Feb 20, 2023

Tracking Looted Art 2: Sothebys Sales of Restituted Artworks as Data


The provenances of artworks restituted to Jewish families  plundered by Nazis contain valuable information for the art historian and Holocaust scholar.

Questions:
  • Which transactions occur between the seizure/sale under the Nazis and the restitution?
  • Which names appear in these transactions?
  • How often do they appear?



This post looks a a simple method for identifying the names of these buyers and sellers for further analysis. In this example, we look at the provenances of artworks sold at Sothebys after they were restituted to their original owners or their heirs.


Selection of artwork restituted to owners or their heirs that were subsequently sold through Sothebys.




Markup:

The owners who were persecuted by Nazis are marked in italics.
The date of restitution is underlined.
The names IN BETWEEN the data of loss and the date of restitution are highlighted in yellow.

This tagging or markup makes it easy to focus on the art market actors through whom the looted artwork passed before it was finally identified and restituted to the family of the spoliated Jewish collector.

The texts containing the names IN BETWEEN can then be analyzed using digital tools such as Voyant-Tools for word frequency (which names pop up most frequently with the looted art), Textrazor, OpenTapioca and other tools for entity recognition and matching, as well as the Looted Art Detector for flagging networks of names.

Focus is on artworks restituted AFTER 1948.

IN BETWEEN names include (selection)
  •  Dr M.H.H. Franssen, 
  •  Sonderauftrag Linz
  • Hans Posse
  • Central Collecting Point Munich, 
  • the Dutch State,
  • Raphaël Gerard
  • Galerie Bénézit
  • Hildebrand Gurlitt, 
  • Paris & Aschbach 
  • Cornelius Gurlitt
  •  Republic of France 
  • Auktionshaus Hermann Petschel, Breslau, 
  • Dr Cornelius Müller Hofstede
  • Schlesisches Museum der Bildenden Künste, Breslau
  • Galerie Vytvarného Umenì, Ostrava 
  • Einsatzstab Reichsleiter Rosenberg
  • Gustav Rochlitz
  • Hans Wendland
  • Zacharias Birtschansky
  • Theodor Fischer, Lucerne
  • Bernhard A. Böhmer
  • Dr. Willi Raeber, Basel
  • Galerie Rosengart, Lucerne
  • Dr. Fritz Heer, Zurich
  • Galerie Welz, Salzburg
  • Museum der Moderne, Rupertinum, Salzburg
  • Alois Miedl trading as Jacques Goudstikker
  • Countess von der Goltz, Berlin
  • Paul Wallraf, Frankfurt;
  • Dr. Oskar and Ilse Mulert, Frankfurt;
  • Museum für Kunsthandwerk, later Museum Angewandte Kunst, Frankfurt (donation)
  • Rheinisches Landesmuseum, Bonn
  • National Gallery, Prague
  • H. Bukowski
  • P. de Boer
  • Dienststelle Mühlmann
  • Kunsthistorisches Museum, Vienna, Stadtmuseum, Krems
  • Gemäldegalerie, Dresden
  •  Lionel Robert Abel Smith
  • F.C. Butôt, Sankt Gilgen
  • Sotheby Mak van Waay,
  • Bibliothèque Royale de Belgique, Brussel
  • Martin Fabiani, Paris
  • Natasha [Fruma] von Fliegers (née Josefowitz)
  • Musée d'Orsay, Paris
  •  Arthur Goldschmidt, Berlin
  • William Randolph Hearst, California
  • Staatliches Museum, Berlin
  • Nationalgalerie, Berlin
  • Federal Chancellery, Bonn (on loan)
  • Dr. Kurt Otte, Hamburg 
  • Städtische Galerie im Lenbachhaus, Munich
(not all names are listed yet)

(see table below)

DescriptionArtistTitleProvenance
Alfred Sisley;Les bords du Loing;signed Sisley (lower right);oil on canvasAlfred SisleyLes bords du LoingMax & Margarethe Heine, Leipzig (acquired by 1931. Confiscated in 1938 by the National Socialist Party and deposited at the Leipzig Museum der Bildenden Künste in 1942, inv. no. 1349);Private Collection, Europe (by descent from the above, restituted by the Leipzig Museum der Bildenden Künste in 1994. Sold: Sotheby’s, London, 28th June 1994, lot 9);Purchased at the above sale by the late owner
David Teniers the Younger;Boys blowing bubbles in an interior;signed upper right: D. TENIERS;oil on oak panel;31 x 25 cm., 12 1/4 x 9 7/8 in.David Teniers the YoungerBoys blowing bubbles in an interiorLouis-Jean-François Collet (1722–1787), Chevalier de l'Ordre de St. Michel;His posthumous sale, Paris, Lebrun, 14–23 May 1787, lot 36, where purchased for 1060 French Francs by;Charles-Alexandre de Calonne (1734–1802) or, or with, Jean-Baptiste-Pierre Le Brun (1748–1813);By whom sold, Paris, Lebrun, 21–30 April 1788, lot 48, for 1651 French Francs, to Duval;By whom offered, London, Christie's, 3 May 1806, lot 3, where unsold;J.L. Masson, Paris;By whom sold, London, Christie's, 30 May 1806, lot 8 for £3.3s to Woodburn;Princess Galitzin, Saint Petersburg;Antoon van Welie, The Hague, 1935;Jacob Hartog, The Hague;Confiscated from the above by Dr M.H.H. Franssen, The Hague, 1942;Acquired from the above for the Sonderauftrag Linz by Hans Posse (inv. no. 2456);Central Collecting Point Munich, 1945 (Inv. no. 3802);Restituted to the Dutch State, 1945;Restituted to the heirs of Jacob Hartog, New York, 1946;Anonymous sale, London, Christie’s, 19 March 1965, lot 9, for 1700 Guineas to Herzig;With Galerie Sanct Lucas, Vienna, 1965, from whom almost certainly acquired by the father of the present owner.
Paul Signac;Quai de Clichy. Temps gris;inscribed Op. 156 (lower right);oil on canvasPaul SignacQuai de Clichy. Temps grisMarié, Malmaison (exchanged with the artist for a bicycle) Delaporte, Malmaison;Félix Fénéon, Paris (acquired by 1925);Georges Bernheim, Paris;Gaston Lévy, Paris (acquired in April 1927);Lotté, Paris;Raphaël Gerard (acquired on 24th August 1943, inventory D 3233);A. de la Chapelle, Paris (acquired for 85.000 FFR, probably through Galerie Bénézit);Hildebrand Gurlitt, Paris & Aschbach (by December 1947 and probably from 1943);Cornelius Gurlitt, Munich (by descent from the above);Restituted by the estate of the above to the heirs of Gaston Lévy in July 2019
Francesco Guardi;A capriccio with figures at the edge of a lagoon;oil on panel;19.2 by 15 cm., 7 1/2 by 5 3/4 in.Francesco GuardiA capriccio with figures at the edge of a lagoonAlfred Lindon (Lindenbaum), Paris;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg and deposited at the Jeu de Paume on 10th December 1940;Transferred to the Central Collecting Point Munich on 26 June 1945 (inv. no. 231/29);Restituted to the Republic of France on 31 July 1946;Restituted to Alfred Lindon (Lindenbaum), Paris, before February 1947;His sale, Paris, Galliéra, 9 June 1964 (with its pendant, lot 42 in this sale).
Francesco Guardi;A capriccio with a ruined Roman arch beside a lagoon;oil on panel;19 by 15 cm., 7 1/2 by 5 7/8 in.Francesco GuardiA capriccio with a ruined Roman arch beside a lagoonAlfred Lindon (Lindenbaum), Paris;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg and deposited at the Jeu de Paume on 10 December 1940;Transferred to the Central Collecting Point Munich on 26 June 1945 (inv. no. 231/29);Restituted to the Republic of France on 31 July 1946;Restituted to Alfred Lindon (Lindenbaum), Paris, before February 1947;His sale, Paris, Galliéra, 9 June 1964, (with its pendant, lot 41 in this sale).
Carl Spitzweg;Der Hagestolz (The Bachelor's Outing);oil on panelCarl SpitzwegDer Hagestolz (The Bachelor's Outing)Direktor R. Zahn, Plauen (his estate sale, Hugo Helbing, Munich, 21 November 1917, lot 20);Dr Buiswanger (purchased at the above sale);Dr Henri Hinrichsen, Leipzig (acquired in 1935);Confiscated from the above, 16 November 1939;Museum der Bildenden Künste, Leipzig;Restituted to the heirs of Henri Hinrichsen in 2002
Saint Philip;alabaster, with traces of polychromy on the face;43cm., 16 7/8 in.Saint PhilipGeheimrat Ottmar Strauss, Cologne;his forced sale Hugo Helbing Munich, 6-8 November 1934, lot 60 (as St. Philippus);with Paul Wallraf, Frankfurt;Dr. Oskar and Ilse Mulert, Frankfurt;bequeathed to Museum für Kunsthandwerk, later Museum Angewandte Kunst, Frankfurt, 1951 (inv. no. Mu. St. 15);restituted to the heirs of Ottmar Strauss in 2014
a pair of large allegorical bronze groups of The Vintage and The Art of War;The Vintage signed: F. BERTOS F;bronze, on wood standsa pair of large allegorical bronze groups of The Vintage and The Art of WarBaron Alphonse von Rothschild (1878-1942), Vienna;Seized from the above and allocated for the Kunstmuseum Linz, 1938/9;Restituted to the Austrian government, Kremsmünster depot, 1945;Restituted from the above to Baroness Clarice von Rothschild, 1948;Sold thereafter to the consignor's family, thence by descent until Sotheby's, London, 9 July 2004, lot 80;Private collection, UK
Dirck Hals;Tric-Trac Players in an Interior;signed and dated, lower right: D Hals 1626;oil on panel;11 by 13 1/2 in., 27.9 by 34.3 cm.Dirck HalsTric-Trac Players in an InteriorBaron Anselm von Rothschild, Vienna (as " Drei spielende Kavaliere ");Baron Alphonse de Rothschild, Grüner Salon, Theresianumgasse, Vienna (inv. AR416);Seized from the above and allocated for the Kunstmuseum Linz (inv. 9349);Restituted to the Austrian government, Kremsmünster depot, 1946;Restituted from the above to Baroness Clarice von Rothschild, 1947;With Frederic Mont, New York, 1949;With Galerie Kraus, Paris, 1976;With Newhouse Galleries, New York;From whom purchased in 1978 by the family of R. Stanton Avery, New York;Sold ("Property from the R. Stanton Avery Foundation"), New York, Christie's, 22 May 1998, lot 170;There purchased by the present collector.
George Romney;Portrait of Mrs. Pringle, Née Miss Balneavis;half length wearing a white gown with a blue sash and bow at the neckline, a black shawl, and a pearl necklace and earrings;Rothschild inventory number on the reverse AR855;oil on canvas;30 by 25 in., 76.2 by 63.5cmGeorge RomneyPortrait of Mrs. Pringle, Née Miss BalneavisBaron Nathaniel von Rothschild (1878-1942), prior to 1903, Theresianumgasse, Vienna, thence by descent to;Baron Alphonse von Rothschild, by 1905, thence by descent to;Seized from the above and allocated for the Kunstmuseum Linz, 1938/9;Restituted to the Austrian government, Kremsmünster depot, 1945;Restituted from the above to Baroness Clarice von Rothschild, 1948, thence by descent to;Gwendolin de Rothschild, and thence by descent to the present owner.
Max Liebermann;Zwei Reiter am Strand nach links;(Two Riders on the Beach to the left);signed M. Liebermann and dated 1901 (lower right);oil on canvasMax LiebermannZwei Reiter am Strand nach links;(Two Riders on the Beach to the left)(probably) Kunsthandel Paul Cassirer, Berlin;David Friedmann, Berlin & Breslau (probably acquired from the above by 1905 and until at least 1939);Sale: Auktionshaus Hermann Petschel, Breslau, July 1942;Dr Cornelius Müller Hofstede of the Schlesisches Museum der Bildenden Künste, Breslau (acquired from the above and stored with the Schlesisches Museum under inventory no. 28321);Dr Hildebrand Gurlitt, Dresden and later Düsseldorf (acquired from the above in August or September 1942);Confiscated by the Monuments, Fine Art and Archives section from Dr Gurlitt’s storage at Schloss Aschbach, Bamberg and transferred to the Wiesbaden Central Collecting Point on 6th December 1945 (inv. no. WIE 1930);Returned to Dr Hildebrand Gurlitt on 15th December 1950;By descent to Helene Gurlitt, Düsseldorf in 1960;By descent to their son Cornelius Gurlitt, Munich;Restituted by the Estate of Cornelius Gurlitt to the heirs of David Friedmann in 2015
wool and silk tapestryA.S. Drey, Munich (forced sale: Paul Graupe, Berlin, 17th-18th June 1936, Nr. 488, illustrated in the catalogue);Bayerisches Nationalmuseum, Munich;Restituted to the A.S. Drey heirs in 2012
Pablo Picasso;Compotier, mandoline, partition et bouteille;signed Picasso and dated 23 (lower right);oil and sand on canvasPablo PicassoCompotier, mandoline, partition et bouteilleAlphonse Kann, Paris (acquired before 1940);Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg (ERR Nr. KA 1059);Hermann Göring, Germany (on whose behalf traded by Gustave Rochlitz with Paul Petrides, Paris on 9th February 1942);Galerie Louise Leiris, Paris;Galerie Beyeler, Basel (acquired by 1976);Private Collection, Portugal;Private Collection, Switzerland;Heirs of Alphonse Kann, Paris (restituted by the above in 1998);Acquired from the above by the present owner
Oskar Kokoschka;ISTANBUL I;oil on canvasOskar KokoschkaISTANBUL IGalerie Paul Cassirer, Berlin (acquired from the artist on 11th February 1930);N. V. Amsterdamsche Kunsthandel Paul Cassirer & Co., Amsterdam (transferred from the above on 10th April 1931);Oskar Federer, Ostrava (acquired from the above probably through Neue Galerie, Vienna, in 1933);Seized by the Nazis in 1939;Galerie Vytvarného Umenì, Ostrava (by November 1943);Restituted to the heirs of Oskar Federer in 2007
Georges Braque;Nature morte à la corbeille de fruits;Signed G. Braque and dated 27 (lower left);Oil on panelGeorges BraqueNature morte à la corbeille de fruitsAlphonse Kann, Paris;Confiscated by Einsatzstab Reichsleiter Rosenberg (circa June-November 1940);Gustav Rochlitz, Hans Wendland and Zacharias Birtschansky (acquired from the above by exchange, 3 March 1941);Theodor Fischer, Lucerne (acquired from the above via Hans Wendland and Bernhard A. Böhmer by exchange and taken to Switzerland by Böhmer on 4 October 1941);Dr. Willi Raeber, Basel (acquired from the above, 16 March 1942);Galerie Rosengart, Lucerne (acquired from the above, April 1942);Dr. Fritz Heer, Zurich (acquired from the above);Restituted to the executors of Alphonse Kann's estate, London (7 July 1949);Dalzell Hatfield Gallery, Los Angeles;Alex and Rita K. Hillman, New York (acquired from the above, 1951);The Alex Hillman Family Foundation (a gift from the above 16 October 1968 and sold: Christie's, New York, November 05, 2008, lot 12);Acquired at the above sale
Jan Wijnants;Wooded evening landscape with a hunter and his dogs, another hunter on Horseback conversing with a peasant, a fishermen and a falconer carrying a hoop of falcons on a path, a wagon and other figures by a lake beyond;signed with initials lower left: J. W.;oil on canvas;59 7/8 by 75 1/4 in., 152 cm by 191.1 cmJan WijnantsWooded evening landscape with a hunter and his dogs, another hunter on Horseback conversing with a peasant, a fishermen and a falconer carrying a hoop of falcons on a path, a wagon and other figures by a lake beyondGraf von Stadion, Vienna;Jean Baptiste Baron Puthon (1773-1839), Vienna;His deceased sale, Vienna, Artaria && Co, 1840;There acquired by E. Netscher, Rotterdam;From whom acquired by Leonardus Pieter Klerk de Reus, The Hague, for 600 I., by 1842;Baron Anselm von Rothschild (1803-1874), Frankfurt-am-Main and Vienna (acquired from the above in 1845 for about 600 l. through the agency of Moritz Daniel Oppenheim and the dealer E. Netscher as part of a group of 35 paintings);Thence by descent to Baron Nathaniel von Rothschild (1836-1905), Vienna, until at least 1903;Thence by inheritance to his brother, Baron Albert von Rothschild (1844-1911), 1905;Thence by descent to Baron Alphonse Mayer von Rothschild (1878-1942), 1911;Confiscated from the above, 13 March 1938 (inv. no. AR 867) and allocated for the Kunstmuseum Linz;Munich Central Collecting Point;Repatriated to the Austrian government, and restituted to Baroness Clarice von Rothschild, November 30, 1947;Selected as a donation to the Kunsthistorisches Museum, Vienna (inv. 9100), 1948;Restored to the Rothschild family, March 1999,Their sale, London, Christie's, 8 July;1999, lot 218;There acquired by the present collector for $3,600,467.
Floris van Schooten;Kitchen Scene;signed with initials on the blade of the knife: FVS;oil on canvas;35 3/4 by 47 1/2 in., 91 by 120 cm.Floris van SchootenKitchen SceneWith Galerie van Diemen (Jakob and Rosa Oppenheimer), The Hague and Berlin, from at least 1925;Their forced liquidation sale Berlin, Paul Graupe, April 26-27, 1935, vol.II, lot 86;Anonymous sale ("The Property of a Lady"), London, Christie's, March 25, 1977, lot 92;Anonymous sale, London Phillips, Son and Neale, December 6, 1983, lot 27;Private collection, USA;Restituted to the heirs of Jakob and Rosa Oppenheimer in 2009.
Félix Vallotton;Femme couchée, 1905;signed and dated upper right;oil on canvasFélix VallottonFemme couchée, 1905Druet, Paris, no. 6325 (Le repos), (direct from the artist 1909);Gustave Kahn, Paris;Vente Me Rheims, Paris;Alphonse Kann, Paris;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg in occupied Paris in October 1940 (inv. no. Ka 1057);Slated for transport to Nikolsburg in the German Reich on the 1 st August 1944, but the train never left Paris;Restituted to Alphonse Kann on the 11 th July 1947;Galerie Charpentier, 12th May 1950, no. 41 (Le repos);Rodrigues-Henriques, Paris, no. 308 (purchased at the above sale);Vente Me Loudmer, Paris, Drouot, 8th December 1986, no. 49;Galerie Vallotton, Lausanne, no. 12959 (purchased at the above sale);Marianne Vallotton, Pully;Claude Vallotton, Pully;Estate Claude Vallotton, Pully;Christie’s, Zurich, 21st March 2000, no. 108;Corporate collection, Switzerland
Jacob Salomonsz. van Ruysdael;Wooded Landscape with Herd Animals Resting by a Pond;signed lower left with monogram JvR in ligature;oil on panel;19 3/4 by 27 1/4 in., 50.2 by 69.2 cm.Jacob Salomonsz. van RuysdaelWooded Landscape with Herd Animals Resting by a PondH.J.A. Raedt van Oldenbarnevelt, The Hague;His sale (and others), Amsterdam, Frederik Muller & Cie, April 15, 1902, lot 166;With C. Benedict && Co., Berlin;Sale, Galerie du Vicomte Jacques de la V... (and others), Brussels, Galerie Fievez, July 3, 1919, lot 148;M.M. Rothstein, London;By whom sold, London, Christie's, February 24, 1939, lot 51, unsold;M.M. Rothstein, London;With A. Heppner, Amsterdam, by July 18, 1940 (presumably given to him by Rothstein for safekeeping);With Alois Miedl trading as Jacques Goudstikker, Amsterdam, July 18-24, 1940, no. 32;H. Hoffman, Munich, by July 24, 1940;Rijkskanselarij, Berlin;Führermuseum, Linz, inv. no. 1018/733;Whence restituted by the Allies to Stichting Nederlands Kunstbezit, The Hague, inv. no. NK2653, by 1947;Dienst voor's Rijks Verspreide Kunstvoorwerpen, The Hague, inv. no. NK2653, by 1949;Insituut Collectie Nederland, Amsterdam, inv. no. 2653;On loan to The Royal Netherlands Embassy, Washington, D.C., since circa 1997;Restituted to the present owner.
height of ivory 12 7/8in., 32.7cm.Baron Alphonse von Rothschild (1878-1942), Vienna;Seized from the above and allocated for the Führermuseum Linz, 1938/9 (reference AR 2910);Restituted to the Austrian government, Kremsmünster depot, 1945;Restituted from the above to Baroness Clarice von Rothschild, New York, 1948;American Private Collection
Joos van Cleve;Virgin and Child;oil on panel, in an engaged frame;20 1/8 by 14 1/4 in., 51.1 by 36.2 cm.Joos van CleveVirgin and ChildFernandez Patto, Paris;Adolphe Schloss, Paris, before 1919;By descent in the family;Confiscated by the Nazis from the estate of Adolphe Schloss, Château de Chambon, Laguenne near Tulle;Confiscated and allocated to the Fuehrermuseum in Linz (deposited at the Führerbau);Restituted to France and thereafter to the Estate of Adolphe Schloss, Paris (München CCP, inv. 44620);His sale, Paris, Galerie Charpentier, 25 May 1949, lot 32 (as by the Master of Frankfurt).
Marsyas, called 'Ignudo della Paura';bronze, on a possibly later bronze base;33cm., 13in. overallMarsyas, called 'Ignudo della Paura'Rudolf von Gutmann (1880-1966), Vienna;confiscated from the above by the Gestapo in 1938;transferred to the central repository Neue Burg of the proposed Führermuseum in Linz (inv. no. 482);recovered in Altaussee (inv. no. 1714/3) by the so-called Monuments Men and transferred to the Central Collecting Point Munich on 4th July 1945 (inv. no. 2370/3);transferred to Salzburg on 17th June 1947;restituted to Rudolf von Gutmann after 1949;his sale, Sotheby’s London, 9 December 1987, lot 38;private collection, The Netherlands
Pierre Bonnard;La Promenade des enfants (Arcachon);Signed Bonnard (lower left);Oil on canvasPierre BonnardLa Promenade des enfants (Arcachon)Galerie Bernheim-Jeune, Paris (acquired directly from the artist in 1929);Alphonse Kann, St. Germain-en-Laye;Seized from the above by the Einsatzstab Reichsleiter Rosenberg in November 1940 and transferred to the Jeu de Paume, Paris as Menschen auf der Straße (reference Ka1054);Restituted to Alphonse Kann, July 11, 1947;Sam Salz, New York;Mary & Leigh B. Block, Chicago (acquired by 1966);Sakai Gallery, Toyko;Acquired from the above
Francesco Guardi;Venice, a view of the Piazzetta looking towards San Giorgio Maggiore;oil on canvas;11 1/4 by 15 1/8 in., 28.5 by 38.8 cm.Francesco GuardiVenice, a view of the Piazzetta looking towards San Giorgio MaggioreMr. and Mrs. Jacques Doucet, Paris;His sale, Paris, George Petit, 6 June 1912, lot 162;André Louis Hirsch (acquired at the above sale);Mme Louis Hirsch, 1933 (by inheritance from the above);Confiscated by the Einsatzstab Reichsleiter Rosenberg (ERR), inv. no. Hir 8 (from box no. Hir 3), 16 October 1941;Recovered by the Monuments Men and sent to the Munich Central Collecting Point, inv. no. 720/8, 25 June 1945;Restituted to Mme Louis Hirsch after 23 May 1946;With M. Knoedler && Co., New York;From whom purchased by the family of the present owner.

Édouard Manet;Lettre à Faure;Signed E. Manet (lower right);Watercolor and pen and ink on paperÉdouard ManetLettre à FaureJean-Baptiste Faure, Paris (acquired directly from the artist);Maurice Faure, Paris;Mme Maurice Faure, Paris (by 1914);Jean and Pierre Faure, Paris (by 1915 until at least 1928);Jakob Goldschmidt, Berlin and NeuBabelsberg (by 1933);Sale: Hans W. Lange, Berlin, September 25, 1941, lot 41 (forced sale of the Collection of Jakob Goldschmidt);Countess von der Goltz, Berlin (acquired at the above sale);Jakob Goldschmidt, New York (restituted to him by the above in 1955);Thence by descent to the present owner
Manner of Jacopo Ligozzi;A knight, half length, wearing armour and an elaborate plumed helmet;Pen and brown ink, heightened with white over black chalk,bears inscriptions on the backing sheet in black chalk: Jak. Ligozzi/Reiter mit Federbusch (in the hand of Arthur Feldmann) and Della Bella, and numbering in red chalk: 153;288 by 203mmManner of Jacopo LigozziA knight, half length, wearing armour and an elaborate plumed helmetEugène Rodrigues (1853-1928), Paris (L.897);Dr. Arthur Feldmann (1877-1941), Brno;looted by the Gestapo during the Nazi occupation of Czechoslovakia;on deposit at the State Czechoslovak Bank, Prague;accessioned by the National Gallery, Prague, in 1956, inv. no. DK 4613 (bears their mark, verso: NGGS/PRAHA, not in Lugt);restituted to the heirs of Arthur Feldmann in 2015
Claude Monet;Camille à l'ombrelle verte;Signed Cl. Monet (lower left);Oil on canvasClaude MonetCamille à l'ombrelle verteGustave Cahen, France (sale: Georges Petit, Paris, Vente Gustave Cahen, May 24, 1929, lot 69);Alfred Lindon, Paris (probably acquired at the above sale);Seized from the above by the Einsatzstab Reichsleiter Rosenberg für die Besetzten Gebiete, Paris on 5th December 1940;Reichsmarschal Hermann Göring (acquired from the above on November 25, 1942);Restituted by the French Government to Jacques Lindon, Alfred Lindon's son, on 3rd December 1946;Jacques Lindon, New York;Mr. & Mrs. Laurance Rockefeller, United States (acquired from the above in the 1950s);Wildenstein & Co., New York;Private Collection, New York;Sale: Sotheby's, London, June 19, 2007, lot 11;Acquired at the above sale
Eugène Boudin;Venise, Il Campanile, Le Palais ducal;Signed E. Boudin, dated 95. and inscribed Venise (lower right), inscribed Venise (lower left);Oil on canvasEugène BoudinVenise, Il Campanile, Le Palais ducalDurand-Ruel, Paris;Dr. Charles Abadie, Paris (and sold: Hôtel Drouot, Paris, April 17, 1913, lot 1);Graat Collection, Paris (acquired at the above sale);Baron Robert de Rothschild, Paris;Seized from the above by the Geheime Feldpolizei, Gruppe 540, in Paris between July and October 1940 and removed to the German Embassy at 82 rue de Lille, Paris;Restituted to Baron Maurice de Rothschild, October 17, 1947;Andre Weil, Paris (likely acquired from the above);Rosenberg & Stiebel, New York (acquired from the above on November 6, 1956);Galerie André Weil, Paris;Mrs. Margaret Thompson Biddle, New York & Paris (acquired from the above in 1956);Private Collection, Canada (acquired from the above in 1956);Thence by descent
Joachim Beuckelaer;The Adoration of the Shepherds;signed lower right with monogram: IB and dated upper left: 1564;oil on marouflaged panel;29 1/4 by 23 1/4 in., 74.3 by 59 cm.Joachim BeuckelaerThe Adoration of the ShepherdsMr. S. A. (possibly S. Alberge, The Hague);With Jacques Goudstikker, Amsterdam, before December 1922 (inv. 1578);Looted by the Nazi Authorities, July 1940;Anonymous sale, Hamburg, Hauswedell & Nolte, 11 June 2004, lot 814;Klaus Lanker, St. Gall;With Dr. Rohe, Munich;Anonymously sold ("The Property of a Private Collector"), London, Sotheby's, 9 December 2004, lot 103;With Jack Kilgore && Co., New York;Restituted to Marei von Saher, the heir of Jaques Goudstikker, February 2008.
Paris Bordone;portrait of a bearded man, three-quarter length, wearing a black fur-lined coat, holding a cap in his right hand;remains of an inscription lower right: AETATIS / ANNO /...III;oil on canvas, in a carved and gilt wood frame;94.5 by 78 cm., 37 1/8 by 30 5/8 in.Paris Bordoneportrait of a bearded man, three-quarter length, wearing a black fur-lined coat, holding a cap in his right handPrivate Collection, Florence;With A. Ruck, London by July 1921;Anonymous sale, London, Christie's, 10 July 1925, lot 143, for 99 Guineas to 'Dale;With Galerie van Diemen & Co, Berlin by 1928;Their forced liquidation sale, Berlin, Paul Graupe, 25-26 January 1935, vol. I, lot 8;Sale, Stockholm, H. Bukowski, 14 December 1935, lot 46;With P. de Boer, Amsterdam;Dienststelle Mühlmann, The Hague;Schmidt, The Hague;On loan from the ICN to the residence of the Commissioner of South-Holland, Wassenaar (30th October 1956 until 1984);Netherlands Art Property Collection, inv. no. NK1771;Restituted to the heirs of Jakob & Rosa Oppenheimer in 2008
Georg Schöbel;The Blacksmith's Shop;signed and dated 86;gouache on paperGeorg SchöbelThe Blacksmith's ShopMax and Fanny Steinthal;Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal’s son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004
Jean-Baptiste Le Prince;A lady, wearing a red dress, in an interior;signed on the reverse: Le Prince;oil on paper, laid down on canvas;40 by 26 cm., 15 3/4 by 10 1/4 in.Jean-Baptiste Le PrinceA lady, wearing a red dress, in an interiorF.J.E. Horstmann, Kasteel Oud Clingendael;With Jacques Goudstikker, Amsterdam, 1930;Looted by the Nazi authorities, July 1940;Recovered by the Allies, 1946;In the custody of the Dutch Government at the Netherlands Office for Fine Arts, inv. no. NK 1901;Restituted in February 2006 to the heir of Jacques Goudstikker;By whom sold ('Property from the collection of Jacques Goudstikker'), New York, Christie's, 19 April 2007, Lot 42.
Pieter Codde;Family portrait with husband, wife and two daughters seated at a table draped in red cloth, a son playing a lute, another son holding a fiddle beside a lady playing the virginal, a maidservant pouring wine by the window, and a dog resting on the floor;inscribed on the inside of the virginal: OMNI SPIRITUS LAUDET DOMI;oil on oak panel;75.2 by 122.2 cm., 29 5/8 by 48 1/8 in.Pieter CoddeFamily portrait with husband, wife and two daughters seated at a table draped in red cloth, a son playing a lute, another son holding a fiddle beside a lady playing the virginal, a maidservant pouring wine by the window, and a dog resting on the floorMax Weil, Düsseldorf (confiscated by the National Socialists before 1939);Finanzamt Düsseldorf;Sale, Düsseldorf, Eugen Pongs, 23 March 1939, lot 17, detailed ' nicht arischer Besitz ' (as Thomas de Keyser);Acquired at the above sale by the Rheinisches Landesmuseum, Bonn (inv. no. 20897);Restituted to Max Weil on the 23 August 1950;Anonymous sale ('The Property of a Lady'), London, Christie's, 22 April 1994, lot 5, for £90,000 (as Anthonie Palamedesz.);With Galerie de Jonckheere, Paris, in November 1994 (as Anthonie Palamedesz.).
Roger de la Fresnaye;Eve assise (La Femme et la pomme);Oil on canvasRoger de la FresnayeEve assise (La Femme et la pomme)Henri Kapferer, Paris;Confiscated from the above by the Einsatzstab Reichleiter Rosenberg (ERR), inv. KAP 2, August 14, 1941;Restituted to Mme Henri Kapferer, July 20, 1945;Galerie Maeght, Paris;Wildenstein & Co., New York;Pedro Vallenilla Escheverria, Caracas (and sold: Christie's, London, June 9, 1964, lot 64);Sale: Christie's, London, April 2, 1974, lot 33;Acquired at the above sale
Max Liebermann;Sommerabend an der Alster;(Summer Evening on the Alster);signed Liebermann and dated 1911 (lower left);oil on canvasMax LiebermannSommerabend an der Alster;(Summer Evening on the Alster)Dr Gustav Kirstein, Leipzig (acquired by 1914);Clara Kirstein, Leipzig (by inheritance from her husband Dr Gustav Kirstein in February 1934);Gabriella Jacobsen (née Kirstein) & Marianna Bear (née Kirstein) (by inheritance from the above in June 1939);Confiscated by the Nazis in August 1941 and ownership forfeited to the German Reich in November 1941 by whom sold through C. G. Boerner to Hermann Voss for the Sonderauftrag Linz (Special Commission Linz) in June 1943;Sale: Galerie Fischer, Lucerne, 11th September 1943, lot 813 (with incorrect provenance, unsold);Hans Sorraperra-Blattmann, Zurich (bought privately from Galerie Fischer);Estate of the above (sold: Kunsthaus Lempertz, Cologne, 21st May 1977, lot 352);Private Collection (purchased at the above sale);Corporate Collection, Hamburg (acquired by 1978);Restituted to the heirs of Dr Gustav & Clara Kirstein in 2013
Claude Monet;CAMILLE À L'OMBRELLE VERTE;signed Cl. Monet (lower left);oil on canvasClaude MonetCAMILLE À L'OMBRELLE VERTEGustave Cahen, France (sale: Georges Petit, Paris, Vente Gustave Cahen, 24th May 1929, lot 69);Alfred Lindon, Paris (probably purchased at the above sale);Seized from the above by the Einsatzstab Reichsleiter Rosenberg für die Besetzten Gebiete, Paris on 5th December 1940;Reichsmarschal Hermann Göring (acquired from the above on 25th November 1942);Restituted by the French Government to Jacques Lindon, Alfred Lindon's son, on 3rd December 1946;Jacques Lindon, New York;Mr & Mrs Lawrence Rockefeller, USA (acquired from the above in the 1950s);Wildenstein & Co., New York;Private Collection, New York;Acquired from the above by the present owner
Pieter Brueghel the Younger;Peasants greeting one another, Two monks in front of an inn, Two peasant couples;a set of three, all oil on panel;each: 4 3/8 by 9 1/2 in., 11 by 24 cm.Pieter Brueghel the YoungerPeasants greeting one another;Two monks in front of an inn;Two peasant couplesAnonymous sale, Berlin, Hans W. Lange, 27-29 January 1943, lot 14 (with two other panels);There purchased by Dr Günther Quandt, Berlin;Confiscated by American forces from the above at Haus Waldschloss near Baden-Baden, March 1945;Centre de rassemblement artistique de Baden-Baden, 1945, nos.1320 A-C;Stichting Nederlandsch Kunstbezit, 1946, inventory no. 2326 (remitted by the above);Centre de rassemblement artistique de Baden-Baden, 1946 (returned by the above after the SNK failed to establish that the panels had been in Dutch ownership before 1943);Dr. Günther Quandt, Baden-Baden (restituted by the above);By descent to Dr. Herbert Quandt, Frankfurt-am-Main;By whom sold, Cologne, Lempertz, 14 March 1963, lot 59 (with two other panels), to P. de Boer;With Kunsthandel P. de Boer, Amsterdam;Alfred Brod, 1963.
Virgil Solis;A running hare in a landscape;Pen and black ink;96 by 170 mmVirgil SolisA running hare in a landscapeArthur Feldmann, Brno;sale, Lucerne, Gilhofer & Ranschburg, 28 June 1934, lot 283 (as Tobias Stimmer, unsold);looted by the Gestapo in 1939, during the Nazi occupation of Czechoslovakia;in the posession of the Czech Government until 1956, when accessioned by the National Gallery, Prague, inv. DK 4605 (bears their mark, verso: NGGS/PRAHA, not in Lugt);restituted to the heirs of Arthur Feldmann in 2013
Nicolaes Maes;Portrait of a lady, seated three-quarter length, wearing a red dress with a white chemise and pearl jewellery;bears inscription upper left: Henrietta Duchess of Orleans/ Died 19 th: June 1670.;oil on canvas;67.4 by 50.8 cm.Nicolaes MaesPortrait of a lady, seated three-quarter length, wearing a red dress with a white chemise and pearl jewelleryJames, Earl of Fife, Duff House, Banffshire, late 18th Century;By descent to the Duke of Fife, K.T.;Anonymous sale, London, Christie's, 7 June 1907, lot 94, for £68.5 to Hamburger;Gustaaf and Clara Hamburger, Laren;Spoliated by the Nazi authorities during the German occupation of the Netherlands;Stichting Nederlands Kunstbezit, no. 2844;Restituted by the above and thence by descent to the previous owner;By whom sold, Amsterdam, Christie's, 6 May 2008, lot 51.
Gustave Moreau;Le paysan du Danube;signed Gustave Moreau (lower right);pencil and ink heightened with white and gold on paper;10 7/8 x 7 3/8 inchesGustave MoreauLe paysan du DanubeDuruflé Collection;Wildenstein, Paris, from whom confiscated in 1941 (ERR reference W160) and later restituted;Wildenstein & Co., New York;Acquired from the above in 1980
Covered Pokal;partially gilt glass;38cm., 15in. overall.Covered PokalAdolph and Helene List, Villa Adolph List, Magdeburg, Germany, until 1939;their forced sale, Hans. W. Lange, Berlin, Germany, 28, 29 and 30 March 1939, lot 576;there acquired by Museumsberg Flensburg, Flensburg, 1939-2013;restituted to the heirs of the Estate of Adolph and Helene List, 2014
A triptych;central panel: The Virgin and Child;wings: Saints Catherine and Barbara;oil on panel, the reverse of the wings charged with the arms of the Ferteyns family of Flanders;central panel: 32.3 by 25 cm., 12 3/4 by 9 7/8 in.;wings: 32.5 by 12.5 cm., 12 3/4 by 4 7/8 in.A triptych;central panel: The Virgin and Child;wings: Saints Catherine and BarbaraCommissioned or at one time owned by the Ferteyns family, Flanders;Hugo Andriesse, Brussels;Deposited with the Musées Royaux des Beaux-Arts, Brussels in 1939;Confiscated following the German occupation of Belgium by the Einsatzstab Reichsleiter Rosenberg (ERR no. HA24);Transferred to the Jeu de Paume, Paris, 12 March 1942;Transferred to the Buxheim Monastery near Memmingen, Germany, 2 April 1943;Restituted to Hugo Andriesse’s widow, Elisabeth, Brussels in October 1946;With Galerie Robert Finck, Brussels, 1964;With Galerie de Jonckheere, Paris;Acquired from the above in 1990 by the parents of the present owners.
Pierre-Auguste Renoir;Femme à la toque noire or Tête de jeune femme or Portrait de femme en buste au chapeau noir;signed Renoir (lower right);pastel on paperPierre-Auguste RenoirFemme à la toque noire or Tête de jeune femme or Portrait de femme en buste au chapeau noirGalerie Durand-Ruel, Paris & New York (acquired from the artist in March 1890);Galerie Tanner, Zurich (acquired from the above in June 1929);Bruno Stahl, Berlin (placed in storage at the Wildenstein Gallery, Paris);Confiscated with other artworks belonging to Georges Wildenstein from the gallery by the Einsatzstab Reichsleiter Rosenberg (ERR) in occupied Paris and transferred to the Jeu de Paume, Paris;Transferred to the Buxheim monastery near Memmingen, Germany on 15th January 1943;Repatriated to France on 28th December 1945;Restituted to Georges Wildenstein on 21st March 1947 and returned to Bruno Stahl;Wildenstein & Co., Inc., New York (acquired from the above in January 1949);Mr & Mrs Charles W. Engelhard, Jr., New Jersey (acquired from the above in 1956);Estate of Mrs Charles W. Engelhard (by descent from the above. Sold: Christie's, New York, 4th November 2004, lot 110);Purchased at the above sale by the present owner
Paul Signac;La Corne d’Or. Matin;signed P. Signac and dated 1907 (lower right);oil on canvasPaul SignacLa Corne d’Or. MatinGalerie Bernheim-Jeune, Paris;Max Linder, Paris (acquired from the above in 1913);Metthey, Paris (acquired by 1923);Gaston Lévy, Paris (acquired from the above on 10th June 1927);Seized by the Einsatzstab Reichsleiter Rosenberg circa October 1940 (inv. no. MA-B 1084) and transferred to the depot maintained at the Jeu de Paume in June 1943;Martin Fabiani, Paris (May 1944) Munich Central Collecting Point (received on 21st March 1946, inv. no. 22355/4);Repatriated to the French State on 25th September 1947;Transferred by the French Government in 1949 to Natasha [Fruma] von Fliegers (née Josefowitz), Paris & New York;Serge Fliegers (by descent from the above);Seized from the above in 1988 by French Customs and confiscated;Assigned to the Musée d'Orsay, Paris in 2000;Restituted by the French Government to the heirs of Gaston Lévy in 2018
silver-giltEmma Budge (née Lazarus), Hamburg (1852-1937);The forced sale of her estate: Paul Graupe, Berlin, Die Sammlung Emma Budge, Hamburg, 27, 28 and 29 September, 1937, lot 183;Giovanni Züst, Rancate, Switzerland;Das Historische und Völkerkundemuseum St.Gallen, Switzerland (a bequest from the above in 1967);Restituted by the above to the Estate of Emma Budge in 2018
Adriaen van Utrecht;Still life with fruit piled high in a basket, surrounded by quinces, melons and asparagus on a ledge;oil on canvas;67.3 by 86.4 cm., 26 1/2 by 34 in.Adriaen van UtrechtStill life with fruit piled high in a basket, surrounded by quinces, melons and asparagus on a ledgePrivate collection, Netherlands;With J.S. VOF art dealers, Amsterdam;From whom acquired by Alois Miedl, Amsterdam, trading as J. Goudstikker N.V. on 17 July 1940;From whom acquired by Heinrich Hofmann, Munich;From whom acquired by Reichskanzlei, Berlin, on 29 August 1940;Adolf Hitler;Linz Museum;Stichting Nederlandsch Kunstbezit (NK collection number:1596), by 2003 (as L. Meléndez de Ribera);Restituted to the heirs of the pre-war owners, the partners of the Jewish-owned gallery J.S. VOF, in 2005;Anonymous sale ('Property from a Deceased's Estate'), London, Sotheby's, 27 April 2006, Lot 69, (as Pieter van Boucle).
Martin Johann Schmidt, called Kremser-Schmidt;Saint Florian Rescuing the Burning Stockern Castle, Saint John Nepomuk;a pair, both oil on canvas;each, 86 1/4 by 49 1/4 in., 219 by 125 cm.Martin Johann Schmidt, called Kremser-SchmidtSaint Florian Rescuing the Burning Stockern Castle;Saint John NepomukCity Expansion Fund (Stadterweiterungsfonds), Vienna 1905, Archduke Franz Ferdinand of Austria-Este, until his death in 1914;Dr. Richard and Alice Neumann, Vienna (acquired on the Viennese art market, circa 1925);Sequestrated by the Magistrates, Vienna, October 1938 and deposited with the Kunsthistorisches Museum, Vienna, Stadtmuseum, Krems, from May 1939 until restituted to the heir of Richard Neumann April 2007.
Pablo Picasso;Personnages;signed Picasso and dated 29 (lower right);oil on canvasPablo PicassoPersonnagesAlphonse Kann, St. Germain-en-Laye;Looted from the above by the Einsatzstab Reichsleiter Rosenberg (ERR) in June 1940;Transferred to the Jeu de Paume, Paris (inv. no. KA 1078, titled 3 Akrobaten);Scheduled for transfer to Nikolsburg, Austria on 1st August 1944, but the shipment never left Paris;Restituted to Alphonse Kann on 11th July 1947;M. Boucheron, Paris (sold: Palais Galliera, Paris, 12th December 1962, lot 58);Berggruen & Cie., Paris (purchased at the above sale);Galleria Levi, Milan;Galleria Gissi, Turin;Private Collection, Milan;Private Collection, USA;Acquired by the present owner in 2009
Pieter Brueghel the Younger;Twelfth Night;signed in monogram lower centre: P.B.;oil on oak panel;73.7 by 104.7 cm., 29 by 41 1/4 in.Pieter Brueghel the YoungerTwelfth NightRichter Family, from whom improperly confiscated by the East German authorities circa 1953;Thereafter in the Gemäldegalerie, Dresden until restituted to the heirs of the Richter family in 2002.
Laurent de La Hyre;Angelica and Medoro;signed and dated lower left, on the broken tree trunk: DE LA HIRE. IN. ET. F. 1641;oil on canvas;55 5/8 by 55 3/8 in., 141.3 by 140.7 cm.Laurent de La HyreAngelica and MedoroProbably Anonymous sale, Paris, 9 April 1793, lot 76;André Seligmann, Paris;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg (ERR inventory no. Sel 39), 29 June 1940;Transferred to Schloss Neuschwanstein, Hohenschwangau, Germany;Repatriated to France, 13 November 1945;Restituted to Mme André Seligmann, 19 February 1946;Anonymous sale, Paris, Hôtel Drouot, 6 December 1946, lot 29;With Georges Duff;From whom acquired by a private collector;By whose descendant anonymously sold ("The Property of a Gentleman"), London, Christie's, 4 July 1997, lot 62;There acquired by the present collector.
Louis Tocqué;Portrait of Louis Philippe Joseph, Duc d'Orleans and Duc de Chartres;oil on canvas;57 3/4 by 45 in., 146.7 by 114.3 cm.Louis TocquéPortrait of Louis Philippe Joseph, Duc d'Orleans and Duc de ChartresRichard Seymour-Conway, 4 th Marquess of Hertford;Sir Richard Wallace, 1 st Baronet, London;By whom given to Sir John Murray Scott, London;By whom bequeathed to Lady Victoria Sackville-West, Château de Bagatelle, Paris;By whom sold to Jacques Seligmann, Paris, 1914;With Germain Seligmann & Co., New York, 1929;Confiscated from Jacques Seligmann by the Einsatzstab Reichleiter Rosenberg, Paris, November 1940 (inventory SEL 42) and transferred to the German Embassy, Paris (inventory Ib 54) and thereafter restituted through the Munich Central Collecting Point, July 31,1946 (inventory 213/2);With Germain Seligmann & Co., New York, until at least 1951;With Ben Elwes Fine Art, London;From whom acquired by the present collector.
The Master of the Female Half-Lengths;The Magdalen;oil on panel;15 3/4 by 10 1/2 in., 40.3 by 26.7 cm.The Master of the Female Half-LengthsThe MagdalenBaron Alphonse de Rothschild (1827 - 1905), Paris;Baron Edouard de Rothschild (1868 - 1949), Paris;Confiscated by the Einsatzstab Reichsleiter Rosenberg, Paris (inventory R96);Hermann Göring (acquired February 8, 1941 as Quintin Metsys, inventory RM721);Recovered by Allied Monuments Men and returned to France September 20, 1946 (MCCP 6731);Restituted to Baron Edouard de Rothschild;Baroness Batsheva de Rothschild (1914 -1999), Tel Aviv;Her deceased sale, London, Christie's, 13 December 2000, lot 23 there purchased by the present owner for £91,750.
Nicolaes Maes;Portrait of a lady in black dress, seated three-quarter length, a view of a park beyond;bears signature and date centre right: N. Maas 1690;oil on canvas;69 by 58 cm.Nicolaes MaesPortrait of a lady in black dress, seated three-quarter length, a view of a park beyondMax Wassermann, Paris;Seized from the above by the Einsatzstab Reichsleiter Rosenberg (ERR) on 15 March 1941 (ERR inv. no. M.W. 36);Returned to the custody of the French State on 13 November 1945;Restituted to the Estate of Max Wassermann on 15 March 1946;His Estate sale, Paris, Galliéra, 26 November 1967, lot 24 (for 3.500 Francs).
Reliquary bust of one of Saint Ursula's 11,000 Virgins;walnut, with some remnants of polychromy;45cm., 17¾in.Reliquary bust of one of Saint Ursula's 11,000 VirginsHarry Fuld Sr., Frankfurt am Main and Berlin;by descent to Harry Fuld jr., Berlin, 1932;confiscated by the Deutsche Reich (fiscal authorities) after November 25, 1941;its sale, Hans W. Lange, Berlin, 27-29 January 1943, lot 284;with Franz Hardy, Bendorf;Municipal museum, Germany, 1956;restituted to the heir of Harry Fuld Jr., 2014.
Louis-Michel van Loo;Portrait of the Comtesse Marie Louise de Beaurepaire, seated full length in a landscape holding a garland of flowers;signed and dated lower right: L.M. Van Loo 1766;oil on canvas;146.7 by 113 cm., 57 3/4 by 44 1/2 in.Louis-Michel van LooPortrait of the Comtesse Marie Louise de Beaurepaire, seated full length in a landscape holding a garland of flowersBaron Nathaniel von Rothschild (1836-1905), Vienna;Bequeathed by the above to his nephew Louis von Rothschild (1882-1955), Vienna;Confiscated by the Nazi authorities in 1939 and destined for the Führer Museum in Linz;Restituted in 1946 and returned to the Rothschild family in 1947;With Newhouse Galleries, New York;Acquired from the above by Walter P. Chrysler Jr. in November 1953;His sale, New York, Sotheby's, 1 June 1989, lot 100;With Richard Green, London, from whom acquired by the present collector.
Hermann Max Pechstein;SCHNEELANDSCHAFT (SNOWSCAPE);signed with the monogram and dated 1917 (lower right);oil on canvasHermann Max PechsteinSCHNEELANDSCHAFT (SNOWSCAPE)Hugo Simon, Berlin & Seelow;Seized from the above by order of the District President of Frankfurt an der Oder in 1938;Staatliches Museum, Berlin (acquired by 1938) & Nationalgalerie, Berlin (from 1991);On loan to the Federal Chancellery, Bonn (from 1998);Restituted to the family of Hugo Simon in 2007
Hendrick Dubbels;Shipping scene in a calm at sunset, with figures on the shore in the foreground;bears monogram lower center: IVC;oil on canvasHendrick DubbelsShipping scene in a calm at sunset, with figures on the shore in the foregroundEarl De La Warr, Sussex;Charles Sedelmeyer, Paris (as Jan van de Cappelle), by 1899;Adolphe Schloss, Paris, by 1910, and thence by descent to his heirs;Confiscated by Nazi forces 1943 (reference Schloss 38);Acquired for the Linz Museum (as Jan van de Cappelle, ‘Stille See’);Stored for the above at the Führerbau Munich (Crate #7);Recovered in Germany and restituted to the Schloss family in 1977;With Otto Naumann, New York;There acquired by the present collector in 1986.
Carl Borromäus Andreas Ruthart;a startled lion;bears pencil inscription, verso (in the hand of Arthur Feldmann): Karl Andreas Ruthart/Aufgescheuchte Lowen;watercolour and gouache;126 by 196mmCarl Borromäus Andreas Rutharta startled lionDr. Arthur Feldmann, Brno;looted by the Gestapo during the Nazi occupation of Moravia;sale, London, Sotheby's, 16 October 1946, in lot 55 (purchased by Colnaghi);Sir Robert Witt (L.2228b), by whom bequeathed to the Courtauld Institute of Art in 1952 (inv. no. D.1952.RW.3852);restituted to the heirs of Arthur Feldmann in 2007
Daniel de Blieck;Interior of the Laurenskerk, Rotterdam;signed and dated lower right: D.D.BLIECK / A o 1654;oil on panel;19 1/4 by 14 3/4 in., 49 by 37.2 cm.Daniel de BlieckInterior of the Laurenskerk, RotterdamMax Wassermann, Paris;Thence by descent to his widow, Leonore Wassermann, Paris;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg and taken to the depot Jeu de Paume (inv. M. W. 44), 15 March 1941;Recovered by the Monuments Men and sent to the Munich Central Collecting Point (inv. 231/11), 20 June 1945;Repatriated to the French Government on 31 July 1946;Restituted to the heirs Max Wassermann, 22 October 1946;Anonymous sale, Paris, Drouot-Montaigne, 13 June 1997, lot 19;Anonymous sale ("The Property of a Private Collector"), London, Sotheby's, 5 July 2007, lot 166;There purchased by the present collector.
Le paysan du Danube;signed lower right Gustave Moreau;pencil and ink heightened with white and gold on paperLe paysan du DanubeDuruflé Collection;Georges Wildenstein, Paris;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg (ERR Inv. No. W160);Transferred to the Jeu de Paume, Paris, 1941;Transferred to the German Reich, 15 Jan 1943;Recovered from the 'Lager Peter' art repository, 10 Oct 1944 and subsequently restituted to Georges Wildenstein;Wildenstein && Co., New York;Acquired from the above in 1980.
Alfred Kubin;Epidemie (Epidemic);signed AKubin (lower right) and titled (lower centre), with the Max Morgenstern Collection Stamp on the verso;pen and ink, wash and Spritztechnik on Kataster paperAlfred KubinEpidemie (Epidemic)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired from the artist) Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
The Crucifixion with the Archangel Michael and Saints Elizabeth of Hungary, Agnes, Catherine of Alexandria and Clare, the "Imago Pietatis" with the Donor Figures of a Franciscan Monk and Nun on the reverse;inscribed above each saint on the bottom register with their name;gold ground, tempera on panel, arched top;13 1/2 by 8 3/4 in., 34.5 by 22 cm.The Crucifixion with the Archangel Michael and Saints Elizabeth of Hungary, Agnes, Catherine of Alexandria and Clare;the "Imago Pietatis" with the Donor Figures of a Franciscan Monk and Nun on the reverseWith Durlacher Brothers, London;With Bacri Frères (no. 1027), Paris, by the 1930s;From whom acquired by Sepp Angerer for the collection of Hermann Goering, Carinhall, July 1940;At the Munich Central Collecting Point (card no. 6365);Restituted to the owners, 25 March 1947;Thence by descent in the family to the present owners.
Bernardino Licinio;Woman Visited by her Lover;oil on panel;32 by 45 in., 81.3 by 114.3 cm.Bernardino LicinioWoman Visited by her LoverPourtalès collection;From whom acquired by Ivor Churchill Guest, 1 st Viscount Wimborne, Canford Manor, Dorset;His sale, London, Christie's, 9 March 1923, lot 4, as by Paris Bordone, to Buttery;With Goudstikker, Amsterdam, November 1924;Dr. Gustav Arens, Vienna;Lise Haas (née Arens), Vienna;Confiscated and allocated to the Fuehrermuseum in Linz (as by Palma Vecchio);Restituted May 1948 (MCCP inventory no. 9029);Thence by descent to the present owner.
Jacob Isaacksz. van Ruisdael;Landscape with Houses on a Rocky Hill with a View of a Plain Beyond;Signed with monogram lower right;oil on panel;18 3/8 by 24 7/8 in., 46.7 by 63.2 cm.Jacob Isaacksz. van RuisdaelLandscape with Houses on a Rocky Hill with a View of a Plain BeyondBaron Weber (State Chancellory Counsellor), Vienna, 1781 until at least 1814;Grünauer collection, Vienna;Possibly Basse collection;Possibly Jules Porgès, Vienna and, later, Paris, 1858 (according to Moes);K. Henkel;Purchased from the above by Wilhelm Koller in 1858;His deceased sale, Vienna, Posonyi, 5 February 1872, lot 14;Dr. Max Strauss, Vienna, by 1912;His sale, Vienna, Gluckselig, 22-23 March 1926, lot 32, where purchased for ATS 15,000;Dr. Gustav Arens, Vienna;Lise Haas (née Arens), Vienna;Confiscated and allocated to the Ferdinandum, Innsbruck;Restituted May 1948 and thence by descent.
Adriaen jansz. van Ostade;An interior with two boors and a woman conversing, smoking and drinking at a table;oil on oak panel;44.5 by 36.6 cm., 17 1.2 by 14 3/8 in.Adriaen jansz. van OstadeAn interior with two boors and a woman conversing, smoking and drinking at a tableJäger collection;Baroness Aug. Stummer von Tavornok, Vienna, 1895 catalogue, no. 138 (according to Hofstede, see Literature);Bruno Jellinek, Vienna, whose collection was secured by the Nazi authorities, 17 June 1938, and confiscated, 8 January 1941, by the Vugesta (the Gestapo looting agency) and offered for sale: Vienna, Dorotheum, 2 December 1941, lot 106;Acquired at the above sale by the Kunsthistorisches Museum, Vienna, inv. no. 9038;Restituted to the heirs of Bruno Jellinek, January 2008.
Edouard Vuillard;Modèle sur un sofa vert;signed E Vuillard (lower right);pastel on paperEdouard VuillardModèle sur un sofa vertDavid David-Weill, Paris;Confiscated by the Einsatzstab Reichsleiter Rosenberg and sent to the Jeu de Paume in 1941;Slated for shipment to Nikolsburg on 1 August 1944. The train never left Paris.;Restituted to David David-Weill after June 1945;Baronne de Bastard, Paris;Wildenstein & Cie., Paris;Private Collection, United Kingdom (acquired from the above circa 1972);Acquired by the present owner in 2008
Gillis Neyts;Horsemen entering the City of Antwerp;Pen and brown ink, within a drawn framing line, on vellum;signed, lower right: g. nijts. f;bears early numbering in brown ink, verso: 3.6, and modern pencil numberings, lower margins: F27821 and BB1941 282;176 by 139 mmGillis NeytsHorsemen entering the City of AntwerpPrince Wladimir Nikolaevitch Argoutinsky-Dolgoroukoff (L.2602d);Arthur Feldmann, Brno;sale, Lucerne, Gilhofer and Ranschburg, 28 June 1934, lot 188 1 (unsold);looted by the Gestapo in 1939;sale, London, Sotheby's, 16 October 1946, in lot 49;purchased at the sale by Lionel Robert Abel Smith;by whose Estate sold, London, Sotheby's, 23 March 1972, lot 8;F.C. Butôt, Sankt Gilgen;sale, Amsterdam, Sotheby Mak van Waay, 6 November 1978, lot 39;purchased at the sale by the Bibliothèque Royale de Belgique, Brussels (L.260, inv. F 27821);restituted to the heirs of Arthur Feldmann in 2015
Ercole Procaccini the Younger;Recto: The Massacre of the Innocents;Verso: Two studies of hands;Pen and brown ink (recto);red chalk (verso);104 by 206 mmErcole Procaccini the YoungerRecto: The Massacre of the Innocents;Verso: Two studies of handsGiuseppe Vallardi (L.1223) and on the verso his red chalk numbering: G 210;Arthur Feldmann, Brno;looted by the Gestapo during the Nazi occupation of Czechoslovakia;accessioned by the National Gallery, Prague, inv. DK 4606 (bears their mark, verso: NGGS/PRAHA, not in Lugt);restituted to the heirs of Arthur Feldmann in 2013;bears another, unidentified collector's mark, verso (not in Lugt)
Max Klinger;Im Park (The Amorous Couple);signed M.K. and dated 87. (lower left);pen, black chalk and ink heightened with white on paper;18 x 11 3/4 inchesMax KlingerIm Park (The Amorous Couple)Gustav Kirstein, Leipzig (d. 1934);Clara Stein Kirstein, Leipzig (wife of Gustav Kirstein, inherited from the above in 1934, remained in her possession until 1939);Museum der Bildenden Künste, Leipzig (by 1939);Restituted to the heirs of Gustav and Clara Stein Kirstein in 2000 (and sold, Sotheby's, London, March 29, 2001, lot 47, illustrated, with correct cataloguing listed under lot 48 in the printed catalogue);Acquired at the above sale
Johann Friedrich August Tischbein;Portrait of the artist and his family;signed lower right edge: Tischbein / p: 1796.;oil on canvas, cut on the upper and left edges;112.6 by 81.7 cm., 44 1/4 by 32 1/8 in.Johann Friedrich August TischbeinPortrait of the artist and his familyPrince Johann Georg von Dessau (1748–1811), by whom commissioned;Caroline von Hill, by 1811;Kapellmeister Schneider, Dessau, by 1823;Wilhelm Friedrich Kunze, Leipzig, by 1853;Otto Nauhardt, Leipzig, from 1862;German Trade Union;Acquired from the above in 1954 by the Museum der bildende Künste, Leipzig, inv. no. 1469;Restituted to the rightful heirs but remained on long term loan to the Roentgen Museum, Neuwied, until recently.
Marie Laurencin;Portrait de femme;Signed Marie Laurencin and dated 1938 (upper right);Oil on canvasMarie LaurencinPortrait de femmeGalerie Paul Rosenberg, Paris, before 1942;Private Collection (sold: Christie's, New York, May 9, 1991, lot 245);Thereafter restituted to the Rosenberg heirs
Ilya Efimovich Repin;the artist's daughter, Nadia;signed indistinctly in Cyrillic l.l. and dated 1876 Fevr. 12 l.r.;oil on canvasIlya Efimovich Repinthe artist's daughter, NadiaOskar Federer, Ostrava;Seized by the Nazis in 1939;Galerie Vytvarného Umenì, Ostrava;Restituted to the heirs of Oskar Federer in 2007
Guilliam du Gardijn;Landscape with figures overlooking ruins;Black chalk and brown wash;signed, in brown ink, lower centre: G. du Jardin. and numbered: 53 st (lower left) and 24. st. (bottom centre);250 by 349 mmGuilliam du GardijnLandscape with figures overlooking ruinsBoguslaw Jolles, Dresden and Vienna (L.381);Hofrat Dr. Michael Berolzheimer, Munich, Obergrainau and New York;By whom sold involuntarily Weinmüller, 9/10 March 1938, lot 201, unillustrated;Restituted to the above circa 1950;Emile Wolf, New York;Thence by descent to the present owner.
Willem van de Velde the Younger;a kaag and other dutch coastal vessels putting out from a jetty, the dutch fleet beyond;bears initials on the boat lower left: w.v.v;oil on canvas;43 by 52.5 cm., 17 by 20 5/8 in.Willem van de Velde the Youngera kaag and other dutch coastal vessels putting out from a jetty, the dutch fleet beyondBaron Nathaniel von Rothschild (1836-1905), Vienna;Bequeathed by the above to his nephew Alphonse von Rothschild (1878-1942), Vienna;Confiscated by the Nazi authorities in 1939 for the planned Führer Museum in Linz;Restituted to the Rothschild family in 1949;With Leonard Koetser, London, 1963, from whom purchased by the late owner.
Pierre-Auguste Renoir;Femme à corsage à rayures jaune et rouge écrivant;Stamped Renoir (upper left);Oil on canvasPierre-Auguste RenoirFemme à corsage à rayures jaune et rouge écrivantEstate of the artist;Galerie Bernheim-Jeune, Paris (acquired from the above);Private Collection, Paris (acquired from the above);Paul Rosenberg, Paris (acquired from the above);Placed by the above in the Banque Nationale pour le Commerce et l'Industrie, Giroude;Confiscated from the above by Walter Andreas Hofer acting on the orders of the Einsatzstab Reichleiter Rosenberg on September 14, 1941 (inv. no. P.R. 158);Exchanged with Gustav Rochlitz for the Reichskanzlei, June 16, 1942;Stored at Muehlhofen/Meersburg until at least August 15, 1945;Repatriated to the French government and restituted to Paul Rosenberg on July 18, 1946;Paul Rosenberg & Co., New York (acquired from the above in 1952);Private Collection, New York (acquired from the above in October 1961);Private Collection, New York (by descent from the above in 1981);Thence by descent
Émile Vernet-Lecomte;Aimée, A Young Egyptian;signed E Vernet Lecomte and dated 1869 (center left);oil on canvasÉmile Vernet-LecomteAimée, A Young EgyptianBaron N.A. Steengracht van Moyland (and sold, his sale: Preyer & Co., Hotel de Brakke Grond, Amsterdam, September 10, 1895, lot 110);Galerie Stern, Düsseldorf;Forced auction of the stock of Galerie Stern at Lempertz, Cologne, November 13, 1937, lot 168 (unsold);Forced auction of the stock of Galerie Stern at the premises of Galerie Stern, Düsseldorf, December 15, 1937, lot 168;Collection of a Lady of Title and thence by descent;Sale: Sotheby's, New York, November 2, 2001, lot 30, illustrated;Private American Collection;Restituted to the Estate of Dr. Max Stern, 2006
Bartolo di Fredi;Head of an Angel;tempera on panel, gold ground;14 1/4 by 11 3/4 in., 36.5 by 30 cm.Bartolo di FrediHead of an AngelAugust Lederer, Vienna, by inheritance to;Serena Lederer, Vienna;From whom confiscated in circa 1938, and later restituted to the family;Erich Lederer, Genf;From whose collection sold posthumously ('Property from the collection of the late Eric Lederer'), London, Sotheby's, July 3, 1997, lot 58, where acquired by the present collector.
Ecole Française du XVIIIe siècle, entourage de François Boucher;A young woman, seen in profile, walking in a park, traditionally identified as a Portrait of Madame de Pompadour;Black chalk with stumping and red chalk, heightened with white chalk, with touches of pastel;signed and dated in chalk, lower left: f. Boucher / 1752;523 by 398 mmEcole Française du XVIIIe siècle, entourage de François BoucherA young woman, seen in profile, walking in a park, traditionally identified as a Portrait of Madame de PompadourCasimir Perrin, marquis de Cypierre (1784-1844);his posthumous sale, Paris, 10 March 1845, lot 165 (as François Boucher);Arthur Georges Veil-Picard, Paris (1854-1944);Seized from the above at the Banque de France (Vault 63), Paris by the;Devisenschutzkommando (DSK) on 29 October 1940;Transferred from the Louvre to Neuschwanstein, Bavaria and to the Jeu de Paume, Paris;Repatriated to France on 13 November March 1945 and subsequently restituted to the Veil-Picard family on 16 April 1946;by descent to Maria-Theresia Veil-Picard, Mme. Louis Chaubah;sale, Paris, Christie's, 1 April 2011, lot 87 (as François Boucher et Atelier);with Jean-Luc Baroni Ltd, London
Salomon van Ruysdael;A river view with the town of Weesp;signed with the monogram and dated on the sailboat: SVR (in ligature) 1650 FE.;oil on panel;18 1/2 by 25 in., 47 by 63.5 cm.Salomon van RuysdaelA river view with the town of WeespMarquis de Biencourt;Gustave Rothan, Paris, 1874;His sale, Paris, May 29-31, 1890, no. 98, for 8,000 Francs (as "A View of Dordrecht");Adolphe Schloss, Paris and by descent (looted in WWII and later restituted);Schloss sale, Paris, Galerie Charpentier, May 25, 1949, no. 54, reproduced pl. XXXVIII, for 2,100,000 Francs (as "A view of Weesp");Where purchased by the mother of the present owner.
The Master of Sainte Gudule;Three female supplicants, a detail from Saint Ursula protecting the eleven thousand virgins with her cloak;oil on oak panel, a fragment, marouflaged;48.4 x 41 cm., 18 1/4 x 16 1/8 in.The Master of Sainte GuduleThree female supplicants, a detail from Saint Ursula protecting the eleven thousand virgins with her cloakWith Kunsthandel Paul Cassirer & Co., Amsterdam, 1939;With Jacques Goudstikker, Amsterdam;Possibly anonymous sale, Amsterdam, May 1942 (according to annotations in the Friedlander archive at the RKD, The Hague);Hans A. Wetzlar, Amsterdam, by July 1942;Anonymous Sale, Cologne, Lempertz and Heberle, 18–20 November 1954, lot 7;With P. de Boer, Amsterdam;From whom acquired by a Swiss private collector, in 1955, and thence by descent within the family;Restituted to Marei von Saher, the heir of Jacques Goudsitkker in May 2016.
Rosalba Carriera;Portrait of a lady in a silver dress with a blue shawl;pastel on paper;49.5 by 41.6 cm., 19 1/2 by 16 3/8 in.Rosalba CarrieraPortrait of a lady in a silver dress with a blue shawlFederico Gentili di Giuseppe, 22 Avenue Foch, Paris;His deceased sale, Paris, Hôtel Drouot, 23-24 April 1941, lot 2;On deposit in the Musée du Louvre, Paris (inv. no. REC 73), 1949-1999;Restituted to the heirs of Gentili di Giuseppe on 9 July 1999;Presumably by whom anonymously sold, New York, Christie's, 27 January 2000, lot 85.
Rosalba Carriera;Portrait of a lady in a silver dress with a blue shawl;pastel on paper;49.5 by 41.6 cm., 19 1/2 by 16 3/8 in.Rosalba CarrieraPortrait of a lady in a silver dress with a blue shawlFederico Gentili di Giuseppe, 22 Avenue Foch, Paris;His deceased sale, Paris, Hôtel Drouot, 23-24 April 1941, lot 2;On deposit in the Musée du Louvre, Paris (inv. no. REC 73), 1949-1999;Restituted to the heirs of Gentili di Giuseppe on 9 July 1999;By whom presumably anonymously sold, New York, Christie's, 27 January 2000, lot 85.
Antonin Hudecek;The Bela Stream in Autumn;signed Ant. Hudecek lower right;oil on canvasAntonin HudecekThe Bela Stream in AutumnOskar Federer;Seized by the Nazis in 1939;Galerie Vytvarného Umenì, Ostrava (by November 1943);Restituted to the heirs of Oskar Federer in 2007
Jacques des Rousseaux;Portrait of a man, head and shoulders, wearing a blue velvet cap and gold chain;signed with monogram and dated centre right: JR i635;oil on oak panel;51 by 39.8 cm., 20 1/8 by 15 5/8 in.Jacques des RousseauxPortrait of a man, head and shoulders, wearing a blue velvet cap and gold chainJohanna Ghys (widow of Pieter Anthony Bonenfant), Zoeterwoude;Her sale, Leiden, Abraham Delfos, 19 April 1775, lot 1 (as Rembrandt);With Martin H. Colnaghi, London (as Rembrandt);Rodman Wanamaker, Philadephia (as Rembrandt);With Charles Sedelmeyer, Paris, 1911, no. 26 (as Rembrandt);E. Fischoff collection, Paris (his wax seal on the reverse);Henry & Emma Budge, Hamburg (as Rembrandt);Sale, Berlin, Graupe, Die Sammlung Emma Budge, 4 October 1937, lot 7 (as Jacques des Rousseaux), purchased by Schulz for 13,000 RM;With Newhouse Galleries, Inc., New York;Purchased from the above by the Kimbell Art Foundation, Fort Worth in 1951 (as Rembrandt);Restituted by the above to the Emma Budge Estate in 2014.
tempera, panelEmil Filla (1882-1953);National Gallery of Prague;restituted to the heirs of Emil Filla in 1992
Bartholomäus Spranger;Recto: Nymphs making offerings to Venus;Verso: studies for a Resurrection, and a Baptism of Christ;Pen and brown ink and wash, heightened with white (recto and verso), over red chalk (verso only), on buff paper;349 by 233 mmBartholomäus SprangerRecto: Nymphs making offerings to Venus;Verso: studies for a Resurrection, and a Baptism of ChristRudolf Peltzer (L.2231);Arthur Feldmann, Brno;looted by the Gestapo during the Nazi occupation of Czechoslovakia;accessioned by the National Gallery, Prague, inv. nos. DK 4614 (bears their mark, verso: NGGS/PRAHA, not in Lugt);restituted to the heirs of Arthur Feldmann in 2013
Johann Baptist Lampi the Younger;Portrait of Anton Josef Edler von Leeb (June 13, 1769-December 6, 1837), Mayor of Vienna, 1835-1837, Portrait of Theresia von Leeb (1775-1846);his portrait signed lower left: Chevalier Lampi / P ur pinxit 1812;a pair, both oil on canvas in a painted oval;each: 29 1/2 by 24 in., 74.9 by 61 cm.Johann Baptist Lampi the YoungerPortrait of Anton Josef Edler von Leeb (June 13, 1769-December 6, 1837), Mayor of Vienna, 1835-1837;Portrait of Theresia von Leeb (1775-1846)Ignatz Pick, Vienna;Robert Grehs, Vienna (appointed Nazi administrator of Ignatz Pick's property, December 23, 1938);Wien Museum (acquired from the above April 1939 for RM 2.500);Restituted to the heir of Ignatz Pick, 2008.
Half-relief with the Death of the Virgin;walnut;82.5 by 92 by 30cm., 32½ by 36¼ by 11¾in.Half-relief with the Death of the VirginRecorded in Strasbourg by Eugène Viollet-le-Duc in 1854;Collection Geheimrat Ottmar Strauss, Cologne, before 1928;His forced sale Hugo Helbing Munich, 6-8 November 1934, lot 31 (where erroneously mentioned as being from a church in Oberwesel, Germany);Sotheby's London, 10 March, 1983, lot 34;Badisches Landesmuseum Karlsruhe (inv. no. 83/19);Restituted to the heirs of Ottmar Strauss in 2010
Adolph Menzel;Young woman with her right arm raised and subsidiary studies of her hair and her hand;Graphite and chalk and stumping;bears the Adolph Menzel Nachlaß and Hauptzollamt Wuppertal stamps on the reverse;220 by 134 mmAdolph MenzelYoung woman with her right arm raised and subsidiary studies of her hair and her handEstate of the artist;Walter Westfeld, Wuppertal-Elberfeld (until April 1937 or after);Guido Kern;Sold by Franziska Kern in November 1942 to the Deutsche Reich for the Führermuseum, Linz;Held by the German Federal Government after 1945 as “ownerless” property;Niedersächsisches Landesmuseum Hannover, Germany (on loan from the above);Restituted by the German Federal Government to the Westfeld heirs in 2016
John Hamilton;A Lion and a Tiger;oil on canvas;48 1/2 by 66 1/2 in., 123.2 by 168.9 cm.John HamiltonA Lion and a TigerBy tradition in the collection of the Princely Family of Liechtenstein;Given to Baron Salomon Mayer von Rothschild, 1822, and hung in Schilldersdorf, Moravia, before 1843;Thence by descent to Baron Alphonse Mayer von Rothschild, Vienna (inv. no. AR918) (listed in the Rothschild 1938 inventory in Vienna as after Rubens);Confiscated from the above in 1938 by the Nazi authorities and restituted to the Rothschild family, 1947;With N. Coburg;Baron Jungenfeld;Anonymous sale, London, Sotheby’s, 6 December 1989, lot 7;There acquired by Carlton Hobbs;From whom purchased by the present collector.
Alfred Kubin;Des Menschen Schicksal III (The Fate of Mankind III);signed AKubin (lower right), titled (lower left) and inscribed spätere Fassung für Morgenstern by another hand (probably by Kurt Otte, lower centre), with the Max Morgenstern Collection Stamp on the verso;pen and ink, wash, Spritztechnik and coloured crayons on Kataster paperAlfred KubinDes Menschen Schicksal III (The Fate of Mankind III)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
Johannes Lingelbach;River Landscape with a distant view of Fort Saint-Jean and the Chateau de Pierre-Seize, Lyon;signed lower centre: lingelbach;oil on canvas;88.9 by 104.8 cm., 35 by 41 1/4 in.Johannes LingelbachRiver Landscape with a distant view of Fort Saint-Jean and the Chateau de Pierre-Seize, LyonCharles T. D. Crews Esq., D.L., J.P., F.S.A. (1839-1915), Billingbear Park, Wokingham, Berkshire;His (deceased) sale, London, Christie's, 1 July 1915, lot 43, for 8 Guineas to Holzafal;Dr. R.C.A. van Buren;By whom sold, Amsterdam, Frascati, 1 November 1916, lot 16;With Jacques Goudstikker, Amsterdam, 1919, inv. no. 582;Looted by the Nazi authorities, July 1940;Recovered by the Allies, 1945;In the custody of the Dutch Government (NK collection number: 2539);Restituted in February 2006 to the heir of Jacques Goudstikker;With Johnny van Haeften, London.
Lovis Corinth;View from the Studio, Schwabing;signed and dated LOVIS CORINTH 91 lower left;oil on cardboardLovis CorinthView from the Studio, SchwabingBenno Becker, Munich (acquired from the artist. Becker, 1860-1938, was an artist and friend of Corinth, secretary of Allotria, the social club of the Munich Artists' Association. A portrait of Becker by Corinth of 1892 is in the collection of the Von der Heydt-Museum, Wuppertal);Probably, Landgraf von Hessen-Kassel collection, Ole Liese, Gut Panker;Jean Baer, Berlin;Wolfgang Gurlitt, Munich (1888-1965, gallerist, art dealer and collector);Neue Galerie / Lentos Museum, Linz (purchased from the above in 1953);Restituted to the heirs of Jean and Ida Baer in 2015
Edouard Vuillard;Madame Vuillard cousant à la Closerie des Genêts;Signed E Vuillard (lower right);Distemper on board laid down on panelEdouard VuillardMadame Vuillard cousant à la Closerie des GenêtsJos Hessel & Galerie Bernheim-Jeune, Paris (acquired from the artist on March 24, 1922);Gaston Lévy, Paris (acquired in April 1929);Georges Lévy, Paris (acquired from the above and seized from his bank vault, held at Société Générale, Bordeaux, March-April 1943);Rabbi Jakob Kaplan (the heir of the above, claim for this painting lodged in August 1945 and restituted, according to the French Foreign Ministry);Mme Henri (Suzanne) Dewez, New York & Geneva;Wildenstein & Co., Inc., New York (acquired in 1961);Mr. & Mrs. Joseph E. Levine, New York (acquired from the above in 1964 and sold: Sotheby’s, New York, May 18, 1983, lot 33);Ira Guilden, New York (acquired at the above sale);Tamara Guilden, New York (by descent from the above and sold by the estate: Christie’s, New York, May 12, 1999, lot 39);Acquired at the above sale
Max Klinger;(i) Brahms und die Muse;(ii) Japanerin (Mrs. Hanza Tanahashi) (recto), Flüchtige Figurenskizze (verso);(i) signed M. Klinger lower left;(ii) signed with the initials and dated 1912 lower right (recto);pen and ink, ink wash, and pencil on paper (both)Max Klinger(i) Brahms und die Muse;(ii) Japanerin (Mrs. Hanza Tanahashi) (recto), Flüchtige Figurenskizze (verso)Gustav Kirstein, Leipzig (d. 1934);Clara Stein Kirstein, Leipzig (by descent from the above, until 1939);Museum der bildenden Künste, Leipzig (acquired from the above, each with the Leipzig inventory numbers on the recto);Restituted to the descendants of Gustav and Clara Stein, 2000;Sale: Sotheby's, London, 29 March 2001, lots 73 (Brahms und die Muse) and 63 (Japanerin);Purchased at the above sale by the late owner
Gustav Klimt;BAUERNHAUS MIT BIRKEN (JUNGE BIRKEN) (FARMHOUSE WITH BIRCH TREES - YOUNG BIRCH TREES);signed GUSTAV KLIMT (lower right);oil on canvasGustav KlimtBAUERNHAUS MIT BIRKEN (JUNGE BIRKEN) (FARMHOUSE WITH BIRCH TREES - YOUNG BIRCH TREES)Estate of the artist;Galerie Miethke, Vienna;Georg and Hermine Lasus, Vienna;Galerie St Lucas, Vienna (by involuntary sale from the above in November 1939);Mr Friede, Vienna (acquired from the above in November 1939);Gustav Ucicky, Vienna (the artist's son);Österreichische Galerie Belvedere, Vienna (donated by the above by 1961);Restituted to the heirs of Hermine Lasus in November 2000
Nicolas Lancret;Le Menuet;Inscribed by a nineteenth century hand on the reverse: Danse Champêtrê / peint par M'Lancret peintre du roy en 1732 la tête du jouer et de l'academie de vielle est le portrait de M'Mestais avocat au parlement.;oil on canvas;71.4 by 87 cm., 28 7/8 by 34 1/4 in.Nicolas LancretLe MenuetReginald Vaile, Esq.;His sale, London, Christie's, 23 May 1903, lot 37 for £2,500 to Agnews;Charles Fairfax Murray (1849–1919), London;By whom sold, Paris, Galerie Georges Petit, 15 June 1914, lot 18;With Georges Wildenstein, Paris, by 1924;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg;Repatriated to France by the Allied Forces on 18 April 1946;Restituted to Georges Wildenstein on 21 March 1947;Mr. and Mrs. Charles F. Williams, Cincinnati;Thence by descent until 2005;Anonymous sale ('Property from a private collection, Ohio'), New York, Christie's, 26 January 2005, lot 47.
Diana;bronze, on a base composed of coloured marbles;bronze: 35cm., 13¾in.;base: 13cm., 5¼in.DianaHenry and Emma Budge, Hamburg;their forced sale Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, Hamburg, 4-6 October 1937, lot 120;bought by Braunstein for Broo;Hans von Feldmann, until 1953;donated by the above to Kunsthalle, Bremen (Inv. No.370-1953-6);Restituted to the heirs of Emma Budge by the above in 2010
Frans Snyders;A still life of fruit in a basket, flanked by melons, grapes and figs, partridge, all on a ledge draped in a red cloth, with a hare suspended from a nail to the left;oil on oak panel;124.5 by 127 cm., 49 by 50 in.Frans SnydersA still life of fruit in a basket, flanked by melons, grapes and figs, partridge, all on a ledge draped in a red cloth, with a hare suspended from a nail to the leftWith Dowdeswell Galleries, London;Acquired from the above by Max and Fanny Steinthal in May 1910;Seized by the Third Reich at their deaths;Thence in the possession of the son-in-law of the above, until 1950;Impounded by the East German authorities in 1950;Dresden, Gemäldegalerie, by 1950;Restituted to the heirs of Max and Fanny Steinthal in 2004.
Alfred Kubin;Vogel im Walde (Bird in a Forest);signed AKubin (lower centre), titled and with the Max Morgenstern Collection Stamp on the verso;brush and pen and ink and paste-paint (gouache and watercolour) on paperAlfred KubinVogel im Walde (Bird in a Forest)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
Alfred Kubin;Parkkasino (Park Casino);signed Kubin (lower right), with the Max Morgenstern Collection Stamp on the verso;pen and ink, watercolour and pencil on Kataster paperAlfred KubinParkkasino (Park Casino)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
Max Klinger;Selbstbildnis (Self-portrait);signed with initials and dated 5 Nov. 18 lower left, signed K with various numbers lower right;charcoal with estompe on paperMax KlingerSelbstbildnis (Self-portrait)Gustav Kirstein, Leipzig (d. 1934);Clara Stein Kirstein, Leipzig (by descent from the above, until 1939);Museum der bildenden Künste, Leipzig (with the Städtische Museen Leipzig stamp lower right);Restituted to the descendants of Gustav and Clara Stein in 2000;Sale: Sotheby's, London, 29 March 2001, lot 51;Purchased at the above sale by the late owner
Gustave Moreau;La Fée;signed Gustave Moreau (lower left) and inscribed La Fée (lower right);watercolor and gouache on paper mounted on panelGustave MoreauLa FéeMoïse Lévy de Benzion, Chateau La Folie, Draveil, France;Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg and taken to the depot Jeu de Paume (inv. LB 136), January 1941 and transferred to the depot of Lager Peter, October 27, 1944;Recovered by the Monuments Men and sent to the Munich Central Collecting Point (inv. 1285/9), June 27, 1945;Repatriated to the French Government on October 10, 1946;Restituted to the heirs of Lévy de Benzion, November 26, 1946;Sale: Hôtel Drouot, Paris, November 28, 1949, lot 66, illustrated;Mrs. Robert O. Driver, France;Acquired from the above in 1987
Church interior, with figures performing the work of charity, burying the dead;oil on oak panel;64.9 x 49.1 cm., 25 1/2 x 19 3/8 in.Church interior, with figures performing the work of charity, burying the deadMrs Löwenthal, Amsterdam (b. 1875);Confiscated from the above by Lippmann, Rosenthal & Co., Amsterdam after May 1940;Sold to Dr. Hans Schröder, Director of the Museum St. Annen, Lübeck in 1943 (inv. no. 1943–37, as manner of Hendrick van Steenwijk);Returned by the above to the Netherlands in 1947;Stichting Nederlands Kunstbezit, The Hague (inv. no. 1478);Restituted to the descendants of Mrs. Löwenthal (Eric and Else Wolffenstein) circa 1950;By descent to the present owner.
Lovis Corinth;Porträt Charlotte Corinth (Portrait of Charlotte Corinth);signed Lovis Corinth and dated 1915 (upper left);oil on canvasLovis CorinthPorträt Charlotte Corinth (Portrait of Charlotte Corinth)J. Casper, Berlin;Margules;Dr Ismar Littmann, Breslau;Sale: Max Perl, Berlin 26-27th February 1935, lot 2441, unsold;Purchased by the Preussischer Staat and donated to the Nationalgalerie, Berlin (1935);Victor Rheins, Berlin (as sales agent for Nationalgalerie in 1940);Döbbecke, Berlin;Sale: Kunsthaus Lempertz, Cologne, 28th October 1958, lot 56;Soraperra, Zurich;Sale: Galerie Wolfgang Ketterer, Munich, 20th May 1969, lot 217;Galerie Arnoldi-Livie, Munich (acquired by 1985);Galerie Schlichtenmaier, Grafenau;Rolf Deyhle, Stuttgart;Restituted to the heirs of Dr Ismar Littmann
Aristide Maillol;Grande Baigneuse à la draperie;Inscribed with the artist’s monogram, numbered No. 1 and inscribed with the foundry mark Alexis Rudier Fondeur. Paris;BronzeAristide MaillolGrande Baigneuse à la draperieAlex Maguy (Galerie de l'Élysée), Paris;Marcel Kapferer, Paris;Confiscated from the above by the Einsatzstab Reichleiter Rosenberg (ERR), inv. KPR 9, February 22, 1944;Transferred from the Jeu de Paume to Schloss Nikolsburg, May 4, 1944, (mislabeled as inv. KPR 19 Chinese Bronze);Munich Central Collection Point, (inv. 13741/3), November 3, 1945;Repatriated to the French government, October 30, 1946, and restituted to Marcel Kapferer, November 26, 1946;O'Hana Gallery, London (acquired by 1962);Mr. & Mrs. Charles H. Oestreich, New York;Thence by descent
Pieter van Hoeck;Pilgrims on a Bridge Approaching a Fortified Town;Pen and brown ink and brown wash over traces of black chalk;183 by 280 mmPieter van HoeckPilgrims on a Bridge Approaching a Fortified TownArthur Feldmann, Brno;looted by the Gestapo;acquired in 1947 by the Metropolitan Museum of Art, New York (L.1943);restituted in 2009 to the heirs of Arthur Feldmann
Eglon Hendrick van der Neer;The penitent Magdalene;signed and indistinctly dated lower centre: Eglon H vander Ne... / 1691?;oil on copper;16.5 by 13.4 cm., 6 1/2 by 5 1/4 in.Eglon Hendrick van der NeerThe penitent MagdaleneThe Royal House of Hanover;Possibly mentioned in the inventory of paintings drawn up in 1801-3, no. 183;Katalog der zur Fideikommis-Galerie des Gesamthauses Braunschweig and Lüneburg, Brunswick 1905, no. 239;Fideikommis Galerie sale, Berlin, Cassirer and Helbing, 27-28 April 1926, lot 97 (as Attributed to Frans van Mieris the Younger), when acquired by the grandfather of the present owner;Eigentum der Stadt Museum, Gera, following confiscation circa 1948;Restituted to the heirs of the above in 2003.
Alfred Kubin;Kopf eines Kranken (Head of Sick Man);signed Kubin (lower right) and titled (lower left), with the Max Morgenstern Collection Stamp on the verso;brush and pen and ink, wash and pencil on paperAlfred KubinKopf eines Kranken (Head of Sick Man)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
Bagpiper;boxwood, on an ebonised wood socle;overall: 17.5cm., 6 7/8 in.BagpiperEmma Budge, Hamburg;Her forced sale Die Sammlung Frau Emma Budge, Hamburg, Berlin, Paul Graupe, 27-29 September 1937, lot 82;purchased by Ernest and Martha Silten-Friedberg, Berlin;by descent to Gabrielle S. Silten;her gift to The Huntington Library, Art Collections and Botanical Gardens, 2007 (acc. no. 2007.17.8);Restituted to the heirs of Emma Budge in 2009
Alfred Kubin;Der Lebensbaum (The Tree of Life);signed Kubin (lower right), dated probably by the artist 1911 (lower centre) and titled (lower left), with the Max Morgenstern Collection Stamp on the verso;pen and ink, wash and pencil on Kataster paperAlfred KubinDer Lebensbaum (The Tree of Life)
Alfred Kubin;Walpurgisnacht (Tanz) (Walpurgis Night (Dance));signed Kubin (lower right) and titled (lower left), with the Max Morgenstern Collection Stamp on the verso;pen and ink, watercolour, wash, coloured crayon and pencil on kataster paperAlfred KubinWalpurgisnacht (Tanz) (Walpurgis Night (Dance))
Adrien Delorme, maître in 1748;BRASS, TULIPWOODMax von Goldschmidt-Rothschild, Roter Salon in Palais Goldschmidt, Bockenheimer Landstraß, Frankfurt-am-Main Museum für Kunsthandwerk Frankfurt-am-Main, acquired from the above November 11, 1938 (inventory no. G-R 539) Restituted to the heirs of Max von Goldschmidt-Rothschild, January, 19 th, 1949 Property from the Estate of Sarah Jane Pansa, sold Sotheby's New York, November 8, 1985, lot 62
Hendrick ter Brugghen;Bagpipe player in Profile;signed upper right HTBrugghen fecit. 1624 (HTB in monogram);oil on canvas;39 3/4 by 32 5/8 in., 101 by 83 cm.Hendrick ter BrugghenBagpipe player in ProfileProbably Mr. Aernout van Lingen, Utrecht;With Glenz, Berlin, 1915;Possibly Gustav Klemperer Edler von Klemenau (1852 – 1926);Dr. Herbert von Klemperer, Berlin;Auction, Hans W. Lange, Berlin, November 18-19, 1938 lot 151 (involuntary sale by the above), there purchased by;Wallraf-Richartz-Museum, Cologne, Germany, (inventory no. 2613);Restituted to the heirs of Dr. Herbert von Klemperer, July 2008.
Alfred Kubin;Auf dem Lande (In the Countryside);signed twice Kubin (lower right) and titled (lower left), with the Max Morgenstern Collection Stamp on the verso;pen and ink and watercolour on kataster paperAlfred KubinAuf dem Lande (In the Countryside)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
Petr Brandl;An apostle, holding a book;oil on canvas;71.5 by 56.4 cm., 28 1/8 by 22 1/8 in.Petr BrandlAn apostle, holding a bookPetr Korda, Prague;From whom confiscated and placed in the Českomoravská Zemská Galerie, Prague, 1939, whence expropriated by the state as part of its permanent national collection;Restituted to the heirs of Petr Korda, 2013.
Pieter Fransz. de Grebber;A young shepherd couple resting in a landscape;oil on canvas;121 by 155 cm.Pieter Fransz. de GrebberA young shepherd couple resting in a landscapePrivate collection, France;With Galerie van Diemen, Berlin;Their forced liquidation sale, Berlin, Paul Graupe, 26-27 April 1935, vol. II, lot 35;With Galerie Stern, Düsseldorf (acquired at the above sale);With Galerie Heinemann, Wiesbaden (acquired from the above on 14 January 1937);Museum Wiesbaden (acquired from the above in exchange on 11 August 1937);Restituted to the heirs of Jakob and Rosa Oppenheimer in 2010.
Diptych with Scenes from the Life of Christ;ivory;each panel: 21.5 by 11.8cm., 8½ by 4 5/8 in.;open: 24cm., 9½in. wideDiptych with Scenes from the Life of ChristProbably Karl Anton von Hohenzollern-Sigmaringen (1811-1885);thence by descent, Princes of Hohenzollern, Sigmaringen (no. 1589), certainly by 1925;Geheimrat Ottmar Strauss, Cologne, acquired circa 1928;Fritz Thyssen, Germany (acquired from the above in a duress sale);thence by descent to Anita Gräfin Zichy-Thyssen;Bayerisches Nationalmuseum, Munich, inv. no. 90/288, acquired 1990;restituted to the heirs of Ottmar Strauss, 2016
Giovanni Paolo Lomazzo;Three Men with a Woman Holding a Cat;oil on panel;17 by 24 in., 43.2 by 61 cm.Giovanni Paolo LomazzoThree Men with a Woman Holding a CatDr. Gustav Arens, Vienna;Lise Haas (née Arens), Vienna;Confiscated and allocated to the Fuehrermuseum in Linz (inventory no. 2632);Restituted May 1948 (MCCP inventory no. 1707) and thence by descent.
Jan van der Heyden;The Hofstede Wolf en Hoeck on the Purmer;signed lower left VH (in ligature) eyde and inscribed on lintel OVer;oil on panel;13 3/8 by 15 1/2 in., 33.8 by 39.7 cm.Jan van der HeydenThe Hofstede Wolf en Hoeck on the PurmerProbably anonymous sale, Amsterdam, September 8, 1773, lot 32, for 59 florins to Van der Hoop;Léopold Double (bears his lable affixed to the reverse with his coats-of-arms and inscription: EX MUSEO [D]OUBLE;His sale, Paris, Ch. Pillet, May 30, 1881, lot 13;Adolphe Jos. Bösch;His sale, Vienna, P. Kaeser, April 28, 1885, lot 24, for 5,000 florins to Kohlbacher;Dr. Paul Stern, Frankfurt-am-Main;Acquired by the Städel, Frankfurt from his estate with subsidy from the Schaub-Stiftung, 1941 (as by Jan van der Heyden and Adrien van de Velde);Städelsches Kunstinstitut, Frankfurt-am-Main, inv. 1126, 1941-2005;Restituted to the heirs of Dr. Paul Stern, 2005.
Luca Giordano, called Fa Presto;Hercules and Omphale;signed and dated lower left on the steps: Luca Giordano/.F. 1670;oil on canvas;226.5 by 285 cm., 89 3/4 by 112 3/4 in.Luca Giordano, called Fa PrestoHercules and OmphalePerhaps painted for Don Andrea d'Avalos, Prince of Montesarchio (according to Hübner & Woermann, citing De Dominici, under Literature);In the possession of August der Starke, Elector of Saxony, by 1722.;In 1801hanging in the Inner Gallery of the Electoral Gallery;By descent to the Kings of Saxony;Königlich Sächsisches Galerie, later Gemäldegalerie Dresden, inv. no. 474, hanging in the central gallery to the right of the central pavillion of the Zwinger in 1901;Sold by them in 1926 on the instructions of Direktor Hans Posse, with a second Giordano of Susanna and the Elders, through Kunsthandlung P. Rusch, Sidionstrasse 27, Dresden, priced at 16,000 Reichsmarks each;Aquired from the above by Kommerzienrat Dr. Georg Hirsch, Villa Bauer, Gera, in 1926;Subsequently at Rittergut Kospoda, Thuringia, until 1945, when confiscated by the Russian Army;Rediscovered in an attic in the 1960s (divided in two pieces) and given to the Gemäldegalerie Dresden for storage;Restituted to the great-grandson of Dr. Hirsch in 2007.
Jan Havicksz. Steen;The Procuress;signed lower left: JSteen (JS in ligature);oil on panel;12 1/2 by 10 1/8 in., 31.8 by 25.7 cm.Jan Havicksz. SteenThe ProcuressT. Regters, Amsterdam, by 1768;His sale, Amsterdam, Jean Yver, April 18, 1768, lot 9;J. Witsen, Amsterdam, by 1790;His sale, Jean Yver, August 16, 1790, lot 61, for 62 florins, to Spaan;J. Bleuland, Utrecht, by 1839;His sale, Utrecht, Lamme, May 6, 1839, lot 308;D. Vis Blokhuyzen, Rotterdam, by 1870;His sale, Paris, April 1, 1870, lot 69, for 425 francs;Marquis d'Aoust, Paris;M. Kann, Paris, by 1911;With Galerie Sedelmeyer, Paris, by 1911;Dr. M. Wasserman, Paris, by 1911;His anonymous sale, Paris, Hotel Drouot, June 12, 1919, lot 33;Anonymous sale, December 11, 1928, to J. Hogeraats, The Hague;Dr. Molhuysen, The Hague;Jacob Hartog, The Hague;His forced sale to Hitler for the Linz Museum, 18 August 1942, for 40,000 hfl.;Restituted to the Dutch government 15 February 1946;Returned to Jacob Hartog, New York, 1946;Thence by descent in the family.
a polychrome limewood relief of St. George and the Dragon;123cm., 48¼in.a polychrome limewood relief of St. George and the DragonCh. Mège Collection Paris, illustrated in Les Arts, February 1909, p.16;Galerie A S.Drey, Munich;Forced sale 17 July 1936, Graupe Berlin, lot 119, sold for DM 5,400;Hermann Göring Collection (1936-1945) - listed in the 1945 inventory of the Hermann Göring Art Museum, Sculpture Room 2, article 18;Federal Republic of Germany on loan to the Deutsches Historisches Museum, Berlin, listed as Simon Luchsperger (?);Restituted to the heirs of A.S.Drey, July 2003
Girolamo da Santacroce;Christ Rising from the Tomb;oil on canvas;19 by 12 3/4 in., 48.2 by 32.4 cm.Girolamo da SantacroceChrist Rising from the TombPaul Bottenwieser, Berlin;Jacques Goudstikker, Amsterdam (as Moretto (Alessandro Bonvicino) acquired from the above before June 1927, stock no. 1780;Hermann Goring (acquired with the stock of the above June 1940);Restituted to Desiree von Saher;With Alexander Gallery, New York, from whom purchased by the present owner.
Alfred Kubin;Die Pest (The Plague);signed AKubin (lower right) and titled (lower left), with the Max Morgenstern Collection Stamp on the verso;brush and ink and wash, black crayon and gouache on Kataster paperAlfred KubinDie Pest (The Plague)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
František Kupka;Study for Ballad-Joys: A pair (STUDIE K RADOSTEM A EPONA BALLADE: DVOJICE KRESEB);one numbered K4982 lower right and 2178 lower left, the other numbered K4983 lower right and 2179 lower left;coloured crayons, charcoal, pencil and sanguine heightened with white on paperFrantišek KupkaStudy for Ballad-Joys: A pair (STUDIE K RADOSTEM A EPONA BALLADE: DVOJICE KRESEB)Jindřich Waldes, nos. 2178 & 2179;Confiscated in 1940;National Gallery in Prague, 1940-1996, nos. 4982 & 4983;Restituted to Jíří Waldes, son of Mr. Jindřich Waldes in 1996;Sale: Meissner-Neumann, Prague, 21 April 2001, lots 166 & 167;Purchased at the above sale
Henri Matisse;Jeune fille en noir;signed Henri Matisse (lower right);oil on canvasboardHenri MatisseJeune fille en noirAlphonse Kann, Saint Germain-en-Laye;Confiscated from the above by the Einsatzstab Reichleiter Rosenberg (ERR), Inventory Number 'Unb 343';Gustav Rochlitz, Paris (received in exchange with the Einsatzstab Reichsleiter Rosenberg (ERR) on 9th July 1941);Intended to be sent to Baden-Baden in 1944;Klein, Mlle Levy, Paul Pètrides, & Isidor Rosner, Paris (possibly acquired from Rochlitz);Christian Zervos, Paris (acquired from Paul Pètrides);Restituted to the heirs of Alphonse Kann after 1945;Sale: Palais Galliéra, Paris, 16th June 1961, lot 50;Sale: Galerie Motte, Geneva, 12th May 1962, lot 164;Jacques Dubourg, Paris;Stephen Hahn (acquired from the above by 1969);Private Collection, Italy;Milan, Galleria Brerarte;Acquired from the above by the family of the present owner in 1981
Saint Roch;oak, with some traces of polychromy;59cm., 23¼in.Saint RochErnst and Agathe Saulmann;their forced sale, Weinmüller, Munich, 26-27 June 1936, lot 157;Ludwig Roselius, Bremen;Roseliushaus Bremen;restituted to the heirs of Ernst and Agathe Saulmann, 2016
wool, flatweaveThe Armorial tapestry cushion, with the arms of Averberg and Gevekote;The Estate of Emma Budge, Hamburg (forced sale: Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, Hamburg, 4 th -6 th October 1937, lot 407);Kunsthalle, Bremen (acquired at the above sale);Restituted to the heirs of Emma Budge by the above in 2010;Other cushions;The Estate of Emma Budge, Hamburg (forced sale: Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, Hamburg, 4 th -6 th October 1937, lots 419, 428 & 430);Schloss Gottorf, Schleswig (acquired at the above sale);Restituted to the heirs of Emma Budge by the above in 2010
Tankard with a Knight and Wild Animals;the mounts with a Munich town mark and maker's mark MV, either for Michael Valser (active 1694-1707) or Michael Vogtner (active 1693-1712) (see Rosenberg, op. cit. no. 3850);ivory with silver-gilt mounts;overall: 26cm., 10¼in.Tankard with a Knight and Wild AnimalsEmma Budge, Hamburg;her forced sale Berlin, Paul Graupe, Die Sammlung Frau Emma Budge, Hamburg, 27-29 September 1937, lot 231, pl. 56;acquired by the Münchner Stadtmuseum, Munich (inv. no. 37 / 685);restituted to the heirs of Emma Budge in 2012
Anthonie Waterloo;Landscape with trees by a river;Black chalk, oiled black chalk and grey wash, heightened with white, on grey paper;176 by 204 mmAnthonie WaterlooLandscape with trees by a riverArthur Feldmann, Brno;looted by the Gestapo during the Nazi occupation of Czechoslovakia;accessioned by the National Gallery, Prague, inv. DK 4632 (bears their mark, verso: NGGS/PRAHA, not in Lugt);restituted to the heirs of Arthur Feldmann in 2013
Manner of Alessandro Magnasco;Cardplayers by a fire;oil on canvas;59 x 44.3 cm., 23 1/4 x 17 1/2 in.Manner of Alessandro MagnascoCardplayers by a fireWith Benno Geiger, Venice, 1914;Frederico Gentili di Giuseppe (1868–1940), Paris;Forced sale of his deceased estate, Paris, Hôtel Drouot, 23–24 April 1941, lot 53, for 20,000 FRF;Private collection, Milan, by 1949;On deposit in the Musée du Louvre, Paris, 1951–1999, inv. no. MNR 798;Restituted to the heirs of Frederico Gentili di Giuseppe;By whom sold ('The Collection of Federico Gentili di Giuseppe'), New York, Christie's, 27 January 2000, lot 83;Jacob Elie Safra (b. 1948), New York;By whom sold, ('The Collection of Jacob Elie Safra'), New York, Sotheby's, 26 January 2011, lot 32, for $130,000;Where acquired by the present owner.
François Millet;Meules de foin;signed F. Millet fils l.r.;pastel on paperFrançois MilletMeules de foinMax and Fanny Steinthal;Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal's son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004
A Triptych;central panel: the Crucifixion;left wing: the Deposition;right wing: the Resurrection;the frame bears date: 1517;oil on oak panel, the wings in integral frames;painted surface (central panel): 86.7 by 64 cm., 34 1/8 by 25 1/4 in.;painted surface (wings): 83 by 26.5 cm., 32 5/8 by 10 3/8 in.;overall (open): 130 by 154 cm., 51 1/8 by 60 5/8 in.;overall (closed): 130 by 77 cm., 51 1/8 by 30 1/4 in.A Triptych;central panel: the Crucifixion;left wing: the Deposition;right wing: the ResurrectionPossibly with S. Alberge, The Hague;With Jacques Goudstikker, Amsterdam, inv. no. 3109 (as attributed to the Master of 1517);Looted by the Nazi authorities, 1 July 1940, and transferred to Hermann Göring (1893-1946);By whom sold to Alois Miedl;By whom sold, Berlin, Hans. W. Lange, 3 December 1940, lot 47 (as circle of Jacob Cornelisz van Amsterdam);Private collection;Restituted to the heir of Jacques Goudstikker in 2014.
Circle of Hans Bol;A pair of miniature landscape gouaches: Summer and Winter;both signed and dated in gold: HBol / 1591;both gouache, heightened with gold on vellum, laid down on panel, circular;each diameter: 5.3 cm.Circle of Hans BolA pair of miniature landscape gouaches: Summer and WinterKrajska Galerie, Olomouc, Czech Republic (with printed labels, verso, and inventory numbers: INV. 77 and D 547 on both), Restituted to the family of the previous owners;By whom sold, London, Sotheby's, Old Master & British Drawings, 3 July 2013, lot 2;where acquired by Baron van Dedem.
Hendrik van Streek;Interior of the Oude Kerk, Delft;oil on canvas;46 1/4 by 37 in., 117.5 by 94 cm.Hendrik van StreekInterior of the Oude Kerk, DelftThomas Coates, York House, Kensington;By whose executors sold, London, Christie's, 19 January 1884, lot 36 (as de Witte), where acquired for £5 10s by "Garcia;Mrs. Younger, London;Anonymous sale, London, Christie's, 21 December 1923, lot 35 (as Job Adriaensz. Berckheyde), where acquired for 273 guineas by Duits;With Kunsthandel Gebr. Douwes, Amsterdam, 1923;With Jacques Goudstikker, Amsterdam, 1924;From whom forcibly acquired by Hitler's agents in 1940 for the Linz Museum collection (no. 1276, as Emanuel de Witte);Recovered by Allied Forces in October 1945 and sent to the Munich Central Collecting Point (no. 9034, as Emanuel de Witte);Given over to the Nederlands Kunstbezit, The Hague, 1947;Restituted to the Heir of Jacques Goudstikker, February 2006;By whom sold (Old Master Paintings from the Collection of Jacques Goudstikker), Amsterdam, Christie's, 14 November 2007, lot 47.
François Boucher;An allegory of music;signed center left: f boucher;oil on circular canvas;diameter: 23 1/4 in., 59.1 cm.François BoucherAn allegory of musicJacques Doucet, Paris, until 1912;His sale, Paris, Galerie Georges Petit, 6 June 1912, lot 133;Baroness Valentine Springer (nee Rothschild), Vienna;Sold forcibly to the Gemäldegalerie des Kunsthistorischen Museums, Vienna (inv. 6997) and restituted on November 26 1947;With Galerie Segoura, Paris;From whom purchased by the present collectors.
Camille Pissarro;Le Boulevard Montmartre, matinée de printemps;signed C. Pissarro and dated 97 (lower left);oil on canvasCamille PissarroLe Boulevard Montmartre, matinée de printempsGalerie Durand-Ruel, Paris (acquired from the artist on 2nd June 1898);Mr Burke, London (acquired from the above on 11th January 1899);Arthur Tooth & Sons, London;Galerie Durand-Ruel, Paris (acquired from the above on 14th August 1901);Paul Cassirer, Berlin (acquired from the above on 13th October 1902);Adolf Rothermundt, Dresden (acquired circa 1914);Max Silberberg, Breslau (acquired by 1923);Sale: Paul Graupe, Berlin, 23rd March 1935, lot 27 (forced sale by Max Silberberg);Alfred & Marie Erlich, New York;Nathan J. & Sara N. Cohn, Mount Vernon (acquired from the above);Knoedler & Co., New York (acquired from the above on 9th November 1959);John & Frances L. Loeb, New York (acquired from the above on 4th January 1960);The American Friends of The Israel Museum, Jerusalem (a bequest from the above in 1997);The Israel Museum, Jerusalem (a gift from the above in 1997);Restituted to Gerta Silberberg on 1st February 2000, and placed on loan with The Israel Museum until 2013
Georg Schöbel;The Blacksmith's Shop;signed and dated 86;gouache on paperGeorg SchöbelThe Blacksmith's ShopMax and Fanny Steinthal;Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal’s son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004
František Kupka;Colossus of Rhodes (KOLOS RHODSKÝ - Z CYKLU SEDM DIVŮ SVĚTA);signed Kupka lower right and inscribed by the artist with a note for the printer along the top left edge;watercolour, pencil and pen and ink on paperFrantišek KupkaColossus of Rhodes (KOLOS RHODSKÝ - Z CYKLU SEDM DIVŮ SVĚTA)Jindřich Waldes, no. W 2105c;Confiscated in 1940;National Gallery in Prague, 1940-1996, no. K 6301;Restituted to Jíří Waldes, son of Mr. Jindřich Waldes in 1996;Sale: Meissner-Neuman, Prague, 30 November 2001, lot 41;Purchased at the above sale
Louis de Silvestre;Portrait of a lady, believed to be Anna Constanze, Countess of Cosel (1680 – 1765), three-quarter length, dressed in green and pink silks and playing a lute;oil on canvas;157 by 120.2 cm., 61 3/4 by 47 3/8 in.Louis de SilvestrePortrait of a lady, believed to be Anna Constanze, Countess of Cosel (1680 – 1765), three-quarter length, dressed in green and pink silks and playing a luteBy tradition acquired directly from the Royal House of Saxony;With Kunsthandlung P. Rusch, Dresden;Acquired from the above by Kommerzienrat Georg Hirsch in 1926;Rittergot Kospoda, Thuringia;Villa Bauer, Gera, from 1926;Schloss Dornburg an der Elbe;Seized in 1952;Restituted to the rightful heirs in 2014.
Silver-GiltEmma Budge, née Lazarus, Hamburg (1852-1937);The forced sale of her estate: Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, 27, 28, & 29 September, 1937, lots 194 and 195;Paris Art Dealer;Ulmer Museum, Ulm, 1980;Restituted to the heirs of Emma Budge 2015
Antoine Pesne;Portrait of Friederike Luise, Margravine of Ansbach (1714 – 1784), three-quarter length, wearing a pink dress and standing in a walled garden;an old inventory number lower right: 2207, and inscribed with the identity of the sitter on the reverse;oil on canvas;161 by 129 cm., 63 3/8 by 50 3/4 in.Antoine PesnePortrait of Friederike Luise, Margravine of Ansbach (1714 – 1784), three-quarter length, wearing a pink dress and standing in a walled gardenBy tradition acquired directly from the Royal House of Saxony;With Kunsthandlung P. Rusch, Dresden;Acquired from the above by Kommerzienrat Georg Hirsch in 1925;Georg Hirsch, Villa Kospoda, Thuringia;Villa Bauer, Gera, from 1945;Seized in 1952;Thence at Schloss Dornburg an der Elbe, until restituted to the rightful heirs in 2014.
Virgin and Child;partially polychromed alabaster, on a later stone base;98.5cm., 38½in.Virgin and ChildJohannes Noll, Frankfurt;his sale, F.A.C. Prestel, Frankfurt, 7-8 October 1912, lot 2;his sale, H. Helbing, Frankfurt, 1928, lot 72;Ernst and Agathe Saulmann, Germany;their forced sale, Weinmüller, Munich, 26-27 June 1936, lot 135;with J. Boehler, Munich, 1937;Liebieghaus, Frankfurt, 1937-2015 (inv. no. 1022);restituted to the heirs of Ernst and Agathe Saulmann, 2015
F.B. E. Gutmann, Heemstede.;The Instituut Collectie Nederland (earlier the Stichting Nederlands Kunstbezit, no. NK3231, on loan to the Rijksmuseum, Amsterdam, 1954).;Rijksmuseum, Amsterdam, 1960 until restituted to Gutmann's heirs in 2002.
Giovanni da Rimini;Painted Crucifix;tempera on cruciform panel;63 1/4 by 52 3/8 in., 160.5 by 130 cm.Giovanni da RiminiPainted CrucifixPossibly Achillito Chiesa collection, Milan;Frederick Muller, Amsterdam;Enrico Testa;With Jacques Goudstikker, Amsterdam, inv. no. 2212, by 1929;Looted by the Nazi authorities, July 1940 and transferred to Carinhall by Walter Hofer for Hermann Göring (inv. no. 392), 13 July 1940;Recovered by the Monuments Men and sent to the Munich Central Collecting Point (inv. no. 6294), 2 August 1945, given over to the Nederlands Kunstbezit (earlier the Stichting Nederlands Kunstbezit), The Hague (inv. no. NK1485), 7 November 1945;Restituted to the heir of Jacques Goudstikker, February 2006;By whom sold London, Christie’s, 5 July 2007, lot 7;Where acquired by Fabrizio Moretti.
Roman School, 17th century;The flight of Lot and his family from Sodom;oil on canvas;153.8 by 183.6 cm., 60 1/2 by 72 1/4 in.Roman School, 17th centuryThe flight of Lot and his family from SodomPetr Korda, Prague;From whom confiscated and placed in the Českomoravská Zemská Galerie, Prague, 1939, whence expropriated by the state as part of its permanent national collection;Restituted to the heirs of Petr Korda, 2013.
bronze;Height overall: 23 inchesZagayski Collection, Warsaw;Restituted to the family after World War II, sold;Sotheby's New York, June 29, 1995, lot 58 ("this lamp is part of the property left in the Zagayski villa in Warsaw after it was plundered by the Nazis"). A copy of an affidavit was illustrated in the Sotheby's catalogue introduction.
Wilhelm Lauter;Córdoba;signed and inscribed Cordova;watercolour and pencil on paperWilhelm LauterCórdobaMax and Fanny Steinthal;Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal’s son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004
The Master of Frankfurt;St christopher;oil on panel;46 by 30.4 cm., 18 1/8 by 12 in.The Master of FrankfurtSt christopher
Josef Maratka;Portrait of Antonin Slaviček, 1911 (PORTRÉT ANTONÍNA SLAVÍČKA);inscribed J. MARATKA and BARTAK PRAHA;bronzeJosef MaratkaPortrait of Antonin Slaviček, 1911 (PORTRÉT ANTONÍNA SLAVÍČKA)Jindřich Waldes;Confiscated in 1940;National Gallery Prague, 1940-1996;Restituted to Jiří Waldes, son of Jindřich Waldes, in 1996, no. P433;Sale: Meissner-Neumann, Prague, 8 November 1997, lot 161;Purchased at the above sale
Moritz von Schwind;Die Hochzeit des Figaro: ein Zyklus von 30 Federzeichnungen (The Marriage of Figaro: a cycle of 30 drawings);the final sheet signed and dated Maerz 1825, the frontispiece of the original album that originally held the drawings titled and dated Die Hochzeit des Figaro/1825 and inscribed Dieses Heft hatte der alte Beethoven/ in seiner letzten Krankheit bei/ sich. Nach seinem Tode bekam ich/ es erst wieder zurück./ Moritz von Schwind ('Old Beethoven had this book with him during his last illness: only after his death did I get get it back. Moritz Schwind') in the artist's hand;ink on paperMoritz von SchwindDie Hochzeit des Figaro: ein Zyklus von 30 Federzeichnungen (The Marriage of Figaro: a cycle of 30 drawings)Ludwig van Beethoven (until his death on 26 March, 1827);Moritz von Schwind;Marie Baurnfeind (the artist's daughter);Joseph and Hermine Hupka, Vienna (acquired from the above, until 1939);Städtische Sammlungen, Vienna (1939);Restituted to the heirs of Hermine and Joseph Hupka in 2004
Hans Bol;A Pair of miniature landscape gouaches: Summer and Winter;Both gouache, heightened with gold, on vellum, laid down on panel, circular;both signed in gold: HBol, and both dated: 1590 (Winter, the date on the summer landscape could also be 1591);Diameter: 53 mmHans BolA Pair of miniature landscape gouaches: Summer and WinterKrajská galerie, Olomouc (with printed labels, verso, and inventory numbers: INV. 77 and D 547 on both);restituted to the family of the present owners
Wilhelm Lauter;Córdoba;signed and inscribed Cordova;watercolour and pencil on paperWilhelm LauterCórdobaMax and Fanny Steinthal;Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal’s son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004
Jan Gabrielsz. Sonjé;Elegant figures on a path by a river;bears signature lower right: A. Cuyp f. 1635;oil on oak panel;57.6 x 83 cm., 22 3/4 x 32 5/8 in.Jan Gabrielsz. SonjéElegant figures on a path by a riverBaron Alphonse von Rothschild, Schloss Schillersdorf (Šilheřovice), Silesia;Appropriated by transfer in 1939 and allocated to the Národní galerie, Prague (inv. no. 1608);Restituted to the heirs of Alphonse von Rothschild in 2016.
Jeanne Pontillon à la capeline;stamped with the signature Berthe Morisot (lower right);pastel on paperJeanne Pontillon à la capelineRené de Gas, Paris (Estate sale: Hôtel Drouot, Paris, Succession René de Gas, Novembre 10, 1927, lot.15);David David-Weill, Paris (inv. no. 30/60);Looted by the Einsatzstab Reichsleiter Rosenberg (ERR), registered under no. DW-Mod 44T;Intended for exchange (handwritten note "Für Taucht") by the ERR, July 21, 1943;Private collection, Vienna;Sale: Vienna, Dorotheum, Jugenstil, Moderne Originale, Moderne Graphik, September 23, 1977, lot 1341;Purchased at this sale by Friedrich Welz;Gifted to the Province of Salzburg;Integrated into the collections of the Moderne Galerie und Graphische Sammlung Repertinum of Salzburg (subsequently renamed Museum der Moderne Salzburg) in 2003;Restituted to the rightful heirs of Flora et David David-Weill by the Salzburg Landesregierung on April 27, 2016
Louis de Silvestre;Portrait of Anna Constanze, Countess of Cosel (1680 – 1765), three-quarter length, dressed in green and pink silks and playing a lute;oil on canvas;157 by 120.2 cm., 61 3/4 by 47 3/8 in.Louis de SilvestrePortrait of Anna Constanze, Countess of Cosel (1680 – 1765), three-quarter length, dressed in green and pink silks and playing a luteBy tradition acquired directly from the Royal House of Saxony;With Kunsthandlung P. Rusch, Dresden;Acquired from the above by Kommerzienrat Georg Hirsch in 1926;Georg Hirsch, Villa Kospoda, Thuringia;Villa Bauer, Gera, from 1926;Seized in 1952;Thence at Schloss Dornburg an der Elbe, until restituted to the rightful heirs in 2014.
Edgar Degas;DANSEUSE AUX BRAS LEVÉS;signed Degas (lower left);pastel and charcoal on panelEdgar DegasDANSEUSE AUX BRAS LEVÉSPierre Paulin, Paris (acquired by 1918);Mme Ernest Chausson, Paris (sale: Hôtel Drouot, Paris, 5th June 1936, lot 4);Raphael Gérard, Paris;Alfred Lindon, Paris (seized from the Chase Bank in Paris in 1940 by the National Socialists, ERR reference Li22, as 'Tänzerin'. Restituted to Alfred Lindon after World War II);Jacques Lindon, New York (by descent from the above);Gisèle Rueff-Béghin (acquired in 1962);Estate of the above
Antwerp School, circa 1500;Virgin and Child with angels;oil on panel with a rounded topAntwerp School, circa 1500Virgin and Child with angelsPrivate Collector, Munich;Confiscated from the above on 18 November 1938;Recovered by the Monuments Men and sent to the Munich Central Collecting Point (inv. 36293), on 23 July 1946;Transferred to Wiesbaden on 25 May 1949 and restituted to the heirs of the private collector on 2 December 1949;Thence by descent.
Anton Faistauer;Häuser am Hang (Houses on a Slope);signed a. faistauer lower right;oil on canvasAnton FaistauerHäuser am Hang (Houses on a Slope)Oskar Federer;Seized by the Nazis in 1939;Galerie Vytvarného Umenì, Ostrava (by November 1943);Restituted to the heirs of Oskar Federer in 2007
Pair of Donor Panels;the left panel inscribed (partially legible): [...] Printzendorff, the right panel inscribed: Kasber von... das glas lase machen, and further inscribed: MARIA ORA;stained and leaded glass;48.1 by 40.3cm., 19 by 15 7/8 in. and 47.2 by 40.3cm., 18 5/8 by 15 7/8 in.Pair of Donor PanelsEduard Ritter von Grützner, Munich;his estate sale, Hugo Helbing Munich, 24 June 1930, lots 212 and 213;Geheimrat Ottmar Strauss, Cologne;his forced sale, Hugo Helbing Munich, 21-24 May 1935, lots 279 and 280;acquired by Irmgard von Lemmers-Danforth, Wetzlar;Lemmers-Danforth Collection, Wetzlar, inv. nos. GE 10a, b;restituted to the heirs of Ottmar Straus, 2017
Adolph Menzel;Tiroler Bäuerin (woman from the tyrol);signed with initials and dated AM / 86 lower right;pencil on paperAdolph MenzelTiroler Bäuerin (woman from the tyrol)Magnus and Mathilde Hermann, Berlin (friends of the artist), thence by descent to their children;Alfred Sommerguth, Berlin (his forced sale: 7 February 1939, H.W. Lange, Berlin, lot 11);Michael Venator, Cologne;Restituted to the heirs of Alfred Sommerguth by Michael Venator in 2008
Otakar Kubin (Othone Coubine);Landscape (KRAJINA);signed Coubine lower right;oil on canvasOtakar Kubin (Othone Coubine)Landscape (KRAJINA)Václav Dvořák (confiscated after 1959);Transferred to the Moravian Gallery in Brno in the early 1960s;Restituted to the Dvořák family after 1992;Galerie Longa, Prague;Purchased from the above on 15 January 1999
Camille Pissarro;Gelée blanche, jeune paysanne faisant du feu;signed C. Pissarro and dated 1888 (lower right);oil on canvasCamille PissarroGelée blanche, jeune paysanne faisant du feuGalerie Durand-Ruel, Paris (acquired from the artist on 6th April 1888) Gaston Lévy, Paris (acquired from the above on 10th June 1927);Seized by the Einsatzstab Reichsleiter Rosenberg, circa October 1940 (inv. no. MA-B 1085) and transferred to the depot maintained at the Jeu de Paume in June 1943;In store at Schloss Kogl (inv. no. 687/5);Munich Central Collecting Point, received on 21st March 1946 (inv. no. 22355/4);Repatriated to the French State on 25th September 1947;Transferred by the French Government in 1949 to Natasha [Fruma] von Fliegers (née Josefowitz), Paris & New York;Serge Fliegers (by descent from the above);Seized from the above in 1988 by French Customs and confiscated;Assigned to the Musée d'Orsay, Paris in 2000;Restituted by the French Government to the heirs of Gaston Lévy in 2018
bronze;37.4 cm, 14 3/4 in.Collection of Alphonse Kann, Paris. (Collection number 365).;Seized by the Nazis in October 1940.;In deposit at the Jeu de Paume museum (ref. Ka 121).;Transfered at Altaussee salt mine art center, Austria.;Restituted to owner in July 1947.;Collection of He'le'ne Kann-Bokanowski, Paris.
Las Tres Velas (The Three Sails);Signed J Sorolla y Bastida, dated 1903 and inscribed Valencia (lower right);Oil on canvasLas Tres Velas (The Three Sails)Max and Fanny Steinthal (acquired circa 1904);Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal's son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004 and sold: Sotheby's, London, November 16, 2004, lot 117;Acquired at the above sale by the present owner
Lucas, the elder Cranach;a portrait of martin luther (1483-1546);signed with the artist’s device and dated upper right in gold: 1532. and inscribed along the top in gold:. IN SILENTIO ET SPE. ERIT FORTITVDO VESTRA.;oil on panelLucas, the elder Cranacha portrait of martin luther (1483-1546)A.F. Philips;Lost during the Second World War;Recovered and placed in the care of the Stichting Nederlands Kunstbezit, inv. no. 1230;Restituted to the Philips family.
Georg Wilhelm Neunhertz;recto and verso: saint michael the archangel slaying satan;pen and brown ink and point of the brush and grey wash over black chalk (recto), point of the brush and grey wash, heightened with white, over black chalk (verso);223 by 162mmGeorg Wilhelm Neunhertzrecto and verso: saint michael the archangel slaying satanRudolf Peltzer (L.2231);Dr. Arthur Feldmann, Brno;confiscated by the Gestapo during the Nazi occupation of Moravia, and subsequently on deposit at the Moravske zemske museum, Brno (with their stamp, not in Lugt, and inventory number 3198), and after 1961 at the Moravská galerie, Brno;restituted to the heirs of Arthur Feldmann in 2003;sold by them, London, Sotheby's, 6 July 2005, lot 53 (as Michael Willmann)
Jan Weenix;A boy and a dog with a still life of game, in a park landscape;signed and dated lower left: J. Weenix f. 1719;oil on canvas;123.5 x 105 cm., 48 5/8 x 41 3/8 in.Jan WeenixA boy and a dog with a still life of game, in a park landscapeLouis Nathaniel de Rothschild (1882–1955), Vienna, inv. no. 33;Confiscated from the above for the Kunstmuseum, Linz, and stored in Depot Kremsmünster, 1938;Restituted to Louis Nathaniel de Rothschild, United States, August 1947;With Saam Nijstad, The Hague, 1960, from whom acquired by the uncle of the present owner.
a mountainous landscape with a river and boats and various buildings, and a castle on a hilltop;Pen and brown ink over black chalk;142 by 394 mma mountainous landscape with a river and boats and various buildings, and a castle on a hilltopSir Peter Lely (L.2092);Jonathan Richardson Sr. (L.2184);John Bouverie (L.325);Arthur Feldmann, Brno, by whom offered for sale, Lucerne, Gilhofer & Ranschburg, 28 June 1934, lot 304 (as School of Titian), unsold;looted by the Gestapo 1;sale, Vienna, Dorotheum, 14-22 March 1989, lot 855 (as Bolognese School, circa 1600), purchased by the Albertina;restituted to the heirs of Arthur Feldmann in 2008
Jacopo Robusti, called Jacopo Tintoretto;Portrait of Alvise Vendramin;inscribed lower left: AVS VEND o PROVISOR;oil on canvas, unframed;112 by 82.5 cm., 44 by 32 1/2 in.Jacopo Robusti, called Jacopo TintorettoPortrait of Alvise VendraminWith van Diemen, Berlin;Their forced liquidation sale Berlin, Paul Graupe, 26-27 April 1935, vol.II, lot 98;With Arthur Goldschmidt, Berlin 1935 (probably acquired at the above sale);Acquired from the above by William Randolph Hearst, California in 1935;Restituted to the heirs of Jacob and Rosa Oppenheimer from the State of California at Hearst Castle in 2009.
Wilhelm Lehmbruck;TORSO DER SCHREITENDEN or TORSO SICH UMWENDEND;(TORSO OF A WALKING WOMAN or TORSO TURNING);inscribed W.LEHMBRUCK;cast stoneWilhelm LehmbruckTORSO DER SCHREITENDEN or TORSO SICH UMWENDEND;(TORSO OF A WALKING WOMAN or TORSO TURNING)Estate of the artist;Ludwig Mies van der Rohe, Berlin (most probably commissioned from the above by 1929);Fritz and Grete Tugendhat, Brno (acquired from the above circa 1930, until 1939);Confiscated by the Nazis in 1939;Stored at Moravska Galerie, Brno (until 2006);Restituted to the heirs of Fritz and Grete Tugendhat in 2006
Jean-Baptiste Pater;La cueillette des roses", "Le musicien;a pair, both oil on panel;each: 9 by 12 3/8 in., 23 by 31.5 cm.Jean-Baptiste PaterLa cueillette des roses;Le musicienBaron James Mayer de Rothschild, by 1860;Thence by descent in the family;Confiscated by the Einsatzstab Reichsleiter Rosenberg (ERR) and deposited at Jeu de Paume, 5 November 1940, inv. nos. R70, R73 (as style of Jean Baptiste Pater);Taken by Hermann Göring (as School of Jean Baptiste Francois Pater);Evacuated from Göring's home at Carinhall to Schloss Veldenstein March 1945 and again to Berchstegaden April 1945;Recovered by the Monuments Men from Berchtesgaden and sent to the Munich Central Collecting Point, inv. nos, 7386 and 7387, 6 August 1945;Shipped to Paris 20 September 1945 and thereafter restituted to the Rothschild family;Thence by descent until the end of the 20th century;When acquired by the current owner.
Allaert van Everdingen;Wooded Landscape with City Rooftops in the Distance;Brush and black ink and grey wash, on grey-blue paper;signed with initials in grey wash, lower right: AVE;94 by 215 mmAllaert van EverdingenWooded Landscape with City Rooftops in the DistanceJohann Andreas Boerner (1785-1862), Nuremberg (L.269-270: his inscription: J.A. Boerner / 1841 / DVO.dua);his posthumous sale, Leipzig, Weigel, 22 January 1763 ff, lot 1154;F. Heimsoth, Bonn;his posthumous sale, Frankfurt, Prestel, 5 May 1879, lot 56, to Sträter;August Sträter, Aachen (L.787);his posthumous sale, Stuttgart, Gutekunst, 10 May 1898, lot 1116;Rudolf Philip Goldschmidt, Berlin (L.2926);his posthumous sale, Frankfurt, Prestel, 4 October 1917, lot 196, to Levy;Arthur Feldmann, Brno;looted by the Gestapo during the Nazi occupation of Czechoslovakia;accessioned by the National Gallery, Prague, inv. DK 4588 (bears their mark, verso: NGGS/PRAHA, not in Lugt);restituted to the heirs of Arthur Feldmann in 2013
Giovanni Paolo Cavagna;Portrait of a gentleman, head and shoulders;oil on canvasGiovanni Paolo CavagnaPortrait of a gentleman, head and shouldersDavid Goldmann, Vienna;Seized from the above by Hitler’s agents and allocated in the central depot of the Kunsthistorisches Museum, Vienna (inv. D.G.5), where it was reserved for the Führermuseum;Transferred to Alt Ausse (inv. no. 2604) for the Kunstmuseum Linz (inv. no. 2637);Recovered by the Allied Forces and sent to the Munich Central Collecting Point (inv. no. 3867);Given over to the Austrian Government Kremsmünster depot (inv. no. 1325);Restituted to David Goldmann;Thence by descent to the present owner.
Edouard Vuillard;La couseuse devant la fenêtre;Signed E. Vuillard and dated 1910 (lower right);Oil on board laid down on panelEdouard VuillardLa couseuse devant la fenêtreGalerie Bernheim-Jeune, Paris (acquired directly from the artist in 1910);Georges Hasen, St Petersburg (acquired in 1911);Sale: Hôtel Drouot, Paris, June 1, 1932, lot 54;Mme Stewart, Paris;Sale: Hôtel Drouot, Paris, June 10, 1937, lot 64;Galerie Paul Rosenberg, Paris, until November 1940;Thereafter restituted to the Rosenberg heirs
Lovis Corinth;Matrose (Sailor);signed and dated LOUIS CORINTH / ANVERS 84 upper left, titled UN OTHELLO upper right;oil on canvasLovis CorinthMatrose (Sailor)R. Brackl, Munich;Fritz Dägling, Königsberg;Heinrich Thannhauser, Munich (1859-1935, founder of Moderne Galerie Thannhauser in 1909 and proponent of avant-garde art, notably Kandinsky, Klee and Franz Marc);Jean Baer, Berlin;Wolfgang Gurlitt, Munich (1888-1965, gallerist, art dealer and collector);Neue Galerie / Lentos Museum, Linz (purchased from the above in 1953);Restituted to the heirs of Jean and Ida Baer in 2015
Knife-grinder;ivory, rose-cut diamonds, lapis-lazuli, amethyst, goldstone, jasper, green hardstone, tortoiseshell, mother-of-pearl, silver-gilt and gilt metal, on a wood core;19 by 14.5cm., 7½ by 5¾in.Knife-grinderEmma Budge, Hamburg;her forced sale Berlin, Paul Graupe, Die Sammlung Frau Emma Budge, Hamburg, 27-29 September 1937, lot 227, pl. 56;acquired by the Münchner Stadtmuseum, Munich (inv. no. 37 / 684);restituted to the heirs of Emma Budge in 2012
The story of Susannah;oil on panel;16 1/2 by 60 in., 42 by 152 cm.The story of SusannahCollection of Baron Edmond de Rothschild, Château de Ferrières;Seized by the Einsatzstab Reichsleiter Rosenberg from the Chateau de Ferrières (inv. no. BOR 57);In the holdings of the German Embassy, Paris;Recovered by the Monuments Men at the Buxheim Monastery, Bavaria, and restituted to the Rothschild family 1946/7;From whom purchased most probably by the father of the present owner.
François Boucher;An allegory of music;signed center left: f boucher;oil on circular canvas;diameter: 23 1/4 in., 59.1 cm.François BoucherAn allegory of musicJacques Doucet, Paris, until 1912;His sale, Paris, Galerie Georges Petit, 6 June 1912, lot 133;Baroness Valentine Springer (nee Rothschild), Vienna;Sold forcibly to the Gemäldegalerie des Kunsthistorischen Museums, Vienna and restituted on November 26 1947;With Galerie Segoura, Paris;From whom purchased by the present collectors.
Lucas Cranach the Younger;Portrait of a bearded man;oil on panel;8 7/8 by 6 7/8 in., 22.5 by 17.5 cm.Lucas Cranach the YoungerPortrait of a bearded manDavid Goldmann, Vienna;Seized from the above by Hitler’s agents and allocated in the central depot of the Kunsthistorisches Museum, Vienna (inv. D.G. 2), where it was reserved for the Führermuseum;Transferred to Alt Ausse (inv. no. 4699) for the Kunstmuseum Linz (inv. no. 2635, as German/upper Austrian 16th century);Recovered by the Allied Forces on 15 October 1945 and sent to the Munich Central Collecting Point (inv. no. 9479, as South German, manner of Schauffelein);Given over to the Austrian Government Kremsmünster depot (inv. no. K1366) on 25 April 1946;Restituted to David Goldmann;Thence by descent to the present owner.
Dora Hitz;Dämmerüng;signed;oil on canvasDora HitzDämmerüngJulius Stern, Berlin (sale: Cassirer und Helbing, Berlin, 22 May 1916, lot 39);Max and Fanny Steinthal;Seized by the Third Reich after their deaths;In possession of Max and Fanny Steinthal’s son-in-law (until 1950);Impounded by the East German authorities in 1950;Gemäldegalerie Dresden (by 1950);Restituted to the heirs of Max and Fanny Steinthal in 2004
Saint Anne and Saint Joachim;limewood;63 by 54.5cm., 24¾ by 21½in.Saint Anne and Saint JoachimSally Eichengrün, Munich;Confiscated from the above by the Gestapo in Munich in November 1938;Sent for storage to the Beuerberg Monastery, Bavaria in 1945 (inv. no. 15/20);Recuperated by the so-called Monuments Men and transferred to the Central Collecting Point Munich on the 24nd July 1946 (inv. no. Mü 36431);Transferred to the Central Collecting Point Wiesbaden on the 8 th June 1949;Restituted from the above to Hedwig Stern née Eichengrün, daughter of Sally Eichengrün;private collection, Germany
Matthias Stom;Sarah brings Hagar to Abraham;oil on canvasMatthias StomSarah brings Hagar to AbrahamHeinrich Ueberall (1869–1939), Berlin, Given by the above as collateral for loans to the Dresdner Bank, Danzig (their label affixed to the reverse);Sold to Prussia by purchase agreement between Dresdner Bank and Prussia and transferred to the Gemäldegalerie, Staatliche Museen zu Berlin, cat. no. 2146 in 1935;Restituted by the Stiftung Preußischer Kulturbesitz to the heirs of Heinrich Ueberall in 2019.
Pair of busts of a young man and a young woman;lead, on carved ebonised wood socles;the man: 34.7cm., 13 5/8 in. overall;the woman: 34cm., 13 3/8 in. overallPair of busts of a young man and a young womanprobably Ritter Josef Karl von Klinkosch, Vienna;his sale, H.O. Miethke, Vienna, 2-3 April 1889, lot 682;Emma Budge, Hamburg;her forced sale, Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, 27-29 September 1937, lot 99;art market, Berlin, 1941;acquired by the Germanisches Nationalmuseum, Nuremberg (inv. nos. Pl. O. 2804 and 5);restituted to the Emma Budge Estate in 2013
Jan Baptist Weenix (Amsterdam 1621 - 1659 Huis ter Mey) and Bartholomeus van der Helst (Haarlem 1613 - Amsterdam 1670);Shepherd Boy with Sheep and Goats;signed on the tree upper right: Gio/Ba/Weenix and on the collar of the boy: BVHelst;oil on canvas;58 1/4 by 58 in., 148 by 147.3 cm.Jan Baptist Weenix (Amsterdam 1621 - 1659 Huis ter Mey) and Bartholomeus van der Helst (Haarlem 1613 - Amsterdam 1670)Shepherd Boy with Sheep and GoatsDr. Leroy d'Etiolles, Paris;His sale, Paris, Febvre, Hôtel Drouot, 21-22 February 1861, lot 132 (as Jan Baptist Weenix), sold for Fr 2,150;With Thomas Lawrie, London 1903-1921;Dr. Gustav Arens, Vienna;Lise Haas (née Arens), Vienna;Confiscated and allocated to the Fuehrermuseum in Linz;Restituted May 1948 (MCCP inventory no. K1035) and thence by descent.
Cornelis Springer;View of Lübeck Market;signed and dated CSpringer 1870 l.r.;oil on canvasCornelis SpringerView of Lübeck MarketJ.D. Dreyer, Bremen (purchased on 24 February 1870);Ignaz Ephrussi, Vienna;Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck (no. 6918);Restituted to the heirs of Ignaz Ephrussi in 2004
Hendrik Gerritsz. Pot;Portrait of a bearded man wearing a black coat with a large white collar, holding a pair of gloves;oil on oak panel, in a feigned marble oval;18.1 by 15.6 cm., 7 1/8 by 6 1/8 in.Hendrik Gerritsz. PotPortrait of a bearded man wearing a black coat with a large white collar, holding a pair of glovesPossibly the De Swarte Family, Flanders (as tentatively identified from the arms on the wax seal to the reverse);Gustaaf and Clara Hamburger, Laren;Spoliated by the Nazi authorities during the German occupation of the Netherlands;Stichting Nedelands Kunstbezit, no. 1607;Restituted by the above and thence by descent to Mr. Gustaaf Hamburger;By whom sold, Amsterdam, Christie's, 6 May 2008, lot 10 for 17,050 EUR.
François Boucher;An allegory of poetry;oil on circular canvas;diameter: 23 1/4 in., 59.1 cm.François BoucherAn allegory of poetryJacques Doucet, Paris, until 1912;His sale, Paris, Galerie Georges Petit, 6 June 1912, lot 133;Baroness Valentine Springer (nee Rothschild), Vienna;Sold forcibly to the Gemäldegalerie des Kunsthistorischen Museums, Vienna and restituted on November 26 1947;With Galerie Segoura, Paris;From whom purchased by the present collectors.
Anton Romako;Bildnis der Fürstin Maria Magda Kuefstein, geb. Krueger (Portrait of Countess Maria Magda Kuefstein, née Krueger);signed A Romako l.l.;oil on canvasAnton RomakoBildnis der Fürstin Maria Magda Kuefstein, geb. Krueger (Portrait of Countess Maria Magda Kuefstein, née Krueger)Maria Magda Kuefstein, Greillenstein;Dr Ferdinand Kuefstein, Greillenstein;Moriz Eisler, Brünn (Brno);Neue Galerie, Vienna;Österreichische Galerie, Vienna (by 1941);Restituted to the heirs of Moriz Eisler in 2001
Alfred Kubin;Nach der Schlacht (After the Battle);signed Kubin (lower left) and again faintly AKubin (lower right) and titled (lower left), with the Max Morgenstern Collection Stamp on the verso;pen and ink, wash and Spritztechnik on Kataster paperAlfred KubinNach der Schlacht (After the Battle)Maximilian (Max) & Hertha Morgenstern, Vienna (acquired directly from the artist);Dr. Kurt Otte, Hamburg (acquired from the above in June 1938);Städtische Galerie im Lenbachhaus, Munich (acquired from the above in 1971);Restituted by the above to the heirs of Max & Hertha Morgenstern in 2019
Gustav Klimt;Litzlberg am Attersee;Signed Gustav Klimt (lower right);Oil on canvasGustav KlimtLitzlberg am AtterseeViktor Zuckerkandl, Vienna;Viktor & Paula Zuckerkandl Estate (1928);Amalie Redlich, Vienna (acquired from the Estate of the above after 1928);Seized from the above by the Gestapo after the Anschluss in 1938;Galerie Welz, Salzburg;Museum der Moderne, Rupertinum, Salzburg;Restituted to the heir of Amalie Redlich in 2011
Frans Snyders;still life of fruit in a basket together with game, a bowl of fraises-de-bois, artichokes, asparagus and a squirrel upon a table draped with a red cloth;signed lower right: F. Snyders. Fecit;oil on canvas;95 by 139.3 cm., 37 1/2 by 54 7/8 in.Frans Snydersstill life of fruit in a basket together with game, a bowl of fraises-de-bois, artichokes, asparagus and a squirrel upon a table draped with a red clothMr and Mrs Edgard Stern, Paris;E.R.R. (Einsatzstab Reichsteiter Rosenberg für die Besetzten Gebiete), Paris, May 1940;Reichsmarshall Herman Goering, 1941;With Karl Haberstock, Berlin (acquired in exchange from the above), June 1941;Baron Freiherr G. von Polnitz, Schloß Aschbach bei Bamberg;Herman Shickman, New York, by 1968;Gifted by the above to the National Gallery of Art, Washington, 1990;Restituted to the heirs of Edgard Stern in 2000.
SilverProbably commissioned by Johann Rudolf Lerber the elder (1659-1731) or Franz Ludwig Lerber (1648-1720);Presented by Johann Rudolf Lerber the younger (1692-1766) to the Weavers' Guild of Berne 25 February 1745;Mentioned in the Weavers' Guild Bechertafel (inventory of sold items) 1767;Most probably bought back from the Weavers in 1767 by Sigmund Ludwig Lerber (1723-1783);Descended in Sigmund Ludwig Lerber's family to at least 1875;Sold, Die Sammlung Frau Emma Budge, Hamburg, Paul Graupe, Berlin, 4-6 October, 1937 lot 249 (for RM 1,500);Purchased in 1937 by the Swiss National Museum and exhibited until 2012;2012 Restituted to the Budge Estate by the Swiss National Museum
A Triptych;central panel: the Crucifixion;left wing: the Deposition;right wing: the Resurrection;the frame bears date: 1517;oil on oak panel, the wings in integral frames;painted surface (central panel): 86.7 by 64 cm., 34 1/8 by 25 1/4 in.;painted surface (wings): 83 by 26.5 cm., 32 5/8 by 10 3/8 in.;overall (open): 130 by 154 cm., 51 1/8 by 60 5/8 in.;overall (closed): 130 by 77 cm., 51 1/8 by 30 1/4 in.A Triptych;central panel: the Crucifixion;left wing: the Deposition;right wing: the ResurrectionPossibly with S. Alberge, The Hague;With Jacques Goudstikker, Amsterdam, inv. no. 3109 (as attributed to the Master of 1517);Looted by the Nazi authorities, 1 July 1940, and transferred to Hermann Göring (1893-1946);By whom sold to Alois Miedl;By whom sold, Berlin, Hans. W. Lange, 3 December 1940, lot 47 (as circle of Jacob Cornelisz van Amsterdam);Private collection;Restituted to the heir of Jacques Goudstikker in 2014.
Franz Timmerman;The Beheading of St. John the Baptist;signed with initials and dated lower left: 1534. FT. and inscribed lower left: AVDENT PR...CL...P.. CV DICEREIVRA TYRANNIS/ INTERRIS SAN... PRAMIA TANTA FERVNT./ SEDTAMEN IN COELOMERCES PERMAGNA REPOSTAES./ ILLIS QVAM TANDEM TV PIE CHRISTE DABIS.;oil on pinewood panel;48.6 by 35.6 cm., 19 1/8 by 14 in.Franz TimmermanThe Beheading of St. John the BaptistAnonymous sale, Lempertz, Cologne, 14th May 1926, lot 196;With C. van der Feer Ladèr, Baarn;Dr. Wilhelm Mautner (1889-1944), Amsterdam;Erhard Göpel, acquired from the above for Adolf Hitler's "Sonderauftrag Linz" (inv. no. 2996) in July 1943 for hfl. 24.000;Recovered by the Allied forces and deposited with the Munich Central Collecting Point (inv. no. 3727) in 1945;Returned to the custody of the Stichting Nederlandsch Kunstbezit, Holland in 1946 (inv. no. NK1655);On loan to the Bonnefantenmuseum, Maastricht;Restituted to the heirs of Dr. Wilhelm Mautner in 2010.
Gustav Klimt;DAMENBILDNIS EN FACE (PORTRAIT OF A LADY EN FACE);signed GUSTAV KLIMT (lower right);oil on card laid down on boardGustav KlimtDAMENBILDNIS EN FACE (PORTRAIT OF A LADY EN FACE)Galerie Miethke, Vienna (consigned by the artist in November 1904);Julius Reich (acquired from the above on 21st December 1909);Sale: Wawra, Vienna, 7th & 8th November 1922, lot 160;Bernhard Altmann, Vienna (purchased at the above sale);Seized from the above by the Gestapo in June 1938;Sale: Dorotheum, Vienna, 17th June 1938, lot 379;Gustav Ucicky, Vienna (the artist's son, purchased at the above sale);Österreichische Galerie Belvedere, Vienna (bequest from the above in 1961);Restituted to the heirs of Bernhard Altmann in 2004
A Marble Torso of a Young Satyr, Roman Imperial;MarbleA Marble Torso of a Young Satyr, Roman ImperialOskar Bondy (1877-1944), Schubertring 3 (Music Room), Vienna, coll. inv. no. 1504;recorded and seized by the German authorities in 1938/1939 (see fig. 1);Kunsthistorisches Museum, Vienna;restituted by the Austrian government in 1948 to Elizabeth Bondy, Oskar Bondy’s widow;Elizabeth Bondy (d. 1974), New York;Blumka Gallery, New York, on consignment from the above;the American sculptor Marshall M. Fredericks (1908-1998), Birmingham, Michigan, acquired from the above on December 21st, 1956;by descent to the present owner
Bernardus van Schijndel;Interior of a schoolroom;oil on panel;10 1/8 by 13 1/8 in., 25.7 by 33.3 cm.Bernardus van SchijndelInterior of a schoolroomDavid Goldmann, Vienna;Seized from the above by Hitler’s agents and allocated in the central depot of the Kunsthistorisches Museum, Vienna (inv. D.G. 25), where it was reserved for the Führermuseum;Transferred to Alt Ausse (inv. no. 2983) for the Kunstmuseum Linz (inv. no. 2644, as Anonymous, Dutch 17th century);Recovered by the Allied Forces on 15 July 1945 and sent to the Munich Central Collecting Point (inv. no.4334, as Dutch 17th century);Given over to the Austrian Government Kremsmünster depot (inv. no. K1347) on 16 May 1946;Restituted to David Goldmann;Thence by descent to the present owner.
Johann Adam Messerschmidt, brother of the sculptor;Mr. Stranz, before 1793;Dr. Richard Beer-Hofmann, Vienna, before 1905/6;Historisches Museum der Stadt Wien, Vienna, inv. no. 59895, 1939;Restituted to the heirs of Dr. Richard Beer-Hofmann in 2003
Adolph Menzel;Study of an old lady;Black chalk and stumping;signed with the artist's initials and dated, lower left: AM / 90.;206 by 130 mmAdolph MenzelStudy of an old ladyPresumably collection Rathenau-Ettlinger, Germany;assigned to the collection of the proposed Führermuseum, Linz (inv. no. 1151);recovered by the Allies from the salt mines at Altaussee, Austria and transferred to the Central Collecting Point, Munich on 18 October 1945 (inv. no. 10525);transferred from the Central Collecting Point, Munich to the Central Collecting Point, Wiesbaden on 29 June 1949;transferred to the office of the Ministerpresident, Bavaria on 10 August 1951 and subsequently restituted to E. Rathenau and E. Ettlinger, New York and Oxford on 14 September 1954;George Ettlinger, Twyford, by 1993;thence by inheritance to his widow Madeline Ettlinger;by whom gifted to the previous owner in 2003;sale, London, Sotheby's, 13 June 2006, lot 1
Hans Thoma;Badende Jünglinge (bathing boys);signed with the monogram and dated 79 lower right, signed with the monogram on the stretcher;oil on canvasHans ThomaBadende Jünglinge (bathing boys)Adolf Bensinger, Mannheim (acquired circa 1902-1909);Confiscated by the Oberfinanzpräsident Baden in 1939;Forced sale of the Estate of Adolf Bensinger, Nagel, Mannheim, 22 February 1940, lot 53;Galerie Zinckgraf, Munich (acquired at the above sale);Acquired from the above by the German Reich for the proposed Führermuseum, Linz;Central Collecting Point, Munich;Federal Republic of Germany (as successor to the above, unknown owner property);Kaiser Wilhelm Museum, Krefeld (on permanent loan from the Federal Republic);Restituted to the heirs of Adolf Bensinger in 2011
John Hamilton;A Tigress with her cubs threatened by a crocodile;oil on canvas;48 1/2 by 66 1/2 in., 123.2 by 168.9 cm.John HamiltonA Tigress with her cubs threatened by a crocodileBy tradition in the collection of the Princely Family of Liechtenstein;Given to Baron Salomon Mayer von Rothschild, 1822, and hung in Schilldersdorf, Moravia, before 1843;Thence by descent to Baron Alphonse Mayer von Rothschild, Vienna (inv. no. AR918) (listed in the Rothschild 1938 inventory in Vienna as after Rubens);Confiscated from the above in 1938 by the Nazi authorities and restituted to the Rothschild family, 1947;With N. Coburg;Baron Jungenfeld;Anonymous sale, London, Sotheby’s, 6 December 1989, lot 8;There acquired by Carlton Hobbs;From whom purchased by the present collector.
Apollonio di Giovanni;Triumph of Marcus Furius Camillus, a cassone panel;tempera and gold leaf on panel;16 3/4 by 63 1/3 in., 42.5 by 161 cm.Apollonio di GiovanniTriumph of Marcus Furius Camillus, a cassone panelCollection of Baron Edmond de Rothschild, Château de Ferrières;Seized by the Einsatzstab Reichsleiter Rosenberg from the Chateau de Ferrières (inv. no. BOR 58);In the holdings of the German Embassy, Paris;Recovered by the Monuments Men at the Buxheim Monastery, Bavaria, and restituted to the Rothschild family 1946/7 (chest number 134);From whom most probably acquired directly by the father of the present owner.
Frans van Mieris the Elder;A smoking soldier;oil on beech wood panel;22.1 by 17.9 cm.Frans van Mieris the ElderA smoking soldierEmma Budge, Hamburg, by 1925;Her forced sale, Berlin, Paul Graupe, 4-6 October 1937, lot 5;Private collection, Hamburg (acquired at the above sale);Restituted from the above to the Emma Budge Estate, 2010.
Juriaen Pool II;A group portrait of headmen of the Amsterdam Gold and Silversmith's Guild: Derick Schelte, deken, Johannes de Vicq, Matheus Weyland, Hendrick de Hondt and Gerrit Lange;signed and dated lower right: J. Pool 1701;oil on canvas;152.5 by 198.5 cm., 60 by 78 1/8 in.Juriaen Pool IIA group portrait of headmen of the Amsterdam Gold and Silversmith's Guild: Derick Schelte, deken, Johannes de Vicq, Matheus Weyland, Hendrick de Hondt and Gerrit LangeKunsthandlung Julius Stern, Düsseldorf, by 1933;Acquired from the above by Galerie Heinemann, Wiesbaden, 14 January 1937;Spielbank Bad Neunahr, by 1961;Restituted to the Max Stern Estate in 2011.
Louis Tocqué;Portrait of a Man;oil on canvas;32 7/8 by 26 1/4 in., 83.5 by 66.7 cm.Louis TocquéPortrait of a ManMarquis d'Ussel;Mrs. Emma Budge, Hamburg, by 1925;Her forced sale (Sammlung Frau Emma Budge, Hamburg), Berlin, Paul Graupe, 27-29 September 1937, lot 21;Where acquired by Frederick W. Schumacher, Columbus, Ohio, for RM 3,000;By whom bequeathed to the Columbus Museum of Art, Columbus, Ohio, in 1957 (inv. no. [57] 38.8);Restituted to the Budge heirs, 2010.
Pieter Brueghel the Younger;A winter landscape with skaters;signed lower right: P · BREVGHEL ·;oil on oak panel;40 by 57 cm., 15 3/4 by 22 1/2 in.Pieter Brueghel the YoungerA winter landscape with skatersWith Galerie van Diemen, Berlin;Jacob Hartog, The Hague;His forced sale to Hitler for the Linz Museum, 18 August 1942, for 5,000 Dutch florins;Restituted to the Dutch Government, 29 April 1946;Returned to Jacob Hartog, New York, in 1946;Thence by family descent until sold New York, Sotheby's, 25 January 2007, lot 20, for $2,900,000;With Richard Green, London;Acquired from the above in 2009.
Karl Blechen;Mühle im Tal (Mill in a valley);oil on paper laid on panelKarl BlechenMühle im Tal (Mill in a valley)Julius and Clara Freund, Berlin and Winterthur;The Estate of Julius Freund (by descent from the above, forced sale: Galerie Theodor Fischer, Lucerne, Sammlung Julius Freund, 21 March 1942, lot 37);Dr Alexander von Frey, Lucerne (purchased at the above sale);Einsatzstab Reichsleiter Rosenberg (by exchange with the above);Hermann Göring (acquired from the above);Adolf Hitler (a gift from the above, on deposit with the 'Führerbau' in Munich from 1942);Recovered by the Allies from the Altaussee salt mines in Austria and sent to the Munich Central Collecting Point (inv. no. 9386);Bundesrepublik Deutschland (returned from the Munich Central Collecting Point on 6 June 1949, on loan to the Kurpfälzisches Museum der Stadt Heidelberg, Heidelberg 1967-2009);Restituted to the heirs of Julius Freund in 2009
silverEmma Budge, née Lazarus, Hamburg (1852-1937);The forced sale of her estate: Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, 27, 28, and 29 September, 1937, lot 193;Berlin Schlossmuseum, then Kunstgewerbemuseum Berlin;Restituted to the heirs of Emma Budge 2015
pair of busts of a young man and a young woman;lead, on carved ebonised wood socles;Young man: 34.7cm., 13 5/8 in. overall;Young woman: 34cm., 13 3/8 in. overallpair of busts of a young man and a young womanprobably Ritter Josef Karl von Klinkosch, Vienna;his sale, H.O. Miethke, Vienna, 2-3 April 1889, lot 682;Emma Budge, Hamburg;her forced sale, Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, 27-29 September 1937, lot 99;Art market, Berlin, 1941;acquired by the Germanischen Nationalmuseum, Nuremberg (inv. nos. Pl. O. 2804 and 5);restituted to the Emma Budge Estate in 2013
Gustav Klimt;Hygieia von vome mit herabfallendem Gewand;Signed Gustav Klimt (lower right), stamped Sammlung B. Moser (lower left);Black chalk on paperGustav KlimtHygieia von vome mit herabfallendem GewandDr. Heinrich Rieger, Vienna;B. Moser, Vienna (sold: Dorotheum, Vienna, November 3-6, 1942, lot 317);Historisches Museum, Vienna (acquired at the above sale);Restituted to the heirs of Dr. Heinrich Rieger on June 21, 2005
Jan Brueghel the Elder;Still life of flowers in a stoneware vase;oil on oak panel;67 x 51 cm., 26 3/8 x 20 1/8 in.Jan Brueghel the ElderStill life of flowers in a stoneware vaseBaron Alphonse von Rothschild, Schloss Schillersdorf (Šilheřovice), Silesia, by 1911 (bears Schillersdorf inventory no. 2684 on a label affixed to the reverse);Appropriated by forced transfer in 1939 and allocated to the Národní galerie, Prague (inv. no. 0-1607);Restituted to the heirs of Alphonse von Rothschild in 2016.


  • Národní galerie, Prague 
  • Dorotheum, Vienna
  • Historisches Museum, Vienna
  • Paul Graupe, Berlin, Die Sammlung Frau Emma Budge, 27-29 September 1937, lot 99;
  • Art market, Berlin, 1941
  • Germanischen Nationalmuseum, Nuremberg
  • Berlin Schlossmuseum
  • Kunstgewerbemuseum Berlin
  • Albertina
  • Hauswedell & Nolte
  • Klaus Lanker, St. Gall
  • Dr. Rohe, Munich
  • Anonymously sold ("The Property of a Private Collector"), London, Sotheby's
  • Jack Kilgore & Co., New York
  • Galerie Theodor Fischer, Lucerne 
  • Dr Alexander von Frey
  • Einsatzstab Reichsleiter Rosenberg
  • Hermann Göring
  • Bundesrepublik Deutschland
  • on loan to the Kurpfälzisches Museum der Stadt Heidelberg, Heidelberg 
  • Paul Graupe, 27-29 September 1937
  • Ulmer Museum, Ulm
  • Frederick W. Schumacher, Columbus, Ohio
  • Columbus Museum of Art, Columbus, Ohio
  • Oberfinanzpräsident Baden
  • Nagel, Mannheim
  • Galerie Zinckgraf, Munich 
  • German Reich 
  • Federal Republic of Germany
  • Kaiser Wilhelm Museum, Krefeld
  • Gustav Ucicky, Vienna
  • Österreichische Galerie Belvedere, Vienna


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