)	Raising of Lazarus 1600-08	D.1978.PG.51	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 34.4 x 40.4;Provenance: P. H. Lankrink (Lugt 2090);Johannes Goldsche, Berlin;Frau Wanda Goldsche, Berlin;from whom acquired by Seilern in July/August 1953
Giuseppe Bernardino Bison	Group of figures with Bacchus	D.1978.PG.147	Under what circumstances was the Glaser collection sold?;Materials: Pen and ink & watercolour & chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 26.4 x 19.8;Provenance: Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933, No. 399;where acquired by Seilern
Giuseppe Bernardino Bison	Flight into Egypt	D.1978.PG.148	Under what circumstances was the Glaser collection sold?;Materials: Pen and ink & watercolour (brown);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 23.7 x 18.2;Provenance: Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933, No. 400;where acquired by Seilern
Giuseppe Bernardino Bison	Landscape with a leaning tree	D.1978.PG.390	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20.7 x 23.1;Provenance: Colnaghi, London;from whom acquired by Seilern in November 1961
Hendrik van Steenwyck	St. Jerome in his Study, 1624	P.1978.PG.423	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 27 x 21.7;Provenance: Sale Sotheby's, 30 June 1948 (87);where acquired by Seilern.
Henri de Toulouse-Lautrec	Study of an ox	D.1978.PG.246	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20 x 29;Provenance: The artist's family, from whom acquired by;A private collector, Marseilles;Possibly L. Lichtenhan, Basle;from whom acquired perhaps by Seilern 1949/1961
Henri de Toulouse-Lautrec	Sketch for a portrait of a lady	D.1978.PG.247	Where was this drawing between 1933-45?;Materials: Crayon (blue);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Dimensions: 10.9 x 10;Provenance: M. Gobin, Paris;M. Pierre Geismar, ParisGalerie Quatre-Chemins (Editart), Paris, 1949;Arthur Goldschmidt, Paris;from whom acquired by Seilern in 1950
Henri de Toulouse-Lautrec	Head of a guinea-fowl	D.1978.PG.248	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.3 x 27.4;Provenance: Maurice Bunau-Varilla, Paris, sale, 9-10 July 1947 (9) Possibly L. Lichtenhan, Basle;from whom acquired perhaps by Seilern 1949/1961
Hieronymus Bosch (Hieronymus van Aken)	Saint Christopher	D.1978.PG.178	Where was this drawing between 1933-45?;Materials: Pen and ink & charcoal (or graphite);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17 x 12.7;Provenance: Marquis Charles de Valori, whose name also appears in writing on the verso;Colnaghi, London;from whom acquired by Seilern in June 1958
Hubert Robert	Study of a portico (recto), A parrot (verso)	D.1978.PG.231	Where was this drawing between 1933-45?;Materials: graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.7 x 11;Provenance: H. Destailleur, sale, Paris, 26-27 May 1893 (102)(?);Louis Deglatigny, Rouen (1854-1936);Sale, Klipstein, Berne, 28 April 1955 (381);where acquired through Colnaghi by Seilern
Hubert Robert	Terrace in an Italian garden	D.1978.PG.232	Did Fauchier-Magnan own this drawing by 1933?;Materials: chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.7 x 10.1;Provenance: A. Fauchier-Magnan, sale, Sotheby's, 4 December 1935 (15, as Fragonard);where acquired by Seilern
Hugo van der Goes	Seated female saint c.1475	D.1978.PG.314	Where was this drawing between 1933-35?;Materials: Brush and ink & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23 x 18.9;Provenance: Private Collection, France;M. Ludwig Rosenthal (Louis V. Randall), Berne by 1935 until at least 1953;Sale, Sotheby's, 10 May 1961, No. 4;where acquired through Colnaghi by Seilern
Italian School 17th Century	Lamentation	D.1978.PG.114	Under what circumstances was the Glaser collection sold?;Materials: Chalk (black) & pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 9 x 12.7;Provenance: Curt Glaser collection, sale, Max Perl, Berlin, 18-19 May 1933, No. 535;where acquired by Seilern.
Italian School 17th Century (Venice)	Seated man seen from behind	D.1978.PG.368	Where was this drawing between 1933-45?;Materials: Chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 28.9 x 19.7;Provenance: Sir Joshua Reynolds;P. Huart? (Lugt 2084);Vicomte B. d'Hendecourt, sale, Sotheby's, 8 May 1929, No. 294;Savile Gallery, London;C. R. Rudolf (Lugt Suppl., 2811b on the mount), sale, Sotheby's, 21 May 1963 (14);where acquired through Colnaghi by Seilern
Italian School 18th Century, formerly attributed to Giovanni Battista Tiepolo (1696-1700)	Hermit seated under a tree	D.1978.PG.379	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 30.3 x 26.2 cm;Provenance: Paul Prouté (Paris), purchased there by Colnaghi (London), 30 May 1961, purchased there by Count Antoine Seilern (1901-1978), 6 July 1961 (£2,000), Princes Gate Bequest 1978
Italian school, 17th century	Portrait of a Man	P.1978.PG.200	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 56.6 x 49.5;Provenance: Colnaghi, London;from whom acquired by Seilern in 1951.
Jacob de Wit	Set of 37 watercolours after Rubens's ceiling paintings for the Jesuit Church, Antwerp	D.1978.PG.428.1-37	When and where was the acquired by Colnaghi?;Materials: Watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: -;Provenance: P.J.Thellusson, created Baron Rendlesham 1806;by descent to Lord Rendlesham;Colnaghi, London;from whom acquired by Seilern in 1936
Jacob Savery	Landscape with two peasants and a dog	D.1978.PG.317	Where was this drawing between 1933-45?;Materials: Pen and ink & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 19.4 x 31;Provenance: Charles Hanbury Williams, MP;Sale, Sotheby's, 26 June 1957 (4);W. Katz, London;from whom acquired by Seilern in 1957
Jacob Savery, formerly attributed to Pieter Bruegel the Elder	Rocky landscape with a castle 1564	D.1978.PG.12	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.5 x 19.2;Provenance: J. P. Heseltine and Dr Paul Richter, sale, F Müller & Cie., Amsterdam, 27-28 May 1913, No. 70;Eisler Collection, Vienna;Colnaghi, London;From whom acquired by Seilern in November 1951
Jacob Savery, formerly attributed to Pieter Bruegel the Elder	Landscape with a town	D.1978.PG.316	Where was this drawing between 1933-45?;Materials: Bequeathed as part of the Princes Gate Collection, 1978;Acquisition: Pen and ink;Additional information: -;Dimensions: 14.4 x 18.9;Provenance: 1874 in a sale at the Hôtel Drouot in Paris;Dr E.S., Aveyron, France;Dr Otto Wertheimer, Paris;From whom acquired by Seilern in April 1955?
Jacob Savery, formerly attributed to Pieter Bruegel the Elder	Landscape with a castle on a rock	D.1978.PG.320	Where was this drawing between 1933-45?;Materials: 7.5 x 17;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: Pen and ink;Provenance: Colnaghi, London;From whom acquired by Seilern in March 1959
Jacopo Bassano (Jacopo da Ponte)	Gondolier	D.1978.PG.98	Where was this drawing between 1933-45?;Materials: Chalk (black and red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 36.8 x 21.5;Provenance: John Bayley;Robert Crozier, President of the Manchester Academy of Fine Arts;A. G. B. Russell, sale, Sotheby's, 9 June 1955, No.11;where acquired through Colnaghi by Seilern
Jacopo Sansovino (Jacopo d’Antonio Tatti)	Studies of two nude figures (recto and verso)	D.1978.PG.351	Where was this drawing between 1933-45?;Materials: Chalk (red) (recto and verso);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.8 x 25.9;Provenance: Sir Joshua Reynolds;Dr and Mrs Francis Springell, sale, Sotheby's, 28 June 1962 (19, as by Andrea del Sarto);where acquired through Colnaghi by Seilern
Jacopo Tintoretto	Esther before Ahasuerus	P.1978.PG.457	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 18 x 49.7;Provenance: Sale Christie's, 14 March 1952 (69, as Schiavone);when acquired by Seilern.
Jacopo Tintoretto (Jacopo Robusti)	Study for an angel in 'The Resurrection'	D.1978.PG.101	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.2 x 18.2;Provenance: Sir Joshua Reynolds;Tomás Harris, by whom sold to;Savile Gallery, London;Alfred Scharf, London;from whom acquired by Seilern in 1949
Jacopo Tintoretto (Jacopo Robusti)	Man seated	D.1978.PG.369	Where was this drawing between 1933-45?;Materials: Chalk (black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 26.8 x 19;Provenance: Sir Thomas Barlow;Dr and Mrs Francis Springell, sale, Sotheby's, 28 June 1962 (23);where acquired through Colnaghi by Seilern
Jacopo Tintoretto (Jacopo Robusti)	Study of a male figure bending forward	D.1978.PG.370	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25 x 20.1;Provenance: Julius Bär & Co.;Arthur Goldschmidt, Paris;from whom or through whom acquired by Seilern in 1959
Jacopo Tintoretto (Jacopo Robusti)	Studies after Michelangelo's 'Samson and the Philistines	D.1978.PG.99	Where was this drawing between 1933-45?;Materials: Chalk (black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 45.2 x 27.4;Provenance: Arthur Goldschmidt, Paris;from whom acquired by Seilern in 1954
Jean Antoine Watteau	Three studies of a soldier	D.1978.PG.217	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.4 x 20.4;Provenance: Contat-Desfontaines collection;Colnaghi, London;from whom acquired by Seilern in 1950
Jean Antoine Watteau	Sheet of studies with two comedians	D.1978.PG.218	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: The reference to 'Me Wateau' comes from Parker-Mathey, I, 86;Dimensions: 15.8 x 11;Provenance: Me Wateau;Private collection, USA;Wolfgang Burchard, London;from whom acquired by Seilern in 1956
Jean Antoine Watteau	Female head and some trees (head after Rubens)	D.1978.PG.219	Did Fauchier-Magnan own this drawing by 1933?;Materials: Chalk (red) & pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.8 x 13.3;Provenance: A. Fauchier-Magnan, sale, Sotheby's, 4 December 1935 (75);where acquired by Seilern
Jean Antoine Watteau	Friar, standing	D.1978.PG.220	Did Fauchier-Magnan own this drawing by 1933?;Materials: Graphite & chalk (red and black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 33.4 x 23.3;Provenance: Miss James, sale, Christie's, 22 June 1891 (304);J.P.Heseltine;A.Fauchier-Magnan, sale, Sotheby's, 4 December 1935 (65);where acquired by Seilern
Jean Antoine Watteau	Satyr pouring wine	D.1978.PG.221	Did Fauchier-Magnan own this drawing by 1933?;Materials: Chalk (black, red and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 28.5 x 21.1;Provenance: H.Michel Levy, sale, Paris, 12-13 May 1919 (pl.116);A.Fauchier-Magnan, sale, Sotheby's, 4 December 1935 (66);where acquired by Seilern
Jean Antoine Watteau	Three studies of female figures	D.1978.PG.222	Where was this drawing between 1933-38?;Materials: Chalk (red and black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.7 x 18;Provenance: Jacques Doucet, sale, Georges Petit, Paris, 5 June 1912 (63);Mortimer L. Schiff, New York, sale, Christie's 24 June 1938 (55);where acquired by Seilern
Jean Antoine Watteau	Male head - after Rubens	D.1978.PG.223	Where was this drawing between 1933-45?;Materials: Chalk (black and red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.5 x 13;Provenance: F.L.Berry, sale, Christie's, 12 June 1936 (86);W.J.Stoye, Oxford, sale, Sotheby's, 2 July 1958 (44a);where acquired by Seilern
Jean Antoine Watteau	Sheet of studies after old masters	D.1978.PG.224	Where was this drawing between 1933-37?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.5 x 29;Provenance: Victor Koch;from whom acquired by Seilern in 1937
Jean Antoine Watteau	Study of a female figure, standing (recto), Study of a park (verso)	D.1978.PG.418	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.8 x 8.2;Provenance: Colnaghi, London;from whom acquired by Seilern in 1964
Jean Honoré Fragonard	La Résignée - the artist's daughter, Rosalie (?) 1785	D.1978.PG.229	Where was this drawing between 1933-December 1936?;When did Baron Vitta acquire this drawing?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.5 x 17.2;Provenance: Pierre Decourcelle, sale, Paris, Georges Petit, 29-30 May 1911, No. 89E. M. Hodgkins sale, Paris, Georges Petit, 30 April 1914, No. 26Sotheby's, 9 December 1936, No. 50 (Vendor: Baron Vitta)Where acquired by Dufoisfrom whom acquired by Seilern that year.
Jean Honoré Fragonard	Shaded Walk ('L'Allée Ombreuse') 1775-80	D.1978.PG.230	Where was this drawing between 1933-45?;Materials: Watercolour & graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 16.6 x 14.9;Provenance: E. Rodrigues (Lugt 897)Jacques Guérin, sale, 20 December 1922 (No.56, as H. Robert) Albert Henraux Tony Mayer, Paris, sale, Charpentier, 3 December 1957, No.3where acquired through Arthur Goldschmidt by Seilern
Johan Barthold Jongkind	Landscape (recto), Landscape (verso)	D.1978.PG.412	Where was the drawing 1933-45?;Materials: Charcoal & graphite & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 29.2 x 47.6;Provenance: Private continental collection;Mr and Mrs Beni Ferenczy, Budapest;from whom acquired through Franz Lessner, Vienna, by Seilern in March 1964
Lambert Jacobsz.	Abigail and Nabal	P.1978.PG.201	When and where was the picture acquired by the Frohlich Gallery?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 55.3 x 67.5;Provenance: English art market.;Frohlich Gallery, Vienna;from whom acquired by Seilern in 1935.
Lorenzo Lotto	Portrait of a young man 1508-10	D.1978.PG.90	Where was this drawing between 1933-45?;Materials: Chalk (black, white and red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 33.5 x 29.9;Provenance: William Russell;Henry Wagner;A. G. B. Russell, sale, Sotheby's, 9 June 1955, No. 6;where acquired through Colnaghi by Seilern
Lorenzo Lotto	The Holy Family with St. Anne	P.1978.PG.224	When was the picture acquired by Hoffman?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 61.3 x 82.6;Provenance: A. Hoffman, Vienna, by 1936;from whom acquired by Seilern in 1949 (through J. Wilde).
Lovis Corinth	Centaurs embracing 1911	D.1978.PG.263	Under what circumstances was the Glaser collection sold?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;Dimensions: 48.3 x 33.4;Provenance: Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933, No.757;where acquired by Seilern
Marco Zoppo	St. Sebastian	P.1978.PG.489	Where was this painting between 1933-45?;Materials: Unidentified paint surface on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 41.9 x 31.4;Provenance: Venice, 18th century.;Purchased in Venice by John Skippe.;H. Hanbury-Martin.;H.E.M. Benn.;Horrace Buttery, London;from whom acquired by Seilern in 1951.
Michelangelo Buonarroti	Christ on the cross	D.1978.PG.423	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 42.5 x 29.7;Provenance: Casa Buonarroti;J. B. J. Wicar;Sir Thomas Lawrence;S. Woodburn;Dutch Royal Collection (19th century);Late R. M. Smith, sale, Sotheby's, December 1964, No. 121;where acquired through Colnaghi by Seilern
Michelangelo Buonarroti	Aeneas and Cupid	D.1978.PG.425	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 10 x 7.6;Provenance: Ferrucio Asta (Lugt Suppl., 119a);Dr and Mrs Victor Bloch, sale, Sotheby's, 12 November 1964, No. 32;where acquired through Colnaghi by Seilern
Michelangelo Buonarroti	Christ on the cross	D.1978.PG.426	Where was this drawing between 1933-40?;Materials: Chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.5 x 23.4;Provenance: Alfred Scharf;from whom acquired through A. J. Ehrenfeld by Seilern in March 1940
Michelangelo Buonarroti (modern forgery in the manner of?)	Virgin and Child	D.1978.PG.421	Where was this drawing between 1933-45?;Materials: Chalk (red) & pen and ink (brown);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 16.5 x 7.5;Provenance: Colnaghi, London;from whom acquired by Seilern in November 1970
Moretto da Brescia (Alessandro Bonvicino), formerly attributed to Carpaccio	Virgin and Child with saints	D.1978.PG.91	Where was this drawing between 1933-37?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 13 x 17.3;Provenance: John Thane;Sir Thomas Lawrence;J. P. Heseltine;Victor Koch;from whom acquired by Seilern in 1937
Morisot, Berthe	Young girl sewing	D.1978.PG.241	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Dimensions: 22.6 x 32;Provenance: Rouart Collection, ParisDina Viernyfrom whom acquired by Seilern in March 1950?
Nicolas Antoine Taunay	Page from a sketchbook	D.1978.PG.233	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.8 x 18.3;Provenance: G.Soulier (according to collector's mark);Patrick de Bayser, Paris;from whom apparently acquired by Seilern in 1950
Oskar Kokoschka	Market in Tunis	P.1978.PG.207	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 86.5 x 129;Provenance: Marcell von Nemes, Munich.;Grete Ring, London;from whom acquired by Seilern in 1939/45.
Pablo Picasso	Pigs c.1906	D.1978.PG.264	Where was this drawing between 1933-45?;Materials: Charcoal;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.3 x 27.3;Provenance: Miss Gertrude Stein;Berggruen & Cie, Paris;from whom acquired through A. Goldschmidt by Seilern in May 1954
Pablo Picasso	Female nude with her arm resting on a chair 1920-21	D.1978.PG.265	Where was the drawing 1933-March 1941?;Materials: Charcoal;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 32 x 24.6;Provenance: Acquired through Alfred Scharf by Seilern in March 1941?
Palma Giovane (Jacopo Negretti)	Raising of the Cross	D.1978.PG.372	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 19.3 x 30.5;Provenance: Colnaghi, London;from whom acquired by Seilern in June 1958
Palma Vecchio	Venus in a landscape	P.1978.PG.305	When and where was the picture acquired by Stadler?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 77.5 x 152.7;Provenance: Count Radetzky, Schloss Wetzdorf, Lower Austria.;Dr. Viktor Stadler, Vienna;from whom acquired by Seilern in 1934.
Parmigianino	Virgin and Child	P.1978.PG.309	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 63.5 x 50.7;Provenance: Lord Kinnaird, Rossie Priory.;Colnaghi, London;from whom acquired by Seilern in 1965.
Parmigianino (Francesco Mazzola)	Sheet of studies (recto), Two studies of heads of horses (fragment) (verso)	D.1978.PG.93	Where was this drawing between 1933-45?;Materials: Pen and ink & chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.1 x 7.1;Provenance: Sale, Sotheby's, 27 November 1957, No. 34 (2);where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Clothed female figure	D.1978.PG.94	Where was this drawing between 1933-45?;Materials: Graphite & pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.6 x 11.5;Provenance: Sale, Sotheby's, 27 November 1957, No. 34 (2);where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Herm	D.1978.PG.95	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 18 x 7.5;Provenance: Sale, Sotheby's, 27 November 1957, No. 34 (?);where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Seated woman asleep, formerly known as Mary Magdalene c.1525	D.1978.PG.96	Where was this drawing between 1933-45?;Materials: Chalk (black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23.1 x 17.5;Provenance: Dr Christian D. Ginsburg, sale, Sotheby's, 20-23 July 1915, (No. 26?);Henry S. Reitlinger, sale, Sotheby's, 9 December 1953, No. 73;where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Study for 'The Entombment'	D.1978.PG.97	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour & graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.4 x 17;Provenance: Giovanni Antonio Armano;Sir Thomas Lawrence;W. Coningham (Lugt 476);Sir George Clausen (Lugt 539)?;V. Ezekiel, sale, Sotheby's, 1 February 1956, No. 13;Where acquired by H. M. Calmann;Colnaghi, London;from whom acquired by Seilern in February 1957
Parmigianino (Francesco Mazzola)	Sheet of studies (recto and verso)	D.1978.PG.357	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.5 x 14;Provenance: Sir Peter Lely;Richard Cosway (Lugt 628);F. Abbott (Lugt 970);H. M. Calmann;Stephen Spector;Sale, Christie's, 26 March 1963, No. 294 (different properties);Mr Hardy by 1965;Acquired by Seilern from Paul Levy in March 1967?
Parmigianino (Francesco Mazzola)	Group of women	D.1978.PG.358	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.4 x 15.7;Provenance: William Young Ottley;Dr and Mrs Victor Bloch, sale, Sotheby's, 12 November 1964, No. 52;where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Male head	D.1978.PG.359	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 4.5 x 3.2;Provenance: Colnaghi, London;from whom acquired by Seilern in June 1966
Parmigianino (Francesco Mazzola)	Conversion of Saint Paul 1527-28	D.1978.PG.360	Where was this drawing between 1933-45?;Materials: Pen and ink & wash & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23.6 x 33;Provenance: Anonymous French collection (Lugt, Suppl., 1493a on the verso);Hugh Squire, London;Colnaghi, London;from whom acquired by Seilern in May 1962
Parmigianino (Francesco Mazzola)	Healing of the Lame Man (?)	D.1978.PG.361	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20.8 x 15.6;Provenance: Count Nils Barck;Sale, Hôtel Drouot, Paris, 1 March 1852, No. 385 (info from A. E. Popham);E. Calando (Lugt 837);Mr and Mrs Elliot Hodgkin, London;Colnaghi, London;from whom acquired by Seilern in July 1960
Parmigianino (Francesco Mazzola)	Conversion of Saint Paul	D.1978.PG.363	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 16.6 x 12.5;Provenance: Benjamin Fillon (?);Jean-Marc (Jules?) du Pan (Dupan?);C. R. Rudolf;Colnaghi, London;from whom acquired by Seilern in January 1963
Parmigianino (Francesco Mazzola)	Venus disarming Cupid 1527-30	D.1978.PG.364	Where was this drawing between 1933-45?;Materials: Chalk (black) & bodycolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.4 x 14;Provenance: Sir Joshua Reynolds;John Brophy;Colnaghi, London;from whom acquired by Seilern in February 1960
Parmigianino (Francesco Mazzola)	Study for the 'Madonna dal Collo Lungo'	D.1978.PG.365	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 9.6 x 6.5;Provenance: Baron D. Vivant Denon (Lugt 780);Matthiessen, London;from whom acquired through Colnaghi by Seilern in April 1961
Parmigianino (Francesco Mazzola)	Assumption and coronation of the Virgin 1531-35	D.1978.PG.367	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 13 x 14.1;Provenance: C. R. Rudolf;Colnaghi, London;from whom acquired by Seilern in January 1963
Parmigianino (Francesco Mazzola)	Study of Saint John the Baptist	D.1978.PG.397	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 11.2 x 8.3;Provenance: Alexander von Frey, sale, Sotheby's, 25 June 1970, No. 25;where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Death of Dido	D.1978.PG.398	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12.2 x 15.2;Provenance: J. Heywood Hawkins, anon. sale, Sotheby's, 29 April 1850, No. 837;W. Coningham;A. Stoll, Paris;Marquis de Gouy d'Arsy;Russell Greeley;Sale, Sotheby's, 26 June 1969, No. 4;where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola)	Crayfish (recto), Study of a young man (verso)	D.1978.PG.399	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour & bodycolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 13.9 x 7.4;Provenance: Giovanni Antonio Armano;Samuel Woodburn, sale, Christie's, 12 June 1860, No. 1089/90(buyer identified as Sir Thomas Philips).;Sale, Sotheby's, 26 June 1969, No. 2;where acquired through Colnaghi by Seilern
Parmigianino (Francesco Mazzola) (attributed to)	Cherubs in clouds (recto), Putto standing (verso)	D.1978.PG.356	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25.7 x 18.7;Provenance: R. Cosway (Lugt 628);Colnaghi, London;from whom acquired by Seilern in June 1964
Paul Cézanne	Armchair c.1885-90	D.1978.PG.238	When and how did Meller acquire the drawing?;Materials: Graphite & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 32.2 x 33.8;Provenance: A. Vollard, ParisS. Mellerfrom whom acquired by Seilern in 1937
Paul Cézanne	Madame Cézanne sewing c.1880	D.1978.PG.239	Where was this drawing between 1933-1941?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 47.4 x 31;Provenance: A. Vollard, ParisS. MellerH. von Simolin, BerlinGrete Ring, Paul Cassirer, Londonfrom whom acquired through Vivian, Gray & Co. by Seilern in February 1941
Paul Cézanne	Statue under trees c.1895-99	D.1978.PG.240	When did Clark acquire the drawing and from whom?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 48.2 x 31.3;Provenance: Sir Kenneth Clark, Londonfrom whom acquired by Seilern in 1941
Paulus Willemsz. van Vianen	Landscape with trees by a rock (recto)	D.1978.PG.321	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour (blue);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.5 x 12.4;Provenance: Colnaghi, London;from whom acquired by Seilern in 1958
Peter Paul Rubens	Calumny of Apelles	D.1978.PG.52	Where was this drawing between 1933-45?;Materials: Pen and ink (grey-brown) & wash & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 30.6 x 38.5;Provenance: Colnaghi, LondonFrom whom acquired by Seilern in 1953
Peter Paul Rubens	Head of the Farnese Hercules (recto), Studies of the head and profile of the Farnese Hercules (verso)	D.1978.PG.53	Where was this drawing between 1933-45?;Materials: Chalk (black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 36.3 x 24.5;Provenance: Private collection, IrelandAlfred Scharf, Londonfrom whom acquired by Seilern in 1951
Peter Paul Rubens	Saint Amandus and Saint Walpurga	D.1978.PG.54	Where was this drawing between 1933-37?;Materials: Pen and ink (brown);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 24.4 x 14.8;Provenance: The Earl of PembrokeVictor Koch, Londonfrom whom acquired by Seilern in 1937
Peter Paul Rubens	Studies for the Presentation in the Temple (recto), Man holding a shaft of the cross (verso)	D.1978.PG.56	Where was this drawing between 1933-37?;Materials: Pen and ink (brown) & wash;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 24.2 x 23.7;Provenance: P.Langerhuizen, sold F.Muller, Amsterdam, 29 April 1919Victor Koch, Londonfrom whom acquired by Seilern in 1937
Peter Paul Rubens	Conversion of Saint Paul	D.1978.PG.57: Left half	Where was this drawing between 1933-40?;Materials: Pen and ink (brown) & wash & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.2 x 32.9;Provenance: Lawrence-Woodburn sale, Christie's, 4 June 1860 (353 as Van Dyck)Ashmolean Museum, Oxford, 1940from whom acquired in exchange by Seilern in 1953
Peter Paul Rubens	Conversion of Saint Paul	D.1978.PG.57: Right half	Where was this drawing between 1933-43?;Materials: Pen and ink (brown) & wash & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.2 x 32.9;Provenance: Sir Joshua ReynoldsSale, Mathey, Paris, circa 1939-43Sale, Boerner, Leipzig, 30 March 1943 (124)where bought by GroteAcquired through Boerner, Dusseldorf, by Seilern in 1952
Peter Paul Rubens	Studies for the figure of a monk (recto), Demonic reptile and the upper part of an angel (verso)	D.1978.PG.58	Where was this drawing from 1933 until its acquisition by Agnew?;Materials: Chalk (black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 45 x 31.7;Provenance: Agnew, Londonfrom whom acquired by Seilern in 1945
Peter Paul Rubens	Study for the figure of Saint Joseph	D.1978.PG.59	Where was this drawing between 1933-41?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 19.1 x 19.7;Provenance: Lord HollandMrs A.HibbertAlfred Scharffrom whom acquired by Seilern in 1941
Peter Paul Rubens	Female nude	D.1978.PG.62	Where was this drawing between 1933 and 1941?;Materials: Chalk (red and black and white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27 x 41.5;Provenance: P.H. Lankrink, J. van Haecken, J. Richardson (the younger), Sir Joshua ReynoldsGerald M. Fitzgerald, sale, Sotheby's, 23 May 1922 (41)Private collection, LondonFrom which acquired through Matthiesen, London, by Seilern in 1941
Peter Paul Rubens	Helena Fourment	D.1978.PG.64	Did this drawing pass directly between Wisselingh and Matthiesen?;Materials: Chalk (black, red and white) & pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 61.2 x 55;Provenance: Sir George Lindsay Holford, sold Christie's, 17 May 1928 (3)bought KnoedlerE.J.van Wisselingh, Amsterdam, 1932Matthiesen, LondonFrom whom acquired by Seilern in 1934
Peter Paul Rubens	Study for 'The Bath of Diana (recto), Study for a battle of horsemen (verso)	D.1978.PG.65	When and where was this drawing acquired by R.Adam Ellis?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 29.1 x 50.9;Provenance: Jonathan RichardsonR.Adam Ellis, sold Sotheby's, 18 December 1940 (15)bought by Heinrich Eisemannfrom whom acquired by Seilern in 1941
Peter Paul Rubens	Saint Francis kneeling, receiving the Infant Christ	D.1978.PG.324	Where was this drawing between 1933-45?;Materials: Chalk (black and white) & pen and ink (brown) & wash (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 37.1 x 26.2;Provenance: Sale, F. Mueller (Mensing), Amsterdam, 21 November 1929 (29)N. Beets, sold F. Mueller (Mensing), Amsterdam, 9 April 1940 (149)Victor KochPrivate collection, USASale, Sotheby's 25 March 1965 (100)Hallsborough Galleries, Londonfrom whom acquired through Colnaghi by Seilern in 1965
Peter Paul Rubens	St. Gregory the Great with SS. Maurus and Papianus and S. Domitilla with SS. Nereus and Achilleus	P.1978.PG.352	-;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: On 31 October 2000 a claim was submitted for the restitution of this painting. This claim was substantially based on facts presented to the Dutch Government's Advisory Committee on the Assessment of Restitution Applications for Items of Cultural Value and the Second World War. In December 2003 the Committee advised the Dutch State Secretary of Education, Culture and Science to reject the claim. In the light of these findings, and based upon research undertaken by the Courtauld Institute of Art Gallery, the Samuel Courtauld Trustees have followed the conclusion of the Advisory Committee and have rejected the claim. The claimant is appealing the Dutch Government's decision and maintains the claim for the restitution of this painting.;Dimensions: 62.9 x 46.7;Provenance: Koenigs collection, Haarlem,Lisser and Rosenkranz Bank, Amsterdam,on consignment with Jacques Goudstikker,from whom acquired by Seilern in April/May 1940.
Peter Paul Rubens	Cain slaying Abel	P.1978.PG.353	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 131.2 x 94.2;Provenance: M.B.' France, sold Paris, 20 March 1827.Colnaghi, London,from whom acquired by Seilern in 1955.
Peter Paul Rubens	Portrait of Hernan Cortez (after Titian?)	P.1978.PG.354	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 98.2 x 76.6;Provenance: Acquired by Seilern in London, 1960.No further information.
Peter Paul Rubens	The Conversion of St. Paul (sketch)	P.1978.PG.356	-;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: On 31 October 2000 a claim was submitted for the restitution of this painting. This claim was substantially based on facts presented to the Dutch Government's Advisory Committee on the Assessment of Restitution Applications for Items of Cultural Value and the Second World War (Restitution Committee). In December 2003 the Restitution Committee advised the Dutch State Secretary of Education, Culture and Science to reject the claim. In the light of these findings, and based upon research undertaken by the Courtauld Gallery, the Samuel Courtauld Trustees followed the conclusion of the Dutch Restitution Committee and rejected the claim. In 2007 the Courtauld referred the case to the Spoliation Advisory Panel, whose recommendations were published in November of that year. The Panel concluded decisively that Count Antoine Seilern, who subsequently donated his collection to the Courtauld, had acquired the paintings in legitimate circumstances, and recommended that the claim be rejected, stating in its concluding remarks, that we consider it right to record our opinion that no criticism attaches to the Courtauld in respect of the manner and circumstances of its acceptance of the bequest of these paintings. In our view the Courtauld had no occasion to question the title of Count Seilern or the moral propriety of his acquisition of the paintings.;Dimensions: 57.4 x 80.2;Provenance: Koenigs collection, Haarlem,Lisser and Rosenkranz Bank, Amsterdam,on consignment with Jacques Goudstikker,from whom acquired by Seilern in April/May 1940.
Peter Paul Rubens	The Death of Hippolytus	P.1978.PG.358	Was Schulthess acting on the instructions of Mrs Hess?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 51 x 65.1;Provenance: Sir Abraham Hume, 3rd Earl of Brownlow (d.1921),sold Christie's, 4 May 1923 (83),Mr. Hess, Berlin, 1928.By 1933 passed to Mrs S. Hess (later Bönheim), who apparently sent it to Zurich for safe-keeping.Acquired by Seilern from M. Schulthess, Basle, May-July 1936.
Peter Paul Rubens	The Coronation of the Virgin	P.1978.PG.363	Under which circumstances did H.M. Gutmann sell the picture?Is the subsequent provenance continuous?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: On 16 April 2008 the Samuel Courtauld Trust received a claim for the restitution of this painting. The claim rests on the assertion that the German Jewish banker Herbert M. Gutmann lost his position as Director of the Dresdner Bank (founded by his father) and was subsequently forced to sell his art collection in order to repay substantial debts to the Bank. The claimants argue that the debts were fabricated as a result of the Nazification of the banking system from January 1933.;Dimensions: 46 x 61.4;Provenance: Herbert M. Gutmann (1879-1942), Potsdam,by whom sold at Graupe, Berlin (43), 12-14 April 1934.Dr. Richard von Schnitzler, Cologne.from whom passed by marriage to Freiherr C. von Schroder, Hamburg.Stanley Loomis, sold Sotheby's, 2 July 1958,where acquired by Seilern.
Peter Paul Rubens	The Entombment	P.1978.PG.365	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 83.1 x 65.1;Provenance: Haro sale, Paris, 30 May 1892.Baron Vitta, France.Paul Brame at Hector Brame,from whom acquired by Seilern in 1953.
Peter Paul Rubens	The Temptation of Christ	P.1978.PG.370	When was the picture acquired by Ysabie?Where and when was the picture acquired by Graupe?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 32.9 x 31.6;Provenance: Schamp d'Aveschoot, sold Ghent, 14 September, 1840 (136).A. Ysabie, Ghent, 1937.Paul Graupe et Cie, Paris,from whom acquired by Seilern in 1938.
Peter Paul Rubens	Modello for a Title-Page	P.1978.PG.372	How and when did the picture become the property of Mrs Noel?;Materials: Oil on paper on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 31.6 x 22.1;Provenance: J. Smith, London, 1830.Mrs F.M. Noel, sold Sotheby's, 29 November 1944 (93).Mathiessen, London.Christopher Norris,from whom acquired by Seilern in 1946.
Peter Paul Rubens	Portrait of Baldassare Castiglione (after Raphael)	P.1978.PG.373	How and when was the picture acquired by de Boer?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 90.2 x 67.5;Provenance: P. de Boer, Amsterdam,from whom acquired by Seilern in 1936.
Peter Paul Rubens	The Wrath of Achilles	P.1978.PG.374	How and when was the picture acquired by Stein?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 106.8 x 108.5;Provenance: Dreyfus sale, G. Petit, Paris, 29 May 1889.Vicomte de Lyrot, Paris.Guy Stein, Paris,from whom acquired by Seilern in 1937.
Peter Paul Rubens	The Death of Achilles	P.1978.PG.375	How and when was the picture acquired by Stein?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 107.1 x 109.2;Provenance: Dreyfus sale, G. Petit, Paris, 29 May 1889.Vicomte de Lyrot, Paris.Guy Stein, Paris,from whom acquired by Seilern in 1937.
Peter Paul Rubens	The Bounty of James I triumphing over Avarice	P.1978.PG.377	-;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: On 31 October 2000 a claim was submitted for the restitution of this painting. This claim was substantially based on facts presented to the Dutch Government's Advisory Committee on the Assessment of Restitution Applications for Items of Cultural Value and the Second World War (Restitution Committee). In December 2003 the Restitution Committee advised the Dutch State Secretary of Education, Culture and Science to reject the claim. In the light of these findings, and based upon research undertaken by the Courtauld Gallery, the Samuel Courtauld Trustees followed the conclusion of the Dutch Restitution Committee and rejected the claim. In 2007 the Courtauld referred the case to the Spoliation Advisory Panel, whose recommendations were published in November of that year. The Panel concluded decisively that Count Antoine Seilern, who subsequently donated his collection to the Courtauld, had acquired the paintings in legitimate circumstances, and recommended that the claim be rejected, stating in its concluding remarks, that we consider it right to record our opinion that no criticism attaches to the Courtauld in respect of the manner and circumstances of its acceptance of the bequest of these paintings. In our view the Courtauld had no occasion to question the title of Count Seilern or the moral propriety of his acquisition of the paintings.;Dimensions: 46.2 x 30.8;Provenance: Koenigs collection, Haarlem,Lisser and Rosenkranz Bank, Amsterdam,on consignment with Jacques Goudstikker,from whom acquired by Seilern in April/May 1940.
Peter Paul Rubens	The Assumption of the Virgin	P.1978.PG.378	When and where was the picture acquired by Goldschmidt?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 48.7 x 34.6;Provenance: The Marquess of Headfort, Headfort House, Ireland.Arthur Goldschmidt, London,from whom acquired by Seilern in 1937.
Peter Paul Rubens	Portrait of Jan van Montfort	P.1978.PG.1978	When and where was the picture acquired by Scharf?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 107.6 x 90.5;Provenance: Sir Thomas Sebright, Beechwood,from whom to Sir Giles Sebright.Alfred Scharf, London,from whom acquired by Seilern in 1936.
Peter Paul Rubens (school of)	Entombment, Saturn and five female figures	D.1978.PG.67	When was the drawing owned by Colonel Colville?;When and where was the drawing acquired by Colnaghi?;Materials: Pen and brush and ink (brown);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.9 x 20.3;Provenance: Colonel Y.R.Colville;Colnaghi, London;from whom acquired by Seilern in 1942
Peter Paul Rubens (school of)	Hercules defeating Achelous	D.1978.PG.326	Where was this drawing between 1933-45?;Materials: Charcoal & graphite & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 24.9 x 35.6;Provenance: Colnaghi, London;from whom acquired by Seilern in 1959
Peter Paul Rubens, attributed to	The Annunciation of the Virgin's death(?)	P.1978.PG.383	Under which circumstances did the picture leave the church in France?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 92 x 73.1;Provenance: An unidentified church in France.;Arthur Goldschmidt, Paris;from whom acquired by Seilern in 1950.
Pierre Auguste Renoir	Laundresses	D.1978.PG.243	Under what circumstances was the Glaser collection sold?;Materials: Graphite & pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: In September 2008 The Samuel Courtauld Trust referred a claim to the UK's Spoliation Advisory Panel for the restitution of this and seven other drawings in its collection. In its report of 24 June 2009 the Spoliation Advisory Panel recommended that the drawings should not be transferred to the claimants, and concluded that there were no grounds for criticism of Count Antoine Seilern or The Samuel Courtauld Trust, to whom Seilern bequeathed his collection in 1978. The Spoliation Advisory Panel's Report can be found at;http://webarchive.nationalarchives.gov.uk/+/http://www.culture.gov.uk/reference_library/publications/6236.aspx;-;Dimensions: 31.4 x 22.5;Provenance: Curt Glaser, sale, Max Perl, Berlin, 18-19 May 1933 (1261a);where acquired by Seilern
Pierre Auguste Renoir	Designs for the decoration of a door ('Oedipus') I	D.1978.PG.244	Where was this drawing between 1933-45?;Materials: Chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 25.5 x 40.3;Provenance: Dr H. Stinnes, Cologne;De Burlet, Basle;from whom acquired by Seilern in 1955
Pierre Auguste Renoir	Designs for the decoration of a door ('Oedipus') II	D.1978.PG.245	Where was this drawing between 1933-45?;Materials: Chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.2 x 48.3;Provenance: A. Vollard, Paris;Alfred Scharf, London;from whom acquired by Seilern in 1949
Pierre-Auguste Renoir	The Outskirts of Pont-Aven	P.1978.PG.339	When was the picture owned by Capt. Sykes?;Did it pass directly to Alex, Reid and Lefevre?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 54.5 x 65;Provenance: With A. Vollard, Paris.;Capt. S.W. Sykes, Cambridge.;Alex, Reid and Lefevre, London;from whom acquired by Seilern in 1942.
Pieter Bruegel the Elder	View of Antwerp from the sea c.1559	D.1978.PG.11	Where was this drawing between 1933-35?;Materials: Pen and ink & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 20.3 x 30;Provenance: Sir Bruce Ingram;Alfred Scharf;from whom acquired by Seilern in 1935
Pietro Antonio Novelli, formerly attributed to Francesco Guardi	Seated lion	D.1978.PG.133	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour & chalk & bodycolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 28.4 x 18.2;Provenance: Vicomte de Montfort (Lugt 1035);Colnaghi, London;from whom acquired by Seilern in May 1957
Pietro Antonio Novelli, formerly attributed to Francesco Guardi	Seated lion	D.1978.PG.133.1	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour & chalk & bodycolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 28.9 x 18.5;Provenance: G. Chiantorre (Lugt 540);Colnaghi, London;from whom acquired by Seilern in June 1958
Polidoro da Caravaggio	Adoration of the shepherds	D.1978.PG.354	Where was this drawing between 1933-45?;Materials: Chalk (red) & bodycolour (white);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 24.1 x 18.2;Provenance: Sir Peter Lely;Sale, Sotheby's, 22 February 1961, No. 33;Sale, Sotheby's, 1 December 1964, No. 172;where acquired through Colnaghi by Seilern
Polidoro da Caravaggio	Sheet of studies	D.1978.PG.355	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23.9 x 18.6;Provenance: Hans Calmann, London;from whom acquired by Seilern in May 1968
Polidoro da Caravaggio, attributed to	The Transfiguration	P.1978.PG.327	Where was this painting between 1933-45?;Materials: Oil on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 65.2 x 42;Provenance: Hamilton Palace, sold Christie's, 24 June 1882 (4th day of sale, lot n. 400, as by S. del Piombo);where bought by Nathan.;Sale Christie's, 1st April 1960 (lot 102, as Polidoro da Caravaggio. Sold to Colnaghi's. Consigned by Agnews on behalf of an anon. vendor 'Property of a Lady.');where bought by Seilern.
Rembrandt Harmensz. van Rijn	Tobias curing the old Tobit	D.1978.PG.179	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 11 x 6.5;Provenance: J.P.Heseltine (1843-1929);Paul Graupe;from whom acquired by Seilern in 1947
Rembrandt Harmensz. van Rijn	Scholar seated at a table	D.1978.PG.180	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.3 x 16.3;Provenance: M.H.Speelman;H.J.Bhabha, London;Arthur Goldschmidt, Paris;from whom acquired by Seilern in 1959
Rembrandt Harmensz. van Rijn	Sheet with two studies for 'Saint John the Baptist'	D.1978.PG.182	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 17.4 x 18.2;Provenance: E.G.Spencer-Churchill;Colnaghi, London;from whom acquired by Seilern in 1959
Rembrandt Harmensz. van Rijn	Saskia with her first child	D.1978.PG.183	Where was this drawing between 1933-45?;Materials: Chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.1 x 10.6;Provenance: James Harris, Earl of Malmesbury;from whom by descent to Viscount Fitzharris, sold, Christie's 21 April 1950 (95);Colnaghi, London;from whom acquired by Seilern in 1950
Rembrandt Harmensz. van Rijn	Two studies of Saskia	D.1978.PG.184	Where was this drawing between 1933-45?;Materials: chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.5 x 13.7;Provenance: James Harris, Earl of Malmesbury;from whom by descent to Viscount Fitzharris, sold, Christie's 21 April 1950 (95);Colnaghi, London;from whom acquired by Seilern in 1950
Rembrandt Harmensz. van Rijn	Saskia seated at a table	D.1978.PG.185	Where was this drawing between 1933-45?;Materials: chalk (red);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 12 x 10.6;Provenance: Calmann, London, by 1955;from whom acquired by Colnaghi;from whom acquired by Seilern in 1955
Rembrandt Harmensz. van Rijn	Several scenes of execution	D.1978.PG.187	Where was this drawing between 1933-45?;Materials: pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 19.9 x 27.4;Provenance: D'Anglade collection, Marseilles;Colnaghi, London;from whom acquired by Seilern in 1957
Rembrandt Harmensz. van Rijn	Head of an old woman	D.1978.PG.189	Where was this drawing between 1933-45?;Materials: pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 4.3 x 2.7;Provenance: Colnaghi, London;from whom acquired by Seilern in 1959
Rembrandt Harmensz. van Rijn	Two figures for 'Trois figures Orientales'	D.1978.PG.190	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.7 x 18.5;Provenance: Private collection, France;from which by descent to Mrs O'Rooney, Ireland;from whom acquired by Patrick de Bayser, Paris;from whom acquired through Arthur Goldschmidt, Paris, by Seilern in 1952
Rembrandt Harmensz. van Rijn	Christ and the two disciples arriving at Emmaus	D.1978.PG.194	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 23.5 x 21.2;Provenance: F.Mueller, Amsterdam, sold 1908(?);Schaeffer Galleries, New York;from whom acquired by Seilern in 1957
Rembrandt Harmensz. van Rijn	Old man with a long coat and a large hat (recto), Fragment of a list of works of art (verso)	D.1978.PG.197	Where was this drawing between 1933-37?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 14.9 x 9.4;Provenance: The Earl of Abingdon;Victor Koch, London;from whom acquired by Seilern in 1937
Rembrandt Harmensz. van Rijn	View of Diemen	D.1978.PG.199	Where was this drawing between 1933-45?;Materials: Pen and ink & wash;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 8.8 x 15.5;Provenance: A.Straeter, sold Gutekunst, Stuttgart, 10 May 1898 (1180);Atherton and Louise Burleigh Curtis, sold Klipstein, Berne, 28 April 1955 (372);where acquired by Seilern
Rembrandt Harmensz. van Rijn	Farm buildings on the banks of a canal	D.1978.PG.200	Where was this drawing between 1933-43?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: Formed part of an album with 18th century French binding (now British Museum), from which this was one of 17 leaves removed by Marshall Spink in 1943.;Dimensions: 6.1 x 16.5;Provenance: Marshall Spink by 1943;from whom acquired by Dr Ernst Sklarz, London, by December 1943;from whom acquired by Seilern in 1956
Rembrandt Harmensz. van Rijn	Study of a female nude	D.1978.PG.404	Where was this drawing between 1933-45?;Materials: Graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.8 x 11.8;Provenance: R.Peltzer, Cologne, sold Gutekunst, Stuttgart, 13-14 May 1914 (308);H. Wendland, Lugano;Sale, Kornfeld and Klipstein, Berne, 14 June 1967 (254);where acquired through Colnaghi by Seilern
Rembrandt Harmensz. van Rijn	The artist's wife, Saskia, standing and holding a flower in her right hand	D.1978.PG.405	Where was this drawing between 1933-45?;Materials: Pen and brush and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 22.8 x 15.2;Provenance: Hugh N.Squire, London;from whom acquired through Colnaghi by Seilern in 1962
Rembrandt Harmensz. van Rijn	Study of a seated actor	D.1978.PG.406	Where was this drawing between 1933-45?;Materials: Pen and ink & watercolour;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 18.5 x 14.4;Provenance: Lessing J. Rosenwald, Jenkintown (Penn.);presumably by descent to Mrs Dorothy Monet Rosenwald, New York, sale Sotheby's, 6 July 1967 (8);where acquired by Seilern
Rembrandt Harmensz. van Rijn	Man seated	D.1978.PG.407	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 9.1 x 7.8;Provenance: F. Kleinberger, Paris;Alfred Brod, London;from whom acquired by Seilern in 1961
Rembrandt Harmensz. van Rijn	Woman holding a vase	D.1978.PG.408	Where was this drawing between 1933-45?;Materials: Pen and ink & graphite;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 13.1 x 7.8;Provenance: Gerald M.Fitzgerald, s old Sotheby's, 23-24 May 1922 (38);Dr and Mrs Victor Bloch, sold Sotheby's 13 May 1964 (38);where acquired through Colnaghi by Seilern
Rembrandt Harmensz. van Rijn	Lot and his daughters	D.1978.PG.411	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 9.7 X 16.3;Provenance: Klinkosch collection, sale 1889;Schocken collection, Zwickau;Sale, Sotheby's, 7 July 1966 (13);where acquired through Colnaghi by Seilern
Roelant Savery (attributed to)	Landscape with an artist sketching	D.1978.PG.9	Where was this drawing between 1933-45?;Materials: Pen and ink & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 27.7 x 39.6;Provenance: In England by circa 1800 when bound in an album which also contained;D.1978.PG.8, dismantled by 1948;Colnaghi, London;from whom acquired by Seilern in 1948
Roelant Savery, formerly attributed to Pieter Bruegel the Elder	Alpine landscape	D.1978.PG.315	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 24.6 x 42.9;Provenance: Mrs G. M. W. Huggill, sale, Sotheby's, 27 November 1957, 37A;Where acquired through Colnaghi by Seilern
Roelant Savery, formerly attributed to Pieter Bruegel the Elder	Seated burgher 1550-59	D.1978.PG.7	When and where did Hobhouse acquire this drawing?;Materials: Pen and ink & chalk (black);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 18.9 x 15.2;Provenance: The Rt. Hon. Henry Hobhouse;From whom acquired by Colnaghi, London in 1935;From whom acquired by E. E. Huxtable soon afterwards;From whom acquired by Colnaghi, London;From whom acquired by Seilern in May 1943
Roelant Savery, formerly attributed to Pieter Bruegel the Elder	Landscape with two mules	D.1978.PG.8	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 29.3 x 42.6;Provenance: In England by circa 1800 when bound in an album which also contained;D.1978.PG.9, dismantled by 1948;Colnaghi, London;From whom acquired by Seilern in October 1948
Roelant Savery?, formerly attributed to Pieter Bruegel the Elder	Peasant carrying a jar (recto), Man seen from the back (verso)	D.1978.PG.319	Where was this drawing between 1933-45?;Materials: Pen and ink & graphite (recto), Graphite (verso);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 15.3 x 8.1;Provenance: N. Chaikin, Switzerland;Colnaghi, London;From whom acquired by Seilern in December 1963
Rubens, Peter Paul (1577-1640)	Portrait of Charles V (after Titian)	P.1978.PG.351	Where was this painting between 1933-45?;Materials: Oil on canvas;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 76.3 x 56.5;Provenance: probably no. 79 (as by Van Dyck) in inventory compiled after Rubens' death, probably Antoine van Leyen, Antwerp (1628-1686), Prince Belosselsky, Russia, shortly before 1936, acquired by Count Seilern, London, 1936, Princes Gate Bequest 1978
Sebastiano Ricci	Continence of Scipio	D.1978.PG.125	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 21.8 x 23.2;Provenance: Artaria and Co., Vienna, according to collector's mark (apparently 19th century);Acquired by Seilern before 1959
Sebastiano Ricci	Female figure	D.1978.PG.373	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 18.1 x 7.3;Provenance: Colnaghi, London;from whom acquired by Seilern in 1966
Sebastiano Ricci	The Adoration of the Magi	P.1978.PG.342	Where was this painting between 1933-45?;Materials: Oil on canvas on panel;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978.;Additional information: -;Dimensions: 50.8 x 48.1;Provenance: R. Matthews-Naper, sold Christie's, May 1953;where acquired by Seilern.
Stefano da Verona	Sheet of studies with female heads	D.1978.PG.344	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 5.7 x 9.8;Provenance: (?)Mr Grill, France (according to inscription);Colnaghi, London;from whom acquired by Seilern in 1959
Stefano Della Bella	Figure study	D.1978.PG.118.1	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 5.2 x 8.8;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.118.2	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 5.3 x 10.3;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.118.3	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 5.4 x 10.6;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.120.1	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 5.5 x 4.9;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.120.2	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 5.9 x 4.7;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.120.3	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 7 x 5.2;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.120.4	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 6.8 x 5.3;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.120.5	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 6.3 x 5.5;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.120.6	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 6.2 x 4.8;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.123.1	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 7.6 x 9.1;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.123.2	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 9.3 x 9.2;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Stefano Della Bella	Figure study	D.1978.PG.123.3	Where was this drawing between 1933-45?;Materials: Pen and ink;Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 10.8 x 9.9;Provenance: J. E. Huxtable, sale, Sotheby's, 13 July 1949, No.49;where acquired through Colnaghi by Seilern
Taddeo Zuccari	Study of two putti on clouds (recto)	D.1978.PG.371	Where was this drawing between 1933-45?;Materials: Chalk (red) (recto);Acquisition: Bequeathed as part of the Princes Gate Collection, 1978;Additional information: -;Dimensions: 29.6 x 16.2;Provenance: William Gibson(died 1703);The Marquess of Northampton, sale, Christie's, 1 May 1959 (16);where acquired through Colnaghi by Seilern
Tiepolo, Giovanni Battista (1696-1770)	Allegory of Hope	D.1978.PG.150	Was this foreign nobleman in fact Prince Trivulzio, and had he owned the drawing since at least 1933 before selling it in July 1937?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Additional information: We contacted Sotheby's in September 2005, and they responded that as the sale was so long ago they had no further information on the identity of this nobleman, other than the name of the consignor, 'Pollak and Winternitz'. Count Seilern recorded in his 1959 Italian paintings catalogue that Byam Shaw had verbally informed him that this nobleman was 'probably Prince Trivulzio' (page 124).;Dimensions: 25.6 x 18.5 cm;Provenance: possibly given by the artist’s son Domenico to Johann Dominik Bossi, Munich (1767-1853), by descent to his daughter Maria Theresa Caroline (1825-1881) and her husband, Carl Christian Friedrich Beyerlen (1826-1881), their estate sale, H.G. Gutekunst (Stuttgart), 27 March 1882, a 'foreign nobleman', possibly Prince Trivulzio, whose property was consigned by Pollak and Winternitz (Vienna) to Sotheby's (London), 13 July 1937, lot 52, purchased there by Dr Alfred Scharf, London (1900-1965), presumably on behalf of Count Antoine Seilern, London (1901-1978), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Apollo as protector of the Arts	D.1978.PG.153	Did Fauchier Magnan own this drawng from at least 1933 until he sold it in December 1935? If not, when and where had he acquired it?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 26.3 x 21 cm;Provenance: probably originally in one of the nine 'Cheney' albums sold in 1885, in which case the provenance is: mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762, kept in convent of the Somaschi until its suppression, 1810, acquired from there by Count Leopoldo Cicognara (1767-1834), acquired from him in an exchange by Antonio Canova (1754-1822), by descent to Monsignor Giovanni Battista Sartori-Canova (1775-1858), purchased from him by Francesco Pesaro, Venice, purchased from him by Edward Cheney, Badger Hall, Shropshire (1803-1884),1842, by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896), his sale, Sotheby's (London), 29 April 1885, lot 1024, purchased there by E. Parsons && Sons (London);possibly acquired in Ireland by William Fagg, Sydenham, B.T. Batsford (London), sold by them, Christie's (London), 14 July 1914, lot 49 (part of three volumes), purchased there by E. Parsons && Sons (London);purchased there by William Bateson, London (1861-1926), after 1918, Adrien Fauchier Magnan (1873-1963), his sale, Sotheby's (London), 4 December 1935, lot 53, purchased there by Count Antoine Seilern (1901-1978), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Magician (?) surrounded by a group of boys	D.1978.PG.155	Where was this drawing between the years 1933-1945?;Materials: pen and brown ink, brown wash on laid paper, laid down;Acquisition: Princes Gate Bequest 1978;Dimensions: 19 x 16 cm;Provenance: anonymous sale, Sotheby's (London), 2 July 1952, lot 23 (as 'Miracle of Saint Peter'), purchased there by Colnaghi (London) on behalf of Count Antoine Seilern (1901-1978) (£36), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Crucifixion	D.1978.PG.156	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 19.5 x 14.8 cm;Provenance: mounted by the artist in an album and possibly given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762, kept in convent of the Somaschi until its suppression, 1810, possibly acquired by Gregory Vladimirovitch Orloff (1777-1826), by descent to Prince Alexis Orloff, Paris (1867-1916), his sale, Georges Petit (Paris), 29 - 30 April 1920, lot 98, Reid & Lefevre (London), purchased there by Count Antoine Seilern, London (1901-1978), 12 July 1950 (£100), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Holy Family with angels	D.1978.PG.158	Where was this drawing between 1930 and September 1935?;Materials: pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 29.2 x 20.8 cm;Provenance: probably originally in one of the nine 'Cheney' albums sold in 1885, in which case the provenance is: mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762, kept in convent of the Somaschi until its suppression, 1810, acquired from there by Count Leopoldo Cicognara (1767-1834), acquired from him in an exchange by Antonio Canova (1754-1822), by descent to Monsignor Giovanni Battista Sartori-Canova (1775-1858), purchased from him by Francesco Pesaro, Venice, purchased from him by Edward Cheney, Badger Hall, Shropshire (1803-1884),1842, by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896), his sale, Sotheby's (London), 29 April 1885, lot 1024, purchased there by E. Parsons && Sons (London);possibly acquired in Dublin by William Fagg, Sydenham, possibly B.T. Batsford (London)'s sale, Christie's (London), 14 July 1914, lot 49 (three volumes), purchased there by E. Parsons && Sons (London);Savile Gallery, 1930, Tomás Harris, London (1908-1964), purchased from him by Colnaghi (London), 12 September 1935, purchased there by J.S. Thacher, Washington, 12 September 1935 (£100), purchased back from him by Colnaghi (London), 7 July 1947, purchased there by Count Antoine Seilern (1901-1978), 16 July 1947 (£140), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Portrait of one of the artist's sons	D.1978.PG.161	Where was this drawing between 1933 and April 1936?;Materials: red and white chalk with stumping on blue laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 23.3 x 16.3 cm;Provenance: possibly given by the artist's son Domenico to Johann Dominik Bossi, Munich (1767-1853), by descent to his daughter Maria Theresa Caroline (1825-1881) and her husband, Carl Christian Friedrich Beyerlen (1826-1881), their estate sale, H.G. Gutekunst (Stuttgart), 27 March 1882, purchased there by Dr O. Eisenmann, Cassel, on behalf of Wilhelm Lübke (1826-1893), purchased from his estate by Joseph Baer & Sons (Frankfurt), purchased there by Dr Hans Wendland, Lugano, by 1925, acquired by Colnaghi (London) between May and November 1929, Christian M. Nebehay (Vienna), purchased there by Count Antoine Seilern, London (1901-1978), by April 1936, Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Bacchus	D.1978.PG.160	Was this foreign nobleman in fact Prince Trivulzio, and had he owned the drawing since at least 1933 before selling it in July 1937?;Materials: red and white chalk with stumping on blue laid paper;Acquisition: Princes Gate Bequest 1978;Additional information: We contacted Sotheby's in September 2005, and they responded that as the sale was so long ago they had no further information on the identity of this nobleman, other than the name of the consignor, 'Pollak and Winternitz'. Count Seilern recorded in his 1959 Italian paintings catalogue that Byam Shaw had verbally informed him that this nobleman was 'probably Prince Trivulzio' (page 124).;Dimensions: 33.8 x 28.4 cm (very uneven);Provenance: possibly given by the artist’s son Domenico to Johann Dominik Bossi, Munich (1767-1853), by descent to his daughter Maria Theresa Caroline (1825-1881) and her husband, Carl Christian Friedrich Beyerlen (1826-1881), their estate sale, H.G. Gutekunst (Stuttgart), 27 March 1882, purchased there by Galerie-Inspektor Kräutle, a 'foreign nobleman', possibly Prince Trivulzio, whose property was consigned by Pollak and Winternitz (Vienna) to Sotheby's (London), 13 July 1937, lot 62, purchased there by Dr Alfred Scharf, London (1900-1965) presumably on behalf of Count Antoine Seilern, London (1901-1978), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Bearded Oriental figure	D.1978.PG.384	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 19.5 x 12.8 cm;Provenance: acquired by Franz Koenigs, Haarlem (1881-1941) after 1931, by descent to his son, W.O. Koenigs (1926-2009), his sale, Sotheby's (London), 23 March 1960, lot 11, purchased there by Colnaghi (London) on behalf of Count Antoine Seilern (1901-1978) (£580), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Two flying angels	D.1978.PG.375	Where was this drawing between the years 1933-1945?;Materials: red and black chalk, red chalk wash, on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 25.6 x 19.1 cm;Provenance: probably mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762, kept in convent of the Somaschi until its suppression, 1810, possibly acquired there by Count Bernardino Algarotti-Corniani, purchased from him by Edward Cheney, Badger Hall (1803-1885), in Venice, 31 May 1852, by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896), his sale, Sotheby's (London), 29 April 1885, lot 1024, purchased there by E. Parsons && Sons (London);possibly acquired in Dublin by William Fagg, Sydenham, possibly B.T. Batsford (London)'s sale, Christie's (London), 14 July 1914, lot 49 (three volumes), purchased there by E. Parsons && Sons (London);purchased there by Dan Fellows Platt, New Jersey (1873-1937), L.750a, 1923, Janos Scholz, New York (1903-1993), L.2933b, Mrs Patrick B. McGinnis, New York, her sale, Sotheby's (London), 21 October 1963, lot 161, purchased there by Colnaghi (London) on behalf of Count Antoine Seilern (1901-1978), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Virgin and Child with Saints Jerome, Sebastian, Francis and angels adoring	D.1978.PG.377	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and grey ink, grey wash on laid paper, laid down, the upper edges made up;Acquisition: Princes Gate Bequest 1978;Dimensions: 43.5 x 31.3 cm;Provenance: possibly acquired directly from the Tiepolo studio by Armand Louis François de Mestral de Saint-Saphorin (1738-1806) while serving as ambassador in Madrid, Colnaghi (London), purchased there by Count Antoine Seilern (1901-1978), 17 February 1965 (£2,000), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Head of a woman, looking up	D.1978.PG.376	Where was this drawing between the years 1933-1945?;Materials: black chalk on laid paper (recto and verso);Acquisition: Princes Gate Bequest 1978;Dimensions: 40.1 x 29.5 cm;Provenance: Mrs L. Frohlich, purchased from her by Colnaghi (London), 24 April 1958, purchased there by Count Antoine Seilern (1901-1978), 24 April 1958 (£1,650), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Satyr and satyress	D.1978.PG.380	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper, laid down;Acquisition: Princes Gate Bequest 1978;Dimensions: 14.7 x 26.9 cm;Provenance: Group Captain P.M. Dobree-Bell, his sale, Sotheby's (London), 8 July 1964, lot 84, purchased there by Alfred Brod Gallery (London), purchased there by Count Antoine Seilern (1901-1978), 17 May 1966 (£3,000), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Three river gods	D.1978.PG.381	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 32.1 x 27.5 cm;Provenance: Colnaghi (London), purchased there by Count Antoine Seilern, London (1901-1978), May 1962 (£4,500), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Head of a man wearing a turban, from above	D.1978.PG.383	Where was this drawing between the years 1933-1945?;Materials: black and red chalk, pen and brown ink, grey-brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 9.9 x 8.8 cm;Provenance: Dr Gauthier, France, private collection, Paris, Walter Hugelshofer, Zurich (1899-1987), purchased from him by Count Antoine Seilern (1901-1978), 14 December 1961 (5,500 Swiss francs), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Study of a young man, standing, holding a sword and cloths	D.1978.PG.385	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 26.2 x 19 cm;Provenance: probably mounted by the artist in an album and given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762, kept in convent of the Somaschi until its suppression, 1810, possibly acquired there by Count Bernardino Algarotti-Corniani, purchased from him by Edward Cheney, Badger Hall (1803-1885), in Venice, 31 May 1852, by descent to Colonel Alfred Capel Cure, Blake Hall, Ongar, Essex, (1826-1896), his sale, Sotheby's (London), 29 April 1885, lot 1024, purchased there by E. Parsons && Sons (London);possibly acquired in Dublin by William Fagg, Sydenham, possibly B.T. Batsford (London)'s sale, Christie's (London), 14 July 1914, lot 49 (part of the 'Sole Figure Vestite' album), purchased there by E. Parsons && Sons (London);purchased there by Dan Fellows Platt, New Jersey (1873-1937), 1923, purchased from him by Harry Sperling, Mrs Patrick B. McGinnis, New York, her sale, Sotheby's (London), 21 October 1963, lot 166, purchased there by Colnaghi (London) on behalf of Count Antoine Seilern (1901-1978) (£1,100), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Holy Family surrounded by angels	D.1978.PG.386	Where was this drawing between the years 1933-1945?;Materials: traces of graphite, pen and brown ink, grey-brown wash, on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 27.5 x 19.7 cm;Provenance: Mrs L. Frohlich, purchased from her by Colnaghi (London), 24 April 1958, purchased there by Count Antoine Seilern (1901-1978), 24 April 1958 (£1,650), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Annunciation	D.1978.PG.387	Where was this drawing between the years 1933-1945?;Materials: black chalk, pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 26 x 17.5 cm;Provenance: mounted by the artist in an album and possibly given to his son, Giuseppe Tiepolo, friar in the convent of the Somaschi, Santa Maria della Salute, Venice, 1762, kept in convent of the Somaschi until its suppression, 1810, possibly acquired by Gregory Vladimirovitch Orloff (1777-1826), by descent to Prince Alexis Orloff, Paris (1867-1916), his sale, Georges Petit (Paris), 29 - 30 April 1920, lot 76, purchased there by Paulme (Paris), Tomás Harris, London (1908-1964), his sale, Sotheby's (London), 25 March 1965, lot 151, purchased there by Colnaghi (London) on behalf of Count Antoine Seilern, London (1901-1978) (£3,800), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770)	Study of a gazebo	D.1978.PG.400	Where was this drawing between the years 1933-1945?;Materials: pen and brown ink, brown wash on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 10.5 x 10.3 cm;Provenance: Colnaghi (London), purchased there by Count Antoine Seilern (1901-1978), 20 May 1970 (£950), Princes Gate Bequest 1978
Tiepolo, Giovanni Battista (1696-1770), attributed to	Sacrifice of Iphigenia	D.1978.PG.374	Where was this drawing between the years 1933-1945?;Materials: black chalk, brown wash, white bodycolour on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 36 x 45.9 cm;Provenance: James Byam Shaw, London (1903-1992), given by him to Count Antoine Seilern (1901-1978), between 1959 and 1969, Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804)	Young man seated	D.1978.PG.162	Where was this drawing between the years 1933-1945?;Materials: red and white chalk with stumping on blue laid paper, laid down on a historic support, the upper edge made up;Acquisition: Princes Gate Bequest 1978;Dimensions: 12.4 x 10.8 cm;Provenance: Deprez (London), Mrs H. de Beer, purchased from her by Colnaghi (London), 16 October 1956, purchased there by Count Antoine Seilern (1901-1978), 25 January 1957 (£25), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804)	Ballroom scene (recto), Study of a carriage (verso)	D.1978.PG.163	Where was this drawing between the years 1933-1945?;Materials: pen and brown ink (recto), red chalk (verso), on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 12.9 x 26.9 cm;Provenance: possibly given by the artist’s son Domenico to Johann Dominik Bossi, Munich (1767-1853), by descent to his daughter Maria Theresa Caroline (1825-1881) and her husband, Carl Christian Friedrich Beyerlen (1826-1881), their estate sale, H.G. Gutekunst (Stuttgart), 27 March 1882, Stephen Higgins (Paris), purchased from him by Colnaghi (London), 26 April 1957, purchased there by Count Antoine Seilern (1901-1978), 3 May 1957 (£350), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804)	Studies of groups and figures (recto and verso)	D.1978.PG.164	Where was this drawing between the years 1933-1945?;Materials: pen and brown ink (recto and verso) on laid paper, the upper left corner made up, in a window support;Acquisition: Princes Gate Bequest 1978;Dimensions: 28 x 20.2 cm;Provenance: Sir Robert Witt, London (1872-1952), L.2228b, Dr Carl Robert Rudolf, London (1884-1974), his anonymous sale, Sotheby's (London), 2 November 1949, lot 38 (as by Giovanni Battista), purchased there by Colnaghi (London) on behalf of by Count Antoine Seilern (1901-1978) (£50), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804)	Hollyhock plant	D.1978.PG.165	Where was this drawing between the years 1933-1945?;Materials: black chalk on laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 26.9 x 16.7 cm;Provenance: acquired by Colnaghi (London) between May and September 1934, Mrs Clive Pascall, her sale, Sotheby's (London), 23 May 1951, lot 39, purchased there by Colnaghi (London) on behalf of Count Antoine Seilern (1901-1978) (£18), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804)	Farm cart	D.1978.PG.402	Where was this drawing between the years 1933-1945?;Materials: graphite, pen and brown ink, brown wash on laid paper, mounted with D.1978.PG.401 on a historic support with windows cut out for the drawings;Acquisition: Princes Gate Bequest 1978;Dimensions: 8 x 13.3 cm;Provenance: Colnaghi (London), purchased there by Count Antoine Seilern (1901-1978), 20 May 1970 (£600), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804), attributed to	King kneeling	D.1978.PG.167	Where was this drawing between the years 1933-1934?;Materials: red and white chalk with stumping on blue laid paper;Acquisition: Princes Gate Bequest 1978;Dimensions: 31.1 x 22.6 cm;Provenance: possibly given by the artist’s son Domenico to Johann Dominik Bossi, Munich (1767-1853), by descent to his daughter Maria Theresa Caroline (1825-1881) and her husband, Carl Christian Friedrich Beyerlen (1826-1881), their estate sale, H.G. Gutekunst (Stuttgart), 27 March 1882, consigned by Nebehay (Vienna) to Gilhofer & Ranschburg (Lucerne), 28 June 1934, lot 294, purchased there by Count Antoine Seilern (1901-1978), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804), attributed to	Goddess seated on clouds	D.1978.PG.166	Was this nobleman in fact Prince Trivulzio, and had he owned it since at least 1933 before selling it in July 1937?;Materials: red and white chalk on blue laid paper;Acquisition: Princes Gate Bequest 1978;Additional information: We contacted Sotheby's in September 2005, and they responded that as the sale was so long ago they had no further information on the identity of this nobleman, other than the name of the consignor, 'Pollak and Winternitz'. Count Seilern recorded in his 1959 Italian paintings catalogue that Byam Shaw had verbally informed him that this nobleman was 'probably Prince Trivulzio' (page 124).;Dimensions: 27.1 x 24.2 cm;Provenance: a 'foreign nobleman', possibly Prince Trivulzio, whose property was consigned by Pollak and Winternitz (Vienna) to Sotheby's (London), 13 July 1937, lot 53, purchased there by Dr Alfred Scharf, London (1900-1965), presumably on behalf of Count Antoine Seilern, London (1901-1978), Princes Gate Bequest 1978
Tiepolo, Giovanni Domenico (1727-1804), attributed to	Landscape with horse and carriage	D.1978.PG.401	Where was this drawing between the years 1933-1945?;Materials: graphite, pen and brown ink, brown wash on laid paper, mounted with D.1978.PG.402 on a historic support with windows cut out for the drawings;Acquisition: Princes Gate Bequest 1978;Dimensions: 14.2 x 15.7 cm;Provenance: Colnaghi (London), purchased there by Count Antoine Seilern (1901-1978), 20 May 1970 (£750), Princes Gate Bequest 1978

(source: Collections Trust: Spoliation Report UK Museums:  Courtauld Gallery to consult all spoliation reports for UK museums see  http://records.collectionstrust.org.uk/ ) Other names that appear in the provenance texts along include:

• Agnews
• Pollak and Winternitz
• Meslen
• G. Petit
• Goldschmidt
• Seilern from Mme Farnoushe
• Nebehay
• Dupan
• Gray & Co.
• Lepke
• Seilern from M. Schulthess
• Colnaghi by Seilern
• Somaschi Fathers
• Boerner
• N. Beets
• F Müller & Cie.
• Earls Spencer , Althorp
• H.G. Gutekunst
• Gilhofer & Ranschburg
• Rosenkranz Bank
• Ferrucio Asta
• A. E. Popham
• ParisGalerie Quatre-Chemins
• Artaria
• Paul Prouté
• Galleries
• USASale
• Wisselingh
• Ethingham Court
• Simolin
• /PEOPLE/PERSON
• J. E. Huxtable
• W. Burchard
• Leonardo Chapinot
• W. Coningham
• Emil Frankl
• N. Chaikin
• Seilern through Hugelshofer
• Curt Glaser
• A. Fauchier-Magnan
• S. Ricci
• H. Robert
• Jacques Guérin
• Albert HenrauxTony Mayer
• Alexis Orloff
• Gerald M. Fitzgerald
• J. P. Heseltine
• Richard Buckle
• Stanley Loomis
• Edward Cheney
• Francesco Pesaro
• Wodinski
• Ritchie
• Max Perl
• F. Keppel
• W. Katz
• Francis Capel-Cure
• R. Matthews-Naper
• Don Domenico Ricci
• Walter Hugelshofer
• Charles F. Worel
• William Fagg
• E. Parsons
• W. Burrell
• Yvonne Tan Bunzl
• Le Meilleur
• Grindlay
• Henri Leroux
• H. R. Chapman
• R. Owen
• Marius Paulme
• PembrokeVictor Koch
• Carl Christian Friedrich Beyerlen
• Domenico
• Guy Stein
• A. G. B. Russell
• Vicomte de
• Trivulzio
• Dan Fellows Platt
• Bernardino Algarotti-Corniani
• H. M. Calmann
• F. Cavendish-Bentinck
• P.J. Thellusson
• Charles Morin
• Giovanni Battista Sartori-Canova
• Giovanni Battista
• Gauthier
• Vivian
• E. Rodrigues
• S. del Piombo
• De Burlet
• Paul Graupe
• M.H. Speelman
• H.J. Bhabha
• Heseltine
• D.S.O.
• Patrick B. McGinnis
• Vladimirovitch Orloff
• Domenico Fossati
• Bruce Ingram
• Hans Calmann
• Frank Partridge
• A. Scharf
• Mrs Dorothy Monet Rosenwald
• Armand Louis François de Mestral
• Capt. S.W. Sykes
• Agnew
• Mrs G. M. W. Huggill
• Nils Barck
• F. Mueller
• Marquis de Gouy
• J. Heywood Hawkins
• Louis Ullstein
• Ruth Heidsieck
• Calmann
• Baron Rendlesham
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