Showing posts with label Netzwerken. Show all posts
Showing posts with label Netzwerken. Show all posts

Nov 16, 2020

Influence Networks: the Students of Paul Sachs and F. Lane Faison

 




Above: Some students of Paul Sachs and F. Lane Faison, along with a glimpse of some of the institutions where they studied or worked. (Wikidata Query November 16, 2020).  

(The graph misses a lot of data which has not yet been entered in Wikidata.)


https://w.wiki/mmw

Let's try to extend the graph to include some more information about the other teachers of Sach's and Lane's students













see Wikidata Query :
https://w.wiki/mn2 

Comments:
The datavisualization, while potentially interesting, is still clumsy and hard to read given the limits of a computer screen.
How can we zoom in on the networks we want to explore? 
How to transform a graph of this type into a truly useful tool for exploring networks of influence in the art world?
Is it by improving the underlying data, by improving the Wikidata query, or by switching to another more flexible, interactive tool for dataviz and navigation?

Could the addition of color help?



Jan 16, 2019

Visualizing the Art Market Networks of Hermann Voss

Network visualisation of Hermann Voss' connections, with his direct connections and the connection of his direct connections, according to the ALIU Final Report Red Flag list of Names of 1946.
(network graph generated automatically by google fusion tables-


With data visualisation tools, the graphical representation of the links between individuals in vast criminal networks is made possible. 

In the above graph, one sees the connections of Hermann Voss, as described in the 1946 OSS Art Looting Investigation Unit Final Report, which detailed the Nazi era art market network.

For each person in the ALIU "Red Flag List of Names" a brief paragraph summarises what is known about the person's role in the European Nazi-era art market. There are more than 1000 names on the list, each one with a few sentences of description, which typically includes a dozen or more attributes and connections.

The paragraph devoted to Voss in the Final Report contains 50 words, including his name.

Voss, Dr Hermann. Munich. Director of the Linz Special Commission, the Linz Musuem, and the Dresden Gallery from May 1943. Involved in the Schloss and Mannheimer collection (forced) sales, and the official chiefly responsible for Hitler’s looting and purchasing policies after 1945. In custody US 3rd Army, Munich, September 1945.

One can imagine that, due to practical contraints, the Art Looting Investigation Unit may have found it impossible to stuff everything they had learned about Hermann Voss into the one small paragraph allocated to each subject in the ALIU Final Report.

However, the "Voss, Dr Hermann" paragraph is not the only mention of Voss in the ALIU Final Report. 


A simple data filter in Sheets gives us the names linked to Voss in the ALIU Red Flag List/

Filtering for mentions of "Voss" in the shared Google Sheet "OSS ALIU Red Flag Names PUBLIC"

Voss, we see, is mentioned in 17 entries in the ALIU Red Flag List*.

Goepel, Grosshennig, Gurlitt [the father of Bavarian art hoarder, Cornelius], Nadolle, Oertel, Pat-Zaade, Posse, Reimer, Schilling, Schmidt, Voss, Waldner, Weber, Zinckgraf, Mandl, de Boer, Hoogendijk,.

Each one of the above individuals, who the ALIU believed to be connected to Voss, had his own network, or "cluster".  
It is by joining together these different clusters that we are able to extract information that can be used to visualize the Nazi art market network - as analysed by the Art Looting Investigation Unit in 1946.

It is these mentions that we will use to select the data for network analysis.

-----

How to map the direct connections of Dr. Hermann Voss using Google Sheets and Google Fusion Tables

In our experiments we used the following method to prepare the data:


1) copy the entire ALIU Red Flag list into a Google Sheet called OSS ALIU Red Flag Names PUBLIC.  It is this file that we will return to, again and again, to find more information about different networks contained in the Final Report.  This task needs to be performed only once.
(This Google sheet can be viewed by anyone with this link.)

2) filter for Voss (Data, Filter by Condition, Text contains "Voss") as shown above.

3) copy the results (which are all the Red Flag texts in which Voss is mentioned) to another sheet, named, for example, "Voss Network"

4) Format the "Voss Network" sheet (so that it can be loaded and analysed in Google Fusion Tables)
Sheet AFTER formatting: Name1 and Name2 are linked in the network


Note: We format the data only after having gathered it all together. 

4.1 Using the Sheets Data function, Split Text to columns, Use the "." as the Separator.

4.2 Add a column to the left .

4.3 For all the entries that mentioned Voss, copy "Voss, Dr Hermann" into the new column.
This is important for network analysis later, because it links Voss to the name of the Red Flag entry in which his name appears.

Note: the assumption is that the mention of Voss' name implies some kind of link to Voss. The exact nature of the link is specified in the text, which is information that we will exploit later using a different network analysis tool, but which we do not need at this stage in the analysis.


4.4  Name the columns (from Left to Right): Name1, Name2, Location, Role1, Role2, Role3...Role10

(Note: We format all the Sheets the same so that later we can mix selected files in Google Fusion Tables)

5) Load the Google Sheet "Voss Network" into Google Fusion Tables

(Note: If you have multiple sheets (tabs) you can select which one to load)

6) In Google Fusion tables, click on "Create Chart"./ Specify that the chart is for Name1, Name2

note! This will generate a circle with spokes in which  "Voss, Dr. Hermann" is in the centre with links to every Red Flag Name entry that mentioned him.



Try it!



How to add clusters to the network



To obtain the graph with several clusters at the beginning of this post, one inserts a step between 3) and 4). in which one adds the connections for some or all of the names whose entries mentioned Voss.

Before formatting the "Voss Network" Google Sheet, one returns to the OSS ALIU Red Flag Names PUBLIC Google Sheet and filters for Red Flag entries that mentioned Voss. Goepel is the first name on the list,.

Filter for Goepel and copy the result into the "Voss Network" Google Sheet, and repeats for the next name.


ALIU entries that mentioned Goepel are: Goeple, Wuester, Holzapfel, leegenhoek, Lefranc, Mandl, Block, and Cramer.  We can think of this as the "Goepel" cluster.

This will add to the Voss network, all the Red Flag entries that mentioned Goepel.




Once all the information one wants about Voss' contacts has been added, proceed to formatting, as described in step 4, then load in Google Fusion Tables

Note: Attention, in the column to the left (that will become Name1), one puts Goepel (or whatever name was filtered for)


Direct Links to Voss and Direct links to one of Voss' direct links, Goepel.
Note that the names appear exactly as they do in their ALIU entry, "Voss, Dr Hermann" and "Gopel, Dr Erhard".
We are careful to use the exact ALIU names so that they will match in network analysis.


This approach can be used for any set of links one wants to analyse, whether to a name of a person, a place, an organisation, an event,  a year or any word that appears in the ALIU Red Flag list.

Data, always in the same format, can be mixed and matched, a process we will show later.

Links to Datasets:




Considerations concerning the source


By necessity, important information will be missing from an operational report made under time constraints in difficult conditions.  We are, in using the information in the ALIU Red Flag List to map our networks, trusting the selection of information made by the OSS ALIU team.

Is there - should there be- a limit to this trust? What are the contours to the report's reliability? Are there blindspots we should be aware of? Omissions that should be compensated for by bringing in other sources? Attention to some areas that seems excessive?

For the time being we will acknowledge these questions and put them aside, for further exploration later. No source is perfect, and, at present, the 1946 ALIU Red Flag List, with all its imperfections, still seems to be the most useful primary historical source we have.

-------------
*Vossisk was picked up but is not a contact. (In addition, Voss had an entire detailed interrogation report (DIR) dedicated to him, but we are not using the detailed report, only the summary of Red Flag names in the Final Report.)




Jan 2, 2019

Networks of Gustav Rochlitz

The OSS Art Looting Investigation Unit Red Flag List of Names contains twelve entries that mention Rochlitz as a direct link. Network graph produced by Google Fusion Tables from ALIU data filtered on "Rochlitz")


Gustav Rochlitz is mentioned in the entries for sixteen people in the 1946 Art Looting Investigation Unit (ALIU) Red Flag List.

These are:
Bammann, Hans
Rademacher, Dr Bernard
Wuester, Adolf
Adrion, Philippe
Birtschansky, Zacharie
Cailleux, Paul
Duthey, Jean Paul Louis
Klein
Kuehne & Nagel
Landry, Pierre
Levy, Mlle
Petrides, O
Rosner, Isador (or Ignacy)
Thierry
de Trevise, Duc
von Frey, Count Alexander
Wendland, Dr Hans

How to analyse this network?


It is interesting to note that while the ALIU entries for the above names contain mentions of Rochlitz, the entry for Gustav Rochlitz in the ALIU Red Flag list does not, for practical reasons, mention any of his "many contacts". They are simply too many to fit in the limited space available in the ALIU Red Flag List. Rather the ALIU entry attempts to summarize Rochlitz' main roles and "most intimate" connections.

 Rochlitz's own ALIU Red Flag entry reads:


Rochlitz, Gustav: Art dealer, active in France prior to and during World War II in the interests of the Third Reich Chief participant in exchanges of paintings confiscated by the ERR, and important recipient of loot. Personal belongings and dealer’s stock stated to be at Todtmoos/Baden (in French Zone of Occupation), in the house of Edward Schupp Possibly removed by Lt Loos of the French Army to Loerach-Schopfheim Apart from Rochlitz’s many contacts in Paris, his two most intimate friends were E Ascher (rue Jacques Callot, corner rue de Seine) and M de Beurry (42 rue Ernest Cresson) formerly of the Paris police Rochlitz has been indicated by the French Government (Seine Tribunal, Judge Frapier) and is presently confined at Fresne Prison, Paris


The Rochlitz entry contains words such as "art dealer", "France", "World War II", "Third Reich", "paintings", "ERR", "loot", Todtmoos/Baden", "French zone of Occupation", "Edward Schupp", "French army" "Loerach-Schopfheim", "Paris", E Ascher", "rue Jacques Callot", "rue de Seine", "M de Beurry", "42 rue Ernest Cresson", "Paris police", "indicated" (a misspelling or mistranscription of "indicted"), "French government", "Seine Tribunal", "Judge Frapier", "Fresne Prison".

Many of these entities appear in other ALIU Red Flag entries and could, in their turn, serve to explore connected networks.

Would this be useful?

For example, if one filters ALIU Red Flag entries for "dealer", 213 names appear. Most have locations that can be mapped. Here is Europe:




What happens if we cross the Rochlitz direct link information with, for example, the dealer information?


Well, frankly, the chart gets harder to read. Part of Rochlitz' network disappears into the magma of the 213 dealers, and we have a less clear picture of what is going on.

The occupation "art dealer" seems like an important attribute but not in this analysis where it produces more noise than insight.

What if, on the contrary, we join Rochlitz' network with the networks of one of his direct links, say Wuester?


Bammann, Hans
Rademacher, Dr Bernard
Wuester, Adolf
Adrion, Philippe
Birtschansky, Zacharie
Cailleux, Paul
Duthey, Jean Paul Louis
Klein
Kuehne & Nagel
Landry, Pierre
Levy, Mlle
Petrides, O
Rosner, Isador (or Ignacy)
Thierry
de Trevise, Duc
von Frey, Count Alexand

Perhaps we can see which of Rochlitz' direct links also had direct links to, say, Wuester?

The chart below shows Wuester's direct connections in the ALIU Red Flag list.


Adolf Wüster had a lot of direct links, including Gustav Rochlitz. 

Some of Wuester's direct links are also direct links for Rochlitz. For example: Paul Cailleux.



Art dealer Paul Cailleux, 136 rue du Fbg St Honore,  had direct links to both Wuester and Rochlitz.


If we put ALIU data for Wuester and Rochlitz together, we see:



This network chart helps us to see at a glance that Paul Cailleux, Dr. Hans Wendland, Duc de Trevise, Hans Bammann, Dr. Bernhard Rademacher have this in common: they all had direct links to both Wuester and Rochlitz.



This is an intriguing beginning. Now where can we go from here? One could perform the same analysis with each of Rochliz' direct links, or even combine them all into a single analysis.
One could go further and create a matrice with every connection mentioned in the ALIU final Report.
What might this show us? How to present the network graph so that it is readable and useful for researchers?
Is it more helpful to use a wide or a narrow focus?

What if we mix  ALIU documented  networks with other types of networks, from other types of sources?


To be continued...

see also: The Networks of Walter Bornheim and The Networks of Bruno Lohse





Jun 5, 2018

Networks of Yves Perdoux

What is known about Yves Perdoux? Quite a lot actually. 

The OSS Art Looting Investigation Unit mentioned the name "Perdoux" seven times in its 1946 Red Flag List. The investigators refered to the "Wendland, Lohse, Perdoux art dealing syndicate" and the "informal dealers’ syndicate composed of Wendland, Perdoux, Boitel, Dequoy"...
Hector Feliciano mentioned him in The Lost Museum in 1995.
More recently,  Kenneth D. Alford's Hermann Goring and the Nazi Art Collection: The Looting of Europe's Art Treasures and Their Dispersal After World War I (ISBN-13: 978-0786468157) refers to Perdoux quite a few times as well. (It's easy to find all the mentions with the searchable Kindle version).


Perdoux in a provenance is a signal that more research is needed.


His name is linked to Hermann Goering, Hans Wendland, Walter Andreas Hofer, Zacharie Birtschansky and Victor Mandl and more, as one can see below in these excerpts.

paintings at France MNR with Yves Perdoux in the provenance

Perdoux in the 1946 OSS Art Looting Investigation Unit Red Flag Names list:


  • Perdoux, Yves. Paris, 178 rue du Fbg St Honore/6 rue de Teheran/6 blvd Flandrin. Operated the Galerie Guynot. One of the most active collaborationist dealers. Close associate of Wendland, Boitel and Loebl. Ardent Nazi, constantly in touch with Dietrich and other German buyers. Interrogated in 1945 by the Police Judiciaire. Reported ill and near death in January 1946.

  • Boitel, Achilles (deceased). Paris, 6 rue de Teheran/11 bis rue Ampere. Wealthy French industrialist and speculator, who acted as Wendland’s French agent after the Swiss made it impossible for him to leave that country. Chief financial figure in the Wendland, Lohse, Perdoux art dealing syndicate. Worked with Lohse and Hofer, and was a good friend of von Behr. Connected with Hofer in exchanges of Swiss and French francs. Open collaborator who was often in Germany before the war and spoke fluent German. Assassinated by the French Resistance.

  • Thierry. Villefranche sur Mer, Villa ‘Le Miradou ‘, ave Gauvin Paris, 75 rue d’Auteuil. Collaborationist dealer, active in Paris and Nice. Worked with Brueschwiller, Ward Holzapfel and Mme Soyer, his mistress. Sold to Rochlitz, Perdoux, Aguilar, Moebius, and others.



  • Garin, Ernest. Paris, 9 rue de l’Echelle. Formal proprietor of the Galerie E Garin, aryanised in this name by Ali Loebl. The Garin firm actually succeeded Kleinberger’s and under Loebl becamse centre of the informal dealers’ syndicate composed of Wendland, Perdoux, Boitel, Dequoy, etc. Garin personally played a relatively minor part in the business of the firm during the occupation. Indicted by French Government (Seine Tribunal, Judge Frapier).

  • Guynot, Henri. Neuilly Paris, 178 rue du Fbg St Honore. Gallery directed by Perdoux. Dealt with Hofer and Lohse. Sold to Haberstock; documentary evidence in Unit files.

  • Loebl, Ali (Allen). Paris, rue des Pyramides/9 rue de l’Echelle/34 quai de Passy. Dealer, of Austro-Hungarian Jewish descent. Director and leading spirit of the firm Kleinberger & Co, ‘aryanised ‘ under the name of E Garin during the war. Centre of the informal art dealing syndicate comprising Wendland, Perdoux, Mandl, Boitel, Dequoy, Engel. Sold chiefly to Lohse, Hofer and Haberstock, for whom he travelled as agent in unoccupied France. Contact of Mohnen, Landry, Mestrallet. Indicted by the French Government (Seine Tribunal, Judge Frapier).


  • Mandl, Victor. Paris, 9 rue du Boetie. German refugee dealer, formerly active in Berlin. Highly important figure in German art purchases in Paris. Close contact of Wendland, Dietrich, Voss, Goepel, Muehlmann, Lohse, Loebl, Perdoux, Birtschansky and Wuester. Indicted by French Government for collaborationist activity.

Yves Perdoux is also included in the list of Art dealers involved in wartime trading in looted art in France
***

Yves Perdoux in the News

1999
Libération: NYMPHÉAS». LE MARCHAND JUIF ROSENBERG AVAIT ÉTÉ SPOLIÉ DE CE TABLEAU EN 1940. Par Vincent Noce — 30 avril 1999

Au printemps 1940, au moment de fuir par l'Espagne il avait remisé cent-soixante tableaux en Gironde, dans sa villa de Floirac et dans les coffres de la Banque nationale du commerce à Libourne. Parmi elles, les Nymphéas mais aussi des chefs-d'oeuvre aussi importants que l'Homme à l'oreille cassée de Van Gogh. Informés sur dénonciation de deux antiquaires, le comte de Lestang et Yves Perdoux, les nazis investissent la villa le 15 septembre 1940. Les délateurs recevront trois Pïssaro pour leur peine.


2016
Le Figaro La famille Bromberg retrouve son tableau, volé pendant la guerre - Par   Journaliste Figaro Claire Bommelaer

16 June 2018
"Le premier jour de printemps à Moret", by Alfred Sisley--Part Two
by Marc Masurovsky
Thirty years elapsed before Mr. Perdoux allegedly acquired the Sisley painting. There is nothing to indicate that he bought it from Durand-Ruel. This could be the same Perdoux as Yves Perdoux, a notorious Parisian art dealer who collaborated with the Nazis during the German occupation of France and denounced the locations of a number of Jewish-owned art collections, including that of Paul Rosenber
***


Yves Perdoux in German Lost Art Foundation: Beteiligte Privatpersonen und Körperschaften am NS-Kulturgutraub, Lost Art-Da­ten­bank, Mo­dul "Pro­ven­ienz­re­cher­che",  NS-Raub­kunst

Paris; 178 rue du Fbg Saint-Honoré, 66 rue de Teheran, 6 bd Flandrin; Leiter der Galerie Guynot, einer der aktivsten Kollaborateure, enger Kontakt zu Hans Wendland, Boitel, Loebel und Kontaktperson von Almas-Dietrich in Paris


Qu.: ALIU, Final Report, 118



Yves Perdoux in Site Rose-Valland Musées Nationaux Récupération


Portrait d'homme Collection du consul Edouard F. Weber, Hambourg, 1909 ; vente Weber, Berlin, 10-22 février 1912, n° 99. Collection M. Bromberg, Hambourg. Collection Victor Mandl, Wiesbaden. Collection G. Wildenstein, Paris, 1939 (selon annotations relevées dans les dossiers du RKD). 
Le panneau est acheté 18 750 RM à Yves Perdoux, Paris, par la galerie Almas Dietrich le 22 février 1941 (provision Jurschewitz 600 RM) et revendu 35 000 RM en mars 1941 au musée de Linz (1) ; il est enregistré le 15 juillet 1945 au Central Collecting Point de Munich sous le n° 4416 et renvoyé en France le 3 juin 1949 (2).
Il est attribué au musée du Louvre (département des peintures) par l'Office des Biens et Intérêts Privés en 1950 (3).
Puis il est déposé au musée des Beaux-Arts de Chambéry en 1960 (D 63-1) (4).
Le panneau a été restitué aux ayants-droit d’Hertha et Henry Bromberg le 28 novembre 2016.


Perdoux in  Hermann Goring and the Nazi Art Collection: The Looting of Europe's Art Treasures and Their Dispersal After World War II



[Göring]..." was represented in Paris by Hofer, Bornheim, Lohse, Angerer and Dr. Joseph Muehlmann, who made regular trips to Paris and stayed as long as two or three months at a time. Göring’s purchasing activity was enormous, as validated by the Carinhall shipping tickets in the files of Schenker Transportation Company. Wendland was most active in Paris, capitalizing upon his German citizenship in a land occupied by Germans and upon his wide prewar acquaintance with those in the Paris art market, Wendland became a kind of advisor and guide to many of the French dealers anxious to do business with Germans. He gradually formed an informal syndicate of the French dealers Boitel, Perdoux, and Loebl. He was connected with the Dequoy-Fabinai combination, and he is known to have had interests in the Mandl-Birtschanksy art association."



"Added to the established dealers came a flock of intermediaries and middlemen to guide the Germans. They all worked together and the same pieces of art turned up at different places at different times with a higher price. The most important of these groups was headed by Hans Wendland and Paris art dealer Yves Perdoux. They all had connections to Hermann Göring, through Wendland and Hofer, as Wendland represented Göring in the Greater Reich and Perdoux with his contacts throughout France. Hermann Goring and the Nazi Art Collection: The Looting of Europe's Art Treasures and Their Dispersal After World War II

(there's more, Kindle version recommended for easy search facilities)


Library References and Authority Files for Yves Perdoux

There is no ULAN ID for Yves Perdoux, however other authority files exist for him:

SNAC http://snaccooperative.org/ark:/99166/w6vz0cb8

Epithet: antique dealer, of Paris

British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000149.0x000094

Permalink: http://n2t.net/ark:/99166/w6vz0cb8


Ark ID:w6vz0cb8


SNAC ID: 46357420
***

Yves Perdoux in Ownership History of Paintings or Provenance


Louvre

Boston Museum of Fine Art


Provenance
... March 17, 1923, Bamberger sale, Hotel Drouot, Paris, lot 49, to Trotti et Cie., Paris. 1924, Yves Perdoux, Paris [see note 4]. 1926, Goudstikker, Amsterdam (stock no. 1667) [see note 5]. 1927, Howard Young Galleries, New York (stock no. 2573); 1927, sold by Howard Young Galleries to John Taylor Spaulding (b. 1870 - d. 1948), Boston; 1948, bequest of John Taylor Spaulding to the MFA. (Accession Date: June 3, 1948)

(Also in Getty Provenance Index Public Collections:
Provenance of Paintings Record 10611
GOYA Y LUCIENTES, FRANCISCO JOSÉ DE
Portrait of a Man
Boston, MA, Museum of Fine Arts
48.558
canvas

Perdoux, Yves (?). Paris, France)

Detroit Institute of Arts


Still Life with Dead Hare, ca. 1760

Provenance
Mme. Becq de Fouquières (Paris, France);
May 8, 1925, (Hôtel Drouot, Paris, France) lot 17 [pendant was no. 18, purchased by Yves Perdoux];
M. Sherematieff (Paris, France);
Dr. Wendland (Basel, Switzerland);
purchased by (Kleinberger Galleries, New York, New York, USA);
November 1926, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

(update ongoing..)

Apr 24, 2018

WWII art looting networks: Leegenhoek

Brueghel in the Linz database. It passed through Leegenhoek's hands to Gallery Maria Almas-Dietrich. See: http://www.dhm.de/datenbank/linzdb/indexe.html

What does it mean to find "Leegenhoek" in a WWII era provenance?