Richard Zinser in Getty Provenance Index graph data visualisation of Knoedler transactions: Millet, Cranach, Cézanne, Renoir, Bonnard, Romney

Richard Zinser in Getty Provenance Index graph data visualisation of Knoedler transactions: Millet, Cranach, Cézanne, Renoir, Bonnard, Romney
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Pierre-Auguste Renoir, Public domain, via Wikimedia Commons |
Soutro Gallery, London
Sale: Christie's, London, June 24, 1997, lot 284
Private Collection (sold: Sotheby's, New York, November 3, 2005, lot 114)
Acquired at the above sale by the present owner
No mention of Alfred Weinberger, who had owned the Renoir until a Nazi looting organization seized it in Paris on December 4, 1941.
The above is one of the most typical provenance types that conceals Nazi-looted art.
This magnificent portrait by Klimt depicts the Jewish Austrian intellectual and feminist Adele Bloch-Bauer. Commissioned by her husband, Ferdinand Bloch-Bauer, a Jewish banker and sugar producer, the painting was looted by the Nazis in 1941, along with numerous other artworks.
For more reading, see:
Un tableau de Klimt volé par les nazis n'a jamais été restitué à son propriétaire
‘Heil the Hero Klimt!’: Nazi Aesthetics in Vienna and the 1943 Gustav Klimt Retrospective
Leipzig gibt jüdischer Familie ein Stück Geschichte zurück
A Blood-Stained Renoir on Exhibit in Paris
Leipzig Mayor Hand Delivers Nazi-era Art to Painter's Heirs
Case Review: Cassirer v. Thyssen-Bornemisza Collection Foundation
Holocaust Victim Assets Litigation Case No. CV96-4849
Münchner Kunstfund Bewusst verschleiert
A Tale of Two Portraits, by Rudolf Beran
Raubkunstverdacht: Der Kandinsky-Konflikt
Bank's Kandinsky painting was looted by Nazis, says family