Provenance texts as of December 26, 2025
| Url | Artwork Details | Provenance |
| https://collections.discovernewfields.org/art/artwork/37977 | Alternate Titles La Promenade sous bois Artist Auguste Émile Carolus-Duran (French, 1837–1917) Creation Date 1861 Creation Location France Materials oil on canvas Object Types paintings, oil paintings Dimensions;60 x 106 in. Accession Number 1983.185 Credit Line;Gift of Judge and Mrs. Paul H. Buchanan, Jr. Copyright Public Domain Collection;European Painting and Sculpture 1800-1945 Color Palette copy | Provenance research is on-going at the Indianapolis Museum of Art at Newfields. If you have questions, or if you have information to share with us, please contact info@discovernewfields.org |
| https://collections.discovernewfields.org/art/artwork/41967 | Alternate Titles Le grand noyer (The Big Walnut Tree) Artist Camille Pissarro (French, 1830–1903) Creation Date 1886 Materials oil on canvas Object Types paintings, oil paintings Dimensions;25-11/16 x 32 in. (canvas);37-1/4 x 43-1/2 x 2-1/2 in. (framed, glazed) Mark Description;Signed and dated, in red, lower left: C. Pissarro. 1886 Accession Number 2002.76 Credit Line;Anonymous Copyright Public Domain Collection;European Painting and Sculpture 1800-1945 Color Palette copy | Bought from the artist by (Durand-Ruel, Paris, France) on 05 October 1886;(Duval-Fleury, Paris) on 25 March 1918.{1};Possibly in the collection of Wilhelm Hansen [1868-1936], Ordrupgaard, near Copenhagen, Denmark.{2};Private collection, Paris and Belgium, from about 1920 until 2002;Sold through (Galerie Daniel Malingue, Paris, France);Purchased by the Indianapolis Museum of Art, Indianapolis, Indiana, in 2002.;{1} Joachim Pissarro, Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, volume 3, Milan: Wildenstein Institute, 2005, p. 543. This information is based on material in the Durand-Ruel archives in Paris and was also supplied to the IMA in correspondence with Claire Durand-Ruel Snollaerts between April and September 2002.;{2} Hansen was a prominent collector of French painting and a business partner of Emile Duval-Fleury. On their connections see Haavard Rostrup, “Wilhelm Hansen et sa collection de tableaux impressionnistes du Museé d’Ordrupgaard,” Gazette des Beaux-Arts, no.1358, volume 99 (March 1982), pp.101-108, especially p. 104, and the essay by Anne-Birgitte Fonsmark, "Ordrupgaard: The collection of Wilhelm Hansen and his wife Henny Hansen” in the exhibition catalogue The Age of Impressionism: European Paintings from Ordrupgaard Copenhagen, The Walters Art Museum, 2002, pp. 8-23, especially p. 13. The catalogue of Hansen’s collection by Karl Madsen, Katalog over Wilhelm Hansen’s Samling: Fransk Malerkunst, Ordrupgaard 1918, lists 8 paintings by Pissarro, but none matching this title, description, or date |
