Erroneous provenance graph with links to source documents

Visualising Art Market Networks and Relations to Art Looting Red Flag Names

 

Mapping art dealer and art gallery relations,
where the color RED marks Art Looting Investigation Unit Red Flag Names and blue indicates people or companies with business or personal relations#Networks #artmarket #dynasties #dataviz pic.twitter.com/UfaXENeoTS

— Open Art Data | @openartdata.bsky.social (@OpenLinkArtData) September 22, 2024

Alsdorf in provenances of artworks in the Chicago Art Institute

James and Marilynn Alsdorf contributed many valuable artworks to the Art Institute of Chicago.

The table below shows provenance texts as published on AIC's website in August 2024. 

Provenance gaps of over a thousand years are not uncommon.

Tracking Looted Art with Knowledge Graphs: A Wikidata Case Study

Art looting networks operate on many levels, many of them hidden, over long periods of time. The native graph function of Wikidata enhanced by federated queries can help track them.

Tracking Looted Art with Graphs

April 9, 2022, Laurel Zuckerman

Graphs and Networks in the Humanities 2022 Technologies, Models, Analyses, and Visualizations

6th International Conference, 3. – 4. February 2022, Online

The 6th international conference on Graphs and Networks in the Humanities took place from Thursday 3. February to Friday 4. February 2022 online, co-organized by scholars from the Huygens Institute (Royal Netherlands Academy of Arts and Sciences), the Academy of Sciences and Literature | Mainz, Vienna University, University of Leipzig, and the University Ca’ Foscari Venice

Paper: Tracking Looted Art with Graphs: A Case Study 

See also:

The Error is the Message: Extracting Insights from Deceptive Data for Nazi looted art

The Knowledge Graph Conference, 2023

VIDEO: 

https://youtu.be/WBMpZ3NDNRQ?si=wsFtV9wzBEghCSoB

Donation of European art to the Saint Louis Art Museum by Morton D. May and Joseph Pulitzer Jr.

 

Data Visualization Test

How to grasp the scale of the transfer from Jewish art collectors persecuted by the Nazi to museums in the United States, Germany, Austria, France, Switzerland, the Netherlands, as well as countries in South America?

Some experiments in data visualization.

First, an overview (attention: the figures are not real, they are only to test the visualization.)

The Nazis looted so much. Destroyed so many lives. How to represent this in a way that is understandable, meaningful - and actionable?

The devil is in the detail. 

Nazi Art Looting Networks: Adolf Wuester

Zoom on a few of the individuals in Adolf Wuester's network (according to the Art Looting Investigation Unit in 1946)

Abels Brothers, Hermann	Cologne, Komoedienstrasse 26	Dealers	Specialists in 16th to 19th century painting and graphic arts
Bammann, Hans	Dusseldorf, Blumenstrasse 11	Dealer, drafted into the army in 1942 and transferred to the ERR in Paris in December 1943 at the request of Lohse and Wuester	Believed to have acted as agent for art purchases in France for museums of Dusseldorf, Cologne, Aachen and Bonn
Breker, Prof Arno	Starnberg (Buchhof uber Pocha), Bavaria	Celebrated Nazi sculptor, often in Paris during the war	Took part in arranging tour of French artists through Germany
Goepel, Dr Erhard	Leipzig, Stieghtstrasse 76	Official Linz agent and buyer in Holland under Posse and Voss	Bought extensively in Holland and also travelled frequently in Belgium and France
Knothe, Dr		Secretary of the German Embassy, Paris and reported to have worked with Wuester on art matters for von Ribbentrop and possibly Goebbels
Kuetgens, Dr Felix	Aachen, Heinrichsallee 18	Member of Kunstschutz, Paris	Mentioned as also in charge of Kunstschutz in Serbia and Greece
Loewenisch, Albert	Cologne Paris, 8 ave Victor Massel	Purchasing agent for the Gauleitung Dusseldorf-Koln-Aachen-Bonn, and one of the official representatives of German museums in France	Contact of Hermssen, Wuester, Weinmueller and Lange
May, Frau Wismer	Zurich, Seefeldstrasse 90	Colleague of Wuester in the art section of the German Embassy, Paris	Ardent Nazi and well connected in high Party circles
Mohnen, Wilhelm Jacob		German national	Captured in Rome, 5 February 1945, after taking refuge in the Vatican
Muthmann, Dr		Director of Museum of Krefeld	In contact with Wuester, Paul Cailleux, Dr Kurt Martin and Dr Hopp
Pfannstiel, Arthur	Paris	German painter and dealer, resident in Paris before the war	Member of staff of ERR, Bordeaux and of GIS
Rademacher, Dr Bernard	Bonn	Assistant at the Landesmuseum, Bonn	Agent for art purchases in France
von Waldthausen		In charge of interior decoration of the German Embassy, Paris, 1940	Assisted by Wuester, 1942
Wuester, Adolf	Bernau, Bavaria Bonn Schloesel	Painter and amateur dealer, long-time pre-war resident of Paris	Chief agent in France for acquisition of works of art for Ribbentrop
Blot	Paris	Dealer, dealt with Wuester
Cailleux, Paul	Paris, 136 rue du Fbg St Honore	Dealer in contact with Rochlitz, Wuester, Frau Dietrich, Haberstock	Knew Lohse, who claims to have freed his wife from a concentration camp
Cloots, F G	Paris, 14 rue de l’Abbaye	Small dealer specialising in 17th century Dutch painting	In contact with Wuester and Hofer
Gairac, Georges	Paris, 17 rue de Seine	French art dealer who sold to Wuester and Bornheim
Gerard, Raphael Louis Felix	Paris, 4 ave de Messine	Dealt in confiscated pictures; main source of supply to Wuester and other German buyers	Indicted by French Government (Seine Tribunal, Judge Frapier)
de Haucke, Cesar Monge	Paris, 14 rue du Cherche-Midi	Dealer active in Paris and New York before the war	Active in Paris during the occupation; in contact with Wuester, Haberstock and Hofer; documentary evidence in Unit files
Kalebjian, Irene	Paris, 52 bis ave d’Iena	Schenker documents indicate sales to German buyers	One of Wuester’s chief sources
Leegenhoek, M O	Paris, 1 rue de Rennes/230 blvd Raspail	Belgian national	Prominent restorer and subsequent dealer who sold extensively to Hofer, Lohse, Wendland, Wuester, Dietrich, Haberstock, Miedl, Goepel and the great majority of important German purchasers
Mandl, Victor	Paris, 9 rue du Boetie	German refugee dealer, formerly active in Berlin	Highly important figure in German art purchases in Paris
Montag, Charles	Sevres Meudon Val Fleury, 72 rue de Paris	Swiss; naturalised French	Artist and dealer
Renand, Georges	Paris, 30 quai de Bethune	Sold to Ribbentrop through Wuester	Schenker documents indicate sales to German buyers
Schmit, Jean	Paris, 22 rue de Charonne	Important antique dealer and decorating concern	Dealt with Bornheim, Angerer, Haberstock and other Germans brought to him by Wuester
Schoeller, Andre	Paris, 13 rue de Teheran	Well known expert in French 19th century painting	President of the Art Editors Syndicate and appraiser for the Hotel Drouot
Toulinot (Toulino)	Paris, 8 ave Victor Massel	Small dealer	Partner of Loewenisch
de Trevise, Duc	Paris	Pre-war sponsor and friend of Rochlitz and Wuester
Trotti, Count Rene Avogli	Paris, 1/88 rue de Grenelle	Well known art dealer of Italian birth; in touch with many German art agents during the war, particularly Wuester, an old friend	Also did business with Haberstock
Wuester Adolf	See Germany
Raeber, Dr Willi	Basle, St Albans Anlage 68	Prominent art dealer	Vice president of the Swiss syndicate of art dealers and its most active member
Wendland, Dr Hans	Versoix/Geneva	German national	Art dealer, resident alternately in France, Switzerland, Italy and Germany since World War I

For transcription of the Art Looting Investigation Unit Final Report and the Red Flag list of Names see lootedart.com here.