Richard Zinser in Getty Provenance Index graph data visualisation of Knoedler transactions: Millet, Cranach, Cézanne, Renoir, Bonnard, Romney

Richard Zinser in Getty Provenance Index graph data visualisation of Knoedler transactions: Millet, Cranach, Cézanne, Renoir, Bonnard, Romney
data source: Getty Provenance Index GitHub Knoedler file 13 Dec 2017
(analysis performed on CSV file before GPI remodel)
Note: Transactions prior to 1925 or in the Stockbooks 1-7 have been removed from this file, reducing the number of transactions from 40,250 to 13,809. This enables us to focus on the years 1928 to 1970.
Three huge spikes in activity pop out: 1951, 1928 and 1942. But before we examine what happened in those years to create such a spike, we must deal with a problem of missing data.
Of the above transactions, 1,746 lack an entry date year. That's over 10%! More than even our highest peak!
What to do? Data scientists often "clean" datasets by eliminating rows with incomplete data. That is exactly what we will NOT do. Instead of eliminating these rows of incomplete data from our data set, we will focus on them.
Why are these 1,746 transactions missing the entry date year? Do they have anything else in common?
What other indicators might supply us with the missing information? Proxies, in short, for the entry date year. (Names associated with specific date ranges, for example).
The Stock Book Numbers 1928-1970
The Stock Book Numbers for transactions with no Entry Date Year
We see that most of the missing years are from Stock Book 11.
What else can we learn about the profile of the missing dates? We can compare the most frequent nationalities of all transactions 1928-1970
to the nationalities of the transactions missing entry date years:
The largest contingent are American. We don't understand this but will file it away, hoping that it might Make sense later.
What about the sellers? And here we are in for a bit of a surprise.
Of the 1,746 transactions that have no entry year, the vast majority - 1,481 - also have no seller.
What kind of ledgers are these that Knoedler was keeping, with neither year nor seller?
Which ledgers are most concerned by this double absence?
With 1,469 mysterious transactions, it's Stock Book 11.
Who are the joint owners listed in Book 11 ledger entrees which have no entry date or seller name?
(filter: Joint owner appear at least twice)
Joint Own Auth 1 | Count | Knoedler Numbers in Book 11 |
Pinakos, Inc. (Rudolf Heinemann) | 84 | A6420, A5321, A4774, A6680, A5326, A5434, A1825, A1834, A1845, A1849, A1943, A1944, A1945, A1946, A2523, A2730, A2770, A2774, A2795, A2964, A3026, A3029, A3044, A3049, A3274, A3292, A3300, A3312, A3527, A5250, A5286, A5467, A5469, A5515, A5624, A5708, A5730, A4542, A4824, A4839, A4840, A4843, A4844, A4849, A4851, A4854, A4898, A4920, A4937, A4940, A4955, A5117, A5213, A5944, A5948, A5960, A5963, A5964, A5965, A5982, A6010, A6122, A6777, A6679, A6593, A6548, A6530, A6501, A6500, A6430, A6415, A6318, A6310, A6299, A6295, A6294, A7059, A6998, A6970, A6932, A7109, A5602, A5603, A6826 |
Hirschl & Adler Galleries | 37 | A3815, A4107, A3884, A3886, A3873, A3875, A3876, A3880, A3882, A3883, A3885, A3888, A5284, A5319, A5560, A5561, A5737, A5738, A5788, A5806, A5807, A5928, A6102, A6738, A6727, A6726, A6722, A6721, A6704, A6651, A7047, A7046, A7021, A7005, A7004, A6972, A7125 |
Spark, Victor David | 25 | A6144, A3188, A5745, A4448, A4923A, A4923C, A4923D, A4923H, A4923I, A4923K, A4923L, A4923M, A4923O, A4923P, A4923Q, A4923R, A4923S, A4923T, A4923W, A5016, A6013, A6018, A6138, A6145, A6147 |
Berggruen (Heinz), Galerie & Cie | 23 | A5750, A6640, A7031, A7030, A7029, A6899, A7119, A7120, A6070, A6073, A6114, A6112, A6150, A7018, A7017, A7016, A7015, A6844, A6843, A6443, A6350, A6347, A6641 |
Schempp, (Theodore), & Co. | 13 | A6934, A5188, A6684, A7066, A7002, A7001, A7000, A6942, A6939, A6935, A7116, A7130, A7131 |
Kennedy Galleries, Inc. | 13 | A4936, A7127, A7128, A7129, A5581, A6272, A6273, A6274, A7124, A7135, A5074, A5075, A6669 |
Fine Arts Associates | 11 | A5304, A5209, A6764, A6739, A7039, A6869, A7114, A7115, A7133, A7134, A6922 |
The A.B. Closson Jr. Co. | 9 | A5079, A5080, A5082, A5083, A5085, A5086, A5087, A5088, A5089 |
Betty McLean Gallery | 9 | A5288, A5290, A5291, A5292, A5294, A5299, A4684, A4685, A5055 |
E. and A. Milch | 7 | A3655, A3855, A3857, A3858, A4635, A6824, A7136 |
Marlborough-Gerson Gallery | 7 | A7078, A7080, A7082, A7081, A7083, A7077, A7079 |
Pearlman, Henry | 6 | A7086, A7087, A7089, A7090, A7091, A7088 |
Kleemann Galleries | 6 | A4617, A6432, A6391, A6390, A6332, A6331 |
De Hauke & Co. | 5 | A6763, A7100, A7101, A7103, A7110 |
Frank Perls Gallery | 5 | A6506, A6230, A6762, A6743, A6435 |
Balay, Roland | 5 | A3834, A3835, A3836, A3837, A3838 |
Latendorf Bookshop | 5 | A6249, A6250, A6251, A6252, A6253 |
Agnew's | 5 | A5435, A6098, A6099, A6228, A7056 |
Old Print Shop, The | 4 | A5714, A5716, A5718, A4672E |
Weitzner, Julius H. | 4 | A6921, A5703, A6534, A6929 |
Charell, Ludwig | 3 | A6379, A6378, A6377 |
Babcock Galleries | 3 | A3413, A3661, A5072 |
Galerie les Tourettes (Otto Wertheimer) | 2 | A5281, A7117 |
John F. Fleming Rare Book Co. | 2 | A6388, A6387 |
Galerie des Arts Anciens et Modernes | 2 | A6135, A6313 |
SUTTON, HILDA | 2 | A3383, A3395 |
Louis Leon and Co. | 2 | A6801, A6525 |
Michelotti, M. | 2 | A5320, A4049 |
Ward Eggleston Galleries | 2 | A5991, A5992 |
Kernochan, Katherine Lorillard | 2 | A2144, A2145 |
Ackermann, (Arthur), and Son | 2 | A3600, A2556 |
Frederick A. Stern Inc. | 2 | A3068, A3206 |
Weil, (André), Galerie | 2 | A6701, A6795 |
STRÖLIN, ALFRED | 2 | A6478, A6477 |
Abdy, Robert Henry Edward, Sir, 5th Bart. | 2 | A7009, A6967 |
Colnaghi's | 2 | A1982, A3060 |
Where else do these Knoedler numbers appear? What do they tell us?
Can the recent publication of the new Getty Provenance Index on linked data principles help us to go further in the analysis of the information that is missing from the original Knoedler ledgers? How might we do this?
tbc...
In searching the new Getty Provenance Index, it can be useful to know the "preferred name" as recorded in ULAN, especially when performing a facetted search in the Knoedler files.
Below is a Dataset of names that may be helpful. The data was retrieved on May 24, 2025.
The uploaded CSV file contains 61,418 rows and 7 columns. It contains entities (mostly people or organizations) associated with the Getty Provenance Index, particularly those classified as E21_Person or E74_Group in the CIDOC CRM ontology.
Column Name | Description | Non-null Count |
---|---|---|
URI Linkedart json | The Linked.Art JSON URI for the entity | 61,418 |
name | Preferred name of the person or organization | 61,418 |
ulan | Getty ULAN (Union List of Artist Names) identifier | 26,648 |
starId | Internal Getty Provenance Index identifier (STAR system) | 28,500 |
birthYear | Birth year (if known, usually for people) | 15,221 |
biography | Biographical note or description | 10,521 |
Pinakos, owned by Rudolph Heinemann, is a name that pops up in Nazi-looted art and false provenances.
However, the Pinakos name has a tendency to be scrubbed from provenance records, replaced either by its owner, Heinemann, or, occasionally, its frequent partner, Knoedler.
This is a pity because while Heinemann and Knoedler operated over long periods of time, including long before WWII, Pinakos is a name that appears only at very specific times. (So specific that it can be used to date undated ledger entrees.)
Pinakos Inc is rarely found alone in the Knoedler ledgers. Usually it appears as a "joint owner". An interesting pattern is Pinakos as first a "joint owner" and then, without the other partner, a seller in a separate ledger entree.
Pinakos Inc often appears in leger entrees "carried forward". Some transactions involve exchanges or returns with several different Knoedler numbers.
This post examines "joint owners" which appear in the Knoedler ledgers together with Pinakos.
Records from the Getty Provenance Index for the artist Maurice UTRILLO
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PROVENANCE Still Life with Sweetmeats, Boston MFAAnonymous collection, Spain. Anonymous dealer, Switzerland; sold by this dealer to Frederick Mont, New York; 1962, sold by Mont to the MFA for $7,000 [see note 1]. (Accession Date: February 14, 1962) NOTES: [1] In a letter to the MFA (October 26, 1962), Mont said that "the painting comes from Spain. We purchased it from an agent in Switzerland." |
Institution | Artworks that have Frederick Mont or Mondschein in the Provenance |
Washington, DC, National Gallery of Art | 18 |
Boston, MA, Museum of Fine Arts | 10 |
Los Angeles, CA, Los Angeles County Museum of Art | 8 |
Pasadena, CA, Norton Simon Museum | 6 |
Oberlin, OH, Allen Memorial Art Museum | 6 |
San Francisco, CA, Fine Arts Museums of San Francisco, M.H. de Young Memorial Museum | 5 |
Los Angeles, CA, J. Paul Getty Museum | 5 |
Saint Louis, MO, Saint Louis Art Museum | 4 |
El Paso, TX, El Paso Museum of Art | 4 |
Denver, CO, Denver Art Museum | 3 |
Seattle, WA, Seattle Art Museum | 2 |
Princeton, NJ, Art Museum, Princeton University | 2 |
New York, NY, Samuel H. Kress Foundation | 2 |
Kansas City, MO, Nelson-Atkins Museum of Art | 2 |
Tucson, AZ, University of Arizona Museum of Art | 1 |
San Diego, CA, Timken Museum of Art | 1 |
Raleigh, NC, North Carolina Museum of Art | 1 |
New York, NY, Metropolitan Museum of Art | 1 |
New Orleans, LA, New Orleans Museum of Art | 1 |
London, England, National Gallery | 1 |
Coral Gables, FL, Lowe Art Museum, University of Miami | 1 |
Allentown, PA, Allentown Art Museum | 1 |
Grand Total | 85 |
Artist Name | Artworks with Frederick Mont or Mondschein in the Provenance |
RUBENS, PETER PAUL (Flemish) | 5 |
JUAN DE FLANDES (Netherlandish) | 4 |
CRANACH, LUCAS (THE ELDER) (German) | 3 |
LORENZETTI, PIETRO (Italian) | 2 |
JORDAENS, JACOB (I) (Flemish) | 2 |
CHARDIN, JEAN BAPTISTE SIMÉON (French) | 2 |
[FRENCH - 15TH C. - 1400-1425] (French) | 2 |
ZURBARÁN, FRANCISCO DE (Spanish) | 1 |
VOUET, SIMON (French) | 1 |
VERONESE (PAOLO CALIARI) (Italian), and Assistants | 1 |
VERONESE (PAOLO CALIARI) (Italian) | 1 |
VELDE, ESAIAS VAN DE (I) (Dutch) | 1 |
VELÁZQUEZ, DIEGO RODRÍGUEZ DE SILVA Y (Spanish), manner | 1 |
VALDÉS LEAL, JUAN DE (Spanish) | 1 |
TIZIANO VECELLIO (Italian), attributed | 1 |
TINTORETTO, JACOPO (JACOPO ROBUSTI) (Italian) | 1 |
SUSI, LODEWIK (Flemish) | 1 |
STROZZI, BERNARDO (Italian) | 1 |
STEEN, JAN (Dutch) | 1 |
SNYDERS, FRANS (Flemish) | 1 |
SIMONE DEL TINTORE (Italian) | 1 |
SCHIAVONE (ANDREA MELDOLLA) (Italian) | 1 |
SAVOLDO, GIOVANNI GIROLAMO (Italian) | 1 |
SAENREDAM, PIETER JANSZ. (Dutch) | 1 |
RUISDAEL, JACOB VAN (Dutch) | 1 |
RUBENS, PETER PAUL (Flemish), after | 1 |
RICCI, SEBASTIANO (Italian) | 1 |
RIBERA, JUSEPE DE (LO SPAGNOLETTO) (Spanish), circle | 1 |
PUCCINELLI, ANGELO (Italian) | 1 |
POUSSIN, NICOLAS (French) | 1 |
PIETRO DA CORTONA (Italian), attributed | 1 |
PELLEGRINI, GIOVANNI ANTONIO (Italian) | 1 |
PATINIR, JOACHIM (Netherlandish), follower | 1 |
OS, JAN VAN (Dutch) | 1 |
NICOLAS D'YPRES (LE PICARD) (French) | 1 |
NICCOLÒ DI BUONACCORSO (Italian) | 1 |
MURILLO, BARTOLOMÉ ESTEBAN (Spanish) | 1 |
MORAZZONE (PIER FRANCESCO MAZZUCCHELLI) (Italian) | 1 |
MOMPER, JOOS DE (II) (Flemish) | 1 |
MASTER OF THE BRAUNSCHWEIG DIPTYCH (Netherlandish), circle | 1 |
MARESCALCHI, PIETRO (LO SPADA) (Italian) | 1 |
LUCAS VAN LEYDEN (Netherlandish), after | 1 |
LIPPI, FILIPPINO (Italian) | 1 |
LASTMAN, PIETER PIETERSZ. (Dutch) | 1 |
JORDAENS, JACOB (I) (Flemish), attributed | 1 |
HOOCH, PIETER DE (Dutch) | 1 |
HEEMSKERCK, MAERTEN VAN (Netherlandish) | 1 |
HAMEN Y LÉON, JUAN VAN DER (Spanish) | 1 |
HALS, FRANS (I) (Dutch), imitator | 1 |
GUARDI, FRANCESCO (Italian) | 1 |
GRECO, EL (DOMENICO THEOTOCOPULI) (Greek and Spanish) | 1 |
GIOVANNI DI PAOLO DI GRAZIA (Italian) | 1 |
GIORDANO, LUCA (Italian) | 1 |
GHERARDI, FILIPPO (SANCASCIANI) (Italian), and Coli, Giovanni; COLI, GIOVANNI (Italian), and Gherardi, Filippo (Sancasciani) | 1 |
FRANCIA, FRANCESCO (FRANCESCO RAIBOLINI) (Italian) | 1 |
ESSELENS, JACOB (Dutch) | 1 |
DYCK, ANTHONIE VAN (Flemish) | 1 |
DÜRER, ALBRECHT (German) | 1 |
DRÖLLING, LOUISE ADÉONE (French) | 1 |
DIEPENBEECK, ABRAHAM JANSZ. VAN (Flemish) | 1 |
DADDI, BERNARDO (Italian) | 1 |
CLAUDE LORRAIN (CLAUDE GELLÉE) (French) | 1 |
BUGIARDINI, GIULIANO (Italian) | 1 |
BRUGGHEN, HENDRICK TER (Dutch) | 1 |
BRUEGHEL, JAN (THE ELDER) (Flemish) | 1 |
BOSCOLI, ANDREA (Italian) | 1 |
BASSANO, JACOPO (JACOPO DA PONTE) (Italian) | 1 |
AMBERGER, CHRISTOPH (German) | 1 |
[ITALIAN - NEAPOLITAN - 17TH C. - 1625-1650] (Italian) | 1 |
[GERMAN - FRANCONIAN - 15TH C. - 1425-1475] (German) | 1 |
[FRENCH - 16TH C. - 1500-1550] (French) | 1 |
[AUSTRIAN - 15TH C. - 1475-1500] (Austrian) | 1 |
Grand Total | 85 |