Showing posts with label network analysis. Show all posts
Showing posts with label network analysis. Show all posts

Jan 16, 2019

Visualizing the Art Market Networks of Hermann Voss

Network visualisation of Hermann Voss' connections, with his direct connections and the connection of his direct connections, according to the ALIU Final Report Red Flag list of Names of 1946.
(network graph generated automatically by google fusion tables-


With data visualisation tools, the graphical representation of the links between individuals in vast criminal networks is made possible. 

In the above graph, one sees the connections of Hermann Voss, as described in the 1946 OSS Art Looting Investigation Unit Final Report, which detailed the Nazi era art market network.

For each person in the ALIU "Red Flag List of Names" a brief paragraph summarises what is known about the person's role in the European Nazi-era art market. There are more than 1000 names on the list, each one with a few sentences of description, which typically includes a dozen or more attributes and connections.

The paragraph devoted to Voss in the Final Report contains 50 words, including his name.

Voss, Dr Hermann. Munich. Director of the Linz Special Commission, the Linz Musuem, and the Dresden Gallery from May 1943. Involved in the Schloss and Mannheimer collection (forced) sales, and the official chiefly responsible for Hitler’s looting and purchasing policies after 1945. In custody US 3rd Army, Munich, September 1945.

One can imagine that, due to practical contraints, the Art Looting Investigation Unit may have found it impossible to stuff everything they had learned about Hermann Voss into the one small paragraph allocated to each subject in the ALIU Final Report.

However, the "Voss, Dr Hermann" paragraph is not the only mention of Voss in the ALIU Final Report. 


A simple data filter in Sheets gives us the names linked to Voss in the ALIU Red Flag List/

Filtering for mentions of "Voss" in the shared Google Sheet "OSS ALIU Red Flag Names PUBLIC"

Voss, we see, is mentioned in 17 entries in the ALIU Red Flag List*.

Goepel, Grosshennig, Gurlitt [the father of Bavarian art hoarder, Cornelius], Nadolle, Oertel, Pat-Zaade, Posse, Reimer, Schilling, Schmidt, Voss, Waldner, Weber, Zinckgraf, Mandl, de Boer, Hoogendijk,.

Each one of the above individuals, who the ALIU believed to be connected to Voss, had his own network, or "cluster".  
It is by joining together these different clusters that we are able to extract information that can be used to visualize the Nazi art market network - as analysed by the Art Looting Investigation Unit in 1946.

It is these mentions that we will use to select the data for network analysis.

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How to map the direct connections of Dr. Hermann Voss using Google Sheets and Google Fusion Tables

In our experiments we used the following method to prepare the data:


1) copy the entire ALIU Red Flag list into a Google Sheet called OSS ALIU Red Flag Names PUBLIC.  It is this file that we will return to, again and again, to find more information about different networks contained in the Final Report.  This task needs to be performed only once.
(This Google sheet can be viewed by anyone with this link.)

2) filter for Voss (Data, Filter by Condition, Text contains "Voss") as shown above.

3) copy the results (which are all the Red Flag texts in which Voss is mentioned) to another sheet, named, for example, "Voss Network"

4) Format the "Voss Network" sheet (so that it can be loaded and analysed in Google Fusion Tables)
Sheet AFTER formatting: Name1 and Name2 are linked in the network


Note: We format the data only after having gathered it all together. 

4.1 Using the Sheets Data function, Split Text to columns, Use the "." as the Separator.

4.2 Add a column to the left .

4.3 For all the entries that mentioned Voss, copy "Voss, Dr Hermann" into the new column.
This is important for network analysis later, because it links Voss to the name of the Red Flag entry in which his name appears.

Note: the assumption is that the mention of Voss' name implies some kind of link to Voss. The exact nature of the link is specified in the text, which is information that we will exploit later using a different network analysis tool, but which we do not need at this stage in the analysis.


4.4  Name the columns (from Left to Right): Name1, Name2, Location, Role1, Role2, Role3...Role10

(Note: We format all the Sheets the same so that later we can mix selected files in Google Fusion Tables)

5) Load the Google Sheet "Voss Network" into Google Fusion Tables

(Note: If you have multiple sheets (tabs) you can select which one to load)

6) In Google Fusion tables, click on "Create Chart"./ Specify that the chart is for Name1, Name2

note! This will generate a circle with spokes in which  "Voss, Dr. Hermann" is in the centre with links to every Red Flag Name entry that mentioned him.



Try it!



How to add clusters to the network



To obtain the graph with several clusters at the beginning of this post, one inserts a step between 3) and 4). in which one adds the connections for some or all of the names whose entries mentioned Voss.

Before formatting the "Voss Network" Google Sheet, one returns to the OSS ALIU Red Flag Names PUBLIC Google Sheet and filters for Red Flag entries that mentioned Voss. Goepel is the first name on the list,.

Filter for Goepel and copy the result into the "Voss Network" Google Sheet, and repeats for the next name.


ALIU entries that mentioned Goepel are: Goeple, Wuester, Holzapfel, leegenhoek, Lefranc, Mandl, Block, and Cramer.  We can think of this as the "Goepel" cluster.

This will add to the Voss network, all the Red Flag entries that mentioned Goepel.




Once all the information one wants about Voss' contacts has been added, proceed to formatting, as described in step 4, then load in Google Fusion Tables

Note: Attention, in the column to the left (that will become Name1), one puts Goepel (or whatever name was filtered for)


Direct Links to Voss and Direct links to one of Voss' direct links, Goepel.
Note that the names appear exactly as they do in their ALIU entry, "Voss, Dr Hermann" and "Gopel, Dr Erhard".
We are careful to use the exact ALIU names so that they will match in network analysis.


This approach can be used for any set of links one wants to analyse, whether to a name of a person, a place, an organisation, an event,  a year or any word that appears in the ALIU Red Flag list.

Data, always in the same format, can be mixed and matched, a process we will show later.

Links to Datasets:




Considerations concerning the source


By necessity, important information will be missing from an operational report made under time constraints in difficult conditions.  We are, in using the information in the ALIU Red Flag List to map our networks, trusting the selection of information made by the OSS ALIU team.

Is there - should there be- a limit to this trust? What are the contours to the report's reliability? Are there blindspots we should be aware of? Omissions that should be compensated for by bringing in other sources? Attention to some areas that seems excessive?

For the time being we will acknowledge these questions and put them aside, for further exploration later. No source is perfect, and, at present, the 1946 ALIU Red Flag List, with all its imperfections, still seems to be the most useful primary historical source we have.

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*Vossisk was picked up but is not a contact. (In addition, Voss had an entire detailed interrogation report (DIR) dedicated to him, but we are not using the detailed report, only the summary of Red Flag names in the Final Report.)




Jan 11, 2019

Mapping ALIU looted art market networks with Google Fusion Tables

Graphs from Google Fusion Tables can help us to visualise the Nazi looted art market described in 1946 by the OSS Art Looting Investigation Unit

There is little, at present, in the way of digital network analysis of Nazi looted art markets.

The field appears to be wide open. (Digital art historians, take note). 
There does not seem to be a sophisticated user base of researchers adapt at using digital tools to explore Nazi looted art markets or even much of an appreciation for how illuminating use of these tools can be.

Google Fusion Tables is a free experimental tool that is easy to use, very powerful and built for collaboration. It has been widely adopted by investigative journalists and data journalists whose analytical detective methods have much to offer to historians of the Holocaust as well as scholars of the art market.

Time is short, as Google has announced plans to pull the plug on Fusion Tables on December 3, 2019.

The clock is ticking. However, in the eleven months that Google Fusion Tables has to live, there is a lot of innovative research that can be done with methods that are within the reach of absolutely anyone who cares to learn. (This includes not just those interested in Nazi looted art, but also researchers of colonialism.)

see:

Networks of Bruno Lohse

The Ultimate Art Looting Network: Agents of High Placed Nazis

Switzerland in the Art Looting Investigation Unit Red Flag List of Names

Networks of Gustav Rochlitz

RIP Fusion Tables: Google is killing off the beloved data visualization tool from Fastcompany










Jan 9, 2019

The Ultimate Art Looting Network: AGENTS OF HIGH PLACED NAZIS

Declassified in 2001, the "Agents of High Placed Nazis for Looting Works of Art " Source: NARA 1518815  


AGENTS OF HIGH PLACED NAZIS FOR LOOTING WORKS OF ART

Herr Adolf WÜSTER
Herr Gustav ROCHLITZ
Dr. VOSS
Dr. Kurt MARTIN
Andreas HOFER
Dr. HABERSTOCK
Dr. LOHSE
Dr. BUCHNER
Dr. Otto FÖRSTER
Herr BAHMANN
Dr. GURLITT
Dr. MÜHLMANN
Dr. GOEPEL
Prof. HERBST
Dr. R SCHOLZ
Herr APFELSTAEDT
Emil ZAUNKELMER

From Paris
Martin FABIANI
Roger DEQUOY
Alfred DABER
César de HAUCKE
? PETRIDES
Count Avogli TROTTI



Most of these names are familiar from the Art Looting Investigation Unit Final Report and Red Flag List.  Several of these names also appear in provenances of artworks that are currently in public museums.

The ALIU singled out this "cluster" of individuals for particular attention. What was their position within the overall ALIU Red Flag Network? And how did it evolve in the aftermath of the war?

The ALIU Red Flag list presents a snapshot of the network (as they understood it) shortly before the OSS unit was dissolved. When happened next? And, in particular, after both the Munich and Wiesbaden Central Collecting Points were closed in August 1951?

Can we track the evolution of this cluster over time?

Paul Pétridès in 1946 ALIU Red Flag list


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Dequoy and Fabiani: 1946 Art Looting Investigation Unit Final Report (Red Flag List of Names)

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Dr Hans Herbst : 1946 ALIU report
(note: as for the other networks above, the relations are taken from the mentions of Herbst in the bios of other Red Flag names.) 
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Nazi art looter Karl Haberstock had many, many contacts among art dealers and galleries

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This chart shows the links between several of the names on the "Agents of High Placed Nazis for Looting of Works of Art.
When there are so many names the graph becomes harder to read.  The table has 473 rows taken from the  1946 ALIU Report/
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In future posts, we will describe how we are formatting the ALIU Red Flag list for import into Fusion Tables so that anyone can replicate (and maybe improve) the graphs. 
-----------------
transcription of names from FOLD3 document https://www.fold3.com/image/270079420

about this document:

Roberts Commission - Protection of Historical Monuments

National Archives Catalog ID: 1518815
National Archives Catalog Title: London Files, compiled 1943 - 1945
Series:London Files
Category: London File- British Element CC (Bunjes Papers, Ect.)
Date Range:1943 - 1945
Publication Title:
Records of the American Commission for the Protection and Salvage of Artistic and Historical Monuments in War Areas (The Roberts Commission), 1943-1946
Content Source:
 The National Archives
Publication Number:
M1944
Content Source:
NARA
Source Publication Year:
2007
Language:
English, French, German
Country:
n/a
Footnote Job:
11-004
Footnote Publication Year:
2011
Record Group:
239
Short Description:
NARA M1944. Records of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas, 1943-1946.
Roll:
0032

Declassified: April 23, 2001, Published 2007






Jan 7, 2019

Why?



What can researchers in art market networks and looted art networks learn from the approach of Dr. Paul-Philippe Paré and his team at the Dept. of Sociology - Western University? Video: Multilevel Models for Social Network Analysis.

Question: Why did some in the art world continue to traffic in Nazi looted art after the defeat of the Nazis? 

Is there anything in the personal biographies or the networks of the individuals involved that social scientists could use to predict this behavior?


Scientists have employed social network analysis to understand the forces driving behaviours such as smoking and gun ownership. Could a similar approach offer insights into the behaviour of dealing in looted or otherwise ill-gotten artworks - in particular after the death of Hitler and the defeat of the Nazi regime?  

What are the drivers for this behaviour? Can predictors be isolated and identified? What might they be: economic situation, business ties, family ties, friendship ties, personality traits, previous looting activity, geographical location, memberships in organisations, age, marital status, profession, education, time period, certain life events, or other factors ? 

What might emerge as the key factors that separate those who decided to deal in looted art after 1945 and those who chose not to deal in looted art after 1945. 

How might one go about setting up a robust analysis?
What datasets would be needed?
What methods?
What competence?


No answers here. Just questions






Jan 4, 2019

Switzerland in the Art Looting Investigation Unit Red Flag List of Names

Art Market Network Visualisation for Swiss dealers:  focus Theodor Fischer
source: Art Looting Investigation Unit Final Report

The 1946 ALIU Final Report broke the Red Flag List Name down into ten separate geographical areas:  Germany, France, Switzerland, The Netherlands, Belgium, Italy,  Spain, Portugal, Sweden and Luxembourg. 

The network was International and overlapped But the ALIU tried to identify important actors by country.

In this post, we will look at the ALIU's listings for Switzerland. 


The place where two networks intersect is extremely interesting.
Red Flag Names in the Switzerland section of the 1946 Art Looting Investigation Unit Final Report meet Red Flag Names that mention Linz in the description


So far we have looked at a few individual names and their networks as described in the 1946 report.

In this post we change focus to examine the links to a geographical area: Switzerland.  Note: we are using the ALIU units category "Switzerland" for this analysis.
(An alternative approach would be to include every Red Flag entry that mentions the word "Switzerland" or a city in the country of Switzerland. This second approach would capture individuals not of Swiss nationality who had links to Switzerland which could be useful.)



Map of ALIU Red Flag names from the section on Switzerland, using the location information in the 1946 report.

The original ALIU texts are attached to each red data point.

Zoom on Zurich art dealers (source: ALIU 1946 Final Report)


The only data cleaning was to correct three misspellings discussed in a previous post: Seira==> Skira; Caillier ==> Cailler; and Natman ==>Nathan). Otherwise the texts displayed are exactly as written  in 1946 by the OSS Art Looting Investigation Unit.

The ALIU entry for Tanner, President of the Federation of Swiss Art Dealers. The red marker is automatically located at Zurich, Bahnhofstrasse 29, the location included in the ALIU Final Report.

Above is the Art Looting Investigation Unit 1946 entry for Tanner, President of the Federation of Swiss Art Dealers.
Below is the ALIU 1946 entry for Neupert Galerie.

Galerie Neupert in Zurich "Father and son art dealers, in contact with Hofer, Haberstock, Lohse and Fischer" 
(source: ALIU final Report)

Albert Skira (which had been mistranscribed in the ALIU digital version as Seira) had a very long entry in 1946.
Albert Skira in Geneva: "Owner of publishing firm'Editions d'Art', on British and American Proclaimed Lists
(source: ALIU Final Report)
Below is the ALIU 1946 entry for Dr. Fritz Nathan (elsewhere misspelled as "Natman".)


Dr Fritz Nathan in St Gallen: "Adviser to Buehrle, and intermediary between Fischer, Hofer and Buehrle"
(source: ALIU Fnal Report)

Misspellings such as those for Nathan (Natman), Skira (Seira) and Cailler (Caillier) generate errors in network analysis and have to be corrected before generating intersecting network graphs.

Below is the cluster for Switzerland - that is, Red Flag names that were presented in the "Switzerland" section of the Final Report.

The list of Red Flag Names in the Switzerland section of the ALIU Final Report can be visualised as a network.




Which names to focus on? We can look at the number of mentions in both the ALIU Red Flag list and the Switzerland section of this list for suggestions:

ALIU RED FLAGMENTIONSALIU SWITZERLANDMENTIONS
schenker155
hofer152hofer19
err139fischer15
goering93wendland15
muehlmann90err10
bornheim56reber7
haberstock56rosenberg7
lohse50buehrle5
kunstschutz47angerer4
goering’s40engel4
wendland40lohse4
dienststelle33matisse4
wuester32stoecklin4
angerer25frey3
fischer23goering3
schloss23neupert3
dietrich21schmidlin3
rochlitz20tanner3
rosenberg20ascona2
frapier19benzion2
bauer17bernheim2
voss17boehler2
engel16buemming2
posse16dreyfus2
reber16haberstock2
plietzsch15hirschland2
dequoy14levy2
loebl14montag2
heerengracht13nathan2
lange13oerlikon2
mueller13raeber2
martin12rochlitz2
behr11skira2
boehler11toepfer2
charles11truessel2
schmidt11veraguth2
gurlitt10versoix2
inquart10wuester2
katz10
lefranc10
paech10
scholz10
wildenstein10
kieslinger9
bachstitz8
boitel8
buehrle8
goepel8
goudstikker8
hamann8
hermssen8
petrides8
poellnitz8
postma8
bunjes7
devisenschutzkommando7
fabiani7
gritzbach7
heinz7
herbst7
hitler7
hoffmann7
holzapfel7
kajetan7
lagrand7
mandl7
perdoux7
poznan7
weinmueller7
bernheim6
brueschwiller6
friedlander6
garin6
gerard6
jansen6
kogl6
leegenhoek6
lippmann6
manteau6
mohnen6
morandotti6
rosenthal6
rothschild6
wolff6


We will gradually explore the different clusters within the Swiss and other networks in future posts.

For more on analysing art dealing networks, see also:





Lootedart.com: https://www.lootedart.com/MVI3RM469661
(which obtained its information from NARA http://www.archives.gov/research/holocaust/art/ accessed 4 February 2008