Tutorial for the Looted Art Detector: Using custom indicators

Looted Art Detector: Part 2 Using custom indicators

example with : ALIU Red Flag restorers

The user can analyse provenances for any names or words that seem interesting.

The list below contains the last names of art restorers who were investigated by the OSS Art Looting Investigation Unit for their role in the art market for Nazi-looted art.

Let's run 1000 NEPIP provenances that contain Munich through the Looted Art Detector

In the previous post we gathered one thousand provenances of artworks listed (for the most part) by American museums on the Nazi Era Provenance Internet Portal that contain the word "Munich" or "München" in the provenance text.

In this post, using the Looted Art Detector developed at the Swiss Glamhack2020 and Glamhack2021, we rank artworks that contain a mention of Munich according to the criteria of "Uncertainty". 

Linz ALMAS

Maria Almas-Dietrich: Nazi art looter

"Art dealer; personal friend of Hitler, and for a time his principal buyer of works of art. One of the most important purchasing agents for Linz. Was under house arrest at Grafing, Bavaria, autumn 1945."

- ALIU 1946 Final Report

Art historians, "Almas" in a provenance text means: dig deep.

The probability of Nazi looting is high.

Below, artworks from the DHM Linz database that contain "Almas" in the provenance.

Court cases databases and APIs: art theft and Nazi looted art

Where to find detailed information about lawsuits involving Nazi-looted art?

a few online databases...

_____

Caselaw Access Project

https://cite.case.law

Nazi-looted art: names of plundered collectors to verify in provenances

Books such as Was einmal war. Die enteigneten Kunstsammlungen Wiens by Sophie Lillie provide names of looted collectors

Provenance cases for students of art history

"...the Grünbaum heirs contend that Mr. Kornfeld’s account is a fiction and that the documents are forgeries. They say it is suspicious that he did not identify Ms. Lukacs-Herzl as his supplier until nearly two decades after her death, and they contest the validity of the signatures on the records, pointing to places where Ms. Lukacs-Herzl’s name is misspelled or written in pencil...."

 

- William D. Cohan, Jewish Heirs Take on an Art Foundation That Rights Nazi Wrongs, NYT, Aug. 26, 2018

 

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READING GUIDE

Questions for students of art history

1) Why is it important to establish an accurate account of the ownership history of an artwork?

2) How to verify whether an art dealer is telling the truth or lying about the provenance an artwork he or she sold?

3) What elements in this story help to clarify an accurate sequence of events? 

4) What historical knowledge is needed to make sense of these different accounts?

5) What additional information can you find from other sources that make it possible to see more clearly what really happened?

6) This NYT news story was published in 2018. What has happened since then? Do recent events shed light on who was telling the truth and who was lying? If so, how?

read more at: http://archive.is/mNym6#selection-825.517-825.541

Jewish Heirs Take on an Art Foundation That Rights Nazi Wrongs by By William D. Cohan, Aug. 26, 2018

https://www.nytimes.com/2018/08/26/arts/design/nazi-art-egon-schiele-fritz-grunbaum.html

Lies Provenance Researchers Told

This post aims to collect, little by little, published provenances that have been proven to be false, and, where possible, to specify their authors and publishers.

Why try to identify lies in provenances?

Lying about the fate of artworks owned by Jewish collectors who were persecuted by the Nazis inserts false information into the historical record of the Holocaust. 

For a provenance researcher to do this deliberately is, in my opinion, a grave act of immorality which facilitates Holocaust denial. 

For a provenance researcher to do this "accidentally" is evidence of incompetence, which should be sanctioned and not rewarded by employers and funders.

Readers are invited to add examples of published false provenances in the comments.

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False Provenances Concerning Ownership during the Nazi Era by Artist 

Gustav Klimt

Edgar Degas, Landscape with Smokestacks

(read Simon Goodman's The Orpheus Clock on the battle to establish the correct provenance for the Degas looted from his grandfather.)

Marc Chagall

***

Ernst Ludwig Kirchner

- Provenance errors by Nazi art collector Kurt Feldhäusser and the Museum of Modern Art in New York ("location mixup")

(why did MoMA’s version carry yet another title, “Sand Hills in Engadine”?...MoMA realized Mr. Feldhäusser had mistaken the hills for ones on an island near Denmark while the museum had mistaken them for hills in Switzerland. -WSJ)

for more examples of Jewish owned art passing under the Nazis through Ferdinand Möller Galerie, Berlin ==> Kurt Feldhäuser, Berlin ==> museums see Fischer, Max lostart.de

urls

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Paul Gauguin

Faaturuma (Melancholic)

http://web.archive.org/web/20171220174436/https://art.nelson-atkins.org/objects/18445/faaturuma-melancholic

"The Wildenstein catalogue raisonné of 1964 tentatively suggests that a certain “Dr. Hahnloser, Zurich” owned Faaturuma between Vollard and Wolfensberger. The best-known collectors fitting this description are Arthur Hahnloser (1870-1936) and his brother Emil Hahnloser (1874-1940). However, neither began collecting works by Gauguin until after World War I. As Lukas Gloor notes, “an acquisition by Arthur Hahnloser of Faaturumain 1912 would…have been totally out of sync with Arthur’s collecting behaviour at that time” and “an acquisition by Emil Hahnloser of Faaturuma in 1912 would have been a totally isolated affair”; see e-mail from Lukas Gloor, Director, Sammlung E. G. Bührle, to Brigid Boyle, July 23, 2015, NAMA curatorial files. 

[5] The Wildenstein catalogue raisonné of 1964 claims that Justin K. Thannhauser owned Faaturuma between Wolfensberger and Stransky, but there is no documentary evidence to support this." - (source: Nelson-Atkins museum online provenance text (December 2017))

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George Grosz

***

"Le Repos Dans Le Jardin Argenteuil" (Monet’s Garden at Argenteuil)

Claude Monet

Amedeo Modigliani

Pablo Picasso

Thomas Couture

Édouard Vuillard

François Boucher

El Greco

Egon Schiele

André Derain

Paul Klee

Jan van Goyen 

Cranach

Renoir

Sisley

Camille Pissarro

Georges Braque

Wassily Kandinsky

Henri Matisse

Gustave Courbet

Gerard T. Borch

Albert Gleizes

Frans Hals

Macchiaioli

Corneille de Lyon

Lucien Adrion

Bernardo Bellotto

Carl Blechen

Van Gogh

Lovis Corinth

Carl Spitzweg

Mondrian

Giambattista Tiepolo

Cornelis Troost

Jean-Louis Forain

Constantin Guys

Adolph von Menzel

Ferdinand Georg Waldmüller

Émile Vernet-Lecomte

(update ongoing...)

*****

images

Gustav Klimt Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) by  (Former owner, Ferdinand Bloch-Bauer)

https://en.wikipedia.org/wiki/Portrait_of_Adele_Bloch-Bauer_I

*

El Greco “Portrait of a Gentleman”  Seized by Nazis Returns to Owner’s Family in Artsbeat NYT. (Former owner, Julius Priester)

https://artsbeat.blogs.nytimes.com/2015/03/24/an-el-greco-seized-by-nazis-returns-to-owners-family/

*

Edgar Degas “Landscape with Smokestacks” (1890) Landscape with Smokestacks – Friedrich Gutmann Heirs and Daniel Searle

https://plone.unige.ch/art-adr/cases-affaires/landscape-with-smokestacks-2013-friedrich-gutmann-heirs-and-daniel-searle#!prettyPhoto[pp_gal]/0/

*

Ernst Ludwig Kirchner 1917-18 painting ‘Sand Hills in Engadine aka ‘Sand Hills (By Grünau)’ Museum of Modern Art Returns Painting to Heirs of Man Who Fled Nazis, WSJ (Former owner, Max Fischer

https://archive.is/zuHqA

*

Claude Monet "Monet’s Garden at Argenteuil" (Le Repos Dans Le Jardin Argenteuil) , Settlement Reached on Monet’s Garden at Argenteuil (Former owner, Maria Newman, widow of Henry P. Newman)

*

Paul Klee “Swamp Legend,” from 1919 After 26 Years, Munich Settles Case Over a Klee Looted by the Nazis in NYT (Former owner, Ms. Lissitzky-Küppers)

https://www.nytimes.com/2017/07/26/arts/design/after-26-years-munich-settles-case-over-a-klee-looted-by-nazis.html

*

Jan van Goyen (1595 – 1656), “River Landscape with a Swineherd”, A Goudstikker van Goyen in Gdańsk: A Case Study of Nazi-Looted Art in Poland (Former owner, Jacques Goustikker)

https://www.cambridge.org/core/journals/international-journal-of-cultural-property/article/goudstikker-van-goyen-in-gdansk-a-case-study-of-nazilooted-art-in-poland/475F94269B2C9EC44ECD58FE08608D5B/share/2e8a428ee0482f496f214c8c3fe826f32c26bb62#

*

See also:

Nazi Art Loot Returned ... to Nazis

By DOREEN CARVAJAL and ALISON SMALE, JULY 15, 2016, NYT

The turbulent history of Klimt's Nazi-seized works, DW

Portraits of Murder and Plunder

Amalie Zuckerkandl was at the height of her beauty when Gustav Klimt begin this (unfinished) portrait of her in 1917-8. A member of the Viennese Zuckerkandl family, Amalie was murdered in the Holocaust along with her daughter Nora Stiansy because they were Jewish, and her portrait was stolen by Nazis.

Serena (Szeréna) Lederer was the model for this beautiful portrait by Gustav Klimt. Her family, which was Jewish, was plundered by the Nazis. Serena Lederer died in 1943 as a refugee from Nazism. 

This magnificent portrait by Klimt depicts the Jewish Austrian intellectual and feminist Adele Bloch-Bauer. Commissioned by her husband, Ferdinand Bloch-Bauer, a Jewish banker and sugar producer, the painting was looted by the Nazis in 1941, along with numerous other artworks. 

Irène Cahen d'Anvers was eight years old when her father, the French Jewish banker Louis Cahen d'Anvers, commissioned this lovely portrait from Pierre-Auguste Renoir in 1880.  During World War II, the Nazis stole the portrait and murdered Irène's daughter, Béatrice, her ex-son-in-law and their two children because of their Jewish ancestry.

The painter Eduard Einschlag was murdered in the Treblinka concentration camp in 1942, and his estate was confiscated. He painted this self portrait in 1930.

Renoir painted this portrait of the Austrian actress Tilla Durieux (Ottilie Godeffroy, 1880–1971) in 1914 when she was married to the art dealer Paul Cassirer. After Cassirer's suicide she married Ludwig Katzenellenbogen who was deported and murdered in the Nazi Sachsenhausen concentration camp in 1944 because Jewish.

Selfportrait by the German Jewish painter Ernst Oppler, showing himself as an art collector.  Ernest Oppler died in 1929, thus escaping the Holocaust, but many members if his family were plundered and persecuted by the Nazis; his brother, the doctor Berthold Oppler, committed suicide in detention on 6 January 1943 to avoid imminent deportation to a Nazi death camp.

The German Jewish painter Charlotte Salomon looks warily at the viewer in this self-portrait from 1940; her family fled Germany for France after Kristallnacht but, five months pregnant, she was captured and murdered in Auschwitz in 1943. 

This brooding self-portrait was painted by the German Jewish artist Felix Nussbaum who died in Auschwitz in 1944.

Getrud Loew was the daughter of Gustav Klimt's doctor, Anton Loew. She was 19 years old when this portait was painted (see full length here). She managed to escape Nazi Vienna in 1939,  under her widowed name Gertha Felsöványi.  

"Pieces with titles that referenced their Jewish origins, were completely changed. For example, The Portrait of Margaret Stonborough Wittgenstein (a Jew) became Damenbildnis in Weiss (Portrait of a lady in white)." - (Morowitz, Laura. “‘Heil the Hero Klimt!’: Nazi Aesthetics in Vienna and the 1943 Gustav Klimt Retrospective.” Oxford University Press 39, no. 1 (2016): 122-23. cited by Gabrielle Knight in Honors Thesis)

Little is known about Walburga "Wally" Neuzil, the blue-eyed model painted by Egon Schiele in 1912. The portrait was stolen by a Nazi art dealer from the collection of Jewish collector Lea Bondi Jaray when her gallery was Aryanized by Nazis in 1939 and she was forced to flee Vienna as a Jew. 

For more reading, see:

Un tableau de Klimt volé par les nazis n'a jamais été restitué à son propriétaire

‘Heil the Hero Klimt!’: Nazi Aesthetics in Vienna and the 1943 Gustav Klimt Retrospective

Leipzig gibt jüdischer Familie ein Stück Geschichte zurück

A Blood-Stained Renoir on Exhibit in Paris

Leipzig Mayor Hand Delivers Nazi-era Art to Painter's Heirs 

Case Review: Cassirer v. Thyssen-Bornemisza Collection Foundation

Holocaust Victim Assets Litigation Case No. CV96-4849

Ein Haus wie ein Museum

Die Stiftung Preußischer Kulturbesitz gibt Kunstwerke aus der Sammlung des von den Nationalsozialisten verfolgten und ermordeten Max Silberberg zurück.

Münchner Kunstfund Bewusst verschleiert

A Tale of Two Portraits, by Rudolf Beran

Raubkunstverdacht: Der Kandinsky-Konflikt

Der Schandfleck

Bank's Kandinsky painting was looted by Nazis, says family

Analysis Art Provenances: Red Flag Name Benno Geiger

https://www.fold3.com/image/270109050

"Geiger, Benno. Venice, Botto Nuevo. Art historian-dealer of Baltic origin. Friend of Kieslinger and acted as guide for Muehlmann and Kieslinger during their trips to Italy in 1942 and 1943. Involved in irregular art purchases ordered by Muehlmann and frequently in touch with Hofer.

Asta, Ferruccio. Ascona, Switzerland-Milan, via Andegari. Milan art dealer now living in Switzerland as a refugee. Reported to have worked actively with Geiger and suspected of trafficking in loot."

Below are provenances that mention Geiger:

Nazi looting organisations: the so-called KUNSTSCHUTZ in the Art Looting Investigation Red Flag Names

Country	1946 OSS ALIU LIST OF RED FLAG NAMES	Contains
GERMANY	Brunner, Dr. Member of Kunstschutz, Brussels.	Kunstschutz
GERMANY	Bunjes, Dr Hermann. Fell, near Trier. Served during the occupation of France as Referent fur Kunstschutz und Kultur under the German military command in Paris, and was Director of the Deutsche Kunsthistorische Forschungsstaette (German Fine Arts Institute), Paris. Goering’s first personal art agent in France during the occupation. Closely connected with the activities of the ERR and author of the official German Government paper of 18 August 1942 replying to the official French protests against the ‘safeguarding ‘ of ownerless Jewish art properties in occupied France. Extradition requested by French Government.	Kunstschutz
GERMANY	Busley, Dr Josef. Member of Kunstschutz, responsible for Angers and Bordeaux areas. Worked with Zimmermann and Metternich.	Kunstschutz
GERMANY	Degenhart, Dr Bernard. Member of ERR Central Department and in April 1945 of the Kunstschutz in Italy, where he worked with Dr Ringler and Professor Bruhns. Also worked in Holland with Dienststelle Muehlmann.	Kunstschutz
GERMANY	Evers, (Major) Prof Hans Gerhard. Professor in Munich. Member of Kunstschutz. Worked briefly for the ERR in Paris, 1941. Became head of Kunstschutz in Rome in 1943, succeeding von Tieschowitz. In Allied custody (Italy), May 1945.	Kunstschutz
GERMANY	Feldhusen, Lt. Member of Kunstschutz, Italy. Reported to have taken two Cranachs from Olivete, which he gave to Langsdorff.	Kunstschutz
GERMANY	Frodl, Dr Walter. Kunstschutz official, Italy. Reported to have sent confiscated property from Trieste to Klagenfurt Museum. Worked with Frau Erika Hanfstaengl.	Kunstschutz
GERMANY	Greiner, General. Member of Kunstschutz, Italy. Reported responsible for removal of several art deposits in Italy.	Kunstschutz
GERMANY	Hampe, Dr. Member, Kunstschutz for Crete and Salonika. Worked with Dr Jansen.	Kunstschutz
GERMANY	Hanfstaengl, Frau Dr Erika. Munich or Berlin. Member of Kunstschutz for Italy. In charge of operations at Udine and Venezia Giulia. In touch with Himmler, Dr Frodl and Maria Dietrich.	Kunstschutz
GERMANY	Hoermann, Dr. Member of Kunstschutz, France. Responsible for St Germain area. Worked with Dr Kuetgens and Metternich.	Kunstschutz
GERMANY	Kalnein, Prof Count. Member of Kunstschutz in France. Worked with Dr Kuetgens.	Kunstschutz
GERMANY	Kirsten, Dr (alias Alt). Member of Kunstschutz, Athens, 1941-44.	Kunstschutz
GERMANY	Koehn, Lt Dr Heinz. Assistant to Rosemann in Kunstschutz, Brussels.	Kunstschutz
GERMANY	Kraiker, Major Dr W. Head of Kunstschutz, Athens.	Kunstschutz
GERMANY	Kroenig, Dr Wolfgang. Member of Kunstschutz, Belgium.	Kunstschutz
GERMANY	Krueger, Oberst. Commander of 71st Infantry Regiment and member of German Kunstschutz in Italy. Reported responsible for return of Oliveto deposit to Florence and connected with attempted theft of the Cranach Adam and Eve.	Kunstschutz
GERMANY	Kuetgens, Dr Felix. Aachen, Heinrichsallee 18. Member of Kunstschutz, Paris. Mentioned as also in charge of Kunstschutz in Serbia and Greece. Assisted by Wuester in art purchases in Paris.	Kunstschutz
GERMANY	Lang, Dr Gottfried. Reported archival adviser to Kunstschutz in Italy after January 1944.	Kunstschutz
GERMANY	Langsdorff, Dr Alexander Dietrich. German archaeologist and one of the heads of Kunstschutz in Italy, 1043-44. Reported responsible for the removal of Florentine collections to German territory against the wishes of Italian authorities. In Allied custody, Italy, June 1945.	Kunstschutz
GERMANY	Merveldt, Count. German painter, reported to have been active in Kunstschutz, Rome. Not known to be involved in any looting.	Kunstschutz
GERMANY	Metternich, Prof Count Franz Wolff. Bonn, Blucherstrasse 2. Appointed in May 1940 by the German High Command as Director of Kunstschutz for France. In 1942, placed in charge of all Kunstschutz activities in France, the Netherlands, the Balkans and Italy. Universally regarded as having acted at all times with complete integrity, and as having shown the greatest sense of responsibility for the preservation of works of art. Opposed vigorously all German efforts to confiscate art of the occupied countries.	Kunstschutz
GERMANY	Moebius, Prof Dr Hans. Member of Prehistory and Archaeological Section of Kunstschutz, Paris (1940-41), with rank of Oberleutnant. Reported captured in Normandy, June 1944.	Kunstschutz
GERMANY	Moltke, Lt Dr Count J Wolfgang. Reported to have been Referent fur Kunstschutz for Belgium.	Kunstschutz
GERMANY	Neuffer, Dr Edward. Archaeologist from Bonn; reported head of Prehistory and Archaeological Section, Kunstschutz, Paris (1940-41).	Kunstschutz
GERMANY	Pfitzner, Dr Carl Heinz. Bonn, Koblenzstr 36 (1936). Member of Kunstschutz, Paris, 1940-41. Reported to have been connected with the seizure of the Wildenstein collection.	Kunstschutz
GERMANY	Pohl, Max. Assistant to Prof Karl Schmidt of Kunstschutz in NE France, stationed at Lille (1940-44).	Kunstschutz
GERMANY	Reidemeister, Prof (Lt Col). Deputy Director of Kunstschutz, Italy. Responsible for the removal to German territory of Florentine art collections.	Kunstschutz
GERMANY	Rosemann, Prof Dr Heinz Rudolf. German art historian in charge of Kunstschutz in Belgium. Concerned with protection of Michelangelo’s Virgin and Child, but reported not involved in its removal.	Kunstschutz
GERMANY	Schleiermacher, Dr Wilhelm. Archaeologist, member of the Kunstschutz organisation for France (Prehistoric and Archaeological Section), 1940-41.	Kunstschutz
GERMANY	Schmidt, Dr Karl. Tubingen, Waldhauserstrasse 43. Director of Kunstschutz in Northern France and Pas de Calais area (1940-44). Reported to have sent members of the ERR to the museum at Lille in 1942 to remove works of art.	Kunstschutz
GERMANY	Schnath, Dr Georg. Archivist on Kunstschutz staff in Paris until 1944. Reported to have returned to Berlin archives removed to Paris by Napoleon.	Kunstschutz
GERMANY	von Schoenebeck, Dr Hans Ulrich. German specialist on classical art. Reported Director of Kunstschutz for Greece (1941-43). Reported in Paris with rank of Major (1944).	Kunstschutz
GERMANY	Schroeder, Prof Dr Hans Friedrich. Lubeck, St Anne Museum Lubeck, Schwartaner Allee 7. Reported Director of the Kunstschutz organisation for Russia.	Kunstschutz
GERMANY	Stange, Dr Alfred. Bonn University. 1935, member of Board of Directors of German Institute for History of Art in Paris. Assisted by Prof Hamann on the Photographic Commission. Member of Kunstschutz for France. Worked with Dr Hannema and Dr C Roell. Reported to have acquired tapestries for Goering, and to have been in touch with Rosenberg and Bunjes.	Kunstschutz
GERMANY	von Tieschowitz, Baron Bernhard. Griefswald, Georgenstrasse 6. Deputy chief of Kunstschutz under Metternich, and succeeded as director in Italy 1943. Pre-war record as founder of the Marburg History of Art Institute. Lecturer on scientific photography and not a Nazi. With Metternich, opposed vigorously organised confiscation proceedings in France and Italy and was consistently conscientious in his efforts to protect the art treasures of the occupied countries from destruction and looting.	Kunstschutz
GERMANY	Tintelnot. Reported assistant to Prof Dagobert Frey in Kunstschutz, Cracow.	Kunstschutz
GERMANY	Turner, Dr Harold. Used the Kunstschutz organisation, Paris, for early confiscation of Jewish property, in collaboration with Goering. But Hofer, Angerer, and Fritz Schmidt in touch with repositories where Jewish collections were stored.	Kunstschutz
GERMANY	Unger, Dr. Reported connected with ERR and to have been assisted by the Kunstschutz in Italy.	Kunstschutz
GERMANY	Vollmer, Dr Bernhard. Dusseldorf. Director of State archives, DŸsseldorf. Archivist of Kunstschutz, Brussels.	Kunstschutz
GERMANY	Werner, Joachim. Prehistorian. Professor of Archaeology, Strasbourg University (1943). Also active with Kunstschutz in Belgium.	Kunstschutz
GERMANY	Wirth, Dr Hans Ulrich. Fuesson, Bavaria. Art historian and photographer. Member of Kunstschutz and later ERR, Paris. Worked with Stange, Hamann and Schiedlausky.	Kunstschutz
GERMANY	Zimmermann, Dr Ernst Heinrich. Nuremberg. Director, Germanic National Museum, Nuremberg. Reported in charge of Dijon and Bordeaux areas for Kunstschutz, France, 1940-43.	Kunstschutz
GERMANY	Zobel. Administrative officer in the Kunstschutz, Italy, reported to have taken two Cranachs, Adam and Eve, from Oliveto to Verona, where they were delivered to the Director of the Pitti Gallery. Reported also responsible for the transfer of the Gordon Craig Theatrical Archives from Verona to Alt Aussee, 1944.	Kunstschutz

see:

public Google Sheet
ALIU Red Flag List on LootedArt.com

see also: Some works mentioning Kunstschutz on Lootedart.com

Title	Description	Date	Http
[PDF] 1 Consignor Catalogue Details Place of Sale A... - Lootedart.com	Busley [ident. mit Dr. Josef. Busley (1888-1969),. Heeresverwaltung für den. Kunstschutz im besetzten. Frankreich?] Katalog 33: Altes Kunstgewerbe, alte Möbel,...		https://www.lootedart.com/web_images/pdf2014/Alphabetical%20list%20of%20consignors%20Annotated%20auction%20catalogues%20of%20Adolf%20Weinmueller.pdf
[PDF] 18, 2019 International Conference of the HERA Project	May 17, 2019 · Christian Fuhrmeister: Introduction. Martina Visentin: Friuli–Julian March: The Role of Austro-German “Kunstschutz” during the. First World War.	May 17, 2019	https://www.lootedart.com/web_images/pdf2019/Transcult%20AA_Web.pdf
[PDF] Bericht über die Arbeit der Taskforce Schwabinger Kunstfund 2,1 MB	Jan 14, 2016 · Circumstances of loss. (seized, sold, exchanged, etc.) Evidence. (records, stock books, ERR,. 'Kunstschutz', export licence,...	Jan 14, 2016	https://www.lootedart.com/web_images/pdf2016/Bericht%20TFK%2014-1-2016%20Druckfassung.pdf
[PDF] Bibliography looted art1 - Lootedart.com	Haase, Günter: Kunstraub und Kunstschutz, eine Dokumentation, Hamburg 1991​. Haedrich, Martina: Rückgewinnung und Zugänglichmachung kriegsbedingt...		https://www.lootedart.com/web_images/pdf/BibliographieRK_110810_e.pdf
[PDF] Download complete ALIU index - Looted Art	Kuetgens, Dr. Felix. 49. CIR 2;DIR 13. Kugel, M. Jacques. 167. Kuhne. 49. Kulig. 50. Kunstfond. 41. Kunstschutz. 14, 51. Kuntze, Dr. Friedrich. Franz. 4, 16, 17,.		https://www.lootedart.com/web_images/pdf/aliu_index_0712.pdf
[PDF] Francesca Coccolo, Rodolfo Siviero between Fascism... - Looted Art	Apr 20, 2017 · 4 Like those sent from the office of the SS Reichsführer Himmler to the various Kunstschutz personnell in Italy, via the local SS Kommando...	Apr 20, 2017	https://www.lootedart.com/web_images/pdf2019/XXII_2019_COCCOLO.pdf
[PDF] handbook on judaica provenance research - Looted Art	unitcalled the Kunstschutz or Art Protection Unit. The Kunstschutz was a re-​creation of the World War. I era art and monument protection office.88 Its head was...		https://www.lootedart.com/web_images/pdf2016/Judaica-Handbook-12.12.2017.pdf
[PDF] Handreichung zur Umsetzung der „Erklärung der... - Looted Art	tärischen Kunstschutz für Militärverwaltung Osten). • Gerhard Utikal (​Reichshauptstellenleiter ERR Frankreich,. Leiter der „Zentralstelle zur Erfassung und...		https://www.lootedart.com/web_images/pdf/German%20handreichung.pdf
[PDF] Historisches Lexikon Bayerns - Looted Art	Jun 11, 2012 · 1945-1949 - Kunstschutz, Restitution und Wissenschaft, in: Iris Lauterbach (Hg.),. Kunstgeschichte in München 1947. Institutionen und...	Jun 11, 2012	//www.lootedart.com/web_images/pdf/artikel_46253
[PDF] Kunst voor das reich het wedervaren van schilderijen in... - Looted Art	Kunst uit de nazitijd De Tweede Wereldoorlog bracht zoveel gruwel met zich mee dat het bijna infaam is om over kunst te spreken. En toch heeft zich in die...		https://www.lootedart.com/web_images/pdf2016/OKV_nazikunst_LR.pdf
[PDF] Kunstschutz, Kunstraub, Restitution. Neue Forschungen... - Looted Art	Dec 13, 2012 · Christian Welzbacher: Kunstschutz, Kunstraub, Restitution. Neue. Forschungen zur Geschichte und Nachgeschichte des Nationalsozia- lismus...	Dec 13, 2012	https://www.lootedart.com/web_images/pdf/2012-12-001.pdf
[PDF] Museumsblätter 35 - Museumsverband des Landes Brandenburg	Jan 1, 2020 · Museumsleiters Huth mit Verweis auf das Kunstschutz- gesetz von 1953 von der Tresorverwaltung des Ministe- riums der Finanzen der DDR...	Jan 1, 2020	https://lootedart.com/web_images/pedf2020/MB_35_web.pdf
[PDF] NATIONAL ARCHIVES, LONDON (KEW) Record... - Looted Art	Fine Arts and Archives branch of Control Commission for Germany (British. Element), February 1945 [Kunstschutz]. T209/27: Miscellaneous Lists of Looted Art...		https://www.lootedart.com/O4RU4H962011
[PDF] Nazi-Confiscated Art Issues - Florida Center for Instructional...	Nov 5, 1998 · 14 For the figure of 250,000, see Haase, Kunstraub und Kunstschutz, 243. For the figure of millions, see Lynn Nicholas, "World War II and the...	Nov 5, 1998	https://www.lootedart.com/web_images/pdf2014/Chapter%204%20Nazi-Confiscated%20Art%20Issues.pdf
[PDF] OSS Art Looting Investigation Unit Reports, 1945... - National Archives	its members to Italy to interrogate leading members of the German Kunstschutz (​The German. Commission for the Protection of Works of Art in the Occupied...		https://www.lootedart.com/web_images/pdf/OSS_ALIU_reports_NARA.pdf
[PDF] Plundered, But By Whom? - Looted Art	200 items · Deutscher Militärischer Kunstschutz in Italien 1943-1945, Wien - Köln - Weimar, Böhlau,. 2012. 2. See the detailed report by Norman Newton, in NARA...	200 items	//www.lootedart.com/web_images/pdf2016/Sbornik2015.pdf
[PDF] Raub & Handel. Der französische Kunstmarkt unter... - Looted Art	Nov 30, 2017 · Rein Wolfs, Intendant der Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, eröffnet die Tagung als Gastgeber und begrüßt alle...	Nov 30, 2017	https://www.lootedart.com/web_images/pdf2016/Tagungsbericht.pdf
[PDF] reconstructing the record of nazi cultural plunder - Looted Art	R 2C: Correspondence with the Art Protection Office (Kunstschutz), 1940-1944. R 4 and R 15: Files regarding negotiations with German authorities for exchange...		//www.lootedart.com/web_images/pdf/errsurvey_france-111019.pdf
[PDF] Records of the American Commission for the... - National Archives	German Kunstschutz in Italy, 1943–1945. 72. [AMG-153] 19th Monthly Report: MTO: Lazio, Umbria, Marche, Toscana,. Emilia, Piemonte, Liguria, Lombardia,...		https://www.lootedart.com/web_images/pdf/Roberts_Commission_Reports_NARA.pdf
[PDF] Shapiro ix Prelims FINAL - Looted Art	19 MEAE, RA, Box, Folder 'Bunjes Kunstschutz (A)': Wolfgang Boetticher, letter to Chef des Militärverwaltungsbezirks regarding the Sonderstab Musik...		https://www.lootedart.com/web_images/pedf2020/Shapreau.pdf
[PDF] Spoils of War - Harvard Law School	Jun 5, 1998 · see Haase, Kunstraub und Kunstschutz, 86-153, and Kurz, Kunstraub in Europa, 78-90, 158-173, 339-. 342. See also the documents in the...	Jun 5, 1998	https://www.lootedart.com/web_images/pdf2016/Spoils%20of%20War%205.pdf
[PDF] Spoils of War - Lost Art	Aug 4, 1997 · raub und Kunstschutz. Eine Dokumentation (Hildesheim 1991);and Lynn Nicholas has relied heavily upon them in her award winning The...	Aug 4, 1997	https://www.lootedart.com/web_images/pdf2016/Spoils%20of%20War%204.pdf
[PDF] the Pincherle Family in Trieste - Looted Art	Deutscher militärischer Kunstschutz in Italien 1943-1945, Hrsg. von C. Fuhrmeister, J. Griebel, S. Klingen und R. Peters, Wien 2012, pp. 153-171.		https://www.lootedart.com/web_images/pdf2019/XXII_2019_CUDICIO.pdf
Activity of the Einsatzstab Reichsleiter Rosenberg in France: C.I.R....	Count METTERNICH, head of the Kunstschutz, the German military organisation for the protection of works of art, condemned von BEHR publicly whenever...		https://www.lootedart.com/MN51KY845251
Books and Publications - Looted Art	Iris Lauterbach, Central Collecting Point und Zentralinstitut für Kunstgeschichte 1945-1949 - Kunstschutz, Restitution und Wissenschaft, in: Iris Lauterbach (Hg.),​...		https://www.lootedart.com/PHNJKS774971_print%3BY
Books and Publications - Looted Art	kon- zentriert sich auf seine ambivalente Arbeit als Kunstschutzoffizier zwischen Kunstschutz, illegaler Aneignung und Museumsalltag in Russland.		https://lootedart.com/TW3DS0508121_print%3BY
Books and Publications - Looted Art	Kunstschutz, Kunstraub, Restitution. Neue Forschungen zur Geschichte und Nachgeschichte des Nationalsozialismus Christian Welzbacher - November 2012		https://www.lootedart.com/publications
Deutscher Militärischer Kunstschutz in Italien 1943-1945...	May 7, 2010 · Ankunft der zuvor nach Incisa ausgelagerten Bronzetüren des Florentiner Baptisteriums im Innenhof des Palazzo Pitti, Mai 1944, Photothek des...	May 7, 2010	https://www.lootedart.com/PA2X19159791
Gesammelt Gehandelt Geraubt - Looted Art	Kunstschutz. Bewahrung unersetzbarer Werte. Abtransport. 24. April 2017. Die Silbererwerbungen des Historischen. Museums nach dem 09. November 1938.		https://www.lootedart.com/web_images/pdf2016/vortraege_2016_2017.pdf
Görings Diebestour - Göring's Thieving Spree - Looted Art	Aug 27, 2014 · Widerspruch kam vom »Kunstschutz«, der dem Oberkommando des Heeres-​Generalquartiermeisters unterstand. Der Schutz von Kunstwerken...	Aug 27, 2014	https://www.lootedart.com/news.php?r%3DQTB2DA156161
Guidelines: Holocaust-era provenance research in Canadian art...	Oct 20, 2017 · Kunstraub und Kunstschutz. Eine Dokumentation. Hildesheim, 1991. Hall, Ardelia R. “The Recovery of Cultural Objects Dispersed during World...	Oct 20, 2017	https://www.lootedart.com/T33G3L424541_print%3BY
Hitlers Kunsthändler Hildebrand Gurlitt 1895 - 1956. Die Biographie	Mar 12, 2016 · Meike Hoffmann bezeugt darüber hinaus Gurlitts große Nähe zum Deutschen Kunstschutz. Nutznießer waren seine privaten Kunden, genauso...	Mar 12, 2016	https://www.lootedart.com/RQM57V252581
Kunsthistoriker im Krieg – Deutscher Militärischer Kunstschutz in...	Description. Nach der Landung der Alliierten auf Sizilien im Juli 1943 und der Amtsenthebung Mussolinis besetzten deutsche Truppen Italien. Gemäß der...		https://www.lootedart.com/PA2W4R986211
Kunstschutz, Kunstraub, Restitution. Neue Forschungen zur...	Dec 13, 2012 · Books & Publications: 'Kunstschutz, Kunstraub, Restitution. Neue Forschungen zur Geschichte und Nachgeschichte des Nationalsozialismus'.	Dec 13, 2012	https://www.lootedart.com/PSIALH977781
memofonte - Looted Art	Deutscher Militärischer Kunstschutz in Italien 1943-1945, by C. Fuhrmeister et alii​, Wien-Köln-Weimar 2012, pp. 156-158. Consulted archival sources. AGCTs.		https://www.lootedart.com/web_images/pdf2019/XXII_2019_DADALT.pdf
memofonte - Looted Art	G. HAASE, Kunstraub und Kunstschutz: eine Dokumentation, Berlin 1991. HAASE 2000. G. HAASE, Die Kunstsammlung des Reichsmarschalls Hermann...		https://www.lootedart.com/web_images/pdf2019/XXII_2019_BARTOLI.pdf
News - Looted Art	Jan 4, 2019 · Die Wehrmacht verfügte über eine Abteilung Kunstschutz. Als alliierte Truppen auf Florenz vorrückten, begannen Angehörige der Abteilung im...	Jan 4, 2019	https://www.lootedart.com/news.php?r%3DTFUJUI242531
Official Presentations, Reports and Speeches: Archival Situation in...	the Western Office (Aktion M), the Rosenberg Task Force and the Art Protection Agency (Kunstschutz). (2) The National Archive contains archival material of...		https://www.lootedart.com/MFEU4A28899_print%3BY
Post-War Reports: Art Looting Intelligence Unit (ALIU) Reports 1945...	Member of Kunstschutz, Brussels. Bruschwiller, Eugen. Munich, Lenbachplatz 1. Early Party member, close personal friend of Hitler and Heinrich Hoffmann.		https://www.lootedart.com/MVI3RM469661_print%3BY
Previous - Looted Art	Deutscher Militärischer Kunstschutz in Italien 1943-1945, Zentralinstitut für Kunstgeschichte Munich 6-8 May 2010 · Wrestling the Dead Hand of History:...		https://www.lootedart.com/MKF4TO249881
Previous: Kunstgeschichte in den besetzten Gebieten (1939–1945...	Apr 29, 2012 · Strategies and Techniques to Protect Artistic Heritage: German Art Historians and the Work of the Kunstschutz in Italy in the Second World War	Apr 29, 2012	https://www.lootedart.com/PDKKHL421981_print%3BY
Previous: Visual Documentations of Art Protection during the...	Jan 21, 2010 · A photographic campaign of the German „Kunstschutz“ in 1941-1944;Daniel Parello (Corpus Vitrearum Medii Aevi Deutschland / Freiburg i.	Jan 21, 2010	https://www.lootedart.com/O1RVX4127601_print%3BY
Records on Seizure and Restitution: June 2019: Digitisation of the...	Unterlagen zum "Archiv-, Bibliothek- und Kunstschutz" in den besetzten Gebieten​, vor allem den besetzten Westgebieten;"Rückführung" vormals deutschen...		https://www.lootedart.com/TO3QOF125771_print%3BY
The National Archives - Looted Art	Cooper, Assistant Director, M. F. A. and A. Branch, Control Commission for Germany, 30 June on German Kunstschutz (MFA and A Branch) in Italy 1943-​1945.		https://www.lootedart.com/MFEU4P39718