... Open Art Data ...: Tate Provenance Research Project Spoliation Reports

UK Museums Provenance Research Projects: TATE

Lists of works with incomplete provenance during the period 1933 - 1945

Spoliation Reports Phases 1,2 and 3

Phase 4 - List of works with incomplete provenance during the period 1933 - 1945

ABBOTT, Lemuel Francis (1760-1803)

Portrait of the Engraver Francesco Bartolozzi, No date
Oil paint on canvas
756 x 676 mm
Presented by Mrs M. Bernard 1968
T01067

Provenance:

• …; Mrs M Bernard, by 1968
Questions in the operative period:
No published provenance pre-1968
AGASSE, Jacques Laurent (1767-1849)
Two Hunters with a Groom (circa 1805)
Oil on canvas
638 x 759 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02350

Provenance:

• …; reportedly bought by Oscar Johnson (d.1968), before 1963
• Oscar & Peter Johnson Ltd
• From whom purchased by Paul Mellon 1968
• Presented by Paul Mellon, 1979
Questions in the operative period:
No information on whereabouts prior to acquisition by Oscar Johnson
ALKEN, Henry Thomas (1785-1851)
The Belvoir Hunt: Jumping into and out of a Lane (circa 1830-40)
Oil on canvas
451 x 648 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02353
Provenance:
• …; Arthur Ackermann and Son Ltd
• From whom purchased by Paul Mellon 1964
Questions in the operative period:
No information on whereabouts prior to acquisition by Ackermann and Son Ltd

ALKEN, Henry Thomas (1785-1851)
The Belvoir Hunt: The Meet (circa 1830-40)
Oil on canvas
451 x 648 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02352

Provenance:

• …; Arthur Ackermann and Son Ltd
• from whom purchased by Paul Mellon 1964
Questions in the operative period:
No information on whereabouts prior to acquisition by Ackermann and Son Ltd
ALKEN, Henry Thomas (1785-1851)
The Belvoir Hunt: Full Cry (circa 1830-40)
Oil on canvas
451 x 648 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02354

Provenance:

• …; Arthur Ackermann and Son Ltd
• from whom purchased by Paul Mellon 1964
Questions in the operative period:
No information on whereabouts prior to acquisition by Ackermann and Son Ltd
ALKEN, Henry Thomas (1785-1851)
The Belvoir Hunt: The Death (circa 1830-40)
Oil on canvas
451 x 648 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02355

Provenance:

• …; Arthur Ackermann and Son Ltd
• from whom purchased by Paul Mellon 1964
Questions in the operative period:
No information on whereabouts prior to acquisition by Ackermann and Son Ltd
ANSDELL, Richard (1815-1885)
A Ploughing Match, No date
Oil paint on canvas
781 x 1346 mm
Purchased 1935
N04798

Provenance:

• …; acquired 1935
Questions in the operative period:
No early history yet traced
BARENGER, James (1780-1831)
Jonathan Griffin, Huntsman to the Earl of Derby's Staghounds (1813)
Oil on canvas
1016 x 1270 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02356
Provenance:
• …; anon. sale Christie’s 17 March 1967 (167)
• Bought Betts
• Arthur Ackermann and Son Ltd, exhibited 1967
• From whom purchased by Paul Mellon 1967
Questions in the operative period:
No information on whereabouts prior to 1967
BARRET, George (1767-1842)
Landscape with a Bridge, No date
Watercolour and graphite on paper
498 x 670 mm
Purchased 1974
T01860
Provenance
• …; Spink by 1973
Questions in the operative period:
No source or date of acquisition by Spink
BATEMAN, James (1815-1849)
Highland Scene (1844)
Oil on wood
203 x 254 mm
Presented anonymously in memory of Mrs M. Bernard 1981
T03210

Provenance:

• ...; Montague Bernard Esq.
• Presented to Tate by M. Bernard, Esq. in memory of Mrs M. Bernard 1981
Questions in the operative period:
No source or date of acquisition by Montague Bernard Esq.
BEAUMONT, George Howland (1753-1827)
Landscape (c. 1795)
Oil paint on paper
133 x 159 mm
Purchased 1969
T01148

Provenance

• …; R. B. Beckett
Questions in operative period
No source or date of acquisition by Beckett
Additional information
R. B. Beckett (1891-1973) was editor of Constable’s letters.
BEECHEY, Sir William (1753-1839)
Portrait of Sir Francis Ford's Children Giving a Coin to a Beggar Boy (exhibited 1793)
Oil on canvas
1805 x 1500 mm
Purchased with assistance from the National Art Collections Fund 1993
T06734

Provenance:

• Painted for Sir Francis Ford (1758-1801)
• With his daughter, Caroline and her husband John Hyde at Syndale, Kent, by 1838
• …; ? Colville Hyde sale, Christies, London, 2 March 1922
• …; with Scott & Fowles, New York
• …; John M. Schiff (1904-1987), New York
• His sale, Sotheby’s New York 10 January 1991
• Bought by the Dover Street Gallery London
• By whom sold to the Tate in 1993
Questions in the operative period:
Uncertain identification in Colville Hyde sale, Christies 2 March 1922
Uncertain whether Scott & Fowles acquired it at 1922 sale
Uncertain whether Schiff acquired it from Scott & Fowles
Additional information
John M. Schiff’s father Mortimer L. Schiff (1877-1931), successful banker and collector, owned two
other Beecheys which he lent to an exhibition in New York in 1912. This painting was illustrated in an
(undated) advertisement, held in the Witt Library, for Scott & Fowles the art gallery owned by E. J.
Rousuck and active c.1905-43.
after BLAKE, William (1757-1827)
David Delivered out of Many Waters, No date
Graphite and watercolour on paper
Bequeathed by Miss Alice G.E. Carthew 1940
N05197
Provenance
• …; Miss Alice G.E. Carthew by 1940
Questions in the operative period:
No source or date of acquisition by Carthew
Additional information
Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911.
This work is believed to be a late copy, perhaps by the donor herself.
after BLAKE, William (1757-1827)
The Raising of Lazarus, No date
Watercolour and graphite on paper
Bequeathed by Miss Alice G.E. Carthew 1940
N05199
Provenance
• …; ?Carfax and Co. by 1906
• Miss Carthew, ?after 1914
Questions in the operative period:
Uncertain date of acquisition by Carthew
Additional information
Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911.
BLAKE, William (1757-1827)
Age Teaching Youth (c.1785-90)
108 x 80 mm
Bequeathed by Miss Alice G.E. Carthew 1940
N05183

Provenance:

• ? Mrs Blake
• ? Frederick Tatham
• ? sold Sotheby's 29 April 1862 (possibly? in 185, 2 items ‘in colours’, 15/- bought Harvey
• with Harvey by 1863
• George A. Smith
• sold Christie's 16 July 1880 (102) 14/-
• bought J. Pearson
• ? U.S. collection, by 1905
• Miss Carthew
Questions in the operative period:
Uncertain date of acquisition by Carthew
Additional information
Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works in 1940, was collecting
by 1911
BLAKE, William (1757-1827)
First Book of Urizen pl. 21 1796, c.1818
Etching with paint, watercolour and ink on paper
270 x 184 mm
Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual
donors 2009
T12999

Provenance:

• Inherited by Catherine Blake, the artist’s widow (d.1831)
• By whom given to Frederick Tatham, at an unknown date
• … purchased by a private collector at a second-hand book sale in north London c.1970
Questions in the operative period:
No ownership history between Tatham and c.1970
Additional information
Checked with Art Loss Register
BLAKE, William (1757-1827)
First Book of Urizen pl. 17 1796, c.1818
Etching with paint, watercolour and ink on paper
265 x 185 mm
Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual
donors 2009
T12998
Provenance:
• Inherited by Catherine Blake, the artist’s widow (d.1831)
• By whom given to Frederick Tatham, at an unknown date
• … purchased by a private collector at a second-hand book sale in north London c.1970
Questions in the operative period:
No ownership history between Tatham and c.1970
Additional information
Checked with Art Loss Register
BLAKE, William (1757-1827)
The Soul Hovering over the Body Reluctantly Parting with Life (circa 1805)
Pencil on paper
272 x 456 mm
Bequeathed by Sir Hugh Walpole 1941
N05300

Provenance:

• ? Mrs Blake
• ? Frederick Tatham
• ? Joseph Hogarth, sold Southgate's 7-23 June 1854, 12th evening (in 5082 with 21 other
works) 16/-
• Bought Edsall
• …; Richard Johnson
• Sold Platt's 25 April 1912 (in 702 with 16 other works)
• Purchaser unknown
• …; sold Sotheby's 28-30 May 1934, 1st day (167) £22
• Bought Bain for Sir Hugh Walpole
Questions in the operative period:
Uncertain owner before May 1934 sale
manner of BONINGTON, Richard Parkes (1802-1828)
Landscape in Normandy, No date
Oil paint on canvas
387 x 549 mm
Presented by Frederick John Nettlefold 1947
N05790

Provenance:

• Didier Henry, Paris, 1868
• Victor Rienaecker 1926
• …; Frederick John Nettlefold by 1933
Questions in the operative period:
Uncertain transfer from Rienaecker to Nettlefold
Additional Information
This was published in vol 1 of Nettlefold's catalogue in 1933. Rienaeker was a British collector and
scholar, also a Curator at the Ashmolean.
BONINGTON, Richard Parkes (1802-1828)
Venice: Ducal Palace with a Religious Procession (exhibited 1828)
Oil paint on canvas
1143 x 1626 mm
Presented by Frederick John Nettlefold 1947
N05789
Provenance:
• coll of Lord Northbrook, Stratton Park, before 1893
• Sir Thomas Baring
• …; Frederick John Nettlefold by 1933
Questions in the operative period:
Uncertain transfer from Baring to Nettlefold
BONINGTON, Richard Parkes (1802-1828)
The Pont des Arts, Paris (c.1826)
Oil paint on board
356 x 451 mm
Bequeathed by P. Ralli 1961
N06326
Provenance:
• …; P. Ralli by 1961
Questions in the operative period:
No source or date for Ralli’s acquisition
BRABAZON, Hercules Brabazon (1821-1906)
Akaba, No date
Watercolour and gouache on paper
254 x 330 mm
Bequeathed by Sir Victor A.A.H. Wellesley Bt 1954
N06252
Provenance:
• …; Sir Victor A.A.H. Wellesley Bt by 1954
Questions in the operative period:
No source or date for Wellesley’s acquisition
Additional information
May have been acquired directly from the artist
BREE, Rev. William (1754-1822)
A Much-Repaired Gate (1804)
Watercolour on paper
114 x 187 mm
Presented by Miss Marjorie Ball 1988
T05471

Provenance:

• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
BRETT, John (1831-1902)
Glacier of Rosenlaui (1856)
Oil paint on canvas
445 x 419 mm
Purchased 1946
N05643

Provenance

• Sir Thomas Fairbairn, June 1860
• Christie’s, 7 May 1887 (144), bought in.
• …; Nicolson Gallery, London
• Acquired 1946
Questions in the operative period:
Uncertain whether returned to Fairburn after failed sale in 1887
No source or date for Nicolson Gallery ownership.
Additional information:
Sir Thomas Fairbairn (1823-1891) was a noted industrialist and collector of Pre-Raphaelite painting.
BRITISH SCHOOL 19TH CENTURY, (1800-1899)
Country Girl with Downcast Eyes, No date
Watercolour on paper
292 x 235 mm
Purchased 1955
T00031
Provenance:
• …; acquired 1955
Questions in the operative period:
No early history yet traced for this unattributed work
BRITISH SCHOOL 19TH CENTURY, (1800-1899)
A Black Model (c.1830-40)
Oil paint on canvas
1283 x 1016 mm
Purchased 1942
N05386
Provenance:
• …; acquired 1942
Questions in the operative period:
No early history yet traced for this unattributed work
BROOKE, William Henry (1772-1860)
Lanherne Bay near the Nunnery, Cornwall (1819)
Watercolour on paper
146 x 190 mm
Purchased 1981
T03300
Provenance:
• …; in the London art trade
• Where bought by Stanhope Shelton c.1960
• From whom purchased 1981
Questions in the operative period:
No information on whereabouts before c.1960
Additional information
Stanhope Shelton was an art dealer and scholar with a special interest in watercolours.
BRUNIAS, Agostino (c.1730–1796)
Dancing Scene in the West Indies, c.1764–1796
Oil on canvas
508 x 660 mm
Purchased with assistance from Tate Patrons 2013
T13869

Ownership history

• …; the Parker Gallery, London (label)
• Sir Harold Paton Mitchell, 1st Baronet (1900–1983), Marshall's Island, Bermuda
• By descent
• Sold Christie's South Kensington, London, 25 April 2012, lot 276
• Bought by Rafael Valls Ltd, London
• From whom purchased by Tate 2013
Questions in the operative period:
No source or date of acquisition by Parker Gallery or Mitchell
BURNEY, Edward Francis (1760-1848)
Amateurs of Tye-Wig Music (‘Musicians of the Old School’) (circa 1820)
Oil on canvas
710 x 915 mm
Purchased with assistance from the National Lottery through the Heritage
Lottery Fund and the National Art Collections Fund 1997
T07278

Provenance:

• …; Pierre Jeannerat (1903-1984)
• Given by him to Margaret Kaye (otherwise Minnie Koussevitsky), London, 1972
• On loan to Tate, 1994
• Purchased 1997
Questions in the operative period:
No source or date for Jeannerat’s acquisition.
CALDERON, Philip Hermogenes (1833-1898)
Broken Vows (1856)
Oil on canvas
914 x 679 mm
Purchased 1947
N05780
Provenance:
• …; Purchased from Mr Arthur Spencer 1947
Questions in the operative period:
No information on whereabouts prior to 1947
CALLCOTT, Sir Augustus Wall (1779-1844)
A Road Leading to a Village (circa 1812)
Oil on wood
197 x 260mm
Presented by Miss Marjorie Ball 1988
T05470
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
CALVERT, Edward (1799-1883)
Nude Study (circa 1830-50)
Oil on canvas
514 x 378 mm
Presented by the National Art Collections Fund 1942
N05398

Provenance:

• …; acquired 1942
Questions in the operative period:
No early history yet traced
CAMPBELL, James (1828-1893)
The Lollipop (1855)
Oil on canvas
350 x 300 mm
Presented by David Posnett and the Leger Galleries 1996 to celebrate the Tate Gallery Centenary
1997
T07057

Provenance:

• …; sold Goldings, Lincolnshire, 8 Feb. 1995 (337)
• Where bought by David Posnett
Questions in the operative period:
No information on whereabouts prior to 1995 sale
CHALON, Henry Bernard (1770-1849)
A Representation of the Persians in the Costume of their Country, Attending at Carlton Palace
(?1819)
Oil on canvas
1010 x 1441 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02357
Provenance:
• …; Rutland Gallery, London by 1962
• Where acquired by Mr and Mrs John C. West, Unionville, Chester County, Pennsylvania, 1962
• By whom sold to Essex Gallery of Sport, Far Hills, New Jersey, June 1977
• From whom purchased by Paul Mellon, August 1977
• By whom presented to the Tate Gallery in 1979
Questions in the operative period:
No information on whereabouts prior to 1962
CHINNERY, George (1774-1852)
How Qua, Senior Hong Merchant at Canton, China, No date
Oil paint on canvas
Presented by the Art Fund 1942
N05369
Provenance:
• …; acquired 1942
Questions in the operative period:
No early history yet traced
CHINNERY, George (1774-1852)
Colonel Woodburn of the Bengal Artillery (circa 1803)
Oil on canvas
476 x 375 mm
Bequeathed by Alan Evans 1974
T01910

Provenance:

• ...; Alan Evans by 1974
Questions in the operative period:
No date and source for ownership by Evans
Additional information
Alan Aiden Newton Evans (d. 7th April 1974) bequeathed his collection to the National Gallery;
seventeen paintings were transferred to Tate which, in turn, lent this portrait to the National Army
Museum. Evans’s great-uncle was the collector Frederick Henry Arthur Wallop.
CHURCHYARD, Thomas (1798-1865)
View on the Deben, No date
Oil paint on board
219 x 310 mm
Purchased 1972
T01682

Provenance:

• The artist’s daughter, Elizabeth (1834-1913)
• …; Mrs Evelyn Hopkins
• By whom given to Seckford Library, Woodbridge
• Sold Arnott and Calver, Woodbridge, 2 July 1972 (lot 46)
• Bought Eastbourne Fine Art
• From whom acquired by Tate Gallery 1972
Questions in the operative period:
Unclear whether Hopkins acquired directly from Elizabeth Churchyard
CHURCHYARD, Thomas (1798-1865)
Windmills, No date
Oil paint on wood
164 x 122 mm
Presented anonymously in memory of Sir Terence Rattigan 1983
T03618

Provenance:

• …; Roland, Browse and Delbanco 1959
• Spink & Son Ltd.
• From whom acquired by the donor 1966
Questions in the operative period:
No source for ownership prior to 1959
CHURCHYARD, Thomas (1798-1865)
A House by a River, No date
Oil paint on wood
142 x 200 mm
Presented anonymously in memory of Sir Terence Rattigan 1983
T03619
Provenance:
• The artist’s daughter Harriet Churchyard (1836-1927)
• …; Spink & Son Ltd.
• From whom acquired by the donor 1966
Questions in the operative period:
Uncertain whether Spink & Son Ltd acquired directly from the Churchyard family
CHURCHYARD, Thomas (1798-1865)
The Garden Tent, No date
Oil paint on oak
180 x 164 mm
Presented anonymously in memory of Sir Terence Rattigan 1983
T03620
Provenance:
• The artist’s daughter, Elizabeth Churchyard (1834-1913)
• …; Simon Carter Gallery, Woodbridge
• From whom acquired by the donor 1967
Questions in the operative period:
Uncertain whether Simon Carter Gallery acquired directly from the Churchyard family
CLINT, Alfred (1807-1883)
Hampstead from the South-East (circa 1852-5)
Oil on canvas
610 x 914 mm
Purchased 1935
N04809

Provenance:

• …; Messrs. Dunthorne and Son,
• from whom purchased by the Tate as ‘Old Highgate’ 1935
Questions in the operative period:
No information on whereabouts prior to acquisition from Messrs. Dunthorne and Son
Additional information
May have passed directly from artist to Messrs. Dunthorne and Son
COLMAN, Samuel (1780-1845)
The Temple of Flora, No date
Oil paint on canvas
457 x 610 mm
Purchased 1952
N06038

Provenance:

• …; acquired 1952
Questions in the operative period:
No early history yet traced
COLMAN, Samuel (or Coleman) (1780-1845)
The Death of Amelia (?1804)
Oil on canvas
629 x 756 mm
Purchased 1977
T02109

Provenance:

• …; purchased at Bonham's, 17 Feb 1977
Questions in the operative period:
No information on whereabouts prior to 1977
Additional information
Attribution not certain.
CONSTABLE, George (1792-1878)
Landscape with Cottage and Figures, No date
Oil paint on board
133 x 200 mm
Purchased 1981
T03236

Provenance:

• The artist’s son George Sefton Constable
• By whom given to George Sparks 1878
• …; Bought from Scott Antiquities, Tadworth by Stephen Garratt c.1980
• By whom sold to P. B Sutton
• From whom bought by the Tate Gallery 1981
Questions in the operative period:
No date or details of sale by Sparks
No source or date of acquisition by Scott Antiquities
CONSTABLE, John 1776-1837
Figures Fishing on the Bank of the River Arun Near a Beached Boat, Arundel 1835
Graphite on paper
220 x 282 mm
Presented by the American Fund for the Tate Gallery, courtesy of Julie and Lawrence Salander 2012
T13761

Provenance:

• …; presented 2012
Questions in the operative period:
No early history yet traced
CONSTABLE, John 1776-1837
The Ruined Tower of East Bergholt Church 1816-17
Graphite on paper
185 x 222 mm
Presented by the American Fund for the Tate Gallery, courtesy of Julie and Lawrence Salander 2012
T13760
Provenance:
• …; private collection London
• Private collection New York
Questions in the operative period:
No source or date of acquisition by private collectors
CONSTABLE, John (1776-1837)
Wooded Landscape with a Church Tower, No date
Chalk on paper
175 x 219 mm
Purchased 1971
T01497

Provenance:

• …; Henry Scipio Reitlinger
• His sale Sotheby’s 26 May 1954 lot 438
• Bought R. B. Beckett
• His widow Norah Beckett
• From whom bought by the Tate Gallery 1971
Questions in the operative period:
No source or date of acquisition by Reitlinger
CONSTABLE, John 1776-1837
Fen Lane, East Bergholt (?1817)
Oil paint on canvas
692 x 925 mm
Purchased with assistance from the National Lottery through the Heritage Lottery Fund and the Art
Fund (with a contribution from the Wolfson Foundation), with additional assistance from Sir Edwin
and Lady Manton and Tate Members in memory of Leslie Parris, Deputy Keeper British Collection and
Senior Research Fellow Collections Division 1974-2000, and from the bequest of Alice Cooper Creed,
2002
T07822

Provenance:

• …; Sir Donald Currie (d.1909), by 1894
• …; private collection
• By descent (submitted for sale at Phillips, 11 December 1990, bought in)
• Purchased 2002
Questions in the operative period:
Uncertain whether private collector bought directly on Currie’s death in 1909
CONSTABLE, John (1776-1837)
The Opening of Waterloo Bridge (‘Whitehall Stairs, June 18th, 1817’) (exhibited 1832)
Oil on canvas
1308 x 2180 mm
Purchased with assistance from the National Heritage Memorial Fund, the Clore Foundation, the
National Art Collections Fund, the Friends of the Tate Gallery and others 1987
T04904

Provenance:

• Artist's administrators, sold Foster 16 May 1838 (74) £63
• Bought Moseley
• …; Charles Birch, Birmingham by 1839,
• Sold Christie's 7 July 1853 (42) £252 bought in,
• Sold Foster 27 Feb. 1857 (LXVI) £609
• Bought Henry Wallis
• Sold by him, Foster 3 Feb. 1858 (104) £582. 15s. bought in,
• Sold Foster 6 Feb. 1861 (86) £464
• Bought Davenport
• …; Kirkman D. Hodgson
• …; Sir Charles Tennant Bart (1823–1906), by 1892
• By descent to his grandson, 2nd Baron Glenconner (Christopher Grey Tennant 1899–1983)
• …; Leggatt
• From whom bought by Harry Ferguson 1955
• By descent to anonymous vendor
• From whom bought through Agnew by the Tate Gallery
Questions in the operative period:
Uncertain whether 2nd Baron Glenconner sold direct to Leggatt.
CONSTABLE, John (1776-1837)
Beaching a Boat, Brighton (1824)
Oil on paper laid on canvas
248 x 294 mm
Presented by Mrs P.M. Rainsford 1986
T04135

Provenance:

• By descent to the artist's daughter Isabel Constable (1822-88),
• By whose executor sold at Christie's 17 June 1892 (254 as' A Coast Scene, with fishing boat': label
with this title and recording Isabel's ownership formerly on stretcher and now separately
preserved) £32.11s.
• Bought Dowdeswell
• …; P. A. Chéramy, Paris by 1902, when repr. in Magazine of Art
• His sale, Georges Petit, Paris 5-7 May 1908 (19 as 'Pêcheurs amenant un bateau de pêche sur la
rive')
• …; 'Mr Meyer'
• From whom bought by Leger, Jan. 1962
• Sold to Broadway Gallery, Worcs., Feb. 1962
• Bought there the same month by Mrs Rainsford
Questions in the operative period:
• No source or date of acquisition by Meyer
CONSTABLE, John (1776-1837)
Study of a Girl in a Cloak and Bonnet (1810)
Oil on board
316 x 175 mm
Purchased 1983
T03607

Provenance:

• Allocated to the artist’s daughter Maria Louisa (‘Minna’) in a division of the family collection 27
December 1847 (inscription)
• Inherited on her death in 1885 by her brother Lionel and sister Isabel
• Inherited on Lionel's death in 1887 by Isabel alone
• She died 1888
• Said to have been included in one of the sales of her collection (Christie's 28 May 1891, 17 June
1892)
• Said to have been bought by Thomas J. Barratt
• …; Kojiro Matsukata, Tokyo
• Sold to another Japanese collector, c.1930
• By descent to collector’s son
• From whom bought by Tokuzo Mizushima (owner of the Fujikawa Galleries), ? 1954
• By whom offered for sale, Sotheby's 2 March 1983 (75, repr. in col.), bought in
• Acquired from Tokuzo Mizushima by Tate Gallery 1983
Questions in the operative period:
• Uncertain dates of acquisition and disposal by Matsukata
Additional information:
Baron Matsukata – whose collection of Impressionist paintings and sculpture is now in the Museum of
Western Art in Tokyo - owned a number of Constable works.
CONSTABLE, John (1776-1837)
Cloud Study with Verses from Bloomfield (1830s)
Pen and ink on paper
337 x 213 mm
Purchased 1974
T01940

Provenance:

• Presumably given by Constable to David Lucas
• Said to have passed to his brother Alfred Lucas
• Said to have been bought from Alfred Lucas by E. E. Leggatt
• …; R. B. Beckett by 1956, when exhibited at Manchester
• His widow Mrs Norah Beckett 1970
• Purchased from her executrix by the Tate Gallery with funds from the Gytha Trust 1974
Questions in the operative period:
• No definitive information on whereabouts between Leggatt and Beckett
CONSTABLE, John (1776-1837)
Study for 'Flatford Mill' (circa 1816)
Drawing on paper
255 x 312 mm
Purchased 1988
T05493
Provenance:
• …; acquired 1988
Questions in the operative period:
• No early history has yet been traced
CONSTABLE, John (1776-1837)
Netley Abbey by Moonlight (circa 1833)
Watercolour and pencil on paper
146 x 200 mm
Purchased 1969
T01147
Provenance:
• Charles Golding Constable
• His posthumous sale, Christie's, in pursuance of a High Court order, 11 July 1887 (62, 'Netley
Abbey by Moon light', watercolour)
• Bought Clifford Constable, £21.10s. 6d.
• …; anon. sale Christie's 23 October 1953 (34)
• Bought Burnley
• R. B. Beckett by 1956, when lent by him to the Manchester exhibition
• Bought from him by the Tate Gallery with funds from the Gytha Trust 1969
Questions in the operative period:
• No source or date of acquisition by vendor in 1953
CONSTABLE, John (1776-1837) LUCAS, David (1802-1881)
Gillingham Mill, Dorsetshire (c.1843, c.1855)
Steel plate
250 x 194 mm
Purchased 1991
T06508
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John (1776-1837) LUCAS, David (1802-1881)
Hampstead Heath, Harrow in the Distance (c.1845, c.1855)
Steel plate
178 x 213 mm
Purchased 1991
T06507
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Arundel Mill and Castle (circa 1846, circa 1855)
Steel plate
193 x 243 mm
Purchased 1991
T06511
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Willy Lott's House (1832, circa 1844, circa 1855)
Steel plate
256 x 187 mm
Purchased 1991
T06506
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Porch of the Church at East Bergholt, Suffolk (circa 1843, circa 1855)
Steel plate
246 x 189 mm
Purchased 1991
T06505
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Various Subjects of Landscape, Characteristic of English Scenery (‘English Landscape’) / Noon
(1830, circa 1855)
Steel plate
192 x 255 mm
Purchased 1991
T06503
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Various Subjects of Landscape, Characteristic of English Scenery (‘English Landscape’) /
Summer Morning (1831, circa 1855)
Steel plate
176 x 253 mm
Purchased 1991
T06504
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Mill near Colchester (circa 1845-6, circa 1855)
Steel plate
192 x 243 mm
Purchased 1991
T06510
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
A Cottage in a Cornfield (circa 1844, circa 1855)
Steel plate
245 x 190 mm
Purchased 1991
T06509
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
CONSTABLE, John and LUCAS, David (1776-1837, 1802-1881)
Various Subjects of Landscape, Characteristic of English Scenery (‘English Landscape’)/ Spring
(1830, circa 1855)
Steel plate
156 x 258 mm
Purchased 1991
T06502
Provenance:
• Constable sale, Foster and Sons, 1838, in one of two lots including, respectively, 22 and 6
original steel plates
• H.G. Bohn bid £55 for these but they were initially bought in
• Bohn may have acquired them later
• …; ‘bookstall owner in Farringdon Road'
• Gift to Michael Cole, engraver Clerkenwell Green, c.1967-8
• From whom purchased by Tate 1991
Questions in the operative period:
• No information on whereabouts prior to c.1967
COOPER, Abraham (1787-1868)
Draught Horses (1828)
Oil on canvas
705 x 908 mm
Presented by Mr and Mrs G.F. Jerdein 1951
N05977
Provenance:
• Mr Crampern (sp?) of Jermyn Street [label]
• …; Mr and Mrs G. F. Jerdein
• By whom presented 1951
Questions in the operative period:
No date and source of acquisition by Jerdein
Additional information
G. F. Jerdein (1875-1963) was Mayor of Westminster (1938-9).
COPLEY, John Singleton (1738-1815)
Study for 'The Death of Major Peirson' (c.1783)
Graphite and chalk on paper
356 x 575 mm
Purchased 1939
N04984
Provenance:
• …; acquired 1939
Questions in the operative period:
No early history yet traced
COTMAN, John Sell (1782-1842)
Seashore with Boats (c.1808)
Oil paint on board
283 x 410 mm
Purchased 1935
N04785
Provenance:
• …; acquired 1935
Questions in the operative period:
No early history yet traced
COTMAN, John Sell (1782-1842)
Norwich Market-Place (c.1809)
Watercolour and graphite on paper
406 x 648 mm
Presented by Francis E. Halsey 1945
N05636
Provenance
• …; Francis E. Halsey by 1945
Questions in the operative period:
No date or source of acquisition by Halsey.
COX, David (1783-1859)
Rhyl Sands (c.1854)
Oil paint on canvas
454 x 630 mm
Purchased with assistance from the Friends of the Tate Gallery 1985
T04130

Provenance

• ? The artist’s son, David Cox jr.
• Sold Christie’s 3 May 1873 (lot 132) £404.10s
• Bought Agnew
• By whom sold to J. S. Morgan, New York, 19 May 1873
• …; Palser Gallery (label) by 1936 (when exhibited at its Ruskin Galleries, Birmingham)
• From whom bought by the Hon. John Trevor Roberts (later Lord Clwyd), probably 1936
• From whom acquired for Tate Gallery
Questions in the operative period:
No date or source of acquisition by Palser Gallery.
COX, David (1783-1859)
Clouds 1857
Oil paint on paper
165 x 238 mm
Presented by Professor Luke Herrmann (from the Bruce Ingram Collection) through the Art Fund 2002
T07880

Provenance:

• …; Sir Bruce Ingram
• By whom bequeathed to Professor Luke Herrmann 1963.
Questions in the operative period:
No date or source of acquisition by Ingram.
Additional information
Sir Bruce Ingram was the proprietor of The Illustrated London News.
COX, David (1783-1859)
A Welsh Funeral, Betwys-y-Coed (circa 1847-50)
Oil on paper
540 x 749 mm
Purchased 1936
N04844

Provenance:

• ? ‘Thomas & Bett'ge’ sale, Birmingham, 8 April 1892 (lot 122), bought in £840
• ? John Betts
• His sale, Christie’s 16 April 1894
• Where bought by Clayton
• Christie’s 1930 £25.4s
• …; bought from Agnews 1936 by National Gallery and transferred to Tate
Questions in the operative period:
• No clear information on whereabouts between 1930 and 1936
COX, David (1783-1859)
Waiting for the Ferry Boat (circa 1835)
Watercolour on paper
197 x 292 mm
Bequeathed by Travers Buxton 1945
N05617
Provenance:
• Stephen G. Holland
• His sale, Christie’s 26 June 1908 (lot 161)
• bought Agnew, £168
• …; Travers Buxton
• By whom bequeathed
Questions in the operative period:
Uncertain whether Buxton acquired it directly from Agnew.
COZENS, John Robert (1752-1797)
Lake Nemi (c.1783-8)
Watercolour on paper
445 x 632 mm
Presented by Miss Evelyn Brooke 1947
N05807
Provenance
• …; Miss Evelyn Brooke, by 1947
Questions in the operative period:
No source or date of acquisition by Brooke.
CRISTALL, Joshua (1767 or 8 -1847)
Arcadian Landscape (1830)
Watercolour and pencil on paper
254 x 219 mm
Purchased 1974
T01852
Provenance:
• …; Francis Llewellyn Jenks
• Sold Christie's 30 January 1974
• Where bought by Colnaghi for Tate 1974
Questions in the operative period:
• No date or source of acquisition by Jenks.
CRISTALL, Joshua (1767 or 8 -1847)
Beach Scene, Hastings (circa 1807-8)
Watercolour and pencil on paper
184 x 302 mm
Purchased 1974
T01851

Provenance:

• …; Francis Llewellyn Jenks
• Sold Christie's 30 January 1974
• Where bought by Colnaghi for Tate 1974
Questions in the operative period:
No date or source of acquisition by Jenks
CROTCH, William 1775-1847
Hampstead, from behind Wetherall Place 1807
Graphite, watercolour and gum arabic on paper
114 x 178 mm
Presented by Anne Lyles in memory of Henry Wemyss (1956-2010) 2010
T13239

Provenance:

• …; Iolo Williams
• Acquired from his descendents by Andrew Clayton-Payne
• Purchased by Anne Lyles, March 1989
Questions in the operative period:
No date or source of acquisition by Williams.
Additional Information
Williams presented a work by Haydon to Tate in 1942.
DADD, Richard (1817-1886)
Portrait of a Young Man (1853)
Oil on canvas
606 x 500 mm
Bequeathed by Ian L. Phillips 1984 and accessioned 1992
T06665

Provenance:

• …; Ian L. Phillips by 1984
• By whom bequeathed to Tate Gallery
Questions in the operative period:
No date or source of acquisition by Phillips

DANBY, Francis (1793-1861)

The Deluge (?circa 1840)
Oil on canvas
707 x 1099 mm
Purchased 1953
N06134

Provenance:

• ...; C. W. L. Jensen of Bournemouth
• By descent to his daughter, Mrs M. C. Wareham
• From whom bought by Tate, 1953
Questions in the operative period:
No source or date of acquisition by Jensen
Additional information
Possible that Jensen acquired it directly from artist.

DANBY, Francis (1793-1861)

Liensfiord, Norway: Calm (circa 1835)
Oil on poplar
411 x 542 mm
Purchased 1985
T04104

Provenance:

• …; private collection, Switzerland, 1970s
• Sold Sotheby’s 21 November 1984 (71 as 'a lake in Norway, possibly Fensfjord, near Bergen',
repr. in colour before cleaning)
• Bought Anthony Dallas and Sons Ltd.,
• From whom purchased by Tate 1985
Questions in the operative period:
No source or specific date for acquisition by private collector.

DANBY, Francis (1793-1861)

Children by a Brook (circa 1822)
Oil on canvas
345 x 460mm
Purchased 1983
T03667

Provenance:

• …; anon sale, Sotheby's 7 July 1982, lot 47
• Where bought by Spink and Son Ltd
• From whom acquired by Tate Gallery 1983
Questions in the operative period:
• No information of source or date of acquisition by anonymous vendor in 1982

DANIELL, Thomas (1749-1840)

Sher Shah's Mausoleum, Sasaram (1810)
Oil paint on canvas
972 x 1359 mm
Purchased 1971
T01403

Provenance

• Acquired from the artist by Charles Hampden Turner (1771–1856)
• Sold by his great-grandson, January 1928
• ...; Dr Maurice Shellim (1915-2009)
• Bought by M. G. Archer for Tate 1971
Questions in the operative period:
Uncertain date and source of acquisition by Shellim
Additional information
Shellim published The Daniells in India and the waterfall at Papanasam Calcutta 1971, and Oil
paintings of India and the East: by Thomas Daniell R.A. 1749-1840 and William Daniell R.A. 1769-
1837 London 1979

DANIELL, Thomas (1749-1840)

Idgah at Amroha (1810)
Oil paint on canvas
981 x 1359 mm
Purchased 1971
T01404
Provenance
• Acquired from the artist by Charles Hampden Turner (1771–1856)
• Sold by his great-grandson, January 1928
• ...; Dr Maurice Shellim (1915-2009)
• Bought by M. G. Archer for Tate 1971
Questions in the operative period:
Uncertain date and source of acquisition by Shellim
Additional information
Shellim published The Daniells in India and the waterfall at Papanasam Calcutta 1971, and Oil
paintings of India and the East: by Thomas Daniell R.A. 1749-1840 and William Daniell R.A. 1769-
1837 London 1979
attributed to DAVIS, John Scarlett (1804-1845)
Man in a Top Hat (c.1838)
Oil paint on canvas
635 x 527 mm
Presented by Percy Moore Turner 1945
N05634
Provenance:
• …; Percy Moore Turner by 1945
Questions in the operative period:
No date and source of acquisition by Turner.
DAVIS, John Scarlett (1804-1845)
Interior of Amiens Cathedral (?exhibited 1841)
Oil on canvas
737 x 1667 mm
Presented by Percy Moore Turner 1935
N04794
Provenance:
• …; ? Hinxman
• ? by whom sold Christies 15 April 1846 (lot 60) £24. 3. 0
• …; Percy Moore Turner
Questions in the operative period:
No date and source of acquisition by Turner
DAWE, George (1781-1829)
Imogen Found in the Cave of Belarius (exhibited 1809)
Oil on canvas
1003 x 1270 mm
Purchased 1965
T00718
Provenance:
• ? bought Thomas Hope [Arnold's Library of the Fine Arts vol. 2 1831 pp.9-17]
• …; ‘a dealer’
• Purchased by P. M. Hill
• From whom acquired by Tate Gallery 1965
Questions in the operative period:
No source or date of acquisition by the dealer from whom acquired by Hill.
DAWE, George (1781-1829)
Naomi and her Daughters (exhibited 1804)
Oil on canvas
956 x 759 mm
Purchased 1990
T05746
Provenance:
• …; acquired 1990
Questions in the operative period:
• No early history has yet been found
DELAMOTTE, William Alfred (1775-1863)
Waterperry, Oxfordshire (1803)
Oil on board
324 x 489 mm
Purchased 1968
T01050
Provenance:
• …; W. E. Coe and Sons.
• Sold to P. D. Jolly, 1967
• Sold Sotheby's, 21 December 1967 (193)
• Bought Agnews
• Purchased from Thomas Agnew and Sons Ltd (Florence Fox Bequest) 1968
Questions in the operative period:
• No source or date of acquisition by Coe and Sons
DE WINT, Peter 1784-1849
Near Mill Hill c.1820-25
Watercolour and graphite on paper
220 x 340 mm
Presented by Professor Luke Herrmann (from the Bruce Ingram Collection) through the Art Fund 2002
T07881
Provenance:
• …; Sir Bruce Ingram
• By whom bequeathed to Professor Luke Herrmann 1963.
Questions in the operative period:
No date or source of acquisition by Ingram.
Additional information
Sir Bruce Ingram was the proprietor of The Illustrated London News.
DE WINT, Peter (1784-1849)
Harvesting, No date
Oil paint on canvas
692 x 1168 mm
Purchased 1937
N04879
Provenance:
• …; acquired 1937
Questions in the operative period:
• No early history has yet been found
DE WINT, Peter (1784-1849)
Children at Lunch by a Corn Stook (circa 1810)
Oil on board laid on wood
130 x 349 mm
Purchased 1996
T07099
Provenance:
• …; acquired 1996
Questions in the operative period:
• No early history has yet been found.
DE WINT, Peter (1784-1849)
River Scene at Sunset (?circa 1810)
Oil on board
307 x 460 mm
Presented by Agnew's to celebrate the Tate Gallery Centenary 1997
T07242
Provenance:
• …; Agnew
• by whom presented to Tate Gallery
Questions in the operative period:
• No source or date of acquisition
DIXON, William (?1784 or 5-c.1834)
Cottages near a Track, No date
Oil paint on paper on paper and canvas
162 x 202 mm
Purchased 1984
T03855
Provenance:
• The artist’s nephew, William Dixon
• From whom bought by John Linnell, 1834 or 1835
• His executors, sold Harrie Stacey & Son, Redstone Wood, Reigate, 18-19 Dec. 1917 (? Lot 555 or
556, ‘a quantity of various sketches’)
• …; anon sale, Sotheby’s 28 July 1954 (in lot 91 ‘large parcel’ as Linnell)
• Bought Pierre Jeannerat (1903-84)
• …; unidentified sale, Sotheby’s early 1980s
• Bought Thomas Hobart
• From whom acquired by Tate Gallery
Questions in the operative period:
No source or date of acquisition by anonymous vendor in 1954
DIXON, William (?1784 or 5-c.1834)
Hops, No date
Oil paint on paper mounted onto board
116 x 141 mm
Purchased 1984
T03856

Provenance:

• The artist’s nephew, William Dixon
• From whom bought by John Linnell, 1834 or 1835
• His executors, sold Harrie Stacey & Son, Redstone Wood, Reigate, 18-19 Dec. 1917 (? Lot 555 or
556, ‘a quantity of various sketches’)
• …; ? anon sale, Sotheby’s 28 July 1954 (in lot 91 ‘large parcel’ as Linnell)
• …; unidentified sale, Sotheby’s early 1980s
• Bought Andrew Wyld
• From whom acquired by Spink and Son
• Bought Thomas Hobart
• From whom acquired by Tate Gallery
Questions in the operative period:
No source or date of acquisition by anonymous vendor in 1954

DOBSON, William Charles Thomas (1817-1898)

The Child Jesus Going Down with His Parents to Nazareth (1856)
Oil on canvas
1090 x 900 mm
Purchased 1982
T03448

Provenance:

• Perhaps bought from the artist by Baroness Burdett Coutts [d.1906]
• The Rt Hon., W Burdett Coutts MP
• Sold Christies’s 4/5 May 1922 (177) 8 gns
• Bought Sampson
• New Gallery, Brown’s Buildings, Liverpool c.1924
• …; ? Hinson Fine Paintings, Sheffield, c.1975
• Anon sale, Sotheby’s, Belgravia 25 October 1977 (137, repr. in col.)
• Bought ? Colnaghi
• Fine Art Society by 1979
• Anon. sale Sotheby’s 10 November 1981 (8, repr. in col.) bought in
• Fine Art Society
• From whom bought by Tate
Questions in the operative period:
• Uncertain whereabouts between c.1924 and c.1975.
attributed to DOUGHTY, William (1757-1782)
Caricature Group (c.1780)
Oil paint on canvas
775 x 1041 mm
Purchased 1939
N05598
Provenance:
• …; acquired 1939
•
Questions in operative period
No early history yet found
DOWNARD, Ebenezer Newman active (1849-1889)
A Mountain Path at Capel Curig, Wales (1860)
Oil paint on canvas
352 x 502 mm
Purchased 1969
T01139
Provenance:
• …; sold Sotheby’s, 5 June 1968 (117)
• Bought M. Newman Ltd
• Sold Christie’s, 11 June 1969 (36)
• Bought Montague Bernard for Tate Gallery
Questions in the operative period:
No source or date of acquisition by vendor in 1968
DOWNMAN, John (1750-1824)
Miss Jackson (1778)
Oil on copper
229 x 190 mm
Bequeathed by Alan Evans 1974
T01885
Provenance:
• ...; Alan Evans by 1974
Questions in the operative period:
No date and source for ownership by Evans
Additional information
Alan Evans (d. 7th April 1974) bequeathed his collection to the National Gallery; seventeen paintings
were transferred to Tate. His great-uncle was the collector Frederick Henry Arthur Wallop.
EGLEY, William Maw (1826-1916)
Omnibus Life in London (1859)
Oil on canvas
448 x 419 mm
Bequeathed by Miss J.L.R. Blaker 1947
N05779
Provenance:
• …; Jenny Blaker, Isleworth
Questions in the operative period:
No source or date of acquisition by Blaker
Additional information
Jenny Blaker presented Modigliani’s The Little Peasant to Tate in 1941 in memory of her brother Hugh
Blaker, curator at Bristol Art Gallery
ETTY, William (1787-1849)
The Parting of Hero and Leander (exhibited 1827)
Oil paint and metal leaf on canvas
864 x 864 x 26 mm
Purchased 1945
N05614
Provenance:
• …; acquired 1945
Questions in the operative period:
No early history yet found
ETTY, William (1787-1849)
The Coral Finder: Venus and her Youthful Satellites, replica (c.1820-48)
Oil paint on canvas
744 x 986 mm
Bequeathed by Mrs M. Orr-Ewing 1964
N06354
Provenance:
• …; Muriel Orr-Ewing (1900-94), by 1964
Questions in the operative period:
No source or date of acquisition by Orr-Ewing
ETTY, William (1787-1849)
Britomart Redeems Faire Amoret (exhibited 1833)
Oil paint on canvas
908 x 660 mm
Purchased 1958
T00199
Provenance:
• …; acquired 1958
Questions in the operative period:
No early history yet found
ETTY, William (1787-1849)
Miss Mary Arabella Jay (exhibited 1819)
Oil on canvas
762 x 632 mm
Bequeathed by Mrs Rose Mary Chamberlen 1956
N06268
Provenance:
• …; Mrs Rose Mary Chamberlen, by 1956
Questions in the operative period:
No source or date of acquisition by Chamberlen
ETTY, William (1787-1849)
Standing Female Nude (circa 1835-40)
Oil on canvas
1016 x 648 mm
Presented by the National Art Collections Fund 1941
N05305
Provenance:
• L. Lesser
• Sold anonymously, Christie's 3 January1880 (129) 'A Female Figure' bought in 3gns
• …; private collection
• From whom acquired by J. Leger and Son
• Bought National Art Collections Fund
Questions in the operative period:
No source or date of acquisition by private collector
EVANS, Sebastian (1830-1909)
Allegorical Subject: The Unfaithful Poet (1855)
Pen and ink and pencil on paper
252 x 175 mm
Presented by Miss Marjorie Ball 1988
T05475
Provenance:
• …; Abbott and Holder by c.1965
• When bought by Miss Marjorie Ball
Questions in the operative period:
No source or date for acquisition by Abbott and Holder
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
FARINGTON, Joseph (1747-1821)
The Oak Tree (c.1785-90)
Oil paint on canvas
764 x 737 mm
Purchased 1965
T00786
Provenance
• …; Miss E. N. Avent
• Sabin Galleries Ltd
• From whom purchased by Tate Gallery
Questions in the operative period:
No source or date for acquisition by Avent
FERNELEY, John, I (1782-1860)
The Bay Horse (1826)
Oil on canvas
838 x 1048 mm
Presented by Major Guy Paget 1943
N05429
Provenance:
• …; Major Guy Paget by 1943
Questions in the operative period:
No source or date for acquisition by Paget
Additional information:
Guy Paget published The Melton Mowbray of John Ferneley, Leicester 1931
FERNELEY, John, I (1782-1860)
Sir Robert Leighton after Coursing, with a Groom and a Couple of Greyhounds (1816)
Oil on canvas
1051 x 1397 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03424
Provenance:
• Commissioned by Sir Robert Leighton
• …; [published in Guy Paget, The Melton Mowbray of John Ferneley, Leicester 1931, p.128, no.59]
• Lt Col Sir Jonathan North (d. 1939)
• …; E. J. Rousuck,
• from whom purchased by F. Ambrose Clark, by 1958
• his widow Mrs F. Ambrose Clark
Questions in the operative period:
• No source or date of acquisition by North or by Rousuck
FERNELEY, John, I (1782-1860)
Mr Powell and his Son, with Norton, a Grey Hunter (1816)
Oil on canvas
860 x 1076 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03425
Provenance:
• Commissioned by Mr Powell
• …; [ published in Guy Paget, The Melton Mowbray of John Ferneley, Leicester 1931, p.134,
no.224]
• Lt Col Sir Jonathan North (d. 1939)
• E. J. Rousuck,
• from whom purchased by F. Ambrose Clark by 1958
• his widow Mrs F. Ambrose Clark
Questions in the operative period:
• No source or date of acquisition by North or by Rousuck
FERNELEY, John, II (circa 1815-1862)
Hunt Scurry (1832)
Oil on canvas
450 x 904 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03427
Provenance:
• …; Lord Kinnard
• From whom purchased by F. Ambrose Clark by 1958
• His widow Mrs F. Ambrose Clark
•
Questions in the operative period:
• No source or date of acquisition by Kinnard
FIELDING, Anthony Vandyke Copley (1787-1855)
Loch Earn with Ben Vorlich, No date
Watercolour on paper
96 x 200 mm
Presented by Miss Marjorie Ball 1988
T05473
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
FLAXMAN, John (1755-1826)
Classical Figure Studies (1792)
Drawing on paper
68 x 242 mm
Presented by Miss Marjorie Ball 1988
T05476
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
FRITH, William Powell (1819-1909)
Dolly Varden (c.1842-9)
Oil paint on wood
273 x 216 mm
Bequeathed by Mrs E.J. Thwaites 1955
T00041
Provenance:
• … Mrs E.J. Thwaites by 1955
Questions in the operative period:
No source or date for acquisition by Thwaites
FROST, William Edward (1810-1877)
Warrior Seated at a Table, No date
Watercolour and ink on paper
108 x 83 mm
Presented by Alex Fraser 1938
N04970
Provenance:
• …; Alex Fraser by 1938
Questions in the operative period:
No source or date for acquisition by Fraser
FROST, William Edward (1810-1877)
Meditation, No date
Oil paint on board
292 x 229 mm
Purchased 1955
T00047
Provenance:
• …; acquired 1955
Questions in the operative period:
No early history yet traced
GAINSBOROUGH, Thomas (1727-1788)
Figure Study for 'The Housemaid' (c.1785-8)
Chalk on paper
346 x 248 mm
Presented by Percy Moore Turner 1943
N05400
Provenance:
… Percy Moore Turner by 1943
Questions in the operative period:
No source or date of acquisition by Turner.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Cows beside a Pool, Figures and Cottage (c.1775-80)
Copper plate
279 x 349 mm
Purchased 1971
T01422
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Country Cart and Figures (c.1775-80)
Copper plate
279 x 349 mm
Purchased 1971
T01423
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Country Cart, Cottage and Figures (c.1785)
Copper plate
283 x 349 mm
Purchased 1971
T01425
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded River Landscape with Shepherd and Sheep (c.1785)
Copper plate
292 x 381 mm
Purchased 1971
T01426
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Riders (c.1785)
Copper plate
184 x 244 mm
Purchased 1971
T01427
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Three Cows at a Pool (c.1785)
Copper plate
283 x 349 mm
Purchased 1971
T01428
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Riders and Packhorses (c.1783)
Copper plate
276 x 356 mm
Purchased 1971
T01429
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Country Cart and Figures (c.1785-8)
Copper plate
283 x 349 mm
Purchased 1971
T01430
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Herdsman and Four Cows (c.1785-8)
Copper plate
279 x 349 mm
Purchased 1971
T01431
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GAINSBOROUGH, Thomas (1727-1788)
Wooded Landscape with Herdsman and Three Cows (c.1785-8)
Copper plate
279 x 349 mm
Purchased 1971
T01432
Provenance
• Boydell by 1798
• …; McQueen, printers
• From whom acquired by Tate 1971
Questions in the operative period:
No source or date of acquisition by McQueen
Additional information
McQueen printers may have acquired the plates directly from Boydell. In 1971–72 Philip McQueen,
who represents the fifth generation of his family, printed an edition and the copper-plates then entered
the Tate Gallery’s collection.
GALE, William (1823-1909)
The Confidante (1857)
Oil paint on mahogany
248 x 171 mm
Purchased 1955
T00045
Provenance:
• …; acquired 1955
Questions in the operative period:
No early history yet traced
GARDNER, Daniel (1750-1805)
Portrait of a Lady, No date
Oil paint on canvas
Purchased 1938
N04954
Provenance:
• …; acquired 1938
Questions in the operative period:
No early history yet traced
GARRARD, George (1760-1826)
Coombe Hill (1791)
Oil on card
137 x 184 mm
Purchased 1981
T03299
Provenance:
• …; said to have been sold at auction, Ringwood, Hants, early in 1981
• Acquired from the purchaser by Christopher Wright
• Sold by him Sotheby's 22 July 1981 (142 repr)
• Bought William Drummond for the Tate Gallery 1981
Questions in the operative period:
No source or date for acquisition by vendor at Ringwood sale
GARRARD, George (1760-1826)
Bay Hunter by a Lake (circa 1790)
Oil on canvas
571 x 813 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02358
Provenance:
• …; anon sale Sotheby's 3 April 1968 (158)
• Bought Arthur Ackermann and Sons Ltd for Paul Mellon
Questions in the operative period:
• No source or date of acquisition by vendor in 1968
GASTINEAU, Henry (1791-1876)
Landscape with a Ruined Abbey, No date
Graphite and watercolour on paper
Presented by Miss Marjorie Ball 1988
T05477
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
GEDDES, Andrew (1783-1844)
Mrs Greatorex (exhibited 1840)
Oil on canvas
1270 x 1016 mm
Presented by W. Graham Robertson 1940
N05068
Provenance:
• …; W. Graham Robertson by 1940
Questions in the operative period:
No early history yet traced
GILL, Charles (1742-after 1828)
The Lethbridge Children (1785)
Oil paint on canvas
711 x 902 mm
Bequeathed by Alan Evans 1974
T01886
Provenance:
• ...; Alan Evans by 1974
Questions in the operative period:
No date and source for ownership by Evans
Additional information
Alan Evans (d. 7th April 1974) bequeathed his collection to the National Gallery; seventeen paintings
were transferred to Tate. His great-uncle was the collector Frederick Henry Arthur Wallop.
GILPIN, Sawrey (1733-1807) BARRET, George (1728 or 32-1784)
Broodmares and Colts in a Landscape (?exhibited 1783)
Oil paint on canvas
629 x 749 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02359
Provenance
• Anon. sale, Christie's 5 February 1791 (62, as ‘Brood Mares and Foals by Gilpin and
Landscape by Barrett’)
• ...; J.S. Mansford by 1868
• …; anon. sale, Christie's 14 July 1961 (140, as ‘Gilpin. A string of horses and foals in a
woodland clearing’)
• Bought Betts
• Leggatt Brothers, from whom purchased by Paul Mellon 1961
Questions in the operative period:
No source or date for acquisition by vendor in 1961.
GRANT, Francis (1803-1878)
Portrait of a Lady (? Mrs Edmund Peel) (c.1856)
Oil paint on canvas
2235 x 1334 mm
Purchased 1991
T06456
Provenance:
• …; acquired 1991
Questions in the operative period:
No early history yet traced
HALL, Harry (?1813-1882)
John Barham Day with his Sons John and William on Newmarket Heath (1841)
Oil on canvas
632 x 765 mm
Bequeathed by Alan Evans 1974
T01887
Provenance:
• …; sold at Christie's 1948
• Bought Ackerman
• Alan Evans, by 1958
• Bequeathed by him to the National Gallery and transferred to the Tate 1974
Questions in the operative period:
No date and source for ownership by vendor in 1948
Additional information
Alan Evans (d. 7th April 1974) bequeathed his collection to the National Gallery; seventeen paintings
were transferred to Tate.
attributed to HAMILTON, William (1751-1801)
The Invasion of a Harem, No date
Oil paint on canvas
470 x 698 mm
Purchased 1967
T00939
Provenance:
• G. Maione
• Miss P. Maione
• …; sold anonymously at Christie’s, 10 December 1965 (88, as ‘Van Hoist, A Mythological
Episode’),
• Bought Butlin for Lawrence Gowing
• From whom acquired 1967
Questions in operative period
No source or date of acquisition by the vendor in 1965.
HANCOCK, Charles (1795-1868)
Lord Fitzhardinge and Some of his Hounds, No date
Oil paint on canvas
1626 x 2146 mm
Presented by Lord Howard de Walden 1946
N05661
Provenance:
• Lord Howard de Walden by 1946
Questions in the operative period:
No source or date of acquisition for Lord Howard de Walden.
HART, James Turpin (1835-1899)
A Rustic Timepiece (1856)
Oil on canvas
533 x 432 mm
Purchased 1982
T03396
Provenance:
• …; Anon sale, Phillips 26 April 1982 (146, repr.) £2000
• Where bought for Tate
Questions in the operative period:
No information on whereabouts prior to 1982
HAVELL, William (1782-1857)
Windsor Castle (circa 1807)
Oil on card
117 x 219 mm
Purchased 1982
T03394
Provenance:
• …; Anon sale, Phillips 19 May 1981 (part of 53, repr.) £550
• Bought Anthony Reed
• From whom bought by Spink & Son Ltd 1981
• By whom sold to Tate
Questions in the operative period:
No information on whereabouts prior to 1981
HAVELL, William (1782-1857)
The Thames near Moulsford (1807)
Oil on card
482 x 623 mm
Purchased 1982
T03393
Provenance:
• …; Anon sale, Christie’s 22 March 1968 (128) £178.50
• Bought Barclay
• …; Antique Hypermarket, Kensington
• Where bought c.1971 by Martyn Gregory
• Sold 1972 to Felicity Owen
• From whom bought through Spink & Son Ltd by Tate
Questions in the operative period:
No information on whereabouts prior to 1968
HAVELL, William (1782-1857)
Caversham Bridge (1805)
Oil on paper laid on wood
276 x 219 mm
Purchased 1968
T01095
Provenance:
• …; Spink & Son Ltd, by 1968
Questions in the operative period:
No information on whereabouts prior to 1968
HAYDON, Benjamin Robert (1786-1846)
Gentleman with a Horse (1844)
Oil on canvas
632 x 762 mm
Presented by Mrs M. Bernard 1970
T01173
Provenance:
• …; Mrs M. Bernard by 1970
Questions in the operative period:
No early history yet traced
HAYDON, Benjamin Robert (1786-1846)
Chairing the Member (1828)
Oil on canvas
1524 x 1918 mm
Purchased 1946
N05644
Questions in the operative period:
No information on whereabouts prior to 1946
HAYDON, Benjamin Robert (1786-1846)
Study for 'The Mock Election' (1827)
Drawing on paper
187 x 229 mm
Presented by Iolo Williams 1942
N05352
Provenance:
• …; Iolo Williams by 1942
Questions in the operative period:
No source or date of acquisition by Williams.
HEARNE, Thomas 1744-1817
Three Trees on a Hill c.1790
Ink and watercolour on paper
261 x 191 mm
Presented by Professor Luke Herrmann (from the Bruce Ingram Collection) through the Art Fund 2002
T07879
Provenance:
• …; Miss Burney
• Sir Bruce Ingram
• By whom bequeathed to Professor Luke Herrmann 1963.
Questions in the operative period:
No date or source of acquisition by Burney.
Additional information
Sir Bruce Ingram was the proprietor of The Illustrated London News.
HENDERSON, Charles Cooper (1803-1877)
Sportsmen in Scottish Dress Driving to the Moors (circa 1845)
Oil on canvas
330 x 613 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03428
Provenance:
• …; E. J. Rousuck
• From whom purchased by F. Ambrose Clark by 1958;
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
No source or date of acquisition by Rousuck
HENDERSON, Charles Cooper (1803-1877)
Mail Coach in a Snowstorm (circa 1835-40)
Oil on canvas
454 x 765 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03429
Provenance:
• …; E. J. Rousuck
• From whom purchased by F. Ambrose Clark by 1941 [when shown at Century Club, New
York?]
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
No source or date of acquisition by Rousuck
HENDERSON, Charles Cooper (1803-1877)
Changing Horses to a Post-Chaise outside the 'George' Posting-house (circa 1830-40)
Oil on canvas
533 x 762 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02360
Provenance:
• …; anon sale, Phillips Son & Neal, 15 May 1962 (27, as ‘English 19h Century School: Coaching
Scene’)
• Bought Sabin Galleries
• From whom purchased by Paul Mellon 1963
Questions in the operative period:
No source or date of acquisition for 1962 vendor
HERRING, John Frederick (1795-1865)
Mazeppa Pursued by Wolves (after Horace Vernet) (1833)
Oil on canvas
559 x 762 mm
Presented by the National Art Collections Fund 1958
T00188
Provenance:
• …; acquired Christie’s 1958
Questions in the operative period:
No early history yet traced
HERRING, John Frederick (1795-1865)
Mazeppa Surrounded by Horses (after Horace Vernet) (circa 1833)
Oil on canvas
559 x 762 mm
Presented by the National Art Collections Fund 1958
T00189
Provenance:
• …; acquired Christie’s 1958
Questions in the operative period:
No early history yet traced
HERRING, John Frederick (1795-1865)
The Hunting Stud (1845)
Oil on canvas
454 x 708 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03430
Provenance:
• …; N. C. Bechman,
• Sold Christie’s 19 December 1919 (133)
• Bought Forbes
• …; F. Ambrose Clark by 1941 [when shown at Century Club, New York?];
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
No source or date of acquisition by Ambrose Clark
HILDITCH, Richard H. (1804-1873)
Kew Gardens from Richmond Hill, No date
Oil paint on canvas
Purchased 1973
T01819
Provenance:
• …; Leggatt,
• Where acquired by Major and the Hon Mrs Robert O’Brien, Nov. 1947
• By whom sold in aid of the Centenary Fund of the Hospital of St John and St Elizabeth, Christie’s
6 Nov. 1956 (132)
• Bought Ramsay
• Acquired by Boleyn Investments
• By whom sold, Christie’s 23 Nov. 1973 (45)
• Bought M. Bernard for Tate Gallery
Questions in the operative period:
No source or date of acquisition by Leggatt
HILL, John (circa 1780-1841)
Interior of the Carpenter's Shop at Forty Hill, Enfield (?exhibited 1813)
Oil on canvas
470 x 688 mm
Presented by the Friends of the Tate Gallery 1983
T03668
Provenance:
• ? Given by the artist to Nancy Hill (? his niece, d.1899, having married Henry Want)
• Henry Want
• Mrs M. Want (old storage label in her name formerly on the back)
• …; anon sale Christie’s South Kensington, 10 November 1982 (112)
• Bought Anthony Reed
• From whom purchased by Tate 1983
Questions in the operative period:
No source or date of acquisition for vendor in 1982
HILTON, William, the Younger (1786-1839)
Study for 'Sir Calepine Rescuing Serena' (circa 1830)
Drawing and watercolour on paper
166 x 258 mm
Purchased 1986
T04844
Provenance:
• …; P.J.J. Morgan, Swansea (inscription)
• …; Agnew
• From whom bought by Tate
Questions in the operative period:
No source or date of acquisition by Morgan or Agnew
HOLLAND, James (1799-1870)
The Tour d'Horloge, Rouen (1850)
Pencil and chalk on paper
250 x 180 mm
Purchased 1988
T05492
Provenance:
• …; acquired 1988
Questions in the operative period:
No information on whereabouts prior to 1988
HOLMAN, Francis active (1767-1790)
A Dockyard at Wapping (c.1780-4)
Oil paint on canvas
787 x 1270 mm
Purchased 1973
T01763
Provenance
• Commander K. R. Hoare (1890-1959) and Miss Sybil Hoare
• By whom sold Sotheby’s 21 June 1950 (145)
• Bought Leggatt
• Sold Christie’s 6 February 1953 (143)
• Bought D. Yorke (until now as ‘Deptford Dockyard’ by S. Scott)
• G. D. Stanley Smith, by 1957
• Christie’s 22 June 1973 (162, repr.)
• Bought by Leggatt for Tate Gallery.
Questions in the operative period:
No source or date of acquisition by Hoares
HOLWORTHY, James (1781-1841)
Landscape Study, No date
Watercolour on paper
61 x 111 mm
Presented by Miss Marjorie Ball 1986
T04369
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
HUGHES, Arthur (1832-1915)
The Woodman's Child (1860)
Oil paint on canvas
610 x 641 mm
Presented by Mrs Phyllis L. Holland 1958
T00176
Provenance:
• …; Mrs Phyllis L. Holland, by 1958
Questions in the operative period:
No information on whereabouts prior to 1958
HUGHES, Arthur (1832-1915)
Study for 'The Eve of St Agnes'. Verso: Study for 'The Guarded Bower' (c.1855, c.1866)
Graphite on paper. Verso: graphite on paper
226 x 148 mm
Presented by Leonard Roberts 1995
T06979
Provenance:
• …; Leonard Roberts, by 1995
Questions in the operative period:
No information on whereabouts prior to 1995
Additional information
Leonard Roberts wrote catalogue raisonne of Hughes.
HUGHES, Arthur (1832-1915)
Study for 'The Eve of St Agnes' (c.1856)
Graphite on paper
165 x 115 mm
Presented by Leonard Roberts to celebrate the Tate Gallery Centenary 1997
T07284
Provenance:
• …; Leonard Roberts, by 1997
Questions in the operative period:
No information on whereabouts prior to 1997
Additional information
Leonard Roberts wrote catalogue raisonne of Hughes.
HUGHES, Arthur (1832-1915)
Study for 'Madeline and Porphyro Escaping from the Castle' for the Right-hand Panel of 'The
Eve of St Agnes'. Verso: ?Study for 'The Seed of David' by D.G. Rossetti (circa 1856)
Pencil on paper
180 x 224 mm
Presented by Leonard Roberts 1994
T06884
Provenance:
• …; anonymous sale Sotheby’s 9 June 1994 (lot.207)
• Where bought by Leonard Roberts
Questions in the operative period:
No information on whereabouts prior to 1994
Additional information
Leonard Roberts wrote catalogue raisonne of Hughes.
HUSKISSON, Robert (?1820-1861)
The Midsummer Night's Fairies (exhibited 1847)
Oil on mahogany
289 x 343 mm
Purchased from the Fine Art Society (Benson Trust) 1974
T01901
Provenance:
• Samuel Carter Hall by 1848
• ? sold Foster's 23 April 1855 [label]
• Bought Sir George Walker [label];
• ...; Charles and Lavinia Handley-Read (both d.1971)
• By descent to their executor, Thomas Stainton
Questions in the operative period:
No source or date of acquisition by Handley-Reads
Additional information
Hanley-Reads were collectors of Victoriana when it was unfashionable
IBBETSON, Julius Caesar (1759-1817)
Briton Ferry, Glamorgan (circa 1795)
Oil on wood
352 x 457 mm
Bequeathed by Alan Evans 1974
T01889
Provenance:
• …; Christie's 17 July 1908 (57)
• Bought Helgham
• …; probably sold by Leggatt Bros. to the Hon. Frederic Wallop in the 1920s
• by whom bequeathed to Alan Evans
Questions in the operative period:
Wallop provenance is not fully documented
Additional information
Alan Evans (d. 7th April 1974) bequeathed his collection to the National Gallery; seventeen paintings
were transferred to Tate. His great-uncle was the collector Frederick Henry Arthur Wallop.
attributed to JOHNSON, James (1803-1834)
The Tranquil Lake: Sunset Seen through a Ruined Abbey (circa 1825-30)
Oil on canvas
902 x 1441 mm
Purchased 1972
T01522
Provenance:
• …; in the trade, co. Durham, c.1945
• …; acquired by Sabin Galleries c.1967
Questions in the operative period:
No information on whereabouts prior to c.1945
JONES, George (1786-1869)
The Burning Fiery Furnace, study for N00389 (circa 1832)
Watercolour on paper
546 x 403 mm
Purchased 1975
T01958
Provenance:
• …; Abbott Holder by 1975
• From whom purchased by Tate
Questions in the operative period:
No information on whereabouts prior to 1975
JOY, John 1806-1866
Louis Philippe, King of the French, Arriving at Portsmouth 1844
Watercolour, ink and graphite on paper
208 x 411 mm
Presented by Gerald Bauer 2007
T12425
Provenance:
• …; Gerald Bauer by 2007
Questions in the operative period:
No early history has yet been traced
LADBROOKE, Robert (1770-1842)
Wood Scene (exhibited 1806)
Oil on canvas
600 x 743 mm
Bequeathed by Alan Evans 1974
T01890
Provenance:
• The artist …
• With Alan Evans by 1974
Questions in the operative period:
No known whereabouts prior to 1974
Additional information
Alan Evans (d. 7th April 1974) bequeathed his collection to the National Gallery; seventeen paintings
were transferred to Tate. His great-uncle was the collector Frederick Henry Arthur Wallop.
LANDSEER, Sir Edwin Henry (1803-1873)
The Dog 'Racket' (1813)
Pencil on paper
159 x 229 mm
Presented by Miss Gladys Singers-Bigger 1953
N06180
Provenance:
• …; Miss Gladys Singers-Bigger by 1953
Questions in the operative period:
No source or date of acquisition by Singers-Bigger
LANDSEER, Sir Edwin Henry (1803-1873)
Loch Avon and the Cairngorm Mountains (circa 1833)
Oil on wood
352 x 445 mm
Purchased 1947
N05777
Provenance:
• …; acquired 1947
Questions in the operative period:
No source or date of acquisition
LANDSEER, Sir Edwin Henry (1803-1873)
The Harper (1821-2)
Oil on canvas
912 x 710 mm
Purchased 1982
T03395
Provenance:
• Thomas Landseer, the artist's elder brother,
• Sold Christie's 14 April 1880 (280, as ‘A Welsh Bard’) 17 gns
• Bought Permain;
• ...; R. Durant, sold Christie's 12 June 1886 (127, as ‘The Bard’) 24 gns
• Bought Nathan;
• ...; purchased c.1950 at a saleroom in Tunbridge Wells by Mr and Mrs R. Beling
• By whom given to their daughter, 1970
• From whom bought by the Tate Gallery
Questions in the operative period:
• No source or date of acquisition by vendor in Tunbridge Wells
LAPORTE, George Henry (1799-1873)
Arab Mare and Foal with Attendant by a Ruined Temple (circa 1835)
Oil on canvas
486 x 673 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02363
Provenance:
• ...; L. F. McCardle, Sheffield Park, Sussex;
• Richard Green,
• from whom purchased by Mr Mellon 1971
Questions in the operative period:
No source or date of acquisition by McCardle
Additional information
L. F. McCardle, sold Sheffield Park (in the estate of Knowle) in 1971
LAPORTE, John (1761-1839)
Rob Roy's Cave, No date
Oil paint on canvas
Presented by Mr and Mrs E. Percival Allam in memory of their son Stanley 1938
N04915
Provenance:
• …; Mr and Mrs E. Percival Allam by 1938
Questions in the operative period:
No early history yet traced
LE CAPELAIN, Jean (1814-1848)
Fishing Boats, Low Tide, No date
Watercolour on paper
165 x 267 mm
Presented by D.C. Fincham 1939
N04980
Provenance:
• …; D.C. Fincham by 1939
Questions in the operative period:
No early history yet traced
Additional information
D.C. Fincham was a Tate curator in the 1930s
LE CAPELAIN, Jean (1814-1848)
Fishing Boats, High Tide, No date
Watercolour on paper
171 x 267 mm
Presented by D.C. Fincham 1939
N04981
Provenance:
• …; D.C. Fincham by 1939
Questions in the operative period:
No early history yet traced
Additional information
D.C. Fincham was a Tate curator in the 1930s
LE CAPELAIN, Jean (1814-1848)
Harbour with Shipping, No date
Watercolour on paper
44 x 178 mm
Presented by D.C. Fincham 1939
N04982
Provenance:
• …; D.C. Fincham by 1939
Questions in the operative period:
No early history yet traced
Additional information
D.C. Fincham was a Tate curator in the 1930s
LE CAPELAIN, Jean (1814-1848)
Fishing Boats Leaving Harbour, No date
Watercolour on paper
25 x 152 mm
Presented by D.C. Fincham 1939
N04983
Provenance:
• …; D.C. Fincham by 1939
Questions in the operative period:
No early history yet traced
Additional information
D.C. Fincham was a Tate curator in the 1930s
LEAR, Edward (1812-1888)
The Monastery of Simopetra on Mount Athos (1856)
Watercolour and ink on paper
314 x 486mm
Bequeathed by Miss Eveline Annie Dear 1980
T03168
Provenance:
• ...; Walker's Galleries, [Annual Exhibition of Early English Watercolours, Walker's Galleries,
June–July 1952 (70, as ‘Monastery on a Rock’)]
• From whom purchased by Agnew's 1952
• From whom purchased by Eveline Annie Dear 1953.
Questions in the operative period:
No source or date of acquisition by Walker’s
LEAR, Edward (1812-1888)
The Fortress of San George, near Argostoli, Cephalonia (1848)
Pencil and pen and ink on paper
356 x 508 mm
Presented by Denzil Young in accordance with the wishes of his late sister Miss Monica Young
1985
T03939
Provenance:
• …; bought from a Roehampton dealer by Monica Young c.1939
• Denzil Young
Questions in the operative period:
No source or date of acquisition by Roehampton dealer
LEAR, Edward (1812-1888)
View of Reggio and the Straits of Messina (1852)
Oil on canvas
514 x 822 mm
Presented by John Witt through the National Art Collections Fund 1963
T00630
Provenance:
• …; purchased by John Witt in 1957
Questions in the operative period:
No source or date of acquisition by Witt
LESLIE, Charles Robert (1794-1859)
Lionel Constable (1854)
Pencil on paper
153 x 146 mm
Purchased 1986
T04152
Provenance:
• …; unidentified sale, John Hogbin and Son, Sandwich, c.1982-3
• Bought by Mrs F. Poynter who died 1985
• Mr F. Poynter from whom purchased by Tate Gallery
Questions in the operative period:
No information on whereabouts prior to 1982
LEWIS, George Robert (1782-1871)
Clearing a Site in Paddington for Development (?circa 1815-23)
Pencil and watercolour on paper
267 x 495 mm
Purchased 1975
T02009
Provenance:
• …; Manning Galleries by 1975
• From whom purchased by Tate Gallery
Questions in the operative period:
No information on whereabouts prior to 1975
LEWIS, John Frederick (1805-1876)
Sketch for 'Buck-Shooting in Windsor Great Park' (circa 1825)
Oil on board
216 x 324 mm
Purchased 1962
T00512
Provenance:
• …; acquired 1962
Questions in the operative period:
No early history yet traced
LEWIS, John Frederick (1805-1876)
Buck-Shooting in Windsor Great Park (1825)
Oil on canvas
991 x 1372 mm
Presented by the National Art Collections Fund 1936
N04822
Provenance:
• …; acquired 1936
Questions in the operative period:
No early history yet traced
LINNELL, John (1792-1882)
Leading a Barge (circa 1806)
Oil on board
194 x 267 mm
Purchased 1967
T00933
Provenance:
• …; acquired 1967
Questions in the operative period:
No early history yet traced
LINNELL, John (1792-1882)
Study from Nature: At Twickenham (1806)
Oil on board
165 x 254 mm
Purchased 1967
T00934
Provenance:
• …; acquired 1967
Questions in the operative period:
No early history yet traced
LINNELL, John (1792-1882)
Study of Buildings (‘Study from Nature’) (1806)
Oil on board
165 x 254 mm
Purchased 1967
T00935
Provenance:
• …; acquired 1967
Questions in the operative period:
No early history yet traced
LINNELL, John (1792-1882)
Harvest Moon (1858)
Oil on wood
378 x 460 mm
Bequeathed by Mrs. E. J. Thwaites in 1955
T00043
Provenance:
• …; Mrs. E. J. Thwaites by 1955
Questions in the operative period:
No source or date of Thwaites’s acquisition
LINNELL, John (1792-1882)
Samuel Rogers (1833-5)
Oil on wood
407 x 349 mm
Bequeathed by Frank Hindley Smith 1940
N05117
Provenance:
• …; exhibited in Whitechapel 1920
• With Frank Hindley Smith before 1940
Questions in the operative period:
Possible that Hindley Smith lent to, or acquired as a result of, the Whitechapel exhibition
LINNELL, John (1792-1882)
Tatham's Garden, Alpha Road, at Evening (1812)
Watercolour on paper
102 x 125 mm
Purchased for the Tate 1985
T04139
Provenance:
• …; sale Sotheby's 18 October 1950
• Bought by T. Agnew & Sons
Questions in the operative period:
No information on whereabouts prior to 1950
LINNELL, John (1792-1882)
At Under River near Sevenoaks (circa 1833)
Pencil, pen and ink and wash on paper
210 x 327 mm
Purchased for the Tate in 1970
T01214
Provenance:
• …; Sold to Hodgson's 2 June 1955
• Bought L. G. Duke
• Sold Sotheby’s, 21 May 1970 (97. repr)
• Bought Agnews for Tate Gallery
Questions in the operative period:
No information on whereabouts prior to 1955
LINNELL, John (1792-1882)
Kensington Gravel Pits (1811-12)
Oil on canvas
711 x 1067mm
Purchased for the Tate 1947
N05776
Provenance:
• ? John Mitchell
• Presumably his sale, Christie’s 27 May 1860 lot 210
• purchaser recorded
• …; purchased for the Tate 1947
Questions in the operative period:
No early history yet traced
LINNELL, John (1792-1882)
The Sandpits (1856)
Oil on canvas
914 x 1219 mm
Presented by Frederick John Nettlefold 1947
N05795
Provenance:
• …; J Broughton Dugdale (d. 1927) by 1856
• …; Frederick John Nettlefold by 1937
Questions in the operative period:
Uncertain transfer between Dugdale and Nettlefold
Additional Information
Listed in Nettlefold's catalogue, vol iii, published 1937.
attributed to LINNELL, John (1792-1882)
The Man who Built the Pyramids (after William Blake) (circa 1825)
Pencil on paper
298 x 214 mm
Bequeathed by Miss Alice G.E. Carthew 1940
N05185
Provenance:
• …; Miss Alice G.E. Carthew, by 1940
Questions in the operative period:
• No information on whereabouts prior to 1940
Additional information
Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911
attributed to LINNELL, John (1792-1882)
The Man Who Taught Blake Painting in his Dreams (after William Blake) (circa 1825)
Pencil on paper
260 x 206 mm
Bequeathed by Miss Alice G.E. Carthew 1940
N05186
Provenance:
• …; Miss Alice G.E. Carthew, by 1940
Questions in the operative period:
No information on whereabouts prior to 1940
Additional information
Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911
LONG, John St John (1798-1834)
The Temptation in the Wilderness (1824)
Oil on board
226 x 317 mm
Purchased 1986
T04169
Provenance:
• …; with Michael Amey, London 1972
• …; anon sale, Sotheby’s 21 Sept. 1983 (317, as ‘Satan tempting Christ in he Wilderness’, repr)
• anon sale, Christie’s 18 Oct. 1985 (180, as ‘Christ in he Wilderness’, repr)
• bought Andrew Wyld
• from whom acquired by Tate Gallery
Questions in the operative period:
No early history yet found
MACKENZIE, Frederick (1787-1854)
The South Ambulatory, Westminster Abbey (1811)
Watercolour on paper
784 x 616 mm
Bequeathed by Leonard James Penna 1980
T03034
Provenance:
• …; ? Lord Farnborough, Holne Park
• His sale (note on the back of old frame: 'from the Holne Park Sale 1932 of Lord Farnborough's
collection')
• Leonard James Penna, Torquay, d.1979
Questions in the operative period:
No information on the Holne Park sale in 1932
MALCHAIR, John Baptist (1729-1812)
Moel-y-Ffrydd (1795)
Graphite and watercolour on paper
415 x 552 mm
Presented by Ian Fleming-Williams 1995 to celebrate the Tate Gallery Centenary 1997
T07011
Provenance:
• Given to William Crotch (1775-1847)
• … Messers Appleby, February 1942, bt. L.G. Duke
• Reportedly bought by Paul Mellon, January 1961 but
• Acquired by exchange from Mellon by Ian Fleming-Williams 1962
• Presented to the Tate Gallery in 1995
Questions in the operative period:
No information on whereabouts between ownership of Crotch and 1942 sale
MARLOW, William (1740-1813)
Capriccio: St Paul's and a Venetian Canal (?c.1795)
Oil paint on canvas
1295 x 1041 mm
Purchased 1954
N06213
Provenance:
• …; acquired 1954
Questions in the operative period:
No early history yet traced
MARSHALL, Benjamin (1768-1835)
Sir Charles Bunbury with Cox, his Trainer, and a Stable-Lad: A Study for 'Surprise and Eleanor'
(?1801)
Oil on canvas
407 x 638 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02365
Provenance:
• …; Arthur Ackermann and Son
• From whom purchased by Paul Mellon, 1966
Questions in the operative period:
No information on whereabouts prior to 1966
MARSHALL, Benjamin (1768-1835)
Interior of a Barn with a Milkmaid and Farm Labourer (circa 1820)
Oil on canvas
876 x 1041 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03432
Provenance:
• …; D. Lewis
• Sold anonymously Christie's 2 July 1928 (76)
• Bought by Hugh Blaker
• E. J. Rousuck
• From whom purchased by F. Ambrose Clark, by 1958
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
No information on how the painting moved from Hugh Blaker to E. J. Rousuck
MARTIN, John (1789-1854)
The Plains of Heaven (1851-3)
Oil on canvas
1988 x 3067 mm
Bequeathed by Charlotte Frank in memory of her husband Robert Frank 1974
T01928
Provenance:
• By descent within the Martin family
• Thomas Carew Martin (the artist’s grandson)
• By whom mortgaged to a Mr Bayley, 1906, and deposited with J. R. Saunders, carver and
gilder of 65 Great Portland Street
• Rolled up and in storage by 1923
• Displayed as for sale at Drake’s Little Gallery, London 1925
• Robinson, Fisher and Harding, 17 October 1935
• Where bought by Rex Nan Kivell (of the Redfern Gallery)
• . . .; Robert Frank
• Bequeathed to the Tate Gallery by Charlotte Frank in memory of her husband Robert Frank
1974
Questions in the operative period:
No clear information on sale of work by Nan Kivell
Uncertain whether Robert Frank acquired it from Nan Kivell
MARTIN, John (1789-1854)
Study for 'The Last Judgement' (circa 1853)
Pencil and ink on paper
150 x 302 mm
Purchased 1997
T07271
Provenance
• …; Ruthven Todd (1914-78) by 1945
• By descent
• Purchased by Michael J. Campbell, 1992
• By whom sold to the Tate 1997
Questions in operative period
No information on whereabouts prior to 1945
Additional information
Included in Ruthven Todd’s ms. lists of Martin's works (c.1945; Leeds and NAL), but earlier
references are yet to be found.
MARTIN, John (1789-1854)
The Fallen Angels Entering Pandemonium, from ‘Paradise Lost’: Book 1 (?exhibited 1841)
Oil on canvas
622 x 765 mm
Purchased 1943
N05435
Provenance:
• …; acquired 1943
Questions in the operative period:
No early history yet traced
MARTINEAU, Robert Braithwaite (1826-1869)
Kit's Writing Lesson (1852)
Oil on canvas
521 x 705 mm
Presented by Mrs Phyllis Tillyard 1955
T00011
Provenance:
• …; Mrs Phyllis Tillyard by 1955
Questions in the operative period:
No early history yet traced
attributed to MASTER OF THE GIANTS, (1755-1834)
Unknown Mythological Subject, No date
Graphite, ink and watercolour on paper
Purchased 1974
T01843
Provenance
• …; Gerald C. Paget, New York
• From whom acquired 1974
Questions in operative period
No date or source of purchase by Paget
MILLAIS, Sir John Everett, Bt (1829-1896)
Study for 'Christ in the House of His Parents' (circa 1849)
Pen and ink and wash on paper
190 x 289 mm
Presented by Sir Hickman Bacon 1935
N04792
Provenance:
• …; Sir Hickman Bacon by 1935
Questions in the operative period:
No information on whereabouts prior to 1935
MORLAND, George (1763-1804)
Outside an Inn, Winter (c.1795)
Oil paint on canvas
718 x 921 mm
Bequeathed by Mrs Mary Venetia James 1948
N05849
Provenance:
• …; Mrs Mary Venetia James by 1948
Questions in the operative period:
No early history yet traced
·········
MORLAND, Henry Robert (1716-1797)
A Girl Singing Ballads by a Paper Lanthorn (c.1765-82)
Oil paint on canvas
756 x 622 mm
Bequeathed by Mrs Frances Elinor Pearse 1944
N05471
Provenance:
• …; Mrs Frances Elinor Pearse by 1944
Questions in the operative period:
No early history yet traced
MORRIS, William (1834-1896)
Figure of Guinevere (circa 1858)
Watercolour and drawing on paper
1264 x 552 mm
Presented by the Trustees of the Chantrey Bequest 1940
N05221
Provenance:
• Probably via May Morris
Questions in the operative period:
Uncertain information on remaining in the Morris family
manner of MORTIMER, John Hamilton (1740-1779)
Rocky Landscape with Banditti (c.1770-80)
Oil paint on canvas
502 x 603 mm
Purchased 1960
T00342
Provenance:
• …; purchased 1960
Questions in the operative period:
No early history yet traced
MÜLLER, William James (1812-1845)
Waterfall with Fisherman, No date
Oil paint on canvas
508 x 400 mm
Purchased 1955
T00044
Provenance:
• …; acquired 1955
Questions in the operative period:
No early history yet traced
MULREADY, William (1786-1863)
Cottage and Figures (exhibited 1807)
Oil laid on board
397 x 333 mm
Purchased 1973
T01746
Provenance:
• …; Charles Meigh
• James Lenox, New York
• New York Public Library
• …; sold Sotheby's 4 April 1973 (169)
• Where bought by Colnaghi's
• From whom acquired by Tate Gallery
Questions in the operative period:
No dates or source of acquisition by Meigh or Lenox
MULREADY, William (1786-1863)
The Rattle (exhibited 1808)
Oil on canvas
375 x 340 mm
Purchased 1974
T01899
Provenance:
• Bought at the 1808 BI Exhibition by Sir Felix Agar
• …; Joseph Gillott by 1848, when lent to Society of Arts exhibition
• His sale, Chrisite's 27 April 1872 (265)
• Bought by Agnew
• …; H. W. F. Bolckow
• By whom sold Christie's 2 May 1891 (88)
• Bought by Agnew
• …; Spink and Son Ltd. 1974
Questions in the operative period:
No information on whereabouts between 1891 and 1974
MULREADY, William (1786-1863)
Cartoon for 'The Last In' (1834-5)
Chalk and pencil on paper
531 x 755 mm
Purchased 1991
T06501
Provenance:
• …; acquired 1991
Questions in the operative period:
No early history yet traced
MUNN, Paul Sandby (1773-1845)
Bedlam Furnace, Madeley Dale, Shropshire (1803)
Watercolour on paper
325 x 548 mm
Purchased 1986
T04172
Provenance:
• ...; Bonhams 1 July 1960 (225), 26 gns
• Bought by L. G. Duke
• Duke sale, Sotheby's 11 Feb. 1971 (145) £110
• Where bought by Judy Egerton (1928-2012)
• Purchased from her by the Tate in 1986
Questions in the operative period:
No information on whereabouts prior to 1960
NASMYTH, Patrick (1787-1831)
View on the Thames: Greenwich in the Distance (1820)
Oil on canvas
660 x 908 mm
Presented by Frederick John Nettlefold 1947
N05797
Provenance:
• exhibited Royal Academy 1820, no264
• …; Frederick John Nettlefold by 1937
Questions in the operative period:
No information on how work came into possession of Nettlefold
Additional Information
Published in vol III of Nettlefold's catalogue in 1937
PALMER, Samuel (1805-1881)
A Hilly Scene (circa 1826-8)
Watercolour and gum arabic on paper on mahogany
206 x 137 mm
Purchased 1948
N05805
Provenance:
• The artist
• By whom given to George Richmond, 1873
• By whom sold Christies 1 May 1897 as 'View near Sevenoaks'
• ? where acquired by Lady Kennedy
• Revd. H. Kennedy
Questions in the operative period:
Uncertainty about how work came into the possession of Lady Kennedy
PALMER, Samuel (1805-1881)
The Gleaning Field (circa 1833)
Tempera on mahogany
305 x 454 mm
Bequeathed by Mrs Louisa Mary Garrett 1936
N04842
Provenance:
• A.H. Palmer, the artist's son
• Christies 24 May 1909 lot 117 as 'The Gleaners'
• Bought Vicars
• Mrs Louisa Mary Garrett
Questions in the operative period:
Uncertainty about how work came into the possession of Mrs Garrett
PAYNE, William (c.1776-c.1830)
Wooded Landscape with a Cottage beside a Bridge, No date
Watercolour on paper
302 x 302 mm
Presented by Miss Marjorie Ball 1988
T05478
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
PAYNE, William (c.1776-c.1830)
River Scene with Fishermen Hauling their Nets, Moonlight, No date
Graphite and watercolour on paper
200 x 302 mm
Presented by Miss Marjorie Ball 1988
T05479
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
PERCY, Sidney Richard (1821-1886)
In Snowdonia (1853)
Oil on canvas
552 x 789 mm
Purchased with assistance from the Abbott Fund 1996
T07049
Provenance:
• …; acquired 1996
Questions in the operative period:
No early history yet traced
PETHER, Henry (active 1828-1865)
Greenwich Reach, Moonlight (exhibited 1854)
Oil on canvas
597 x 889 mm
Purchased 1962
T00493
Provenance:
• …; acquired 1962
Questions in the operative period:
No early history yet traced
POLLARD, James (1792-1867)
The 'Tally-Ho' London - Birmingham Stage Coach Passing Whittington College, Highgate (1836)
Oil on canvas
369 x 457 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03435
Provenance:
• …; ? untraced sale ‘Christie’s 1914’ (according to N. C. Selway. The Golden Age of Coaching and
Sport, London 1972)
• …; F. Ambrose Clark, by 1937 (when shown at Metropolitan Museum of Art, New York)
• His widow, Mrs F. Ambrose Clark
Questions in the operative period:
Uncertain whether acquired at ‘Christie’s 1914’ by F. Ambrose Clark
POLLARD, James (1792-1867)
Fly Fishing in the River Lee near the Ferry Boat Inn (1831)
Oil on canvas
356 x 446 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03436
Provenance:
• …; Arthur N. Gilbey
• Sold by his executors Christie’s 25 April 1940 (110, as ‘Fly Fishing at Tottenham Mills’)
• Where bought by C. Dunlop, New York
• F. Ambrose Clark after 1958
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
Uncertain when acquired by Gilbey
Additional information
Reproduced in the book by Gilbey’s collector father, Sir Walter Gilbey, Animal Painters, vol.II, 1900,
p.101, facing p.102.
POLLARD, James (1792-1867)
Coursers Taking the Field at Hatfield Park, Hertfordshire, the Seat of the Marquess of Salisbury
(exhibited 1824)
Oil on canvas
1042 x 1472 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03434
Provenance:
• …; anon. sale, Christie's 27 April 1917 (131)
• Bought Ellis & Smith
• F. Ambrose Clark by 1941
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
Uncertain whether acquired from Ellis & Smith by F. Ambrose Clark
POLLARD, James (1792-1867)
The Royal Mail Coaches for the North Leaving the Angel, Islington (1827)
Oil on canvas
1032 x 1464 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02366
Provenance:
• ...; Colonel Wetherly
• By whom sold Christie's 26 July 1902 (38)
• Sir Walter Gilbey
• By whom sold Christie's 12 March 1910 (125)
• Bought Agnew
• W. Lockett Agnew
• ...; anon. sale, Christie's 20 June 1975 (56, repr., and as frontispiece in colour)
• Bought John Baskett for Paul Mellon
Questions in the operative period:
No date or disposal by Lockett Agnew
No date or source for vendor in 1975 sale
POLLARD, James (1792-1867)
Trolling for Pike in the River Lee (1831)
Oil on canvas
356 x 446 mm
Bequeathed by Mrs F. Ambrose Clark through the British Sporting Art Trust 1982
T03437
Provenance:
• …; Arthur N. Gilbey
• Sold by his executors Christie’s 25 April 1940 (111, repr.)
• Where bought by C. Dunlop, New York
• F. Ambrose Clark after 1958
• His widow Mrs F. Ambrose Clark
Questions in the operative period:
Uncertain when acquired by Gilbey
Additional information
Referenced in the book by Gilbey’s collector father, Sir Walter Gilbey, Animal Painters, vol.II, 1900,
p.101
POOLE, Paul Falconer (1807-1879)
Sketch, (?Ophelia), No date
Oil paint on wood
267 x 368 mm
Purchased 1947
N05761
Provenance:
• …; acquired 1947
Questions in the operative period:
No early history yet traced
POOLE, Paul Falconer (1807-1879)
Sketch for 'The Death of Cordelia' (circa 1858)
Oil on canvas
457 x 597 mm
Presented by F. Howard 1938
N04909
Provenance:
• …; F. Howard by 1938
Questions in the operative period:
No early history yet traced
POTTER, Frank Huddlestone (1845-1887)
Head of a Girl, No date
Oil paint on canvas
102 x 83 mm
Bequeathed by Frank Hindley Smith 1940
N05081
Provenance:
• …; Frank Hindley Smith by 1940
Questions in the operative period:
No early history yet traced
POTTER, Frank Huddlestone (1845-1887)
Rest, No date
Chalk on paper
245 x 330 mm
Presented by Miss E.A. Whelan 1944
N05446
Provenance:
• …; Miss E.A. Whelan 1944
Questions in the operative period:
No early history yet traced
REINAGLE, Ramsay Richard (1775-1862)
A Boy Reading (circa 1795)
Oil on canvas
766 x 641 mm
Bequeathed by the Hon. Mrs A.E. Pleydell-Bouverie through the Friends of the Tate Gallery 1968
T01073
Provenance:
• …; Hon. Mrs A.E. Pleydell-Bouverie
• Bequeathed by her to Tate, 1968
Questions in the operative period:
No early history yet traced
REINAGLE, Ramsay Richard (1775-1862)
A Ruined Castle (1806)
Watercolour on paper
632 x 522 mm
Bequeathed by Miss Mary Holford 1989
T05559
Provenance:
• …; Miss Mary Holford by 1989
Questions in the operative period:
No early history yet traced
RICHMOND, George (1809-1896)
Abel the Shepherd (1825)
Tempera on oak
229 x 305 mm
Purchased 1948
N05858
Provenance:
• …; acquired 1948
Questions in the operative period:
No early history yet traced
ROSSETTI, Dante Gabriel (1828-1882)
Faust: Margaret in the Church (1848)
Drawing on paper
178 x 121 mm
Presented by E. Percival Allam 1946
N05745
Provenance:
• …; E. Percival Allam by 1946
Questions in the operative period:
No early history yet traced
ROWLANDSON, Thomas (1756-1827)
The Halt by a Hill, No date
Ink and watercolour on paper
Presented by G. D. Hornblower 1950
N05952
Provenance
• … ; G. D. Hornblower by 1950
Questions for operative period
No early history yet traced
RUSSELL, John (1744-1807)
Boy and Cat (1791)
Pastel on paper
587 x 445 mm
Bequeathed by Lionel Wormser Harris through the Art Fund 1940
N05248
Provenance
• … ; Lionel Wormser Harris by 1940
Questions for operative period
No early history yet traced
RUSSELL, John 1744-1807
The Fortune-Teller (exhibited 1790)
Pastel on paper
914 x 705 mm
Bequeathed by Lionel Wormser Harris through the Art Fund 1940
N05249
Provenance
• … ; Lionel Wormser Harris by 1940
Questions for operative period
No early history yet traced
RYLEY, Charles Reuben (circa 1752-1798)
Oscar Bringing Back Annir's Daughter (1785)
Oil on canvas
314 x 412 mm
Purchased 1984
T03854
Provenance:
• …; anon sale Sotheby's 21 December 1983 (50) £880 (illustrated);
• Bought Anthony Reed
• From whom bought by Tate
Questions in the operative period:
No early history yet traced
SANT, James (1820-1916)
The Duet, No date
Oil paint on canvas
768 x 641 mm
Bequeathed by Mrs J. Harrold 1936
N04856
Provenance
• … ; Mrs J. Harrold by 1936
Questions for operative period
No early history yet traced
SANT, James (1820-1916)
Rosalind, No date
Oil paint on canvas
791 x 664 mm
Presented by Mrs S. Swinton 1976
T02059
Provenance
• ...; sold at unidentified auction in Glasgow c. 1947
• Where bought by Mr S. Swinton
• His wife, Mrs S. Swinton
Questions for operative period
No information on date or source of vendor’s ownership
SARTORIUS, John Nost (1759-1828)
The Earl of Darlington Fox-Hunting with the Raby Pack: The Death (?1804-5)
Oil on canvas
711 x 914 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02371
Provenance:
• ...; Gilpin Brown, Sedbury Hall, Yorkshire
• Arthur Ackermann & Son Ltd.
• From whom purchased by Paul Mellon 1963
Questions in the operative period:
No information about source or date of acquisition by Gilpin Brown
Additional information
The earliest owner may be the cricketer William Dundas Gilpin Brown of Sedbuty Hall (1851-1923)
SARTORIUS, John Nost (1759-1828)
The Earl of Darlington Fox-Hunting with the Raby Pack: Drawing Cover (1805)
Oil on canvas
705 x 908 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02368
Provenance:
• ...; Gilpin Brown, Sedbury Hall, Yorkshire
• Arthur Ackermann & Son Ltd.
• From whom purchased by Paul Mellon 1963
Questions in the operative period:
No information about source or date of acquisition by Gilpin Brown
Additional information
The earliest owner may be the cricketer William Dundas Gilpin Brown of Sedbuty Hall (1851-1923)
SARTORIUS, John Nost (1759-1828)
The Earl of Darlington Fox-Hunting with the Raby Pack: Going to Cover (1805)
Oil on canvas
714 x 914 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02369
Provenance:
• ...; Gilpin Brown, Sedbury Hall, Yorkshire
• Arthur Ackermann & Son Ltd.
• From whom purchased by Paul Mellon 1963
Questions in the operative period:
No information about source or date of acquisition by Gilpin Brown
Additional information
The earliest owner may be the cricketer William Dundas Gilpin Brown of Sedbuty Hall (1851-1923)
SARTORIUS, John Nost (1759-1828)
The Earl of Darlington Fox-Hunting with the Raby Pack: Full Cry (1804)
Oil on canvas
702 x 899 mm
Presented by Paul Mellon through the British Sporting Art Trust 1979
T02370
Provenance:
• ...; Gilpin Brown, Sedbury Hall, Yorkshire
• Arthur Ackermann & Son Ltd.
• From whom purchased by Paul Mellon 1963
Questions in the operative period:
No information about source or date of acquisition by Gilpin Brown
Additional information
The earliest owner may be the cricketer William Dundas Gilpin Brown of Sedbuty Hall (1851-1923)
SEVERN, Joseph (1793-1879)
The Infant of the Apocalypse Saved from the Dragon (circa 1827-31/1843)
Oil on canvas
2235 x 1270 mm
Purchased 1982
T03357
Provenance:
• Promised as a gift by the artist to Cardinal Thomas Weld, who however died in 1837
• Sold 1843 to W. E. Gladstone, the future Prime Minister
• Sold Christie's 26 June 1875 (627, as ‘The Vision of St John in Patmos’)
• Bought Cox
• ...; J. Stuart Castle
• His executors, sold Phillips 9 April 1979 (118)
• Bought Julian Hartnoll
• Sold anonymously Sotheby's 17 March 1982 (83, repr.)
• Bought Tate Gallery
Questions in the operative period:
No date and source of ownership by J Stuart Castle
SHAYER, William, Senior (1787-1879)
A Village Festival (exhibited 1843)
Oil on canvas
902 x 1086 mm
Presented by the executors of C.F. Dendy Marshall 1955
T00018
Provenance:
• …; C.F. Dendy Marshall before 1955
Questions in the operative period:
No early history yet traced
SHEE, Sir Martin Archer (1769-1850)
Two Rustic Figures (circa 1817)
Watercolour on paper
133 x 111 mm
Presented by Miss Marjorie Ball 1986
T04368
Provenance:
• Presented by the artist to W.H. Harriott 1817
• …; Marjorie Ball by 1986
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
SINGLETON, Henry (1766-1839)
Palemon and Lavinia (circa 1792)
Oil on canvas
371 x 321 mm
Presented by Mrs Montague Bernard 1974
T01926
Provenance:
• …; sold Christie 20 November 1964, lot 138 (as by William Hamilton)
• Bought by Maas
• From whom acquired by Mrs Montague Bernard
Questions in the operative period:
No information on whereabouts prior to 1964 sale
SMITH, Thomas active 1780-1822
Lake of Como from Cadanabbia, near Bellagio, No date
Graphite, ink and watercolour on paper
152 x 279 mm
Presented by Miss Marjorie Ball 1988
T05480
Provenance:
• Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
SOLOMON, Abraham (1824-1862)
Waiting for the Verdict (1857)
Oil on canvas
1019 x 1273 mm
Purchased with assistance from the National Art Collections Fund and the Sue Hammerson Charitable
Trust 1983
T03614
Provenance:
• Perhaps bought from the artist by Charles Thomas Lucas (d. 1895) and with him by 1862
(when lent to the International Exhibition)
• C. J. Lucas, 1896 (when lent to the Victorian Era Exhibition)
• For sale, along with its companion T03615, at that exhibition
• Still with C. J. Lucas in 1909
• …; Cotching & Son, Horsham by 1958
• Anon sale, Sotheby’s Belgravia 9 April 1974 (105)
• Bought R. Dell
• Private collector
• From whom bought by the Tate Gallery through Albion Fine Art
Questions in the operative period:
No source or date of acquisition by Cotching & Son
SOLOMON, Abraham (1824-1862)
Not Guilty (The Aquittal) (exhibited 1857)
Oil on canvas
1016 x 1270 mm
Purchased with assistance from the National Art Collections Fund and the Sue Hammerson Charitable
Trust 1983
T03615
Provenance:
• Perhaps commissioned by Charles Thomas Lucas (d. 1895) as a companion to T03614 and
with him by 1862 (when lent to the International Exhibition)
• C. J. Lucas, 1896 (when lent to the Victorian Era Exhibition)
• For sale, along with its companion T03614, at that exhibition
• Still with C. J. Lucas in 1909
• …; Cotching & Son, Horsham by 1958
• Anon sale, Sotheby’s Belgravia 9 April 1974 (105)
• Bought R. Dell
• Private collector
• From whom bought by the Tate Gallery through Albion Fine Art
Questions in the operative period:
No source or date of acquisition by Cotching & Son
STANFIELD, Clarkson Frederick (1793-1867)
Eu, looking towards Tréport (1834)
Pencil, watercolour and gouache on paper
372 x 441 mm
Purchased 1996
T07134
Provenance:
• …; acquired 1996
Questions in the operative period:
No early history yet traced
STOTHARD, Thomas (1755-1834)
Classical Female Figures, No date
Ink and watercolour on paper
Bequeathed by Miss Alice G.E. Carthew 1940
N05191
Provenance
• …; Alice G. E. Carthew before 1940
Questions in operative period
No information on how work came into the possession of Carthew
Additional information:
Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911
STREATFEILD, Robert (1786-1852)
A Man Gazing over a Wide View of Laurensburg (circa 1845)
Drawing and watercolour on paper
127 x 175 mm
Presented by William Drummond 1988
T05469
Provenance:
• …; William Drummond by 1988
Questions in the operative period:
No early history yet traced
STUBBS, George (1724-1806)
A Couple of Foxhounds (1792)
Oil paint on canvas
1016 x 1270 mm
Purchased with assistance from the Friends of the Tate Gallery 1973
T01705
Provenance
• Revd Thomas Vyner?
• Taken by the family to Australia in 19th century
• Bought by Australian dealer, c.1970
• From whom acquired by Spink and Sons, London 1972
Questions in operative period
Uncertainty over consistent period in Australia prior to 1970
TUDOR, Thomas (1785-1855)
Evening Landscape, with a View over a Bay, No date
Watercolour on paper
125 x 246 mm
Presented by Miss Marjorie Ball 1988
T05481
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
TURNER, Daniel active (1782-1801)
Old London Bridge (after Samuel Scott, N00313), No date
Oil paint on canvas
559 x 1118 mm
Purchased 1947
N05784
Provenance:
• …; acquired 1947
Questions in the operative period:
No early history yet traced
TURNER, Daniel active (1782-1801)
Westminster Bridge, no date
Oil paint on wood
203 x 305 mm
Purchased 1947
N05785
Provenance:
• …; acquired 1947
Questions in the operative period:
No early history yet traced
after TURNER, Joseph Mallord William (1775-1851)
Scene on the Loire; A Distant View of the Château de Clermont, no date
Watercolour and gouache on paper on card
141 x 191 mm
Presented by Professor Luke Herrmann in memory of Kurt Panzer 1998
T07347
Provenance:
• …; acquired 1998
Questions in the operative period:
No early history yet traced
after TURNER, Joseph Mallord William (1775-1851)
Namur, on the Meuse, from the Liège Road, no date
Watercolour and gouache on paper
137 x 185 mm
Presented by Professor Luke Herrmann in memory of Kurt Panzer 1998
T07348
Provenance:
• …; acquired 1998
Questions in the operative period:
No early history yet traced
TURNER, Joseph Mallord William (1775-1851)
A Ruined Gateway, No date
Graphite on paper
Presented by Miss Marjorie Ball 1988
T05482
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
TURNER, Joseph Mallord William (1775-1851)
The Temptation on the Pinnacle (c.1834)
Graphite, watercolour and gouache on paper c.1834
212 x 160 mm
Purchased 1991
T06500
Provenance:
• …; acquired 1991
Questions in the operative period:
No early history yet traced
TURNER, Joseph Mallord William (1775-1851)
Rievaulx Abbey (engraved 1836)
Watercolour on paper
121 x 206 mm
Bequeathed by Travers Buxton 1945
N05615
Provenance:
• ? Andrew G. Kurtz sale, Christies 11 May 1891
• bought Agnews
• Mrs F. Hughes
• Travers Buxton
Questions in the operative period:
No information on how or when the work came into the possession of Mrs Hughes
TURNER, Joseph Mallord William (1775-1851)
Luxembourg from the Alzette Valley to the North (circa 1839)
Gouache and watercolour on paper
140 x 187 mm
Bequeathed by Beresford Rimington Heaton 1940
N05240
Provenance:
• …; Ellen Heaton
• Beresford Rimington Heaton, before 1940
Questions in the operative period:
No information on when or how the work came into the possession of Ellen Heaton.
TURNER, Joseph Mallord William (1775-1851)
Dryburgh Abbey (circa 1832)
Watercolour on paper
79 x l49 mm
Bequeathed by Beresford Rimington Heaton 1940
N05241
Provenance:
• …; Robert Cadell
• Beresford Rimington Heaton, before 1940
Questions in the operative period:
No information on date and source of ownship by Robert Cadell or Beresford Rimington Heaton
TURNER, Joseph Mallord William (1775-1851)
The Walls of Rome with the Tomb of Caius Sestus (engraved 1833)
Watercolour on paper
146 x 197 mm
Bequeathed by Beresford Rimington Heaton 1940
N05242
Provenance:
• 1878 sale, bought Makins (?dealer)
• Beresford Rimington Heaton, before 1940
Questions in the operative period:
No information on date and source of acquisition by Beresford Rimington Heaton
TURNER, Joseph Mallord William (1775-1851)
Trial Print (?circa 1812)
Intaglio print on paper
Image 194 x 266 mm
Purchased 1988
T05201
Provenance:
• …; N. W. Lott and H. J Gerrish Ltd
• From whom acquired by Tate Gallery 1988
Questions in the operative period:
No firm information on whereabouts prior to 1988
Additional information
Possibly printed by the engraver Frank Short (1857-1945)
TURNER, Joseph Mallord William (1775-1851)
The Siege of Seringapatam (circa 1800)
Watercolour, body colour and pencil on paper
421 x 654 mm
Purchased 1986
T04160
Provenance:
• …; Colnaghi
• From whom bought by Ray Livingston Murphy (d.1953), New York, 1948
• His executors’ sales, Christie’s 19 Nov. 1985 (26, repr. as Willian Daniell) withdrawn
• Christie’s 18 March 1986 (109, repr. in col. as attributed to J. M. W. Turner)
• Bought Andrew Wyld for Tate Gallery
Questions in the operative period:
No information on whereabouts prior to 1948
TURNER, Joseph Mallord William (1775-1851)
Yarmouth, from near the Harbour's Mouth (circa 1840)
Pencil, watercolour and pen and ink on paper
244 x 368 mm
Bequeathed by Beresford Rimington Heaton 1940
N05239
Provenance:
• …; Beresford Rimington Heaton, before 1940
Questions in the operative period:
No information on date or source for Beresford Rimington Heaton’s ownership
TURNER, Joseph Mallord William (1775-1851)
Parnassus and Castalian Spring (Delphi) (engraved 1833)
Watercolour and body colour on paper
184 x l40 mm
Bequeathed by Beresford Rimington Heaton 1940
N05238
Provenance:
• …; Beresford Rimington Heaton before 1940
Questions in the operative period:
No information on how or when work came into collection of Beresford Rimington Heaton
TURNER, Joseph Mallord William (1775-1851)
The Castle of St Angelo (engraved 1832)
Watercolour on paper
171 x 210 mm
Bequeathed by Beresford Rimington Heaton 1940
N05243
Provenance:
• …; Beresford Rimington Heaton before 1940
Questions in the operative period:
No information on how or when work came into collection of Beresford Rimington Heaton
TURNER, Joseph Mallord William (1775-1851)
Aldborough, Suffolk (circa 1826)
Watercolour and body colour on paper
280 x 400 mm
Bequeathed by Beresford Rimington Heaton 1940
N05236
Provenance:
• 1875 sale, bought Isaac
• …; Beresford Rimington Heaton before 1940
Questions in the operative period:
No information on how of when work came into collection of Beresford Rimington Heaton
UWINS, Thomas (1782-1857)
Vintage, Medoc (circa 1817)
Pencil on paper
210 x 295 mm
Purchased 1996
T07098
Provenance:
• …; acquired 1996
Questions in the operative period:
No early history yet traced
VARLEY, John (1778-1842)
Preliminary Sketch for Plate 3 of 'Treatise on Zodiacal Physiognomy' (1828)
Pencil on paper
Support: 115 x 186 mm
Presented by Martin Butlin CBE in memory of Hugo Schwab 1991
T06494
Provenance:
• John Linnell’s collection
• ? by descent within Linnell family
• ? by whom sold at Sotheby’s 10 June 1964
• Where acquired by Hugo Schwab
• From whom received by Martin Butlin
Questions in the operative period:
Uncertain continuity in early provenance
VARLEY, John (1778-1842)
Preliminary Sketch for Plate 4 of 'Treatise on Zodiacal Physiognomy' (1828)
Pencil and pen and ink on paper
174 x 227 mm
Presented by Martin Butlin CBE in memory of Hugo Schwab 1991
T06495
Provenance:
• John Linnell’s collection
• ? by descent within Linnell family
• ? by whom sold at Sotheby’s 10 June 1964
• Where acquired by Hugo Schwab
• From whom received by Martin Butlin
Questions in the operative period:
Uncertain continuity in early provenance
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07387
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07388
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07246
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07247
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07248
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07249
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07250
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07251
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07252
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07253
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07254
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07255
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07256
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07258
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07257
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07259
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Classical Landscape Composition (circa 1835)
Watercolour on paper
Support: 152 x 114 mm
Presented by Miss Marjorie Ball 1988
T05483
Provenance:
• …; Marjorie Ball by 1988
Questions in the operative period:
No source or date for Ball’s acquisition
Additional information:
Marjorie Ball, of Houndswood House, Harper, formed her collection from a wide variety of sources but
kept little provenance information.
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
No dimensions on database
Purchased 1997
T07260
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07261
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07262
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07263
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07264
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07267
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07265
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07268
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T0269
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T0266
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Sketch for 'Treatise on Zodiacal Physiognomy' (1828)
Mixed media on paper
Purchased 1997
T07270
Provenance
• .. J. S. Linnell
• Sold by him, Sotheby's 10.6.1964, lot 9, bought Hugo Schwab
• Purchased from his estate, Trim Bridge Galleries
• Sold by them to Tate 1997
Questions in Operative Period
Whereabouts prior to 1964 not known
Additional information
Almost certainly by descent from Varley and through the Linnell family, but needs to be documented
VARLEY, John (1778-1842)
Suburbs of an Ancient City (1808)
Watercolour on paper
722 x 965 mm
Presented by the Patrons of British Art through the Friends of the Tate Gallery 1990
T05764
Provenance:
• ..Basil Taylor by 1973
Questions in the operative period:
Whereabouts prior to 1973 to be checked
Additional information
Exh. Spink 1973
VON HOLST, Theodore (1810-1844)
Fantasy Based on Goethe's 'Faust' (1834)
Oil on canvas
1116 x 757 mm
Purchased 1990
T05747
Provenance:
• …; acquired 1990
Questions in the operative period:
No information on earlier whereabouts
WALLIS, Henry (1830-1916)
The Room in Which Shakespeare Was Born (1853)
Oil paint on board
292 x 419 mm
Purchased 1955
T00042
Provenance:
• …; acquired 1955
Questions in the operative period:
No early history yet traced
WARD, Edward Matthew (1816-1879)
Scene from 'David Garrick', No date
Oil paint on canvas
749 x 957 mm
Purchased 1933
N04697
Provenance:
• …; acquired 1933
Questions in the operative period:
No early history yet traced
WARD, James (1769-1859)
Study for 'Daniel in the Lion's Den' (c.1841 or c.1852)
Graphite on paper
86 x 127 mm
Purchased 1939
N04986
Provenance:
• …; I. von Ustinov by 1939
• Purchased (Clarke Fund 1939)
Questions in the operative period:
No information on whereabouts prior to 1939
WARD, James (1769-1859)
Fighting Stags, Study for 'Gordale Scar' (c.1811-15)
Graphite on paper
187 x 260 mm
Presented by Sir Robert Witt through the Art Fund 1940
N05161
Provenance
• …; Sir Robert Witt by 1940
Questions in operative period
No information on how work came into possession of Sir Robert Witt
WARD, James (1769-1859)
Gordale, Looking Out (Study for ‘Gordale Scar’) (1811)
Pencil on paper
386 x 269 mm
Purchased 1990
T05833
Provenance:
• …; acquired 1990
Questions in the operative period:
No early history yet traced
WARD, James (1769-1859)
Dying Swan (circa 1817)
Pencil and chalk on paper
244 x 333 mm
Purchased 1939
N04987
Provenance:
• …; Mr I. von Ustinov by 1939
• Purchased (Clarke Fund 1939)
Questions in the operative period:
No information on whereabouts prior to 1939
Additional Information
Enquiries in 1955 elicited no details from Mr von Ustinov.
WARD, James (1769-1859)
The Black Horse (1824)
Oil on wood
806 x 1121 mm
Presented by Mrs H. Arthurton in memory of her husband 1950
N05940
Provenance:
• …; H. Arthurton, before 1950
• His widow, Mrs H. Arthurton
Questions in the operative period:
No information on whereabouts prior to 1950
Additional information
Mrs Arthurton could supply no further information in 1955
WARD, James (1769-1859)
The Deer Stealer (exhibited 1823)
Oil on canvas
Support: 2289 x 3664 mm
Presented by F. Howard 1950
N05972
Provenance:
• Commissioned by T. Levett
• …; F. Howard
Questions in the operative period:
No information on whereabouts between Levett and Howard.
WARD, James (1769-1859)
Study of Sheeps' Heads (1836)
Oil on canvas
495 x 768 mm
Presented by the National Art Collections Fund 1943
N05410
Provenance:
• …; Colonel Tresham Gilbey, Bishop’s Stortford, by 1943
• His sale, Mark Hall, Harlow Essex, March 1943
• Bought by Henry A Sutch
• Presented by the National Art Collections Fund 1943
Questions in the operative period:
No information on whereabouts prior to 1943
Additional information
Tresham Gilbey (1862-1947) was joint-author of The History of the Essex Foxhounds and.
son of Walter Gilbey (1831-1914), the collector and writer on sporting art.
WARD, James (1769-1859)
Beef (circa 1805-15)
Oil on canvas
441 x 318 mm
Purchased 1942
N05318
Provenance:
• ...; Sir Michael Sadler
• The posthumous exhibition of his collection, Redfern Gallery 1941
• Purchased by the National Gallery and transferred to Tate 1942
Questions in the operative period:
Uncertain source and date for acquisition by Sadler
Additional Information
Sir Michael Sadler was an academic at Leeds and Oxford Universities, with a substantial collection of
nineteenth and twentieth century art.
WARD, James (1769-1859)
The Moment (1831)
Oil on wood
367 x 466 mm
Purchased 1982
T03440
Provenance:
• …; sold anonymously Christie's 24 June 1977 (114 as 'Marengo and the Serpent' repr.) £6,000
• …; Mrs E. Riley Smith
• Sold by her Sotheby's 7 July 1982 (25 as 'Marengo and the serpent' repro in colour) £8,800
• Bought for the Tate Gallery 1982
Questions in the operative period:
No information on whereabouts prior to 1977
WARD, James (1769-1859)
L’Amour de Cheval (1827)
Oil on canvas
1448 x 2126 mm
Presented by Francis Howard 1938
N04937
Provenance:
• Sold to Mr Darbeney for 300 gns
• Louis Huth sale, Christie's 20 May 1905 (68)
• Bought Arthurton £33.12
• …; anon (dealer) sale Christie’s 27 March 1936 (49), £15.4.6
• Bought Francis Howard
• Presented by Howard, 1938
Questions in the operative period:
No clear information on vendor in 1936
WARD, James (1769-1859)
Sketch for 'Daniel in the Lion's Den' (circa 1841 or circa 1852)
Oil on wood
171 x 235 mm
Purchased 1939
N04985
Provenance:
• Belonged to Mary Ward in 1907
• ?...; purchased (Knapping Fund) from Mr I. von Ustinov 1939
Questions in the operative period:
Uncertain whether acquired directly from Mary Ward by von Ustinov
WARD, James (1769-1859)
A Spaniel Frightening Ducks (1821)
Oil on canvas
1216 x 1819 mm
Purchased 1950
N05926
Provenance:
• …; Earl of Powis
• H. W. Arthurton
• Purchased from Thomas Agnew and Sons (Cleve Fund) 1950
Questions in the operative period:
No documented information on how or when work was acquired by Arthurton
WATTS, George Frederic (1817-1904)
Augusta, Lady Castletown (c.1846)
Oil paint on canvas
2083 x 1435 mm
Bequeathed by Maj. W.R.D. Mackenzie 1952
N06083
Provenance:
• …; Maj. W.R.D. Mackenzie before 1952
Questions in the operative period:
No early history yet traced
WEAVER, Thomas (1774 or 5 -1843)
Foxgloves and Brambles, with a Hawk Confronting an Adder (1814)
Oil on canvas
1118 x 943 mm
Purchased 1972
T01586
Provenance:
• …; private collection in the USA
• Leger Galleries 1972
• Where acquired by Tate Gallery
Questions in the operative period:
No information on date and source of work entered private collection in USA
Additional information
Sir Lawrence Weaver inheriting pictures (Connoisseur 1934) but checks with the family
in 1972 revealed nothing on this work.
WEBB, Philip (1831-1915)
The Bull and the Lion, No date
Watercolour and graphite on paper
660 x 991 mm
Purchased 1940
N05170
Provenance:
• …; acquired 1940
Questions in the operative period:
No early history yet traced
WEBSTER, Thomas (1800-1886)
A Letter from the Colonies (1852)
Oil paint on wood
413 x 521 mm
Purchased 1955
T00046
Provenance:
• …; acquired 1955
Questions in the operative period:
No early history yet traced
WEBSTER, Thomas (1800-1886)
Study for 'A Letter from the Colonies' (circa 1852)
Oil on board
116 x 122 mm
Presented by J. G. Milner 1986
T04145
Provenance:
• …; the London Art Market
• Where bought by J. G. Milner c. 1980
Questions in the operative period:
No information on whereabouts prior to c.1980
WEST, Benjamin (1738-1820)
View from the Terrace at Windsor (?1792)
Oil on canvas
283 x 371 mm
Purchased 1941
N05310
Provenance:
• By descent to the artist’s sons
• Sold by them, Robin’s, London 22-25 May 1829 (146),
• Bought Ward, 44 Bedford Square (William James Ward 1800-44)
• With William James Ward 1833
• …; Agnew
• Frost and Reid
• Purchased (Clarke Fund) 1941 Agnew $10
Questions in the operative period:
No clear provenance of work in years before 1941
WESTALL, Richard (1765-1836)
The Reconciliation of Helen and Paris after his Defeat by Menelaus (exhibited 1805)
Oil on wood
1270 x 1010 mm
Purchased 1956
T00088
Provenance:
• Commissioned by Thomas Hope in May 1804 and still in his family’s ownership in 1841
• …; ‘a Huddersfield Manufacturer’
• By whom sold to Coulter Galleries, 33 Ainsty Avenue, Dringhouses, York (by 1948-50).
• Appleby Bros. London, from whom purchased by Tate (Grant in Aid), June 1956
Questions in operative period
No information no whereabouts before 1948
WESTALL, William (1781-1850)
The Commencement of the Deluge (exhibited 1848)
Oil paint on canvas
1270 x 1930 mm
Purchased 1956
N01877
Provenance:
• …; acquired 1956
Questions in the operative period:
No early history yet traced
WHITE, Lt-Col George Francis (1808-1898)
Valley of the Dhoon from Landour (1829)
Pencil on paper
291 x 476 mm
Purchased 1991
T06478
Provenance:
• …; acquired 1991
Questions in the operative period:
No early history yet traced
WHITE, Lt-Col George Francis (1808-1898)
Rocky Islets on the Ganges at Colgong (1834)
Pencil on paper
323 x 494 mm
Purchased 1991
T06479
Provenance:
• …; acquired 1991
Questions in the operative period:
No early history yet traced
WHITE, Lt-Col George Francis (1808-1898)
View near Jubberah in the Himalayas (1829)
Pencil on paper
252 x 365 mm
Purchased 1991
T06477
Provenance:
• …; acquired 1991
Questions in the operative period:
No early history yet traced
WILKIE, Sir David (1785-1841)
Five Preliminary Studies for Figures in 'The Village Holiday'. Verso: Two Preliminary Studies
for Parts of Figures in 'The Village Holiday' (1809-10)
Chalk on paper
184 x 278 mm
Purchased 1984
T03821

Provenance:

• …; said to have been purchased at Phillips in Edinburgh or Glasgow c.1980
• acquired shortly afterwards from the purchaser by Mr R. Easson
• From whom bought by Tate Gallery
Questions in the operative period:
No information on whereabouts prior to 1980

WILKIE, Sir David (1785-1841)

Study for 'The First Ear-Ring' (1834)
Pencil and chalk on paper
Support: 521 x 368 mm
Presented by the National Art Collections Fund 1936
N04830

Provenance:

• …; Annie S. Wyse
Questions in the operative period:
No information on how work came into the possession of Wyse

WILLIAMS, Edward (1782-1855)

A Village Forge: Moonlight (?exhibited 1845 or 1847)
Oil on canvas
308 x 457 mm
Presented by Edward Croft-Murray 1965
T00788

Provenance:

• …; Edward Croft-Murray by 1965
Questions in the operative period:
No information on how work entered the collection of Edward Croft-Murray
WILLIAMS, William (active 1758-1797)
Thunderstorm with the Death of Amelia (1784)
Oil on canvas
Support: 635 x 1019mm
Purchased 1962
T00519
Provenance:
• …; probably sold Bonhams, 4 July 1957 (as by an unknown artist)
• Bought J. A. Tooth Ltd.
• Mrs Robert Frank 1962
• From whom purchased by J. S. Maas and Co., Ltd.
Questions in the operative period:
No information on whereabouts prior to 1957
WINDUS, William Lindsay (1822-1907)
Study of a Dead Child, the Artist's Son (1860)
Oil paint on canvas
149 x 159 mm
Presented by P. L. Teed 1937
N04885
Provenance:
• …; P. L. Teed by 1937
Questions in the operative period:
No early history yet traced
WOODFORDE, Samuel (1763-1817)
Study for 'The Bennett Family' (c.1803)
Graphite on paper
155 x 187 mm
Presented by W. Drummond through the Patrons of British Art 1989
T05535

Provenance

• …; William Drummond by 1989
Questions in operative period
No information on whereabouts before 1989

WOODFORDE, Samuel (1763-1817)

Study of Two Children in 'The Bennett Family' (c.1803)
Graphite and ink on paper
155 x 187 mm
Presented by W. Drummond through the Patrons of British Art 1989
T05536

Provenance

• …; William Drummond by 1989
Questions in operative period
No information on whereabouts before 1989

WOODWARD, Thomas 1801-1852

Horses Surprised by Wolves (1842)
Oil paint on canvas
733 x 1372 mm
Presented by the Art Fund 1943
N05426

Provenance:

• …; acquired 1943
Questions in the operative period:
No early history yet traced
WOOLNER, Thomas (1825-1892)
Alfred Tennyson (1856)
plaster
260 x 260mm
Purchased 1988
T05515
Provenance:
• …; Christopher Wood Galleries
• From whom acquired by Tate Gallery 1988
Questions in the operative period:
No early history yet traced

Phase 5 - List of works with incomplete provenance during the period 1933 - 1945

BEARDSLEY, Aubrey 1872-1898

Frontispiece to Chopin's Third Ballade (1895) Ink and wash on paper 260 x 245 mm Presented by the Patrons of British Art through the Tate Gallery Foundation 1999 T07487

Provenance:

• Acquired from the artist by Charles Holmes, editor of the Studio; • …; Colonel Mahlon [or Morton] C. Sands, England (in Brian Reade, Beardsley, London 1967, 1987, no.320) • offered for sale by his executors, Sothebys London, 19 June 1997 (69) and bought in; • Acquired for Patrons of British Art 1999 Questions in operative period: Uncertain dates of disposal by Holmes and acquisition by Sands

BEERBOHM, Max 1872-1956

Bravura: Sir William Orpen (1914) Graphite and watercolour on paper 394 x 283 mm Presented by Simon Nowell Smith 1952 N06043

Provenance:

• Leicester Galleries, 1921, • bought Charles Rutherston (d.1926); • …; Frank Hollings, bought at Sotheby's c1930-5; • …; Simon Nowell Smith Questions in operative period: Uncertain whereabouts between c1930-5 and 1952

BELL, Vanessa 1879-1961

Interior with a Table (1921) Oil paint on canvas 540 x 641 mm Bequeathed by Frank Hindley Smith 1940 N05078 Provenance: Frank Hindley Smith before 1940. Questions in operative period: 2 Uncertain whether acquired by Hindley Smith directly from the artist Additional information: Probably shown as ‘Interior’ at London Group exhibition April-May 1923 (68)

BISHOP, Henry 1868-1939

Sirocco, Tetuan (c.1907-8) Oil paint on canvas 305 x 356 mm Presented by Cecil French in memory of the artist 1940 N05006 Provenance: Cecil French by 1940 Questions in operative period: Slight uncertainty whether French acquired the work directly from the artist and date of acquisition
BOYCE, George Price (1826-1897)
Blackfriars Bridge: Moonlight Sketch (1863) Watercolour on paper 161 mm x 224 mm Presented by Mrs John Gere 1987 T05011 Provenance: • …; Abbott and Holder • from whom purchased by Mrs John Gere during their 1974 exhibition Questions in operative period: No secure information prior to 1974
BRAMLEY, Frank 1857-1915
Primrose Day (1885) Oil paint on canvas 502 x 351 mm Presented by Arthur Grogan 1985 T03962 Provenance: • …; anon sale, Christie's 28 January 1972, • where bought by Arthur Grogan Questions in operative period: No information prior to 1972. 3
BRETT, Dorothy 1883-1977 Pond at Garsington (1919) Oil paint on canvas on board 409 x 530 mm Presented by Tate Members 2012 T13665 Provenance: • …; anon sale Gorringe’s, Lewes, January 2002 • acquired by John Burrows • from whom acquired by Tate Members Questions in operative period: Further information being sought for the painting’s early history.
BRETT, John 1831-1902 Florence from Bellosguardo (1863) Oil on canvas 600 mm x 1013 mm Presented by Thomas Stainton in memory of Charles and Lavinia Handley-Read 1972 T01560 Provenance: • …; London art market, 1950s • Morris Redstone • Christie’s London 18 June 1965 (13 repr.) • Bought by Franck • Charles Handley-Read • His brother-in-law Thomas Stainton Questions in operative period: No information prior to 1950s Additional information: Handley-Reads were well-known for the revival of interest in Victorian painting.
BURNE-JONES, Sir Edward Coley, Bt (1833-1898) Study of the Maid for `King Cophetua and the Beggar Maid' (1883) Pencil on paper 302 mm x 191 mm Purchased 1963 T00565 Provenance: • ?Christie’s, 5 June 1919 (30) • …; acquired by Matthieson Gallery c.1959 4 • Purchased (Grant-in-aid) 1963 Questions in operative period: Unknown purchaser in 1919 and uncertain source of acquisition by Matthieson
BUVELOT, Louis (1814-1888) The Pool (1878) Watercolour on paper 178 mm x 254 mm Presented by Mrs M.W. Moody in memory of her two sons who were killed in the war, 1939-45 1951 N06017
Provenance:
• Mrs M.W. Moody by 1951 Questions in operative period: Uncertain source and date for Moody’s acquisition.

CLARKE HALL, Edna 1879-1979

Catherine Earnshaw Walking (1924) Ink on paper 578 x 394 mm Presented by the Contemporary Art Society 1940 N05131

Provenance:

• Possibly acquired by the C.A.S. at the Manchester exhibition of 1939, but this is not recorded Questions in operative period: Slight uncertainty over acquisition date and source

CLARKE HALL, Edna 1879-1979

Fireside with Woman and Dog (c.1899) Ink and watercolour on paper 397 x 279 mm Presented anonymously through the Contemporary Art Society 1941 N05420

Provenance:

With the CAS by 1941 Questions in operative period: Uncertain history prior to 1941 5 CLAUSEN, George 1852-1944 Winter Work (1883-4) Oil paint on canvas 775 x 921 mm Purchased with assistance from the Friends of the Tate Gallery 1983 T03666 Provenance: • …; anon sale, Sotheby's 3 Nov 1982 (37), • where bought by Fine Art Society, • from whom bought by Tate Gallery Questions in operative period: Uncertain early history

DAVIS, William (1812-1873)

A Day's Sport at Bidston Hill (circa 1865) Oil on canvas 301 mm x 401 mm Purchased 1986 T04170

Provenance:

• …; Anonymous sale Christie’s 26 October 1979 (78) sold £950 • …; Anonymous sale Sotheby’s 29 March 1983 £850 bought in • … ; With Julian Hartnoll by 1986 • Bought by Tate 1986 Questions in operative period: No information prior to 1979

DICK, William Reid 1878-1961

Dawn (1921) Marble 248 x 140 x 178 mm, 9.3 kg Presented by Sir Charles and Lady Tennyson in memory of their son Lieutenant Penrose Tennyson, RNVR 1942 N05378 Provenance: • Purchased from the artist at the Royal Academy 1921 by E P Dawber of the Fine Art Society • …; Sir Charles and Lady Tennyson before 1942 Questions in operative period: No record of the sculpture between 1921 and 1942 Additional information: 6 Dick was a Trustee of Tate at the time of the work’s donation
DOBSON, Frank 1888-1963
Mary (1927) Bronze 330 x 292 x 240 mm, 8.5 kg Presented by the Trustees of the Chantrey Bequest 1991 T06496 Provenance: Purchased from Fine Art Society 1979 Questions in operative period: No information prior to 1979
DODD, Francis 1874-1949
Ely (1926) Oil paint on canvas 508 x 762 mm Bequeathed by Frank Pick 1942 N05324 Provenance: With Frank Pick before 1942 Questions in operative period: Uncertain whether Pick acquired it when first shown at New English Art Club, August 1926 (98)
DOWNARD, Ebenezer Newman active 1849-1889 A Mountain Path at Capel Curig, Wales (1860) Oil paint on canvas 352 x 502 mm Purchased 1969 T01139 Provenance: • …; Sold Sotheby’s 5 June 1968 (117) • Bought by M. Newman Ltd. • Sold Christie’s 11 July 1969 (36) • Bought M. Bernard for Tate Questions in operative period: No information prior to 1968

DUGDALE, Thomas 1880-1952

7 The Red Jacket (exhibited 1924) Oil paint on canvas 762 x 641 mm Presented by Francis Howard 1935 N04788

Provenance:

Probably purchased from the artist by Francis Howard. Questions in operative period: Uncertainty over Howard’s purchase DURST, Alan L. 1883-1970 The Acrobats (1927) Cedar wood 590 x 240 x 250 mm Presented by Tate Members 2002 T07903 Provenance: • …; Sotheby’s 10 March 1993 • …; Christies’ 7 June 2002 • where acquired by Tate Members Questions in operative period: Uncertain early history Additional information: Probable that it remained with the artist until his death in 1970

ELMORE, Alfred (1815-1881)

Study for `Invention of the Combing Machine' (circa 1862) Oil on board 311 mm x 400 mm Presented by Capt. R.R. Trout 1934 N04736 Provenance: Capt. R.R. Trout by 1934 Questions in operative period: No early information

ENGELBACH, Florence 1872-1951

Roses (c.1934-8) Oil paint on canvas 356 x 406 mm 8 Presented anonymously 1939 N04978

Provenance:

Anonymous donor by 1939 Questions in operative period: No information prior to 1939 EPSTEIN, Jacob 1880-1959 Doves (1914-15) Greek marble 648 x 787 x 343 mm Purchased 1973 T01820 Provenance: • Bought from the artist by John Quinn in 1915 • Sold American Arts Association sale, New York, 12 Feb 1927 (712, repr) • ? E Weyhe, New York • ? Sydney J Lamon • Sold Christie’s, 4 December 1973 (109, repr.); • Bought Anthony d’Offay for the Tate Gallery. Questions in operative period: Uncertain information around ownership of Weyhe and Lamon

ETCHELLS, Frederick 1886-1973

Inscription 'Let us now Praise Famous Men' (1925) Stone 510 x 910 x 25 mm Transferred from the Victoria & Albert Museum 1983 T03724 Provenance: • ...; Department of Architecture and Sculpture, Victoria and Albert Museum, acquired 1934 (A. 47-1934). Questions in operative period: Slightly uncertain whether acquired directly from the artist by V&A. FEARON, Hilda 1878-1917 The Tea Party (1916) Oil paint on canvas 546 x 660 mm 9 Presented by Algernon Talmage 1936 N04832 Provenance: Algernon Talmage before 1936 Questions in operative period: Uncertain early history
FILDES, Sir Luke 1843-1927
Applicants for Admission to a Casual Ward (after 1908) Oil on canvas 571mm x 940mm Purchased 1970 T01227 Provenance: • Sir Luke Fildes sale Christie’s 24 June 1927 (5) • Bought by Gooden and Fox for Mrs Edwin Tate • …; F W Wignall • His widow, sold 1958 • Sir Leonard Stone, sold Christie’s 10 July 1970 (152 repr) • Bought by J S Maas and Co Ltd. for Tate Gallery Questions in operative period: Unknown source and date of acquisition by Wignall
FISHER, Mark 1841-1923 Snow Scene (1894) Oil on canvas 457 mm x 660 mm Presented by the Trustees of the Chantrey Bequest 1942 N05396 Provenance: Acquired by the Trustees of the Chantrey Bequest before 1942 Questions in operative period: Uncertain whether acquired directly from the artist or his estate
FITZGERALD, John Anster (1819-1906) The Fairy's Lake (?exhibited 1866) Oil on board 152 mm x 203 mm Purchased 1968 T01083 10 Provenance: • …; Sold Bonham’s, 9 May 1968 (225) • Bought by Fine Art Society Ltd • Bought by Mrs Robert Frank • Purchased by Tate (Elizabeth Pentland Bequest) 1968 Questions in operative period: No early history prior to appearance at auction FOSTER, Myles Birket (1825-1899) Eel Bucks (circa 1890) Watercolour on paper 102 mm x 140 mm Bequeathed by R.H. Williamson 1938 N04950 Provenance: • R.H. Williamson before 1938 Questions in operative period: No source or date of acquisition by Williamson FOSTER, Myles Birket (1825-1899) The Smithy (circa 1890) Watercolour on paper 102 mm x 140 mm Bequeathed by R.H. Williamson 1938 N04951 Provenance: • R.H. Williamson before 1938 Questions in operative period: No source or date of acquisition by Williamson
FRY, Roger 1866-1934 Still Life: Flowers (c.1912) Oil paint on canvas 965 x 610 mm frame: 1100 x 748 x 73 mm Purchased 1956 T00101 Provenance: • Contemporary Art Society by 1938 (when shown in
CAS exhibition, Bath) Questions in operative period: 11 Uncertain how this picture came into the possession of the CAS
FULLEYLOVE, John 1845-1908 South Entrance, Church of the Holy Sepulchre, Jerusalem (1901) Graphite on paper 352 x 251 mm Bequeathed by Mrs E.J. Thwaites 1955 N03568 Provenance: with Mrs E.J. Thwaites before 1955 Questions in operative period: No information about source or date of acquisition by Thwaites
GASCOYNE, David 1916-2001 Perseus and Andromeda (1936) Printed papers on paper 178 x 248 mm Purchased 1987 T05025 Provenance: • … ; Julian Andrews, bought in London c.1980 • Purchased by Tate (Grant-in-Aid) 1987 Questions in operative period: No information of the work’s early history
GERTLER, Mark 1891-1939 Queen of Sheba (1922) Oil paint on canvas 940 x 1073 mm Purchased 1963 T00605 Provenance: • Probably purchased from the artist by Dr Joseph Scanlan; • bequeathed in 1944 to his daughter Dr Elizabeth Mary Sheila Scanlan • and by her to her sister Mrs Marjorie M. Bunnemeyer • Purchased from Mrs Marjorie M. Bunnemeyer through the Hertford Art Society (Grant-in-Aid) 1963. Questions in operative period: Uncertainty over date and source of Scanlan’s original acquisition 12
GERTLER, Mark 1891-1939 The Servant Girl (1923) Oil paint on canvas 635 x 470 mm Purchased 1941 N05311 Provenance: • Purchased from J. W. Freshfield (Knapping Fund) 1941. Questions in operative period: Uncertain early history
GILBERT, Alfred 1854-1934 Charity (1877) Terracotta 327 x 95 x 89 mm Gift from the Fine Art Society 1958 T00167 Provenance: • Presented by the Fine Art Society 1958 Questions in operative period: No information prior to 1957 when discovered at the Fine Art Society following a fire 19 October 1957
GILBERT, Alfred 1854-1934 Mourning Angel (1877) Terracotta 318 x 127 x 76 mm Gift from the Fine Art Society 1958 T00168 Provenance: Presented by the Fine Art Society 1958 Questions in operative period: • No information prior to 1957 when discovered at the Fine Art Society following a fire 19 October 1957
GILBERT, Alfred 1854-1934 The Broken Shrine (?c.1900) Bronze 352 x 200 x 190 mm Presented by Maurice Yorke 1938 N04977 13 Provenance: • With Maurice Yorke before 1938 Questions in operative period: No information prior to 1938
GILBERT, Alfred 1854-1934 John Howard, the Prison Philanthropist (c.1893-4) Bronze 381 x 127 x 127 mm Bequeathed by Mrs J. Margaret Hadley 1949 N05885 Provenance: • With Margaret Hadley before 1949 Questions in operative period: No information prior to 1949 GINNER, Charles 1878-1952 Piccadilly Circus (1912) Oil paint on canvas 813 x 660 mm Purchased 1980 T03096 Provenance: • Sold by the artist with a group of his paintings to T W Spurr and Sons, Southport 1934 • …; Sold by H Holdsworth, Halifax, Christie’s London 15 July 1938 (100) • Bought by Webberley Gallery, Toronto • Webberley Gallery moved to Chicago, 1942 • Exhibited in Toronto Questions in operative period: Uncertain transfer of ownership between 1934 and 1938 GRANT, Duncan 1885-1978 Landscape, Sussex (1920) Oil paint on canvas 457 x 762 mm Bequeathed by Frank Hindley Smith 1940 N05075 Provenance: • Frank Hindley Smith before 1940 14 Questions in operative period: Uncertain source and date of acquisition by Hindley Smith Additional information: Hindley Smith was an early collector of Bloomsbury works
GRIMSHAW, Atkinson (1836-1893) Liverpool Quay by Moonlight (1887) Oil paint on canvas 610 x 914 mm Purchased 1967 T00902 Provenance: • R. E. A. Wilson; • Basil Jonzen c.1945; • Charles Hassé. • Purchased from Charles Hassé (Grant-in-Aid) 1967 Questions in operative period: Uncertain date and source of acquisition by Wilson.
GRIMSHAW, Atkinson (1836-1893) View of Heath Street by Night (1882) Oil paint on board 368 x 537 mm Purchased 1963 T00626 Provenance: Purchased 1963 Questions in operative period: Uncertain early history
GUTHRIE, Robin 1902-1971 Sermon on the Mount (1922) Oil paint on canvas 2450 x 1840 mm Presented by the Trustees of the Duveen Paintings Fund 1949, accessioned 1993 T06770 Provenance: • Presented by the the Duveen Paintings Fund by 1949 Questions in operative period: 15 Uncertain whether acquired directly from the artist
GWYNNE-JONES, Allan 1892-1982 Self-Portrait (c.1926) Oil paint on canvas 432 x 330 mm Presented by the Trustees of the Chantrey Bequest 1976 T02077 Provenance: Chantrey Purchase 1973 Questions in operative period: Slightly uncertain whether acquired directly from the artist
HALLIDAY, Edward 1902-1984 Christian and Hopeful Arrive before the Celestial City (1926) Oil paint on canvas 912 x 1206 mm Purchased 1994 T06872 Provenance: • The artist; • By descent • …; sold Christie’s 23 June 1994 (36) • where purchased for Tate Questions in operative period: Uncertain whether this student work remained with the artist throughout his lifetime
HEMY, Charles Napier (1841-1917) Evening Grey (1866-8) Oil on canvas 571 mm x 914 mm Presented by Godwin King 1938 N04921 Provenance: Godwin King by 1938 Questions in operative period: Uncertain date and source of acquisition by King
HEPWORTH, Barbara 1903-1975 Mother and Child (1934) 16 Cumberland alabaster on marble base 230 x 455 x 189 mm, 11.1 kg Purchased with assistance from the Friends of the Tate Gallery 1993 T06676 Provenance: • …; Bertha Jones • Anonymous sale [Bertha Jones] Sotheby’s 1 November 1967 (176 repr.) • Bought by Mrs Edna Cohen • From whom bought by Browse and Darby • Purchased with assistance from the Friends of the Tate Gallery 1993 Questions in operative period: The artist’s records list Bertha Jones though without a date or source of acquisition
HERBERT, J.G.S. active 1862 Allegorical Still-Life Oil paint on canvas 629 x 781 mm Purchased 1969 T01110 Provenance: • Acquired c1963 by Charles Jerdein, • sold Sotheby's 12 February 1969 (154), • bought in and subsequently sold to Fine Art Society Questions in operative period: No information prior to 1963 HUGHES, Arthur 1832-1915 Study for `The Eve of St Agnes'. Verso: Study for `The Guarded Bower' (circa 1855, circa 1866) Pencil on paper 227 mm x 149 mm Presented by Leonard Roberts 1995 T06979 Provenance: Presented by Leonard Roberts 1995 Questions in operative period: No information prior to 1995.
HURLSTONE, Frederick Yeates 1800-1869 Sancho Panza Attended by his State Physician (exhibited 1868) Oil on canvas 17 1092 mm x 1340 mm Presented by F. Howard 1938 N04938 Provenance: Presented by F. Howard 1938 Questions in operative period: No information prior to 1938.
JAMIESON, Alexander 1873-1937 The Tuileries Gardens and the Rue de Rivoli (1901-2) Oil paint on canvas 610 x 813 mm Presented by Mrs E.L. Shute 1937 N04882 Provenance: • Mrs E.L. Shute before 1937 Questions in operative period: Uncertain date and source of acquisition Additional information: Presented in the year of the artist’s death; at the same moment Mrs Shute gave another work by Jamieson to the Ashmolean JOHN, Augustus 1878-1961 Composition Sketch (1900) Ink on paper 251 x 324 mm Purchased from Jackson's (Pictures) Ltd of Cheshire (Knapping Fund) 1955 T00072 Provenance: • Crampton Gore; • John Burke; • Messrs Jackson's. Questions in operative period: No definite dates of acquisition JOHN, Augustus 1878-1961 A Canadian Soldier (1918) Oil paint on canvas 730 x 540 mm Purchased from Arthur Tooth & Sons (Knapping Fund) 1941 18 N05268 Provenance: • Shown by the artist at Alpine Club 1920 • …; Arthur Tooth & Sons • where purchased 1941 Questions in operative period: Uncertain information prior to 1941 Additional information: Likely to have remained with the artist until passed to Tooth’s JOHN, Augustus 1878-1961 Dorelia (c.1911-2) Oil paint on wood 330 x 235 mm Bequeathed by R.J. Dyson 1943 N05434 Provenance: • R.J. Dyson before 1943 Questions in operative period: Uncertain information prior to 1943 JONES, David 1895-1974 The Queen's Dish (1932) Watercolour on paper 550 x 760 mm Presented by Mrs Doreen Lucas in memory of her husband N.B.C. Lucas 1988 T05503 Provenance: • Mrs Doreen Lucas before 1988 Questions in operative period: No firm information prior to 1988 Additional information: Mr and Mrs Lucas appear to have been friends of the artist
KEENE, Charles Samuel (1823-1891) Two Artists Working by Lamplight in a Studio (circa 1860) Pen and ink on paper 187 mm x 127 mm Purchased 1984 19 T03840 Provenance: • ‘The artist's sale, Hammersmith’ (? a house sale after Keene's death in 1891; not in Lugt, and not yet traced), • bought by ‘Mr Cockerell, the builder’, • by whom given to Edith Holman-Hunt, William Holman Hunt's second wife before 1923 (when shown in Paintings and Drawings of the 1860 Period, Tate Gallery April-May 1923, 315) • ...; anon. sale Christie's 19 June 1979 (193) • bought Fine Art Society • from whom purchased by Tate Questions in operative period: Uncertain when the work left Edith Holman-Hunt’s collection Unidentified vendor in 1979
KELLY, Gerald 1879-1972 Alex and Demary Dancing in a Music Hall at Algiers (1906) Oil paint on wood 148 x 180 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03651 Provenance: • …; Galerie Wenning; • Roland, Browse & Delbanco March 1967; • Where acquired by the donor Nov. 1967 Questions in operative period: No early history for this work Additional information: The donor consulted the artist about the work’s subject matter LA THANGUE, Henry Herbert 1859-1929 The Return of the Reapers (1886) Oil paint on canvas 1190 x 695 mm Purchased 1982 T03413 Provenance: • Probably acquired from the artist by Herbert Mitchell • Still his in 1933 when lent to Royal Academy • … ; Cooling Galleries by 1968 • Acquired by the Fine Art Society Ltd. 1968 20 • Sold to Arthur Grogan 1972 • Bought by Tate Questions in operative period: Uncertain whereabout between 1933 and 1968
LAIDLAY, William James 1846-1912 On the Nile (1900) Oil paint on canvas 406 x 610 mm Bequeathed by Alan Evans 1974 T01891 Provenance: Bequeathed by Alan Evans to the National Gallery and transferred to the Tate Gallery 1974 Questions in operative period: No information prior to 1974.
LAVERY, John 1856-1941 The Glasgow Exhibition, 1888 (1888) Oil paint on wood 235 x 349 mm Purchased 1941 N05271 Provenance: • Leicester Galleries; • Where acquired 1941 Questions in operative period: Uncertain whether it passed direclty from the artist’s estate to Leicester Galleries 1941
LAVERY, John 1856-1941 Mrs Guthrie (1898) Oil paint on wood 318 x 171 mm Purchased 1945 N05578 Provenance: • Nicholson Gallery • Where purchased 1945. Questions in operative period: 21 No date of acquisition by Nicholson Gallery Additional information: Helen Newton (d.1912), married the painter Sir James Guthrie (1859–1930)
LEES, Derwent 1885-1931 Pear Tree in Blossom (1913) Oil paint on wood 324 x 406 mm Purchased from the Redfern Gallery (Knapping Fund) 1939 N05021 Provenance: • Redfern Gallery, April–May 1934 (16), as ‘The Pear Tree, Provence’; • lent to the Tate Gallery 1934–8 by Rex de C. Nan Kivell; • shown in Augustus John, J. D. Innes, Derwent Lees, Redfern Gallery, February–March 1939 (40). Questions in operative period: Uncertain where the work was before April 1934 LEMON, Arthur 1850-1912 The Wooing of Daphnis (exhibited 1881) Oil paint on canvas 852 x 1200 mm Presented by Daya Moonesinghe 1999 T07562 Provenance: • …; offered for sale, Sotheby’s 16 June 1982 (lot 170), bought in; • acquired after the sale by Mr D Moonesinghe, • by whom offered to the Tate Gallery Questions in operative period: No information prior to 1982
LEWIS, Wyndham 1882-1957 Creation Myth (1927) Gouache, paper, printed paper and ink on paper 327 x 298 mm Purchased from the Zwemmer Gallery (Cleve Fund) 1956 T00107 Provenance: • Arthur Crossland, by 1939 (when in Modern Paintings and Drawings lent by Arthur Crossland, Esq., Laing Art Gallery, Newcastle, 1939, 191); • sold Christie's, 3 February 1956 (65), 22 • bought by the Zwemmer Gallery Questions in operative period: Uncertain when and where acquired by Crossland LEWIS, Wyndham 1882-1957 Two Mechanics (c.1912) Ink and watercolour on paper 559 x 337 mm Purchased from Andrew Forge (Cleve Fund) 1956 T00108 Provenance: • Redfern Gallery • Andrew Forge by 1956 • Purchased by Tate (Cleve Fund) 1956 Questions in operative period: No date of acquisition by Redfern Gallery
LOWINSKY, Thomas 1892-1947 The Breeze at Morn (1930) Tempera on canvas 438 x 914 mm Presented by the Contemporary Art Society 1942 N05322 Provenance: • Purchased by the C.A.S. 1940 Questions in operative period: Slight uncertainty whether acquired directly from the artist by CAS
MAHONEY, Charles 1903-1968 Adam and Eve in the Garden of Eden (exhibited 1936) Oil paint on canvas 914 x 762 mm Presented by the Contemporary Art Society 1942 N05323 Provenance: • Purchased by the C.A.S. 1941 Questions in operative period: Uncertain whether acquired directly from the artist by CAS 23
MAITLAND, Paul 1863-1909 Barges, Chelsea Riverside, the 'Eighties (?c.1885-90) Oil paint on wood 277 x 321 mm Purchased 1948 N05879 Provenance: • The artist’s family • …; Leicester Galleries • Peyton Skipwith • The donor 1968 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 Hyacinth (c.1883) Oil paint on canvas 305 x 250 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03622 Provenance: • The artist’s family • …; Leicester Galleries • Peyton Skipwith • The donor 1968 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries MAITLAND, Paul 1863-1909 Factories Bordering the River (c.1886) Oil paint on canvas 257 x 370 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03623 Provenance: • The artist’s family • …; John Baillie, New Zealand • Bartholomew Bailey • The donor 1968 Questions in operative period: Uncertain date and source of acquisition by Baillie 24
MAITLAND, Paul 1863-1909 Surrey Side of the River - Grey Day (c.1886) Oil paint on wood 107 x 208 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03626 Provenance: • The artist’s family • …; Leicester Galleries • The donor 1967 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 The Embankment after a Shower (c.1888) Oil paint on wood 136 x 220 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03635 Provenance: • The artist’s family • …; Leicester Galleries • …; Colnaghi & Co Ltd • Lord Ilford (Geoffrey Hutchinson) • Sold Phillips 1988 (129) • Bought by Fine Art Society • The donor 1979 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries and by Colnaghi
MAITLAND, Paul 1863-1909 The Gardens, Chelsea Embankment (c.1889) Oil paint on wood 280 x 265 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03625 Provenance: • The artist’s family • …; Leicester Galleries • …; Colnaghi & Co Ltd 25 • Sold Christie’s 1964 • Bought by G Shankland • The donor Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries and by Colnaghi
MAITLAND, Paul 1863-1909 Riverside Industries (c.1889) Oil paint on wood 137 x 235 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03627 Provenance: • The artist’s family • …; Leicester Galleries • The donor 1967 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 The Three Public-Houses, Morning Sun Light (c.1889) Oil paint on canvas 760 x 705 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03647 Provenance: • The artist’s family • … ; Leicester Galleries • Hugh Beaumont • The donor Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 In Buckinghamshire (c.1890) Oil paint on wood 146 x 240 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03636 Provenance: 26 • The artist’s family • …; Leicester Galleries • The donor Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 A Yacht off Sheerness (c.1896) Oil paint on wood 235 x 137 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03637 Provenance: • The artist’s family • …; Leicester Galleries • The donor 1966 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 The Flower Walk, Kensington Gardens (c.1897) Oil paint on wood 263 x 393 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03633 Provenance: • The artist’s family • …; Leicester Galleries • …; Hugh Beaumont • The donor 1973 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries and Beaumont MAITLAND, Paul 1863-1909 Fall of the Leaves, Kensington Gardens (c.1900) Oil paint on wood 136 x 206 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03631 Provenance: 27 • The artist’s family • … ; Leicester Galleries • The donor Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries MAITLAND, Paul 1863-1909 By Hyde Park Gate, Kensington Gardens (c.1906) Oil paint on wood 99 x 180 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03630 Provenance: • The artist’s family • …; John Baillie, New Zeeland • Bartholomew Bailey • The donor 1965 Questions in operative period: Uncertain date and source of acquisition by Baillie
MAITLAND, Paul 1863-1909 Autumn, Kensington Gardens (c.1906) Oil paint on wood 102 x 173 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03632 Provenance: • The artist’s family • …; Leicester Galleries • The donor Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MAITLAND, Paul 1863-1909 Kensington Gardens with Chairs and Figures (c.1907) Oil paint on wood 108 x 175 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03634 Provenance: 28 • The artist’s family • …; John Baillie, NZ • Bartholomew Bailey • The donor 1965 Questions in operative period: Uncertain date and source of acquisition by Leicester Galleries
MASON, George (1818-1872) Study for `The Harvest Moon' (circa 1872) Pencil and gouache on paper 184 mm x 438 mm Presented by Mrs Auerbach 1934 N04737 Provenance: Mrs Auerbach by 1934 Questions in operative period: Uncertain date and source of acquisition by Auerbach
MASON, George (1818-1872) The Harvest Moon (exhibited 1872) Oil on canvas 864 mm x 2311 mm Bequeathed by Lord Faringdon 1934 N04742 Provenance: • Lord Faringdon (28 September 1850 – 17 March 1934) Questions in operative period: Uncertain source and date of acquisition by Faringdon
MCEVOY, Ambrose 1878-1927 Two Ballet Dancers with Dresser (c.1913) Graphite, watercolour and chalk on paper 483 x 521 mm Presented by Francis Howard 1940 N05217 Provenance: • The Hon. Evan Charteris (29 January 1864 – 16 November 1940) • Francis Howard by 1940 Questions in operative period: Uncertain date of acquisition by Charteris and transfer to Howard 29 Additional information: Charteris wrote a biography of John Singer Sargeant and was Chairman of Trustees of the Tate Gallery from 1934
MENPES, Mortimer 1855-1939 Flower of the Tea (1887-8) Oil paint on wood 267 x 171 mm Purchased 1970 T01229 Provenance: • …; Mrs C. W.M.Scott; • sold Sotheby’s, 7 May 1969, lot 58 as ‘Japanese Women selling Fruit at a Stall’; • bought Agnew; • John Lumley; • Agnew; • Purchased from Thos. Agnew & Sons (Grant-in-Aid) 1970 Questions in operative period: No information for date and source of Acquisition by Scott
MILLNER, William Edwards 1849-1895 A Wayside Gossip (1872) Oil paint on canvas 378 x 502 mm Purchased 1969 T01140 Provenance: • … ; Miss Hawks, London 1911 • … ; Oscar and Peter Johnson Ltd • Sold Christie’s 11 July 1969 (29) • Bought by M Bernard for Tate Questions in operative period: Uncertain date of acquisition by Johnsons MOORE, Albert (1841-1893) A Garden (1869) Oil on canvas 1746 mm x 879 mm Purchased with assistance from the Friends of the Tate Gallery 1980 T03064 30 Provenance: • …; Alexander Henderson (later Baron Faringdon) by 1894 • Sold by his executors, Sotheby’s 13 June 1934 (123) • Bought by Collings (£12) • …; Jarl Johanson, Halsingborg, Sweden by c.1970 • from whom acquired by Vagn Laursen, Shekkersten, Denmark c.1970 • from whom acquired by Steffen Irmang, c.1971, • by whom sold Sotheby's Belgravia, 1 October 1979 (42, repr.in colour), • bought Fischer Fine Art Ltd. • From whom acquired for Tate Questions in operative period: No date of disposal or purchaser from Collings. No date and source of acquisition by Johanson. MOORE, Albert (1841-1893) A Sleeping Girl (circa 1875) Oil on canvas 308 mm x 225 mm Presented by Arthur Grogan 1986 T04877 Provenance: • …; Cecil French (1879-1953) • Acquired from his collection by Abbott and Holder • c.1963 bought by John Grogan • From whom inherited by Arthur Grogan in 1966 Questions in operative period: No date for acquisition of work by Cecil French MOORE, Henry 1898-1986 Mask (1929) Cast concrete 200 x 180 x 130 mm Transferred from the Victoria & Albert Museum 1983 T03762 Provenance: • …; H Bergen by Dec 1949 • Presented by H Bergen to the V&A Museum (circ 11 – 1950) • Transferred to the Tate Gallery 1983 Questions in operative period: Uncertain source and date of acquisition by Bergen 31 MORRIS, Cedric 1889-1982 Experiment in Textures (1923) Oil paint on canvas 500 x 600 mm Purchased 1995 T06970 Provenance: • Purchased 1995 Questions in operative period: • Uncertain whether acquired from the artist’s estate MORRIS, Cedric 1889-1982 Les Ponts de Ceret (1923) Oil paint on canvas 651 x 810 x 21 mm Bequeathed by Mary Blair Zimmern 2001 T07784 Provenance: • …; Mary Blair Zimmern by 1984 (when shown at Tate Gallery) Questions in operative period: Uncertain source and date of acquisition by Zimmern Additional information: Zimmern was the subject of a portrait bust exhibited at Manchester Art Federation, Fine & Applied Art Exhibition, 1924 MORRIS, William (1834-1896) Guinevere and Iseult: Cartoon for Stained Glass (1862) Chalk, pencil and watercolour on paper 610 mm x 685 mm Presented by the Trustees of the Chantrey Bequest 1940 N05222 Provenance: • Uncertain whether acquired from the estate of the artist's daughter, May Morris (d.1938) Questions in operative period: No clear provenance information MORRIS, William (1834-1896) Angel of the Resurrection: Cartoon for Stained Glass (1862) 32 Crayon, pencil and watercolour on paper 689mm x 465mm Presented by the Trustees of the Chantrey Bequest 1940 N05223 Provenance: Uncertain whether acquired from the estate of the artist's daughter, May Morris (d.1938) Questions in operative period: No clear provenance information NASH, John 1893-1977 Rocks and Sand Dunes, Oxwich Bay, South Wales (c.1939) Watercolour and graphite on paper 394 x 571 mm Presented by the Contemporary Art Society 1940 N05206 Provenance: • purchased C.A.S., 1940. Questions in operative period: Uncertain whether acquired directly from the artist by CAS NASH, Paul 1889-1946 The Orchard (?1914) Watercolour, ink and graphite on paper 575 x 482 mm Purchased from The Fine Art Society Ltd (Grant-in-Aid) 1975 T01946 Provenance: • …; Sold Sotheby's, London, 7 April 1971 (70), • bought Hamet Gallery; • Peyton Skipworth • The Fine Art Society Questions in operative period: Uncertainty identification of the work and its date have hindered tracing its early history Additional information: Nash included ‘orchard’ in the title of a number of watercolours from 1914-19 NASH, Paul 1889-1946 Sketch for 'Lavengro and Isopel in the Dingle' (c.1911-12) 33 Gouache on paper 267 x 216 mm Purchased from Mrs Bertha James (Gytha Trust) 1975 T01945 Provenance: • Philip James • Mrs Bertha James Questions in operative period: Uncertain date and source of acquisition by James NEVINSON, Christopher Richard Wynne 1889-1946 Bursting Shell (1915) Oil paint on canvas 760 x 560 mm Purchased McLean Gallery 1983 T03676 Provenance: • ? Lady Tredegar by 1920 • …; Mrs Manuel Cansino mid 1950s • Her children • From whom purchased by Maclean Gallery • Purchased (Grant-in-Aid) 1983 Questions in operative period: Uncertain early history Additional information: • Lady Tredegar lent a work of the same title to the Nevinson exhibition in Manchester in 1920. • Mrs Manuel Cansino acquired the work ‘in response to an advertisement in the new Statesman’ NEVINSON, Christopher Richard Wynne 1889-1946 The Soul of the Soulless City ('New York - an Abstraction') (1920) Oil paint on canvas 915 x 608 mm Presented by the Patrons of British Art through the Tate Gallery Foundation 1998 T07448 Provenance: • The artist • With William Noble by 1937 • Fine Art Society by 1972 • Astaire and Co. Ltd 34 • Private collection Questions in operative period: Uncertain whether acquired directly from the artist by Noble NEVINSON, Christopher Richard Wynne 1889-1946 Dance Hall Scene (c.1913-14) Gouache and graphite on paper 222 x 197 mm Purchased 1974 T01913 Provenance: • R.J. Hayes; • sold at Christie's, 12 July 1974 (345, repr.) as ‘At the Dance Hall’; • bought Anthony d'Offay for the Tate Gallery Questions in operative period: No date or source of acquistion by Hayes. NICHOLSON, Ben 1894-1982 Jan 27 1933 (1933) Oil paint, graphite, paper doily and printed paper on canvas 891 x 683 x 29 mm Purchased with assistance from Mrs John Chandris and a group of donors 2000 T07595 Provenance: • …; exhibited 1992 • offered for sale Sotheby’s 7 December 1998 (lot 39), bought in; • subject to an export stop 1999 • Purchased 2000 Questions in operative period: Unknown early history O'CONOR, Roderic 1860-1940 Red Roofs (c.1894) Oil paint on canvas 318 x 400 mm Purchased 1966 T00820 • Georges Chaudt • M D Malinque • Roland, Browse and Delbanco 1962 35 • Purchased by Tate (Florence Fox Bequest) 1966 Questions in operative period: Uncertain source and date of acquisition by Chaudt O'CONOR, Roderic 1860-1940 Landscape (c.1895-1900) Oil paint on canvas 679 x 924 mm Presented by Barnett Shine 1978 T02328 Provenance: • Atelier O'Conor; • …; ‘a Paris auction, c1966’ • purchased there by Crane Kalman Gallery • Barnett Shine, 1967 Questions in operative period: Undated gap in provenance between Atelier O'Conor and Kalman OSBORN, William Evelyn 1868-1906 Beach at Dusk, St Ives Harbour (c.1895) Oil paint on canvas 610 x 510 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03649 Provenance: • …; Charles Murrish • Sold to WH Lane & Son, Penzance, 28 November 1978 (88, as ‘Landing the Catch, Evening St Ives’) • Bought by Nicholas Skeaping • Bought by the donor 1981 Questions in operative period: Uncertain information prior to 1978 PASMORE, Victor 1908-1998 Seated Couple (1933) Oil paint on canvas 308 x 358 x 18 mm Presented by the Contemporary Art Society in memory of Nancy Balfour 1999 T07489 Provenance: 36 • …; Euslin du Plessis; • from whom acquired by Nancy Balfour (d.1997) Questions in operative period: Uncertain source and date of purchase by du Plessis PHILLIP, John 1817-1867 The Antonia (1863) Oil on canvas 1118 mm x 914 mm Presented by Lady Forbes-Robertson 1939 N05025 Provenance: • Perhaps the picture ‘Antonita’ sold at the artist’s sale 1 June 1867 ( ) • Bought by Earl Fitzwilliam, 400gns • …; Richard Hemming • His sale, Christie’s 28 April 1894 (80) • Bought by Agnews, £157.10.0 • Anonymous sale, Christie’s 14 June 1902 (70), bought in, £152 5.0 • Anonymous sale, Christie’s 1919 (95) • Bought by Tooth and Sons • … ; Presented to the gallery by Lady Forbes-Robertson, 1939 Questions in operative period: Uncertain whether acquired by Forbes-Robertson from Tooth PICKARD, Louise 1865-1928 Still Life by a Window (c.1916) Oil paint on canvas 813 x 1016 mm Presented by the Trustees of the Chantrey Bequest 1941 N05347 Provenance: • ? Goupil Gallery, January 1924 as 82, ‘A Cottage Window’, or 84, ‘Still Life’ (Goupil Gallery label on reverse); • Sir Cyril Kendall Butler by 1925; • …; Redfern Gallery 1941 • Where acquired by the Trustees of the Chantrey Bequest Questions in operative period: No confirmed date of disposal by Butler (d. 1936) or acquisition by Redfern. Additional information: Butler was the artist's chief patron 37 PORTER, Frederick J. 1883-1944 Winter Landscape (c.1929) Oil paint on canvas 571 x 737 mm Bequeathed by Frank Hindley Smith 1940 N05079 Provenance: Frank Hindley Smith before 1940 Questions in operative period: Uncertain whether acquired by Hindley Smith directly from the artist POTTER, Frank Huddlestone 1845-1887 Head of a Girl Oil paint on canvas 102 x 83 mm Bequeathed by Frank Hindley Smith 1940 N05081 Provenance: • Frank Hindley Smith before 1940 Questions in operative period: Uncertain whether acquired by Hindley Smith directly from the artist POTTER, Mary 1900-1981 The Window, Chiswick (1929) Oil paint on canvas 764 x 552 mm Purchased with funds provided by the Helena and Kenneth Levy Bequest 1990 T05834 Provenance: No early history RATCLIFFE, William 1870-1955 Clarence Gardens (1912) Oil paint on canvas 570 x 762 mm Purchased 1982 T03359 Provenance: • …; Roland, Browse and Delbanco, London, • where acquired by the Contemporary Art Society 1946, 38 • by whom given to the Russell-Cotes Art Gallery and Museum, Bournemouth 1946; • their sale, 14 October 1959, Knight, Frank and Rutley (49, as ‘A London Square’), • where bought for £2 by Holder; • ... ; Mr and Mrs David Drown; • Anthony d’Offay Gallery, London, by 1979, • from whom bought by Tate Gallery 1982 Questions in operative period: Uncertain whether Roland, Browse and Delbanco acquired it directly from the artist REINGANUM, Victor 1907-1995 Diagram (1939) Papers and gouache on paper on board 334 x 532 mm Purchased 1984 T03891 Provenance: • Shown in Art in Britain 1930-40 Centred around Axis Circle Unit One, Marlborough Fine Art, March-April 1965 (142, as ‘Diagram VI'); • Purchased from Blond Fine Art (Grant-in-Aid) 1984 Questions in operative period: Uncertain whether Blond Fine Art acquired directly from the artist Additional information: The artist responded to questions about the work in 1984 ROBERTS, William 1895-1980 Leadenhall Market (1913) Graphite and ink on paper 587 x 470 mm Purchased 1963 T00581 Provenance: • Commissioned from the artist by Sir Cyril Kendall Butler (d. 1936); • …; Richard Troy; • Redfern Gallery c. 1961–2, • Purchased from the Redfern Gallery (Grant-in-Aid) 1963 Questions in operative period: Uncertain date or source of acquisition by Troy 39 ROBERTS, William 1895-1980 Drawing for 'The Return of Ulysses' (1913) Ink and chalk on paper 305 x 460 mm Purchased 1972 T01561 Provenance: • The artist • …; Anthony d’Offay by 1972. Questions in operative period: Uncertain whether acquired directly from the artist in 1972 ROBERTS, William 1895-1980 Study for 'Two Step' (1915) Graphite on paper 298 x 229 mm Purchased 1968 T01100 Provenance: • …; Sold anonymously at Sotheby’s 11 December 1958 (290) • Bought by Leicester Galleries 1958 • Purchased by the Friends of the Tate Gallery 1969 Questions in operative period: Unidentified vendor in 1958

ROBERTS, William 1895-1980

The Diners (1919) Oil paint on canvas 1524 x 832 mm Presented by the Friends of the Tate Gallery 1959 T00230

Provenance:

• Commissioned from the artist by M. Rudolph Stulik, proprietor of the Restaurant de la Tour Eiffel, 1919; • sold c. 1937; • …; purchased from a private dealer by the Leicester Galleries 1958; • purchased from the Leicester Galleries by the Friends of the Tate Questions in operative period: Unidentified private dealer between c.1937 and 1958
ROBERTS, William 1895-1980 40
Athletes Exercising in a Gymnasium (1920) Ink, watercolour and graphite on paper 451 x 359 mm Purchased 1960 T00322

Provenance

: • Rudolph Stulik; • …; Louis Golding until 1958 Questions in operative period: Uncertain date and source of acquisition by Golding Additional information: M. Rudolph Stulik was proprietor of the Restaurant de la Tour Eiffel, who commissioned The Diners (T00230) from the artist 1919

ROBERTS, William 1895-1980

Self-Portrait Wearing a Cap (1931) Oil paint on canvas 559 x 359 mm Purchased 1942 N05372

Provenance:

• Sir Cyril Kendall Butler (d.1936) • His estate until 1942, • the Redfern Gallery • Where purchased by Tate Gallery (Knapping Fund) 1942. Questions in operative period: Date and source of acquisition by Butler unknown ROBERTS, William 1895-1980
Sparring Partners (c.1919) Watercolour and graphite on paper 355 x 255 mm Bequeathed by Pauline Vogelpoel, Director of the Contemporary Art Society, 2002, accessioned 2004 T11792

Provenance:

• the artist; • …; Pauline Vogelpoel • by whom bequeathed to Tate 2002 Questions in operative period: Uncertain source and date of acquisition by the bequeather 41 ROBERTS, William 1895-1980
The Port of London (c.1920-4) Oil paint on canvas 533 x 748 mm Presented through the Friends of the Tate Gallery, Helena and Kenneth Levy Bequest 1990 T05761

Provenance:

• Exhibited as ‘River Scene’, Chenil Galleries 1923. • …; acquired by Kenneth Levy Questions in operative period: Uncertain source and date of acquisition by Levy ROBERTS, William 1895-1980 Deposition from the Cross (c.1926) Oil paint on canvas 495 x 591 x 17 mm Presented by Blanche Jones 2001 T07740 Provenance: • the artist • …; Sir Michael Sadler (d. Oct 1943); • …; sold Christies, London, 25 May 1945 • where purchased by Mr & Mrs S.L. Jones • by descent to Blanche Jones Questions in operative period: Slight uncertainty whether Sadler acquired directly from the artist

RUTHERSTON, Albert 1881-1953

Laundry Girls (1906) Oil paint on canvas 915 x 1170 mm Presented by Humbert Wolfe 1939 N04996

Provenance:

• Sold at the New English Art Club, London, July 1906; • ... ; John Spiegelberg by 1925 when listed by R.M.Y. Gleadowe, until at least 1932 when listed by Rutherston in letter to Tate Gallery; • ... ; Humbert Wolfe by 1939, • by whom presented to Tate Gallery 42 Questions in operative period: Uncertain source and date of acquisition by Wolfe Additional information: Wolfe was a close friend of Rutherston, who was a frequent guest. Rutherston was the uncle of John Rothensstein who became the Director of the Tate Gallery in 1938.

SHEFFIELD, George (1839-1892)

Churchyard at Bettws-y-Coed (1865) Watercolour on paper 200 mm x 298 mm Bequeathed by Sir Arthur Crosfield 1938 N04973 Provenance: • Sir Arthur Crosfield before 1938 Questions in operative period: No information on source or date of acquisition by Crosfield SICKERT, Walter Richard 1860-1942 Girl at a Window, Little Rachel (1907) Oil paint on canvas 508 x 406 mm Accepted by HM Government in lieu of tax and allocated to the Tate Gallery 1991 T06447 Provenance: • Probably purchased from the artist in 1907 by Hugh Hammersley • …; Dr Robert Emmons by 1947 • Agnews, 1947 • Bought by Roland, Browse and Delbanco, 1947 • From whom bought in 1960 by William E Wallace • His widow, Hon. Mrs EA Wallace • From whose estate accepted in li Questions in operative period: Uncertain source and date of acquistion by Emmons SICKERT, Walter Richard 1860-1942 Off to the Pub (1911) Oil paint on canvas 508 x 406 mm frame: 695 x 595 x 45 mm Presented by Howard Bliss 1943 43 N05430 Provenance: • ... ; bought by Howard Bliss by 1940 (but probably much earlier), • by whom presented to Tate Gallery 1943. Questions in operative period: No information prior to 1943 SICKERT, Walter Richard 1860-1942 Study for 'L'Armoire à glace' (1922) Graphite, ink, watercolour and gouache on paper 260 x 187 mm Purchased 1941 N05312 Provenance: • Walter Howarth, • from whom purchased by Tate Gallery 1941. Questions in operative period: No ownership details prior to 1941 SICKERT, Walter Richard 1860-1942 Study for 'Ennui' (1913-14) Ink on paper 419 x 340 mm Presented by the Friends of the Tate Gallery 1960 T00350 Provenance: • ... ; Alfred Jowett, • sold Christie’s, London, 17 July 1959 (119), • bought Agnew’s, London, • from whom acquired by the Friends of the Tate Gallery 1960 Questions in operative period: Uncertain date and source of acquisition by Jowett
SICKERT, Walter Richard 1860-1942 Study for 'The Little Tea Party' (1915-16) Chalk on paper 228 x 357 mm Purchased 1945 N05619 44 Provenance: • Leicester Galleries • From whom purchased by Roland, Browse and Delbanco • Purchased by Tate 1945 Questions in operative period: No dates of acquisition SICKERT, Walter Richard 1860-1942 Study for 'L'Armoire à Glace' (c.1922) Ink on paper 281 x 132 mm Presented by Roland, Browse and Delbanco 1952 N06087 Provenance: • Walter Howarth (until at least 1941); • ... ; purchased from Charles A. Jackson, Manchester, by Roland, Browse and Delbanco, London, September 1952, • and presented to Tate Gallery Questions in operative period: No information date of acquisition by Howarth
SICKERT, Walter Richard 1860-1942 The Seducer (c.1929-30) Oil paint on canvas 425 x 625 mm Purchased 1989 T05529 Provenance: • Savile Gallery by 1930 • ...; Purchased at the Adams Gallery Nov. 1949 by John W. Blyth (1873-1962), Kirkcaldy; • Sold by order of his legatees Sotheby’s, 15 April 1964 (19), bt Ellis for £300 • ... sold Sotheby’s, London, 15 December 1965 (31) for £140; • ... ; Mrs Behr, her sale, Sotheby’s, 23 April 1969 (25), • bought D. Gray for £200; • ... ; David Praed, • from whom bought by Lady Simone Warner 1969; • her sale Christie’s, London, 10 June 1988 (359), • bought in at £3,200; • her sale Christie’s, London, 3 March 1989 (315), • bought Tate Gallery for £3,345. Questions in operative period: 45 Uncertain source and date of acquisition by Adams Gallery SIMS, Charles 1873-1928 Study for 'I am the Abyss and I am Light' (1928) Gouache, graphite and chalk on paper on board 285 x 400 mm Purchased 1997 T07299 Provenance: • Acquired at Abbot and Holder by Gillian Lee • From whom purchased 1997 Questions in operative period: Uncertain date and soucre for acquisition by Abbott and Holder
SMITH, Matthew 1879-1959 Peaches (1937) Oil paint on canvas 603 x 730 mm Purchased 1941 N05266 Provenance: • Purchased from Arthur Tooth & Sons (Knapping Fund) 1941. Questions in operative period: No record of ownership 1937 - 1941
SOLOMON, Simeon (1840-1905) Study of Sappho (1862) Pencil on paper 267mm x 209mm Purchased 1980 T03104 Provenance: • …; Durlacher Gallery, New York • From whom purchased by Van Deren Coke, c.1965, • on whose behalf sold by Christopher Wood 1980. Questions in operative period: No date or source of acquisition by Durlacher.
SOLOMON, Simeon (1840-1905) A Youth Relating Tales to Ladies (1870) 46 Oil on canvas 355mm x 534mm Presented by the Kretschmer family in accordance with the wishes of William Kretschmer 1983 T03702 Provenance: • … • Mr Coverley Price; • bought by Fine Art Society in Feb 1963; • where bought by Mr Kretschmer 1968 Questions in operative period: No information prior to 1963 SOUTHALL, Joseph Edward 1861-1944 Belgium Supported by Hope (1918) Tempera on canvas 318 x 410 mm Purchased 1983 T03699 Provenance: • Marian E Longford 1918 • …; Fine Art Society. • Where purchased 1983 Questions in operative period: Gap in provenance after 1918
SOUTHALL, Joseph Edward 1861-1944 The Mount of Olives (1922) Crayon, pastel and watercolour on paper 577 x 356 mm Presented anonymously in memory of Paul and Rachel Cadbury 1994 T06855 Provenance: Questions in operative period: No early history
SOUTHALL, Joseph Edward 1861-1944 Cinderella (1893-5) Watercolour on paper 543 x 384 mm Purchased 1974 47 T01930 Provenance: • …; Elizabeth Baker, Cheltenham; • sold at Sotheby's, Belgravia, 5 November 1974 (45); • bought Fine Art Society Ltd. for the Tate Gallery Questions in operative period: No source or date of acquisition by Baker
SPENCER, Gilbert 1892-1979 The Crucifixion (1915) Oil paint on canvas 864 x 991 mm Purchased from Fine Arts Society 1974 T01903 Provenance: • The Rev. Desmond Chute; • Lady McFadyean; Colin McFadyean; • old Christie's 20 March 1970, (27); • bought Fine Art Society Questions in operative period: Uncertain whether Chute acquired directly from the artist
SPENCER, Stanley 1891-1959 Study for 'Joachim among the Shepherds' (1912) Graphite, ink, chalk and watercolour on paper 406 x 371 mm Chantrey Purchase from Miss Lillian Browse 1955 T00048 Provenance: • Sir Cyril Kendall Butler, • from whom purchased by Miss Lillian Browse in 1940 Questions in operative period: Uncertain source and date of acquisition by Butler
SPENCER, Stanley 1891-1959 Study for 'The Bridge' and other works (1912-20) Graphite and watercolour on paper 356 x 508 mm Presented anonymously 1947 N05775 48 Provenance: Presented anonymously 1947 Questions in operative period: No information prior to 1947
STEER, Philip Wilson 1860-1942 What of the War? (c.1881) Oil paint on canvas 915 x 677 x 19 mm Purchased from Barbizon House (Knapping Fund) 1945 N05618 Provenance: • Mrs Frances E Thorne • Anonymous sale Christie’s, 13 March 1925 (3) • Bought by Holdsworth • Anonymous sale Christie’s, 3 February 1928 (90) • Bought by Brockbank • Owen Smith by 1929 • Anonymous sale Christie’s, 20 July 1945 (124) • Bought by Lockett Thomson of Barbiz Questions in operative period: Uncertain whether Owen Smith was the vendor at Christie’s in 1945
STEER, Philip Wilson 1860-1942 Girl in a Blue Dress (c.1891) Oil paint on wood 273 x 210 mm frame: 460 x 391 x 45 mm Bequeathed by Sir Hugh Walpole 1941 N05295 Provenance: • Sir Hugh Walpole by 1937 Questions in operative period: Uncertain source and date of acquisition by Walpole
STOKES, Marianne 1855-1927 Candlemas Day (c.1901) Tempera on wood 416 x 340 mm Presented by the Trustees of the Chantrey Bequest 1977 T02108 49 Provenance: • Bought by C.M. Moore from the RA, 1901; • …; with Abbot & Holder 1969; • bought Fine Art Society; • sold A. Ballard 1970; • sold Sotheby's Belgravia 10 April 1973 (183); • bought Jeremy Mass; • sold John Anderson; • Fine Art Society 1973. • Purchased from the Fine Art Society Questions in operative period: No information prior to 1969 STUDD, Arthur 1863-1919 The Mauve Hat (?) (c.1900-10) Oil paint on wood 220 x 157 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03644 Provenance: • …; Roland, Browse and Delbanco • Bought by the donor c.1965 Questions in operative period: No information or dates prior to acquisition by Roland, Browse and Delbanco STUDD, Arthur 1863-1919 Venetian Lyric (San Giorgio)(?) (c.1900-10) Oil paint on wood 127 x 217 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03645 Provenance: • …; Mrs Elga Johnson, niece of a friend of the artist • The donor 1966 Questions in operative period: No information about first owner STUDD, Arthur 1863-1919 Venetian Lyric (Santa Maria della Salute)(?) (c.1900-10) 50 Oil paint on wood 127 x 217 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03646 Provenance: • …; Mrs Elga Johnson, niece of a friend of the artist • The donor 1966 Questions in operative period: No information about first owner SWAN, John Macallan 1847-1910 Young Indian Leopard and Tortoise (exhibited 1897) Metal 159 x 330 x 140 mm Bequeathed by Ernest L. Sichel 1941 N05277 Provenance: Ernest L. Sichel before 1941 Questions in operative period: No information prior to 1941 SWAN, John Macallan 1847-1910 Boy and Bear Cubs (exhibited 1902) Bronze 1638 x 889 mm Presented by Sir Paul Makins Bt 1934 N04729 Provenance: Sir Paul Makins Bt before 1934 Questions in operative period: No information prior to 1934 SWYNNERTON, Annie Louisa (1844-1933) Miss Elizabeth Williamson on a Pony (1906) Oil on canvas 1682 mm x 1312 mm Presented by F. Howard 1939 N05019 Provenance: • F. Howard by 1939 51 Questions in operative period: No information prior to 1939 THOMAS, James Havard 1854-1921 Mrs Asher Wertheimer Graphite on paper 330 x 300 mm Transferred from the Archive 1995 T07021 Provenance: No early history THOMAS, James Havard 1854-1921 Alma Wertheimer Ink, graphite and watercolour on paper 300 x 317 mm Transferred from the Archive 1995 T07022 Provenance: No early history THOMAS, James Havard 1854-1921 A Wertheimer Daughter, Profile Graphite and watercolour on paper 250 x 230 mm Transferred from the Archive 1995 T07023 Provenance: No early history THOMAS, James Havard 1854-1921 A Wertheimer Daughter, Full Face Graphite and watercolour on paper 385 x 297 mm Transferred from the Archive 1995 T07024 Provenance: No early history THOMAS, James Havard 1854-1921 52 Joseph Lister Graphite on paper 405 x 367 mm Transferred from the Archive 1995 T07025 Provenance: No early history THORNYCROFT, Hamo 1850-1925 The Mower (1888-90) Bronze 585 x 330 x 185 mm Presented by Arthur Grogan 1985 T03963 Provenance: • One of an edition of 25 casts exhibited RA 1890; • …. ; this one sold Capes Dunn, Manchester, 18 March 1969 (136) • bought Fine Art Society, • from whom bought by Arthur Grogan, June 1969: • on loan to Tate Gallery 1983-5 Questions in operative period: No information prior to 1969. TIBBLE, Geoffrey 1909-1952 Three Women (1930) Oil paint on canvas 305 x 406 mm frame: 409 x 514 x 70 mm Presented anonymously in memory of Sir Terence Rattigan 1983 T03655 Provenance: • Sir Augustus Daniel; • Leicester Galleries 1950–1970; • ...; Abbot and Holder; • the donor 1970 Questions in operative period: Uncertain date and source for acquisition by Daniel TIBBLE, Geoffrey 1909-1952 Demolition of Verlaine's House (1938) Oil paint on canvas 914 x 711 mm frame: 1162 x 953 x 116 mm 53 Purchased 1990 T05748 Provenance: Questions in operative period: No early history TREVELYAN, Julian 1910-1988 Bomblet (1937) Metal, clay, wood and Perspex 400 x 465 x 68 mm Purchased 1998 T07465 Provenance: • Purchased from Jonathan Clark 1998 Questions in operative period: No early history TREVELYAN, Julian 1910-1988 Rubbish May be Shot Here (1937) Graphite, ink, watercolour, printed paper and card on paper 310 x 540 mm Purchased 2006 T12162 Provenance: No early history UNDERWOOD, Leon 1890-1975 The Fireside (1919) Tempera on canvas 460 x 359 mm Presented by the Trustees of the Chantrey Bequest 1977 T02248 Provenance: • ...; R.G. Waldron, Kent by 1964, • sold Christie's 13 July 1964 (368) • bought Sanders of Oxford; • sold Christie's 30 October 1970 (98) • bought Fine Art Society; Archer Gallery, 1971; • sold Christie's 13 July 1973 (266) • bought New Grafton Gallery. • from whom acquired 1977 54 Questions in operative period: No information prior to 1964 UNDERWOOD, Leon 1890-1975 Manitu Bird (1935) Wood and paint 310 x 706 x 530 mm Presented by Michael Chase 1994 T06887 Provenance: Presented by Michael Chase 1994 Questions in operative period: Uncertain whether acquired directly from the artist UNDERWOOD, Leon 1890-1975 Totem to the Artist (1925-30) Wood and metal 1105 x 254 x 273 mm Presented by the Trustees of the Chantrey Bequest 1964 T00644 Provenance: With the Trustees of the Chantrey Bequest by 1964 Questions in operative period: Uncertain whether acquired directly from the artist WADE, Thomas (1828-1891) Turf Cutters (1869) Oil on canvas 900mm x 700mm T07050 Provenance: Purchased 1996 from Peter Nahum, Leicester Galleries. Questions in operative period: No information prior to 1966
WADSWORTH, Edward 1889-1949 Landscape (1913) Gouache and graphite on paper 276 x 295 mm 55 Purchased from Colnaghi's (Grant-in-Aid) 1974 T01904 Provenance: • Mrs Violet Wallis; • Mrs Daisie Ashby-Bolton 1951; • Mrs Grace Green 1966; • Mrs H. E. Poulton 1970; • with Colnaghi's 1974 Questions in operative period: Uncertain whether acquired directly from the artist by Wade
WADSWORTH, Edward 1889-1949 Abstract Composition (1915) Gouache, ink and graphite on paper 419 x 343 mm frame: 690 x 530 x 15 mm Purchased 1956 T00109 Provenance: Purchased from the Mayor Gallery 1956 Questions in operative period: No information prior to 1956
WAINWRIGHT, John active 1845-1873 Flower-piece (1867) Oil paint on canvas 662 x 559 mm frame: 745 x 645 x 60 mm Bequeathed by Mrs Bessie Gornall 1982 T03378 Provenance: Bequeathed by Mrs Bessie Gornall 1982 Questions in operative period: No information prior to 1982, many similar paintings with similar titles [pair sold Sotheby's New York 20 April 1983 lot 71] WALKER, Dame Ethel 1861-1951 Self-Portrait (?exhibited 1930) Oil paint on canvas 635 x 765 mm frame: 814 x 943 x 80 mm 56 Presented by Major E.O. Kay 1951 N06006

Provenance:

Presented by Major E.O. Kay 1951 Questions in operative period: No information prior to 1951

WALLIS, Alfred 1855-1942

Boats at Rest in Mount's Bay Oil paint on board 434 x 482 mm frame: 433 x 487 x 40 mm Presented by Catherine Gaskin Cornberg 2002 T07924 Provenance: Catherine Gaskin Cornberg before 2002 Questions in operative period: No provenance details WALTON, Edward Arthur 1860-1922 Berwickshire Field-workers (1884) Oil paint on canvas 914 x 609 mm Purchased from the Fine Art Society (Grant-in-Aid) 1982 T03447

Provenance:

• Christie Brothers (latterly owners of Messrs Guthrie and Wells, Glasgow furnishers and stained glass manufacturers who supported and employed most of the Glasgow Boys) Questions in operative period: No provenance dates

WATERHOUSE, John William 1849-1917

Study for 'Consulting the Oracle' Verso: Studies of (i) Same Composition (ii) Priestess on a Tripod Throne (c.1884) Watercolour on paper. Verso: ink on paper 124 x 244 mm Purchased 1977 T02106 Provenance:

57 Purchased from Abbott and Holder (Grant-in-Aid) 1977 Questions in operative period: No information prior to 1977

WATERHOUSE, John William 1849-1917

Study for 'Saint Eulalia' (c.1885) Ink and watercolour on paper 127 x 76 mm Purchased 1977 T02107 Provenance: • Abbott and Holder • Purchased (Grant-in-Aid) 1977 Questions in operative period: No information prior to 1977; Additional infromation: oil sketch for ‘St. Eulalia’ formerly at Rugby School, part of a collection dispersed in 1950 (present whereabouts unknown).

WILLIAMS, Terrick 1860-1936

Quiet Twilight, Honfleur (exhibited 1922) Oil paint on canvas 921 x 1270 mm Presented by Evelyn E. Barron 1937 N04858

Provenance:

Purchased by E.E. Barron from the Fine Art Society 1937. Questions in operative period: No provenance prior to 1937

WOLMARK, Alfred 1877-1961 Decorative Still Life (c.1911) Oil paint on canvas 622 x 762 mm Purchased from Eric Wolmark through the Fine Art Society (Grant-in- Aid) 1970 T01241 Provenance:

• Wilfred Malone; sold Sotheby’s, 1 April 1962 (134) as ‘Vase of Flowers’, • Bought W. E. Walker; • Eric Wolmark (the artist’s son) 58 Questions in operative period: Uncertain early provenance 1911-1962

WOOD, Christopher 1901-1930

Study for 'Church at Tréboul' (c.1929-30) Graphite on paper 305 x 380 mm Purchased 1968 T01085 Provenance: • William Edmiston by 1938, when lent to New Burlington Galleries • ?... • Redfern Gallery; • Piccadilly Gallery, from whom bought by George Milman July 1960 Purchased from George Milman (Gytha Trust) 1968 Questions in operative period: No information prior to 1938, gap 1938-1960

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Jun 22, 2019

Tate Provenance Research Project Spoliation Reports

UK Museums Provenance Research Projects: TATE

Lists of works with incomplete provenance during the period 1933 - 1945

Spoliation Reports Phases 1,2 and 3

Phase 4 - List of works with incomplete provenance during the period 1933 - 1945

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DANBY, Francis (1793-1861)

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DANIELL, Thomas (1749-1840)

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DANIELL, Thomas (1749-1840)

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DOBSON, William Charles Thomas (1817-1898)

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WILKIE, Sir David (1785-1841)

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WILLIAMS, Edward (1782-1855)

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WOODFORDE, Samuel (1763-1817)

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WOODWARD, Thomas 1801-1852

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Phase 5 - List of works with incomplete provenance during the period 1933 - 1945

BEARDSLEY, Aubrey 1872-1898

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BEERBOHM, Max 1872-1956

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