May 20, 2022

Tooth in Provenance: UK Collections Trust Spoliation Reports and Getty Public Collections

The name "Authur Tooth" appears frequently in provenances with gaps for the Nazi era. 

This post lists the search results for "Tooth" in the UK Spoliation Reports published by the Collections Trust

 Spoliation Reports from UK Museum: Search results for: Tooth

Maximilien LUCE

Description: Landscape with Willow Trees 1887

Reference: 3318

Questions in the operative period: When and from whom did Debat acquire the work? When and from whom did Galerie Vallotton acquire the work? Did Tooth purchase the painting from Vallotton? Where was the work between 1933 and 1945?

Materials: oil on canvas

Acquisition: Purchased, 1975

Dimensions: 50 x 61.3 cm

Provenance: M. Debat, Paris; Galerie Vallotton, Lausanne; purchased by Arthur Tooth & Sons, London, 25 November 1963;sold by Tooth's to the Hon Mrs H Marcow, November 1963;re-purchased by Tooth's, 1967;sold to an English Private Collector; Sotheby's 2 July 1975, lot 60; purchased by Tooth's for Glasgow Museums in 1975

Institution: 

Part of: Paintings

PICASSO, Pablo (1881-1973)

Description: Mère et enfant [Mother and Child], 1902

Reference: GMA 967

Questions in the operative period: Date and details of acquisition and disposal by Gaffé. Date and details of acquisition and disposal by Kahnweiler. Date and details of acquisition and disposal by Berggruen et cie. Date and details of acquisition by Arthur Tooth & Sons Ltd

Materials: Oil on paper laid on canvas

Acquisition: Presented by Sir Alexander Maitland QC in memory of his wife Rosalind, 1960.

Additional information: + Details of the work's earlier provenance were provided by Tooth's in 1954, as René Gaffé, Brussels (Tooth's claimed that the work had been 'for many years in the collection of Mr Calfée'; it has since been assumed that this was a mis-reading of René

Dimensions: 40.5 x 33cm

Provenance: René Gaffé, Brussels *Daniel-Henry Kahnweiler, Paris *Berggruen et cie, Paris *Arthur Tooth & Sons Ltd, London by 1950; Purchased from the above by Sir Alexander Maitland, December 1954

Institution: 

Part of: Paintings

Philip Wilson Steer

Description: Reverie, c.1908

Reference: Inventory No. 300

Questions in the operative period: When and where did A. Tooth acquire the painting? Where was the painting between 1933-1945?

Materials: Oil on canvas

Acquisition: Purchased from A. Tooth, 1947

Additional information: -

Dimensions: 66 x 53.3cm

Provenance: Purchased from A. Tooth, 1947

Institution: 

Part of: Paintings

Camille Pissarro

Description: Effect of snow at Eragny with an apple tree, 1895

Reference: PD.974-1963

Questions in the operative period: When and from whom did Chervot acquire it; did Tooth acquire it from Chervot; did Milner-White acquire it from Tooth, if so, when; where between 1933-39;1939-45?

Materials: Oil on canvas

Acquisition: Bequeathed by the Very Rev. E.Milner-White, 1963

Dimensions: 38.1 x 46 cm

Provenance: With P.E.Chervot, Cambridge, 1939; with Arthur Tooth & Sons; the Very Rev.E.Milner-White.

Institution: 

Part of: Paintings

Vuillard A1190

Description: Le Dejeuner **

Reference: -

Questions in the operative period: where before 1939?

Materials: oil on card

Acquisition: allocated from the estate of Dudley Tooth in 1994

Additional information: -

Dimensions: 460:222

Provenance: Sam Salz (Paris 1939), Tooth's, Mrs Hugh Neame, Tooth's,

Institution: 

Part of: Paintings

FORAIN, Jean-Louis, 1852-1931

Description: The Unwed Mother

Reference: K2886

Questions in the operative period: Where was the painting between 1933-1945?

Materials: Oil on canvas

Acquisition: Purchased from Messrs Tooth's Gallery, 1963

Dimensions: 24 x 29 (61 x 73.7)

Provenance: Collection of Beurdeley; with A. S. Frere by 7/1963; Christie's sale, 5/7/1963 (lot 50); purchased from Christies sale by Arthur Tooth & Sons; purchased by Bristol Museum & Art Gallery from Arthur Tooth & Sons, 1963

Institution: 

Part of: Paintings

SEURAT, Georges-Pierre, 1859-1891

Description: Sunset (Coucher de Soleil)

Reference: K2892

Questions in the operative period: Where was the painting between 1933-1945?

Materials: Oil on panel

Acquisition: Purchased from A.Tooth & Sons, 1963

Dimensions: 6 x 93/4 (15.2 x 24.8cm)

Provenance: Painted circa 1881; probably in Seurat’s studio at his death, 1891 (where it was stamped ‘Seurat’ and included on the posthumous inventory of the artist’s estate for eventual distribution to friends and family); acquired by Félix Fénéon either directly from the artist by gift/purchase, or by posthumous distribution from the estate of the artist after 1891; - ? -; with R K Blair, Scotland, date unknown; with Galerie Étienne Bignou, date unknown; with Knoedler & Co, New York, 6/1928 (part share); purchased from Knoedler & Co by Alexander Reid & Lefevre Ltd, London, 16/3/1929; - ? -; Scott, London, 1938, cat. no. 30; - ? -; Delacroix to Dufy: French Paintings of the Nineteenth and Twentieth Centuries, Lefevre Gallery, London, 6-7/1946, cat. no. 50; purchased from Lefevre Gallery, 1946, by Mrs A. Chester Beatty; by inheritance to Sir Alfred Chester Beatty, Dublin, 1952; on loan from Sir Alfred Chester Beatty to National Gallery, London, 12/1955-3/3/1961; with Arthur Tooth & Sons, 1961, where offered for sale on behalf of Sir Alfred Chester Beatty; purchased by Bristol Museum & Art Gallery from Arthur Tooth & Sons, 27/11/1963

Institution: 

Part of: Paintings

**Harpignies, Henri

Description: Environs de St. Pierre, Yonne, dated: 1889

Reference: 1462

Questions in the operative period: From whom and when did Arthur Tooth & Sons acquire the work? Where was the painting between 1933 - 1945?

Materials: Oil on canvas

Acquisition: Purchased from Arthur Tooth & Sons, London, 1954.

Dimensions: 602 x 812mm

Provenance: Purchased by Arthur Tooth & Sons from a private collection in Paris.

Institution: 

Part of: Paintings

SISLEY, Alfred (1839-1899)

Description: Molesey Weir, Hampton Court 

Reference: NG 2235

Questions in the operative period: When and from whom did Arthur Tooth & Sons acquire the picture? When and from whom did Mrs Kleinwort acquire the picture?

Materials: Oil on canvas

Acquisition: Presented by Sir Alexander Maitland in memory of his wife Rosalind 1960

Dimensions: 51.10 x 68.80 cm (framed: 74.90 x 92.70 x 10.50 cm)

Provenance: J.-B. Faure, Paris; Mme Faure, Paris;Exh. London, Royal Acad. 1932; Arthur Tooth & Sons, London; Mrs Elizabeth Kleinwort (by 1942); Exh. London, National Gallery 1942; Mrs Olive Parker, London (by 1949); Arthur Tooth & Sons, London; Mrs and Mrs A. Maitland (December 1957)

Institution: 

Part of: Paintings

Gustave Courbet

Description: Beneath the trees at Port-Berteau [The Glade; 'La ronde enfantine']

Reference: PD.28-1951

Questions in the operative period: Where acquired by Tooth and when; where between Baudry and Tooth in Switzerland; how did it get to Switzerland; where between 1933-45?

Materials: Oil on canvas

Acquisition: Given by the Very Rev.E.Milner-White, 1951

Dimensions: 67 x 52.1 cm

Provenance: Etienne Baudry; Swiss market; with Arthur Tooth & Sons, from whom bought by Milner-White in 1951.

Institution: 

Part of: Paintings

Forain

Description: La Salle d'Attente

Reference: ABDAG002352

Questions in the operative period: Where before Tooth & Sons, London, England? Where was the painting between 1933-45?

Materials: canvas

Acquisition: Purchased in 1954 with the aid of a grant from the Jaffrey Fund.

Dimensions: 605:735

Provenance: Arthur Tooth & Sons, Address: London, England (1954)

Institution: 

Part of: Uncategorized

MORET, Henri (1856-1913)

Description: Village in Clohars 1897

Reference: NMW A 2490

Questions in the operative period: Date and details of acquisition by Arthur Tooth & Son

Materials: Oil on canvas

Acquisition: Bequeathed to the NMGW by M.S. Davies, 1963

Dimensions: 54.6 x 65.1cm

Provenance: Arthur Tooth & Son 1959 *Bought by M.S. Davies 1963

Institution: 

Part of: Paintings

Amadeo Modigliani

Description: A Female Nude (Nue)

Reference: D.1938.10

Questions in the operative period: Where was it between 1933 and 1938?

Materials: Pencil on paper

Acquisition: Presented anonymously, via Arthur Tooth and Sons Ltd, London in 1938

Additional information: -

Dimensions: 351 (H) x 298 (W) mm

Provenance: Presented via Arthur Tooth & Sons, 1938

Institution: 

Part of: Uncategorized

**Rosa, Salvator

Description: Mountainous Landscape with Figures and a Man Bathing, undated

Reference: 20820

Questions in the operative period: From whom and when did Arthur Tooth and Sons acquire the work? Where was the painting between 1933-1945?

Materials: Oil on canvas

Acquisition: Purchased from Messrs. P. & D. Colnaghi and Co. Ltd., 1961.

Dimensions: 980 x 1365mm

Provenance: Purchased by Colnaghi's from Arthur Tooth and Sons, 1961.

Institution: 

Part of: Paintings

COURBET, Gustave (1819-1877)

Description: Trees in the Snow, about 1865

Reference: NG 2234

Questions in the operative period: (Daber appears on the Art Newspaper list) From whom did Daber obtain the picture?

Materials: Oil on canvas

Acquisition: Sir Alexander Maitland Bequest 1960

Dimensions: 72.30 x 91.50 cm (framed: 96.50 x 114.80 x 11.00 cm)

Provenance: Coll. Duc de Trévise; Galerie Alfred Daber, Paris (exh. Paris 1949); Arthur Tooth & Sons, London; Alexander Maitland (bought from Tooth 28 December 1950)

Institution: 

Part of: Paintings

Vuillard

Description: La Partie de Cartes

Reference: ABDAG003042

Questions in the operative period: Where before Tooth & Sons, London, England? Where was the painting between 1933-45?

Materials: colle medium on paper mounted on board

Acquisition: Purchased in 1954.

Dimensions: 486:609

Provenance: Tooth & Sons, Address: London, England (1954)

Institution: 

Part of: Uncategorized

DEGAS, Edgar 1834-1917

Description: Woman in a Tub (circa 1883) [Kneeling woman drying herself in circular tub.]

Reference: T03563

Questions in the operative period: No source or date for acquisition by 'private collection' who lent to Orangerie 1937

Materials: Pastel on paper

Acquisition: Bequeathed by Mrs A.F. Kessler 1983

Additional information: + Lerolle was a painter and close friend of Degas; he died in 1929.

Dimensions: 70 x 70 (27 1/2 x 27 1/2)

Provenance: Henri Lerolle,+ Paris exhibited in Degas Orangerie, Paris, March-April 1937 (119) in private collection* Arthur Tooth and Sons, exhibited in La Flèche d'Or, Arthur Tooth & Sons, Nov. 1938 (29) Mrs A.F. Kessler 17 Nov. 1938.

Institution: 

Part of: Uncategorized

Jean-Louis Forain

Description: Peintre et mod?le

Reference: PD.2-1966

Questions in the operative period: Where between 1933-1945? From where and when acquired by Tooth/Knowles?

Materials: Pen, brown ink, black and some white chalk, pencil and body colour, heightened with white

Acquisition: Bequeathed by G.J.F. Knowles, 1959, received 1966

Additional information: -

Dimensions: 264 x 354 mm

Provenance: Tooth (bought from the artist?); Knowles

Institution: 

Part of: Drawings

*Jordaens, Jacob

Description: Holy Family, undated

Reference: 315

Questions in the operative period: Where was the painting between 1933-1935?

Materials: Oil on panel

Acquisition: Purchased from Arthur Tooth and Sons, London, 1935.

Dimensions: 1058 x 755mm

Provenance: Purchased by Arthur Tooth and Sons from the Douglas sale (Col. W. C. H. Woods), London, Christie's, 22nd March 1935, lot 134.

Institution: 

Part of: Paintings

FORAIN, Jean-Louis (1852-1931)

Description: Scene de Tribunal 1910

Reference: NMW A 3037

Questions in the operative period: Date and details of acquisition by Tooth

Materials: Oil on canvas

Acquisition: Bequeathed to the NMGW by Mrs. Elsie Joyce Green, 1994

Dimensions: 61.1 x 73.4cm

Provenance: Bought from Tooth, 1946 *Elsie Joyce Green

Institution: 

Part of: Paintings

Hilaire-Germain-Edgar Degas

Description: Danseuse rajustant son maillot

Reference: PD.23-1978

Questions in the operative period: Where between 1933-1939? From where and when acquired by Tooth?

Materials: Black chalk, pencil, with charcoal, and touches of white

Acquisition: Bequeathed by A.S.F. Gow, 1978

Additional information: -

Dimensions: 242 x 313 mm

Provenance: The artist, his sale, III, lot 109, 4; Tooth via Agnew, 1939, bought A.S.F. Gow

Institution: 

Part of: Drawings

COURBET, Gustave (1819-1877)

Description: Beatrice Bouvet, aged three 1864

Reference: NMW A 2447

Questions in the operative period: Vendor 1964

Materials: Oil on canvas

Acquisition: Bought from A. Tooth & Sons , 1976

Dimensions: 92.1 x 73.7cm

Provenance: Sold, Paris 1964 *Tooth & Sons by 1976

Institution: 

Part of: Paintings

Henri Matisse

Description: Barques sur la plage, Etretat, 1920

Reference: PD.8-1966

Questions in the operative period: When did Paul Reinhardt sell it? Was it the painting exhibited at the Independent Gallery in 1928 and 1929; was it the painting exhibited with Lefevre, Glasgow in 1930 and 1935; when and from whom did Tooth acquire it; where between 1933/5-45?

Materials: Oil on canvas covered millboard

Acquisition: Bequeathed by Captain Stanley William Sykes, 1966

Dimensions: 37.5 x 45.4 cm

Provenance: With Bernheim-Jeune, 1920; bought by Paul Reinhardt; ?with Percy Moore Turner[Independent Gallery 1928/29; ?with Lefevre, Glasgow, 1930/35; with Arthur Tooth & Sons, 1954, from whom bought by Captain Sykes, 1957.

Institution: 

Part of: Paintings

Johan Barthold Jongkind

Description: The Boulevard de Port-Royal, Paris

Reference: NG6529

Questions in the operative period: {1} Date and details of disposal by Tauber {2} Date and details of acquisition by Georges Levy {3} Details and date of transfer/sale from Herbert Levy {4} Date of acquisition by Kenneth Levy

Materials: Oil on canvas

Acquisition: Kenneth and Helena Levy Bequest, 1990

Dimensions: 42.2 x 66.5 cm

Provenance: M.L. Tauber, Paris, 1921 {1}. M. Georges Levy by March 1937 {1, 2}; March 1937 bought by Arthur Tooth & Sons (dealer); sold by Tooth & Sons to Herbert Levy {3, 4}. Kenneth Levy, London {4}; bequeathed to the National Gallery by Kenneth Levy, 1990.

Institution: 

Part of: Paintings

Couture, Thomas

Description: "Portrait of Sculptor"

Reference: 1958 P3

Questions in the operative period: Provenance from 1933 to Tooth

Materials: oil on canvas

Dimensions: 117.2 x 90.3 cms

Provenance: French private collection (?); Purchased from Messrs. Tooth, January 1958

Institution: 

Part of: Paintings

Raffaelli, Jean-Francois

Description: "Le Reveil"

Reference: 1953 P449

Questions in the operative period: Provenance from 1933 to Tooth

Materials: oil on canvas

Dimensions: 78.8 x 67.3 cms

Provenance: Purchased from Arthur Tooth & Sons, London, 1953

Institution: 

Part of: Paintings

Jodhpur, c.1795

Description: Maharaja Bhim Singh in darbar

Reference: IS 27-1979

Questions in the operative period: Details of acquisition by vendor

Materials: Opaque watercolour on paper

Acquisition: Bought by V&A from Waddington and Tooth Galleries Ltd. in 1978

Dimensions: 40.8 cm x 31.5 cm

Provenance: Waddington and Tooth Galleries Ltd.

Institution: 

Part of: Uncategorized

Sawar, Rajasthan, c.1700

Description: Prince Kanju Ram seated smoking

Reference: IS 29-1979

Questions in the operative period: Details of acquisition by vendor

Materials: Opaque watercolour on paper

Acquisition: Bought by V&A from Waddington and Tooth Galleries Ltd. in 1978

Dimensions: 40.8 cm x 58.9 cm

Provenance: Waddington and Tooth Galleries Ltd.

Institution: 

Part of: Uncategorized

Claude-Oscar Monet

Description: The Rock Needle and the Porte d'Aval

Reference: PD.26-1998

Questions in the operative period: Dates of transfer from Michel Monet to Wildenstein, from Wildenstein to Reichenbach and from Reichenbach to Tooth. Is this a continuous provenance; where between 1933-45?

Materials: Oil on canvas

Acquisition: Allocated to the Fitzwilliam in lieu of Inheritance Tax, 1998

Dimensions: 64.8 x 81 cm

Provenance: Michel Monet, Giverny; with Wildenstein; Fran?ois Reichenbach; with Arthur Tooth, from whom bought by Mrs Oliver Parker, by descent to T.O.Parker.

Institution: 

Part of: Paintings

Gustave Courbet

Description: Still Life with Apples and a Pomegranate

Reference: NG5983

Questions in the operative period: {1} Date and details of disposal by Latouche {2} Provenance between Latouche 1920's and Daber 1949 {3} Date and details of acquisition by Daber

Materials: Oil on canvas

Acquisition: Bought, 1951

Dimensions: 44.5 x 61 cm

Provenance: Latouche, before 1920s {1, 2}. Owned by Daber (dealer), Paris, 1949 {2, 3}; bought from Daber by Arthur Tooth (dealer), London; bought by the National Gallery from Arthur Tooth (dealer), 1951.

Institution: 

Part of: Paintings

HEYDEN, Jan van der, 1637-1712

Description: Figures Resting and Promenading in an Oak Forest

Reference: K1640

Questions in the operative period: When did Dr. Edward Beith acquire the painting? Where was the painting between 1933-1938?

Materials: Oil on canvas

Acquisition: Bequest of F. P. M. Schiller, 1946

Dimensions: 11 3/8 x 13 1/4 (28.8 x 33.6)

Provenance: Possibly Jacob van Leyen sale, 1720 (lot 4) sold for 50 florins; possibly P. Testas sale, 1757 (lot 27) sold for 83 florins; possibly Gerard Hoet sale, 1760 (lot 92) sold for 90 florins; Dr Edward Beith sale, Christie's, London, 1938 (lot 22), purchased by Arthur Tooth for 378 guineas; purchased by H. A. Buttery from Arthur Tooth, 1938; purchased by F. P. M. Schiller from H. A. Buttery, 1938.

Institution: 

Part of: Paintings

Charles Angrand

Description: Les ramasseurs de Go?mon

Reference: PD.147-1994

Questions in the operative period: Where between 1933-1939? From where and when acquired by Tooth Gallery?

Materials: Watercolour heightened with white

Acquisition: Bequeathed by Mrs E.J. Green, 1994

Additional information: -

Dimensions: 200 x 273 mm

Provenance: Tooth Gallery, 1939; Green

Institution: 

Part of: Drawings

ROUAULT, Georges (1871-1958)

Description: Tête [Head], c.1935-40

Reference: GMA 968

Questions in the operative period: Provenance pre-1953Date and details of acquisition by Arthur Tooth & Sons.

Materials: Oil on paper laid on canvas

Acquisition: Presented by Sir Alexander Maitland QC in memory of his wife Rosalind, 1960

Additional information: -

Dimensions: 61.90 x 48.40 cm (framed: 88.50 x 75.10 x 8.30 cm)

Provenance: Arthur Tooth & Sons Ltd, London by 1953 *Acquired from the above by Sir Alexander Maitland in November 1953

Institution: 

Part of: Paintings

Bonnard

Description: Vernonnet - Paysage Prés de Giverny

Reference: ABDAG002365

Questions in the operative period: Where before Odo Cross & Angus Wilson? Where was the painting between 1933-45?

Materials: canvas

Acquisition: Purchased in 1965 from Arthur Tooth & Sons, London.

Dimensions: 503:631

Provenance: Odo Cross & Angus Wilson (1948). Sold Sothebys 31 March 1965 (lot 77).

Institution: 

Part of: Uncategorized

Jean-Baptiste-Camille Corot

Description: Landscape at Arleux-du-Nord

Reference: NG6531

Questions in the operative period: {1} Details of disposal by Robaut {2} Provenance between 1905 and 1936 {3} Details of acquisition/disposal by Verdier {4} Provenance between Verdier and Dubourg {5} Details of acquisition by Dubourg

Materials: Oil on canvas

Acquisition: Bequeathed by Helena and Kenneth Levy, 1990

Dimensions: 48.2 x 58.1 cm

Provenance: Alfred Robaut, Paris, by 1905 {1, 2}. M. Verdier {2, 3, 4}; ; Jacques Dubourg by early 1936 {4, 5}; from whom bought by Arthur Tooth (dealer), London; sold by them a few weeks later to Herbert Levy. Kenneth Levy, London, 1936; bequeathed to the National Gallery by Kenneth Levy, 1990.

Institution: 

Part of: Paintings

MATISSE, Henri (1869-1954)

Description: La Leçon de peinture or La Séance de peinture [The Painting Lesson or The Painting Session], 1919

Reference: GMA 929

Questions in the operative period: Whereabouts and provenance of work between 1940-1947.

Materials: Oil on canvas

Acquisition: Bequeathed to the National Galleries of Scotland by Sir Alexander Maitland in 1965. +

Additional information: + Mr (later Sir) Alexander Maitland, was a prominent Edinburgh QC who acquired an outstanding collection of modern paintings and sculptures. His collection was given to the National Galleries of Scotland in two stages, in 1960 and 1965.

Dimensions: 73.40 x 92.20 cm (framed: 96.10 x 114.70 x 9.20 cm)

Provenance: Probably Bernheim-Jeune (D). Acquired by the Paris dealer Paul Rosenberg & Co in the 1920s. Looted by Germans in 1940 from Rosenberg & Co., Recovered by Rosenberg & Co. in 1947. Rosenberg sold the painting to Mrs Archie Preissmann, New York, in 1955. Sold to unknown (?) collector. Sold at Christie's, London, in a sale of Important Impressionist and Post Impressionist Pictures, Drawings and Bronzes, 20 May 1960, lot 92. Bought at this sale by Mr & Mrs Alexander Maitland, Edinburgh, through the London dealers Arthur Tooth & Sons Ltd.

Institution: 

Part of: Paintings

Eugène BOUDIN

Description: Marine

Reference: 2916

Questions in the operative period: Where was the work between 1899 and 1936?

Materials: oil on panel

Acquisition: Bequeathed by George B. Dunlop, 1951

Dimensions: 38 x 46 cm

Provenance: Galerie Bernheim-Jeune, Paris; sold to Durand-Ruel on 18 November 1899; Galeries Durand-Ruel, Paris; from whom purchased by A. Tooth & Sons on 2 April 1936; G.B. Dunlop.

Institution: 

Part of: Uncategorized

Carlo Pelligrini (‘Ape’)

Description: Sketch of Meyerbeer 1874

Reference: No.2706

Questions in the operative period: Where between 1933-1944? Checked with Christie's for pre-1944 sale; no sale date identified. From where and when acquired by Dent?

Materials: Brush and faded black wash

Acquisition: Given by E.J. Dent, 1944

Additional information: -

Dimensions: 178 x 74 mm

Provenance: Christie's? Arthur Tooth? Dent

Institution: 

Part of: Drawings

*Renoir, Pierre Auguste

Description: Portrait of Wilhelm Mühlfeld, dated: 1910

Reference: 21975

Questions in the operative period: Where was the painting between 1933-1945?

Materials: Oil on canvas

Acquisition: Purchased from Arthur Tooth & Sons, London, 1964.

Dimensions: 550 x 458mm

Provenance: Acquired by Georg Caspari, Munich (1878 - 1930). Acquired by Kojiro Matsukata, Japan (1865 - 1950). The painting was with Matthiesen, London in 1946 and with the Lefevre Gallery, London in 1948. Purchased by Captain R. A. Peto of Bembridge, Isle of Wight and passed by descent to his wife, Mrs. Rosemary Peto.

Institution: 

Part of: Paintings

BONNARD, Pierre 1867-1947

Description: Nude Bending Down (1923) Femme nue se baissant [Nude woman balancing on one leg while drying knee.]

Reference: T01076

Questions in the operative period: No identity or date for purchaser from Galerie de l'Art Moderne, Lucerne No date of acquisition by Bolli and Gini

Materials: Oil on canvas

Acquisition: Bequeathed by the Hon. Mrs A.E. Pleydell-Bouverie through the Friends of the Tate Gallery 1968

Additional information: + Robert, Marquis de Bolli appears on the OSS list, suspected of having Impressionist paintings 'of questionable origin'.

Dimensions: 57 x 53 (22 1/2 x 20 3/4)

Provenance: purchased from the artist, March 1923 by Bernheim-Jeune, Paris sold by Bernheim-Jeune branch in Lucerne, the Galerie de l'Art Moderne the Marquis de Bolli and Madame Nelida Gini, Paris* purchased from Gini by Arthur Tooth and Sons, London 1958 the Hon Mrs A.E. Pleydell-Bouverie, London, 1958.

Institution: 

Part of: Uncategorized

Claude Monet

Description: The Thames below Westminster

Reference: NG6399

Questions in the operative period: {1} Ownership prior to seizure by German government. {2} Fate of painting after seizure by German government. {3} Date of acquisition by Alfred Gold.

Materials: Oil on canvas

Acquisition: Bequeathed by Lord Astor of Hever, 1971

Additional information: [1] Tate Archives.

Dimensions: 47 x 73 cm

Provenance: Bought by Durand-Ruel from artist in 1872; sold by Durand-Ruel to Ernest Hoschedé in 1877. Collection Jean-Baptiste Faure; 1906 deposited with a number of other pictures from the Faure collection back with Durand-Ruel; bought by him in March 1907; 1914 sent to Cassirer, Berlin, who, contrary to Durand-Ruel's instructions, sold it, and a number of other paintings. Confiscated by the German Government. {1, 2, 3} 1934 with Alfred Gold, who offered it to the National Gallery; [1] {2, 3} bought by Tooth from Gold in March 1936; sold in same month to John Jacob Astor (later Lord Astor of Hever); bequeathed by Lord Astor of Hever, 1971.

Institution: 

Part of: Paintings

BRAQUE, Georges 1882-1963

Description: Glass on a Table (1909-10) Le Verre sur la table [Cubist still life with wine glass and pears on oval table.]

Reference: T05028

Questions in the operative period: No identity for purchaser from Uhde sale 1921 No source or date for acquisition by Lebel

Materials: Oil on canvas

Acquisition: Bequeathed by Sir Antony Hornby through the Friends of the Tate Gallery 1988

Additional information: -

Dimensions: 33.1 x 37.2 (13 x 14 5/8)

Provenance: Galerie Kahnweiler, Paris Wilhelm Uhde, Paris by 1914 when sequestrated sequestrated by French government 1914-21 Uhde sale, Hôtel Drouot, Paris, 30 May 1921 (lot 11), bought by unknown buyer for 420 frs* listed in George Isarlov, 'Georges Braque', Orbes, no.3, Spring 1932, p.16, no.78 as 'La Verre' 1910, no collection cited Robert Lebel, Paris* Arthur Tooth & Sons Ltd, London Nov. 1955 Antony Hornby Dec. 1955.

Institution: 

Part of: Uncategorized

Vlaminck

Description: Street Scene

Reference: ABDAG003044

Questions in the operative period: Where before C.L. Dobson? Where was the painting between 1933-45?

Materials: canvas

Acquisition: Purchased in 1947.

Dimensions: 545:644

Provenance: C.L. Dobson, Tooth & Sons, Address: London, England (1947)

Institution: 

Part of: Uncategorized

Dufresne

Description: Sortie du Theatre

Reference: ABDAG003183

Questions in the operative period: Where was the painting between 1933-45?

Materials: pastel and gouache on paper

Acquisition: Purchased in 1954.

Dimensions: 785:546

Provenance: C.L. Dobson, Tooth & Sons, Address: London, England (1947)

Institution: 

Part of: Uncategorized

Jan van Huysum

Description: Glass vase of flowers on a ledge with a snail, in an architectural niche

Reference: PD.26-1975

Questions in the operative period: When and from whom acquired by the Duchess of Kent; where between 1933-45?

Materials: Oil on canvas

Acquisition: Broughton bequest, 1973, received 1975

Dimensions: 62.1 x 53.3 cm

Provenance: H.R.H. the Duchess of Kent, her sale, Christie's 14 March 1947, lot 41; with Tooth, from whom bought by Broughton, 1947.

Institution: 

Part of: Paintings

Eugène Boudin

Description: A Beach near Trouville

Reference: 51.100000000000001

Questions in the operative period: Where was the painting between 1933-1945?

Materials: Oil on canvas

Acquisition: Purchased from Arthur Tooth & Sons Ltd., London 1951.

Dimensions: 54.3 x 81.2 cm.

Provenance: Tauber collection 1926,R. Gérard collection in 1930.

Institution: 

Part of: Paintings

Giovanni Battista Tiepolo

Description: The martyrdom of St Margaret

Reference: PD.23-1959

Questions in the operative period: Where between 1933-1945? From where and when acquired by Knowles?

Materials: Pen and light-brown ink, light-brown wash over traces of black chalk

Acquisition: Bequeathed by G.J.F. Knowles, 1959

Additional information: -

Dimensions: 246 x 211 mm

Provenance: J.S.Sargent, sale, Christie's, 27 July 1925, lot 271 (as 'Martyrdom of St Catherine), bought by A. Tooth; G.J.F. Knowles

Institution: 

Part of: Drawings

VUILLARD, Edouard (1868-1940)

Description: La causette [The Chat], c.1892

Reference: GMA 2934

Questions in the operative period: Dates of ownership pre-1950

Materials: Oil on canvas

Acquisition: Presented by Sir Alexander Maitland QC in memory of his wife Rosalind, in 1960; A. de Lampe *; Arthur Tooth & Sons Ltd, London, by 1950 *; Acquired from the above by Sir Alexander Maitland 1950. 

Additional information: -

Dimensions: 32.40 x 41.30 cm (framed: 57.80 x 49.80 x 8.90 cm)

Provenance: Vuillard studio; Marcel Hendricks-Masurel, Paris

Institution: 

Part of: Paintings

Camille Pissarro

Description: Lordship Lane Station, 1871

Reference: P.1948.SC.317

Questions in the operative period: Where was this painting between 1933-45?

Materials: Oil on canvas

Acquisition: Courtauld bequest, 1948

Additional information: -

Dimensions: 44.5 x 72.5

Provenance: Anonymous sale, Paris, 23 June 1928 (82). Schoeller, Paris. Morot, Paris. Durand-Ruel, Paris. Arthur Tooth & Sons, London, from whom acquired by Courtauld in June 1936.

Institution: 

Part of: Paintings

**Sickert, Walter Richard

Description: A Red Sky at Night, San Marco

Reference: 0.042282221090168097

Questions in the operative period: Did the Hon. John Fremantle own the painting during the operative period 1933-1945? Locate Fremantle 'gallery archives' to determine from whom he acquired it and when?

Materials: Oil

Acquisition: Bequeathed to Southampton City Art Gallery by Arthur Tilden Jeffress, Esq. Eaton Square, SW1, June 1963.

Dimensions: 454 x 610mm

Provenance: Label on back of Arthur Tooth & Sons, Ltd. 31 Bruton Street, W1, bearing No.3102 gives title and date as 'Red Sky at Night; San Marco, Venice 1896 by W.R. Sickert'. Painting listed in National Gallery 'Sickert' exhibition catalogue, dated 1941, entry number 72, lent by the Hon. John Fremantle.

Institution: 

Part of: Paintings

Drawn by Angellis, Pieter

Description: Study for 'La Baraque de l'Empirique'; booth at the stage of an outdoor theatre, with a proscenium and wings painted with figures, on which a gallant is conversing with a woman and child, with a tooth-drawer operating on his victim, a commedia dell'arte personage bending forward with hat in hand, and a man declaiming from a paper, numerous figures below, including that of a blind man led by a dog and a coach in the background. Pen and brown ink, heightened with white, on blue-grey paper.

Reference: 1937,1008.4

Questions in the operative period: Uncertain or incomplete 1933-45 provenance

Materials: paper

Acquisition: 1937

Dimensions: Height: 457 mm; Width: 457 mm

Provenance: Purchased from Colnaghi

Institution: 

Part of: Drawings, Objects, Visual works

Renoir A1160

Description: Still-life with faience figure ****

Reference: -

Questions in the operative period: how and when did this leave Kann collection?

Materials: canvas

Acquisition: bequeathed by Francis Hock 1987

Additional information: -

Dimensions: 330:413

Provenance: Alphonse Kann, Tooth's, Agnew's, W. Kent, W.Katz Gallery,

Institution: 

Part of: Paintings

Dayes, Edward (1763-1804)

Description: Saint Botolph's Priory, Colchester

Reference: D.1980.WS.38

Questions in the operative period: Where was this drawing during the years 1933-1945?

Materials: graphite, watercolour on wove paper

Acquisition: Mrs Mary Spooner Gift 1980

Dimensions: 26.7 x 39.7 cm

Provenance: A.M. Robinson (?); given by him to Helena Frances Robinson, Christmas 1906; Corkhill and Job (Birkenhead); purchased there by J.A. Tooth (London); purchased there by Colnaghi (London) 22 January 1957; purchased there by William Wycliffe Spooner, Ilkley (1882-1967), 16 March 1959 (£80); by descent to his widow, Mrs Mary Spooner; Spooner Gift 1980

Institution: 

Part of: Drawings

L?on-Augustin L’Hermitte

Description: The fish market at B?thune

Reference: No. 4100

Questions in the operative period: Where between 1933-1945? From where and when acquired by Bevais?

Materials: Charcoal and black chalk

Acquisition: Transferred from the Charrington Print Room, 1995

Additional information: -

Dimensions: 275 x 439 mm

Provenance: Tooth & Sons, sold 1885; Alexander Young, his sale, 30 June 1910, lot 14; M. Bevais

Institution: 

Part of: Drawings

Eve Kirk 1900-1969

Description: Aix-en-Provence

Reference: 1938.365

Questions in the operative period: Where was it between 1933-1938?

Materials: Oil on canvas

Acquisition: Purchased from Arthur Tooth and Sons, 7.1938

Dimensions: 50.4 x 73.1cm

Provenance: uncertain before 1938

Institution: 

Part of: Paintings

Adolphe Joseph Thomas Monticelli (1824-1886)

Description: Reunion dans un Parc

Reference: F105.1963

Questions in the operative period: Where was the painting between 1933 and 1945?

Materials: oil painting

Acquisition: Purchased from Arthur Tooth and Sons Ltd, London in 1963

Additional information: -

Dimensions: 38.7 x 51.4cm

Provenance: Uncertain provenance prior to 1963

Institution: 

Part of: Paintings

Pierre Bonnard

Description: The Oil-lamp

Reference: PD.28-1998

Questions in the operative period: When acquired by P?trid?s and from whom; where was it between 1933-45?

Materials: Oil on panel

Acquisition: Accepted in lieu of estate duty and allocated to the Fitzwilliam Museum, 1998

Dimensions: 55.3 x 51.8 cm

Provenance: Paul P?trid?s, Paris; Arthur Tooth, from whom acquired by Mrs Oliver Parker [c.1953?], by descent to T.O.Parker.

Institution: 

Part of: Paintings

Louis-Eug?ne Boudin

Description: Shipping at Portrieux, 1873

Reference: PD.12-1968

Questions in the operative period: When and from whom acquired by Galerie Charpentier; where between 1881 and 1954?

Materials: Oil on canvas

Acquisition: Bequeathed by Sidney Ernest Prestige, 1965, received 1968

Dimensions: 32 x 46 cm

Provenance: Bought from the artist by Huvet, February 1881; with Galerie Charpentier, Paris, 1954; with Arthur Tooth & Sons, from whom bought by Prestige.

Institution: 

Part of: Paintings

SOUTINE, Chaim (1893-1943)

Description: Le Mas Passe-Temps, Céret, 1920-21

Reference: GMA 2312

Questions in the operative period: Confirmation of details of disposal by Barnes and acquisition by Nierendorf Gallery

Materials: Oil on canvas

Acquisition: Acquired from Perls Gallery, New York, in 1981.

Additional information: The catalogue raisonné of Soutine's work states that it had been in the collection of the celebrated collector Albert Barnes, of Merion Station, Pennsylvania, from 1923. Ownership by Barnes corroborated by Barnes Foundation, 2002.

Dimensions: 62.80 x 86.30 cm (framed: 93.30 x 116.70 x 8.80 cm)

Provenance: Paul Guillaume, Paris. Albert Barnes / The Barnes Foundation, Merion Station, Pennsylvania from 1923 according to the catalogue raisonné. [Probably:] Deaccessioned by Barnes Foundation 1945 and sold to Bignou Gallery, New York, on 23 March 1945. [Probably:] Acquired from the Bignou Gallery, New York, by the Nierendorf Gallery, New York. Nierendorf Gallery, New York. Acquired from the above by Duncan Phillips, Washington, 1945. His sale at Sotheby's, London 2 December 1970, lot 42. Marlborough Fine Art, London. Purchased at the above auction. Ishizuka Research Institute Ltd., Kanagawa, Japan, acquired from the above, September 1971. Private collection, Japan. Arthur Tooth & Sons, London, by September 1973. Perls Galleries, New York, by 1975.

Institution: 









 Provenance of Paintings Record 12861
REMBRANDT HARMENSZ. VAN RIJN
Self-Portrait
Boston, MA, Isabella Stewart Gardner Museum
P21n6
wood

1895 - 1896
Colnaghi's, and Tooth, (Arthur), and Sons. London, England, UK; New York, NY, USA (bought at Sawyer sale by Colnaghi's; went into joint account with Tooth shortly after (may have been briefly owned by Tooth alone summer of 1895); sold by Colnaghi's to Berenson 1896; in account books of both firms as "A Young Gentleman")
Tooth, (Arthur), and Sons, and Colnaghi's. London, England, UK; Paris, France; New York, NY, USA
[Gardner catalogue says Tooth bought the painting at Sawyer sale but the sale catalogue says "Colnaghi" as do Colnaghi's stockbooks: July 13, 1895, no. 226. TPC Tooth and Sons: from Colnaghi 1895/08/30; to Colnaghi 1896/02/06.]


1896 - 1896
Berenson, Bernard, buying for Gardner, Isabella Stewart. Firenze, Italia (from Colnaghi's (and Tooth))

 Provenance of Paintings Record 1007
ALMA-TADEMA, LAWRENCE
Promise of Spring (Opus CCCIII)
Boston, MA, Museum of Fine Arts
Res. 39.94
wood

by 1910 -
Tooth, (Arthur), and Sons (?). London, England, UK; Paris, France; New York, NY, USA (Tooth did have a painting titled "The Voice of Spring" in stock 1910, but its dimensions were 19 1/4" x 45 3/4")

https://collections.mfa.org/objects/32674

 Provenance of Paintings Record 1044
BAIL, CLAUDE JOSEPH
At the Fountain
23.465

- 1908
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from the artist)
[probably Tooth New York stock no. 4086; in New York sales by day (vol.35), Jan 4, 1908]


1908 - 1923
Longfellow, Ernest Wadsworth. Boston, MA, USA (from Tooth; d.1923)

 Provenance of Paintings Record 1067
BEECHEY, WILLIAM
Portrait of a Woman (said to be Miss Moysey)
21.2532

1908 - 1908
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Owen sale; as Beechey)
[Tooth London stock no. 5005 (trans. 4000)]


1908 -
Blakeslee Galleries. New York, NY, USA (from Tooth; as Hopp[n]er)

 Provenance of Paintings Record 2971
[BRITISH - 18TH C. - 1725-1775]
Portrait of a Woman (said to be Jennie Cameron)
35.1227

1924 - 1924
Tooth Brothers. London, England, UK (bought at Gaskell sale)
[not in Tooth and Son stock records.]

 Provenance of Paintings Record 4012
COROT, JEAN BAPTISTE CAMILLE
Bacchanal at the Spring: Souvenir of Marly-le-Roi
17.3234

1898 - 1898
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Petit; presumably sold in New York)
[probably Tooth London stock no. 555: Corot, "Nymphes sur Bois" 32 x 26; from Petit 1898/06/12; to New York Sales 1898/03/31]

 Provenance of Paintings Record 10087
FORAIN, JEAN LOUIS
Witness Confounded
48.542

1926 - 1926
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from the artist)
[Tooth London stock no. 8105, Forain, "Témoin Confondu," from the artist 1926/04/26, to Howard Young Galleries 1926/06/07]


1926 - 1926
Young, (Howard), Galleries. New York, NY, USA; London, England, UK (from Tooth)

 Provenance of Paintings Record 10380
GÉRÔME, JEAN LÉON
Moorish Bath
24.217

1903 - 1903
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Turner sale)
[presumably Tooth London trans no. 2936, Gerome, "Bain Mauve" 20 x 16; bought at Turner sale; sold to Milburn 1903/04/04.]


1903 -
Milburn, J.D. (from Tooth)
[the name in the stock inventory for 1903 is illegible; name gotten from Picture Sales vol. II, p.37]

 Provenance of Paintings Record 10660
HENNER, JEAN JACQUES
Young Woman with Brown Hair
39.651

1904 - 1904
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from the artist)
[Tooth London stock no. 3541(? or trans no?); from the artist 1904/01/26; transferred to New York sales 1904/12/21]


1904 - 1924
Edwards, Robert J.. Boston, MA, USA (from Tooth; d.1924)

 Provenance of Paintings Record 10845
LAWRENCE, THOMAS
William Lock of Norbury
02.514

1896 - 1898
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Agnew's)
[Tooth London stock first entered 1896/07/09, no.562, from Agnew and Sons; carried over through two books; transferred to New York Sales 1898/08/12]


1898 - 1902
Ross, Denman Waldo. Cambridge, MA, USA (from Tooth)

 Provenance of Paintings Record 10937
MASTENBROEK, JOHANN HENDRIK
Rotterdam Harbor
23.471

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[can't find in Tooth stock records without date.]

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 Provenance of Paintings Record 11069
------

Provenance of Paintings Record 11069
MONET, CLAUDE
Rue de la Bavolle, Honfleur
Boston, MA, Museum of Fine Arts
48.580
canvas

by 1867 -
Bazille

1897/03/08 (0102)
Diot sale (Tual) Paris
- 1897
Diot, Aimé. Paris, France

- 1902
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[not in Tooth stock records; was probably in Paris stock.]

1902 - 1902
Durand-Ruel. New York, NY, USA; Paris, France (from Tooth)

1912 -
Thannhauser (from Durand-Ruel)

Schmitz, Oskar. Dresden, Deutschland

- 1940
Wildenstein. London, England, UK; New York, NY, USA; Paris, France

1940 - 1948
Spaulding, John Taylor. Boston, MA, USA (from Wildenstein)
[address: 99 Beacon St.]

1948 -
Boston, MA, USA. Museum of Fine Arts (bequest of Spaulding)


https://collections.mfa.org/objects/33309


PROVENANCE (20 MAY 2022 - MFA Boston)1867, possibly Frédéric Bazille (b. 1841 - d. 1870), Paris [see note 1]. Until 1897, possibly Aimé Diot, Paris; March 8-9, 1897, possibly posthumous Diot sale, Hôtel Drouot, Paris, lot 102 [see note 2]. About 1901, with Arthur Tooth and Sons [see note 3]; November 21, 1902, sold by Tooth to Durand-Ruel, Paris; August 12, 1912, sold by Durand-Ruel to Galerie Thannhauser, Munich [see note 4]; 1915, probably sold by Thannhauser to Oscar Schmitz (b. 1861 - d. 1933), Dresden and Zürich [see note 5]; 1936, sold by the estate of Oscar Schmitz to Wildenstein and Co., Paris and New York [see note 6]; 1940, sold by Wildenstein to John Taylor Spaulding (b. 1870 - d. 1948), Boston; 1948, bequest of John Taylor Spaulding to the MFA. (Accession Date: June 3, 1948) 

NOTES: 
[1] This painting, or a closely-related variant (Mannheim, Städtische Kunsthalle), is depicted in Bazille's "The Artist's Studio, Rue Visconti, Paris" of 1867 (Richmond, Virginia Museum of Fine Arts).  

[2] See Daniel Wildenstein, "Monet: catalogue raisonné" (1996), vol. 2, p. 21, cat. no. 33.  

[3] The painting was probably with the Paris branch of this London-based gallery. The dates of the Durand-Ruel transactions are taken from Henri Loyrette and Gary Tinterow, "Origins of Impressionism, 1859-1869" (exh cat. Réunion des Musées Nationaux, Paris and Metropolitan Museum of Art, New York, 1994-1995), p. 425. cat. no. 124. 

[4] While with the Galerie Thannhauser, the painting was published by Georg Biermann, "Die Kunst auf dem internationalen Markt. Gemälde aus dem Besitz der modernen Galerie Thannhauser, München," Der Cicerone, no. 21 (May 1913), p. 325 and in the Katalog der Modernen Galerie Heinrich Thannhauser München (Munich, 1916), cat. no. 26; see below, n. 5. 

[5] According to "La Collection Oscar Schmitz" (exh. cat., Wildenstein and Co., Paris, 1936), p. 90, cat. no. 40, Schmitz acquired the painting in 1915. Though it was illustrated in the Katalog der Modernen Galerie Heinrich Thannhauser München, published in 1916 (see above, n. 4), it is still quite possible that Schmitz purchased the painting from Thannhauser in 1915, after the gallery catalogue went to press but before its publication in 1916. In 1931, Schmitz left Germany and moved his collection to Switzerland. It was exhibited at the Kunsthaus, Zürich, "Sammlung Oscar Schmitz," January 14-February 14, 1932, cat. no. 45, as "Rue dans une ville de Normandie." 

[6] A large portion of the Schmitz collection was for sale as early as 1934. In 1936, Wildenstein acquired it and held the exhibition "La Collection Oscar Schmitz" (as above, n. 5). See Heike Biedermann, "Die Sammlungen Adolf Rothermundt und Oscar Schmitz in Dresden," in "Die Modernen und ihre Sammler: Französische Kunst im deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik," ed. Andrea Pophanken and Felix Billeter (Berlin, 2001), 213-222.



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 Provenance of Paintings Record 11239
OWEN, WILLIAM
Thomas John Dibdin
97.444

1897 - 1897
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Pender sale; as Opie, "Charles Dibden, writer of Nautical Songs")
[Tooth London stock first entered 1897/06; bought at Pender sale; carried over to next book; transferred to New York Sales 1897/09/10]


1897 -
Boston, MA, USA. Museum of Fine Arts (from Tooth; formerly as Opie)

 Provenance of Paintings Record 11340
REYNOLDS, JOSHUA
Anne Vansittart, Lady Palk
95.178

1894 - 1895
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Lawrie)
[Tooth London stock first entered 1894/10/25; to New York sales at an unknown date (but before next inventory of 1895/07/01). After the title is the notation, "collection Rev. E.L. Crake, of Mystole Mansion, Chartham", which appears to refer to this painting. It is possible that it refers to the next painting in the stock inventory, however, and since the provenance gives the painting as remaining in the Palk family until at least ca. 1891, I decided to leave it out.]


1895 -
Boston, MA, USA. Museum of Fine Arts (from Tooth)

 Provenance of Paintings Record 11762
SISLEY, ALFRED
Early Snow at Louveciennes
48.600

- 1939
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Gérard)
[too late for Tooth stock records.]


1939 - 1948
Spaulding, John Taylor. Boston, MA, USA (from Tooth)


____

Boston MFA (21May2022)

https://collections.mfa.org/objects/33329

PROVENANCEBy 1892, M. Picq-Véron, Ermont-Eaubonne, France [see note 1]; June 25, 1892, sold by Picq-Véron to Durand-Ruel, Paris (stock no. 2389); October 25, 1897, sold by Durand-Ruel to Hugo von Tschudi for the National Gallery, Berlin [see note 2]; 1936, exchanged by the National Gallery, Berlin, with Fritz Nathan, Galerie Nathan, St. Gallen, Switzerland; sold by Nathan, through Walter Feilchenfeldt, to Paul Rosenberg, Paris [see note 3]. 1937, with Raphael Gérard, Paris [see note 4]. 1939, Arthur Tooth and Sons, London; May 19, 1939, sold by Tooth to John Taylor Spaulding (b. 1870 - d. 1948), Boston; 1948, bequest of John Taylor Spaulding to the MFA. (Accession Date: June 3, 1948) 

NOTES: 
[1] Mr. Picq-Véron was a prominent collector of Sisley's work.  

[2] See letters of December 9, 1967 and January 31, 1968 from Charles Durand-Ruel to Lucretia Geise of the MFA in curatorial files. Mr. von Tschudi was a close friend of the Durand-Ruel family, as well as an avid collector of Impressionist painting. He served as Director of the National Gallery, Berlin from 1896 to 1909.  

[3] The Sisley was one of five paintings deaccessioned by the National Gallery and exchanged with dealer Fritz Nathan for Caspar David Friedrich's "Man and Woman Looking at the Moon." See Manet bis Van Gogh: Hugo von Tschudi und der Kampf um die Moderne (Berlin: Nationalgalerie, 1996), p. 106, cat. no. 32 and Esther Tisa Francini et al., Fluchtgut-Raubgut (Zurich, 2001), pp. 112-113. The latter source cites information from Fritz Nathan's son Peter, according to whom the Sisley was sold by his father to Paul Rosenberg, who then gave the painting to the MFA. This is at least partially incorrect, as the painting came to the MFA in the bequest of John Taylor Spaulding, who had purchased it from Tooth. Fritz Nathan did however state that he sold the painting through Feilchenfeldt to Rosenberg; see his Erinnerungen aus meinem Leben (Zurich, 1965), p. 90. At the time Spaulding purchased it from Tooth, it was planned for inclusion in a Sisley exhibition to be held at Paul Rosenberg's gallery in Paris in the spring of 1939, but whether Rosenberg continued to hold any ownership in the work at that time is not known. 

[4] According to D. Corcoran of Reid and Lefevre (letter to the MFA, October 9, 1967), Gérard lent the painting to the exhibition "Pissarro and Sisley," Reid and Lefevre Gallery, London, January 1937, cat. no. 15. Whether Gérard owned it at this time is not certain. A letter from Dudley Tooth of Tooth and Sons (May 20, 1939) says that the painting "passed into my hands by the dealer who made the exchange" with the National Gallery in Berlin.

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 Provenance of Paintings Record 2140
GENTILESCHI, ORAZIO
Portrait of a Young Woman as a Sibyl
Houston, TX, Museum of Fine Arts
61-73
canvas

1951 -
Tooth, J. (bought at anonymous sale)
[possibly Jeffrey Tooth? Too late to check against Tooth stock records.]

 Provenance of Paintings Record 3510
BOUDIN, EUGÈNE LOUIS
Scène de Plage, Trouville
London, England, National Gallery
6309
wood

- 1937
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Monet)
[Didn't find in Tooth stock records.]


1937 - 1940
Rothermere, Harold Sidney Harmsworth, 1st Viscount. Stody Lodge, Norfolk, England, UK (from Tooth; d.1940)

 Provenance of Paintings Record 3511
BOUDIN, EUGÈNE LOUIS
Scène de Plage, Trouville
6310

- 1937
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[didn't find in Tooth stock records.]


1937 - 1940
Rothermere, Harold Sidney Harmsworth, 1st Viscount. Daylesford, Gloucestershire, England, UK (from Tooth; d.1940)

 Provenance of Paintings Record 3512
BOUDIN, EUGÈNE LOUIS
Village au bord d'une rivière
6311

1929 - 1933
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Durand-Ruel)
[Tooth London stock no. 8771 (trans. 6596): from Durand-Ruel 1929/05/29, to Rothermere 1933/10/28.]


1933 - 1940
Rothermere, Harold Sidney Harmsworth, 1st Viscount. Stody Lodge, Norfolk, England, UK (from Tooth; d.1940)

 Provenance of Paintings Record 3514
BOUDIN, EUGÈNE LOUIS
Laveuses au bord de l'eau
6313

Tooth, (Arthur), and Sons (?). London, England, UK; Paris, France; New York, NY, USA
[Cannot check in Tooth stock records without a date.]


1929 - 1933
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Wallis)
[Tooth London stock no. 8846: from Wallis 1929/09/25, to Rothermere 1933/12/05.]


1933 - 1940
Rothermere, Harold Sidney Harmsworth, 1st Viscount. Stody Lodge, Norfolk, England, UK (from Tooth; d.1940)

 Provenance of Paintings Record 3546
COURBET, GUSTAVE
Still Life: Apples and Pomegranate
5983

- 1951
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[too late for Tooth stock records.]


1951 -
London, England, UK. National Gallery (from Tooth and Sons)

 Provenance of Paintings Record 3480
MARIS, JACOB HENRICUS
Windmill and Houses Beside Water; Stormy Sky
4269

1911 - 1912
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Hèle sale; as "La Tourmente")
[Tooth London stock no. 5576 (trans no. 4410); bought at Muller 1911/06/20; to R.E. Haslam 1912/09/05]


1912 -
Haslam, R.E., Esq. (from Tooth)
[name in stock inventory looks like "Harlan," but is clearly spelled "Haslam" in Picture Sales vol. 2, p.244]

 Provenance of Paintings Record 3720
MONET, CLAUDE
L'Inondation
6278

by 1957 - 1958
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Charpentier)
[too late for Tooth stock records.]


1958 -
London, England, UK. National Gallery (from Tooth)

 Provenance of Paintings Record 3751
RENOIR, PIERRE AUGUSTE
Portrait of Misia
6306

1960 - 1960
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from anonymous collection)
[too late for Tooth stock records.]


1960 -
London, England, UK. National Gallery (through Tooth)

 Provenance of Paintings Record 4722
TRECK, JAN JANSZ.
Still Life with a Pewter Flagon and Two Ming Bowls
4562

1931 - 1931
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Asscher and Welcker; as J.J. Treck, "Still Life with China Bowls")
[Tooth London stock no. 6834; from Asscher and Welker (sic) 1931/02/11; to National Gallery same day]


1931 -
London, England, UK. National Gallery (from Tooth)

 Provenance of Paintings Record 54632
SISLEY, ALFRED
Route de Versailles à Saint-Germain
Los Angeles, CA, J. Paul Getty Museum
99.PA.27
canvas

1936 - 1943
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Schoeller)


1943 -
Hughes, J.P,. Cambridge, England, UK (from Tooth)

 Provenance of Paintings Record 1220
GREUZE, JEAN BAPTISTE
Girl with a Lamb ("L'Amitié")
Los Angeles, CA, Los Angeles County Museum of Art
47.29.7
wood

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[needs a date in order to be looked up in Tooth stock records]

 Provenance of Paintings Record 26840
MILLET, JEAN FRANÇOIS
A Norman Milkmaid at Gréville
M.81.259.4

in 1957
Tooth, (Arthur), Gallery. Los Angeles, CA, USA

 Provenance of Paintings Record 26850
NORTHCOTE, JAMES
Portrait of Mrs. Smith Barwell, Née Unwin
51.30

1928 -
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Unwin sale)

 Provenance of Paintings Record 26891
VUILLARD, EDOUARD
Landscape at Vaucresson
M.81.259.2

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA

 Provenance of Paintings Record 5636
BRIL, PAUL
Landscape with Golfers
Minneapolis, MN, Minneapolis Institute of Arts
40.3
canvas

- 1939
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[didn't find in Tooth stock records (London); presumably was in New York stock.]


1939 - 1940
Knoedler's. London, England, UK; New York, NY, USA; Paris, France (Knoedler's in New York; from Tooth)

 Provenance of Paintings Record 5794
GRAZIANI, ERCOLE (THE YOUNGER)
Judith Presented to Holofernes
62.45

- 1961
Tooth, J.A.. London, England, UK
[too late for Tooth stock records. Tooth accounts do list a firm named "J.A. and V.A. Tooth"; the J.A. Tooth may be Jeffrey Tooth.]

 Provenance of Paintings Record 118
HOGARTH, WILLIAM
Miss Mary Edwards
New York, NY, Frick Collection
14.1.75
canvas

1912 - 1912
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Bruton)
[Tooth London stock no. 5707; at one point seems to have been in joint account with William Scott (see stock no. 5747), but was cancelled? See also stock no. 5743, "Extras[?] on Miss Edwards." At any rate, purchased from Bruton 1912/03/11 and sold to Knoedler's 1912/04/23, so it wasn't there very long.]


1912 - 1912
Knoedler's. London, England, UK; New York, NY, USA; Paris, France (from Tooth)
[Knoedler's London stock no. 5261, New York no. 12824]

 Provenance of Paintings Record 169
REMBRANDT HARMENSZ. VAN RIJN
Portrait of a Young Artist
99.1.96

1897 - 1899
Colnaghi's, and Wertheimer, Asher. London, England, UK; New York, NY, USA (joint account; acquired by Colnaghi's from Carlisle; exhibited in Amsterdam in 1898 by "W..." [i.e., Wertheimer]; sold by Colnaghi's to Tooth)
Wertheimer, Asher, and Colnaghi's. London, England, UK
[Colnaghi's private ledgers; acquired 1897/10/15, sold 1899/12/04]


1899 - 1899
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Colnaghi's (and Wertheimer))
[Tooth London stock, as Rembrandt [no title], 60 x 40 [w/additions and frame?] from P. and D. Colnaghi 1897/09/27; to Frick 1899/08/29.]


1899 - 1919
Frick, Henry Clay. New York, NY, USA (from Tooth)

 Provenance of Paintings Record 28703
DAGNAN-BOUVERET, PASCAL ADOLPHE JEAN
The Pardon in Brittany
New York, NY, Metropolitan Museum of Art
31.132.34
canvas

by 1889 -
Tooth. London, England, UK (lent by "MM. Tooth" at 1889 exposition)

 Provenance of Paintings Record 27637
BOILLY, LOUIS LÉOPOLD
The Interrupted Supper
Pasadena, CA, Norton Simon Museum
M.1967.23.1.P
canvas
Comments: companion to "The Interrupted Supper", Norton Simon acc. M.67.23.2.P 

- 1967
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New


1967 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 27638
BOILLY, LOUIS LÉOPOLD
The Interrupted Supper
M.1967.23.2.P

- 1967
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New


1967 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 27323
CANALETTO (GIOVANNI ANTONIO CANAL)
The Piazzetta, Venice, Looking North
F.1964.2.P

- 1964
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


1964 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 27647
CÉZANNE, PAUL
Tulips in a Vase
M.1976.12.P

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


1973/05/02 (0008)
Simon sale (Sotheby's) New York
- 1973
Simon, Norton. Los Angeles, CA, USA (from Tooth)

 Provenance of Paintings Record 27347
DEGAS, HILAIRE GERMAIN EDGAR
Actress in her Dressing Room
F.1972.3.P

1964/06/10
Tooth sale. London
- 1964
Tooth, (Arthur), & Sons, Ltd.. London, England, UK

 Provenance of Paintings Record 27659
DEGAS, HILAIRE GERMAIN EDGAR
The Ironers
M.1979.17.P

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA

 Provenance of Paintings Record 27395
GUIGOU, PAUL CAMILLE
The Village of St. Paul on the Banks of the Durance, 1865
F.1968.8.P

- 1968
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


1968 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 27682
GUIGOU, PAUL CAMILLE
Landscape in Martiques
M.1973.3.1.P

- 1973
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


1973 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 27684
JONGKIND, JOHAN BARTHOLD
Church of St. Medard on rue Mouffetard
M.1968.7.P

in 1937
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA

 Provenance of Paintings Record 27693
LE SIDANER, HENRI EUGÈNE
The Small Village: Gerberoy
M.1979.53.P

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


- 1979
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


1979 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 27565
PATER, JEAN BAPTISTE JOSEPH
Fete Champetre
F.1985.3.P

Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA

 Provenance of Paintings Record 27600
SISLEY, ALFRED
Louveciennes in the Snow
F.1968.12.P

by 1951 -
Tooth, (Arthur & Sons), Ltd.. London, England, UK

 Provenance of Paintings Record 27851
VESTIER, ANTOINE
Portrait of a Lady
M.1968.20.P

- 1968
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA


1968 -
Pasadena, CA, USA. Norton Simon Museum (from Tooth)

 Provenance of Paintings Record 31505
DAUBIGNY, CHARLES FRANÇOIS
Banks of the Oise
Saint Louis, MO, Saint Louis Art Museum
47:1974
wood

- 1901
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[the only Daubigny that I could find that was close was lot 11 of the Tabourier sale, 1898/06/20, bought by Foule (for Tooth?). It was entered into Tooth's London stock 1898/06/25, and was transferred to New York Sales on 1901/11/30. Its dimensions in 1898 were 32 x 62 cm, so this doesn't seem to be it. The Hellebranth cat. rais. also lists a "Bord de Riviere" as ex-Tooth that more closely matches the dimensions of the Saint Louis painting: 34 x 56 cm. It gives the Daubigny atelier sale as provenance. However, I didn't see this one in Tooth stock records. Both pictures are reproduced in Hellebranth (no's. 332 and 410). The quick and easy way to solve this is to find a reproduction of the Saint Louis painting... If it is the latter, the Daubigny sale should be added in.]


1901 - 1974
Mallinckrodt, Edward. Saint Louis, MO, USA (from Tooth)
[Edward Mallinckrodt, Sr. d.1928; Edward Mallinckrodt, Jr. d.1967 according to collector's file xeroxes of Who Was Who in America]

 Provenance of Paintings Record 31567
JACQUE, CHARLES EMILE
Shepherdess in a Forest
37:1974

1901 - 1901
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (as "Moutons dans la Clairière")
[Tooth London stock no. 1336: from Boussod, Valadon et Cie. 1901/05/14; to Mallinckrodt 1901/07/25]


1901 - 1974
Mallinckrodt, Edward. Saint Louis, MO, USA (from Tooth)
[Edward Mallinckrodt Sr. d.1928; Edward Mallinckrodt Jr. d.1967]

 Provenance of Paintings Record 31589
LHERMITTE, LÉON AUGUSTIN
Shepherd in a Landscape
36:1974

- 1905
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[didn't find in Tooth stock records.]


1905 - 1974
Mallinckrodt, Edward. Saint Louis, MO, USA (from Tooth; exhibited in 1911)
[Edward Mallinckrodt Sr. d.1928; Edward Mallinckrodt Jr. d.1967]

 Provenance of Paintings Record 31586
LAWRENCE, THOMAS
Portrait of General Sir Galbraith Lowry Cole
31:1974

1922 - 1922
Tooth Brothers. London, England, UK (bought at Lucas sale)
[not found in Tooth and Son stock records.]


1922 - 1922
Knoedler's. London, England, UK; New York, NY, USA; Paris, France (from Tooth)
[Knoedler's stock no. 15402]

 Provenance of Paintings Record 2847
BOUDIN, EUGÈNE LOUIS
Beach at Trouville
Washington, DC, National Gallery of Art
1970.17.12
wood

1941 -
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Rothermere sale)
[firm known as Arthur Tooth and Sons at this time? (Arthur Tooth d.1924). Can't find in Tooth books without date painting was sold (stock inventories only go to 1935).]

 Provenance of Paintings Record 2849
BOUDIN, EUGÈNE LOUIS
The Beach
1970.17.14

1941 -
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (in London; bought at Rothermere sale)
[too late to find in Tooth books without date painting was sold (stock inventories go to 1935).]

 Provenance of Paintings Record 3222
BOUDIN, EUGÈNE LOUIS
Coast of Brittany
1983.1.11

1961 - 1961
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from an anonymous collection)
[Too late for Tooth stock records.]


1961 - 1983
Mellon, Paul. Upperville, VA, USA (from Tooth)

 Provenance of Paintings Record 3224
BOUDIN, EUGÈNE LOUIS
Beach Scene
1983.1.13

1960 - 1960
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Anonymous English collection)
[Too late for Tooth stock records.]


1960 - 1983
Mellon, Paul. Upperville, VA, USA (from Tooth)

 Provenance of Paintings Record 2855
BOUDIN, EUGÈNE LOUIS
Jetty and Wharf at Trouville
1983.1.9

1942 -
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (bought at Reid sale)
[firm still known as Arthur Tooth and Sons at this time? (Arthur Tooth d.1924). Too late for Tooth stock records without date painting sold.]

 Provenance of Paintings Record 3318
[BRITISH - 18TH C. - 1775-1800]
Lord Algernon Percy
1956.9.4

1923 - 1924
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Ledger)
[Tooth London stock no. 7885 (trans. 5914): from E. Ledger 1923/10/23; carried over to next book; to Agnew's 1924/04/10]


1924 - 1924
Agnew's. London, England, UK (from Tooth; as Sir Martin Archer Shee)
[Agnew's stock no. 6238]

 Provenance of Paintings Record 3319
[BRITISH - 18TH C. - 1775-1800]
Lady Algernon Percy
1956.9.5

1923 - 1924
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Ledger)
[Tooth London stock no. 7884 (trans. 5914): from E. Ledger 1923/10/03; carried over to next book; to Agnew's 1924/04/10]


1924 - 1924
Agnew's. London, England, UK (from Tooth; as Sir Martin Archer Shee)
[Agnew's stock no. 6239]

 Provenance of Paintings Record 3307
[BRITISH - 18TH C. - 1775-1800]
The Hon. Sir Francis Burton
1947.17.102

1919/20 - 1920
Tooth Brothers (?). London, England, UK (from Burton estate)
[cannot find in Tooth and Sons stock records.]


1920 - 1920
Sedgwick, G.S., buying for Clarke, Thomas Benedict (from Tooth?)

 Provenance of Paintings Record 3331
[BRITISH - 18TH C. - 1775-1800]
James Massy-Dawson
1954.1.11

- 1919
Tooth Brothers (?). London, England, UK
[cannot find in Tooth and Sons stock records.]


1919 - 1919
Sedgwick, G.S., buying for Clarke, Thomas Benedict (from Tooth?)

 Provenance of Paintings Record 3907
CANALETTO (GIOVANNI ANTONIO CANAL)
The Courtyard, Doge's Palace, with the Procession of the Papal Legate
1945.15.1

1912 - 1912
Thrift, C.H. (bought at Stewart sale; probably buying for Tooth)


1912 -
Tooth, (Arthur), and Sons, and Scott. London, England, UK; Paris, France; New York, NY, USA (from or through Thrift; joint account)
Scott, and Tooth, (Arthur), and Sons. UL
[stock no. 5830, 21 June 1912. Notation made at right "1/2 Scott 21/6 1912"]


- 1919
Tooth, (Arthur), and Sons, and McKay, William. London, England, UK; Paris, France; New York, NY, USA (joint account?; McKay apparently acquired Scott's share in painting sometime between 1912 and 1919; McKay d.1919 and his share sold by his executors to Tooth)
McKay, William, and Tooth, (Arthur), and Sons. UL
[no note is made under stock no. 5830 that Scott's share was transferred to McKay, but it must have occurred sometime between 1912 and 1919. McKay's executors sold half shares of a large number of paintings to Tooth in 1919; all were already entered in Tooth stock and all (that I checked) were originally in joint ownership with Scott.]


1919 - 1925
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (half share purchased from McKay estate)
[new stock no. 6998; half share bought 22 August 1919. Painting also retained under old stock no.]


1925 -
Chabert, Gabriel, Vicomte. Paris, France (from Tooth)

 Provenance of Paintings Record 3908
CANALETTO (GIOVANNI ANTONIO CANAL)
A Fete Day, Venice
1945.15.2

1912 -
Tooth, (Arthur), and Sons, and Scott. London, England, UK; Paris, France; New York, NY, USA (from or through Thrift; joint account)
Scott, and Tooth, (Arthur), and Sons. UL
[see R55922. This was stock no. 5829.]


- 1919
Tooth, (Arthur), and Sons, and McKay, William. London, England, UK; Paris, France; New York, NY, USA (joint account?; McKay apparently acquired Scott's share in painting sometime between 1912 and 1919; McKay d.1919 and his share sold by executors to Tooth)
McKay, William, and Tooth, (Arthur), and Sons. UL
[see R55921.]


1919 - 1925
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (half share purchased from McKay estate)
[see R20170. This was stock no. 6999.]


1925 -
Chabert, Gabriel, Vicomte. Paris, France (from Tooth)

 Provenance of Paintings Record 2486
COROT, JEAN BAPTISTE CAMILLE
Saint Sebastian Succored by the Holy Women
1960.6.4

1925/02/19 (0068)
Tooth sale (American Art Galleries) New York
- 1925
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[couldn't find in Tooth stock records (very few New York records).]


1925 -
Williams, Thomas (bought at Tooth sale)
[Annotated copy of sale catalogue in Knoedler library fiche no. 803, and press clippings, copies in NGA curatorial files.]

 Provenance of Paintings Record 6818
FORAIN, JEAN LOUIS
The Artist's Wife Fishing
1985.64.19

- 1965
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[too late for Tooth stock records.]


1965 - 1985
Mellon, Paul. Upperville, VA, USA (from Tooth)

 Provenance of Paintings Record 16992
MODIGLIANI, AMEDEO
Café Singer
1963.10.44

1927 - 1963
Dale, Chester. New York, NY, USA (from Tooth; d.1962)


- 1927
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA (from Menier)

 Provenance of Paintings Record 17062
PICASSO, PABLO
Le Gourmet
1963.10.52

by 1930 - still in 1933
Stransky, Josef. New York, NY, USA (in private collection; exhibited in 1930 as "The Sweet Tooth")

 Provenance of Paintings Record 3373
ROMNEY, GEORGE
Mr. Forbes
1954.14.1

1902 - ca. 1906
Colnaghi's. London, England, UK; New York, NY, USA (bought at Davies-Cook sale; may have been in joint account with Tooth briefly in 1906 before it went into joint account with Knoedler's)
[Colnaghi's no. 1342 (later transferred to no. 1688; see previous entry)]

 Provenance of Paintings Record 17281
SEURAT, GEORGES PIERRE
The Lighthouse at Honfleur
1983.1.33

- 1965
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[too late for Tooth stock records.]


1965 - 1983
Mellon, Paul. Upperville, VA, USA (from Tooth)

 Provenance of Paintings Record 17482
VUILLARD, EDOUARD
The Conversation
1970.17.92

- 1947
Tooth, (Arthur), and Sons. London, England, UK; Paris, France; New York, NY, USA
[too late for Tooth stock records.]


1947 - 1955
Molyneux, Edward H., Capt.. Paris, France (from Tooth)
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