Showing posts with label Jewish art collectors. Show all posts
Showing posts with label Jewish art collectors. Show all posts

May 12, 2020

Missing art people and the Holocaust

How information about Jewish art  collectors who died in the Holocaust goes missing in the semantic web of linked data.

1. How many art collectors, dealers, curators, museum directors, art historians or gallery owners died in Nazi concentration camps, ghettos or jails?

As of this writing, Wikidata (which includes every entry in Wikipedia and more) can give us the names of exactly 21 persons.


Clearly, many names are missing. Why?

Because to be picked up in the Wikidata query used (https://w.wiki/Qb7) certain information (profession, death place) must have been registered by someone in Wikidata. If any of this information is missing, the query will not find the name.


2. What happens if we try to annotate the Wikidata list of 21 names using DBpedia Spotlight? 

The individuals exist in Wikidata. Will DBpedia, an important linked data hub, using by many tools for entity matching and linking, be able to identify these individuals and link to them via Spotlight?

To find out, we took the list of the 21 names produced by Wikidata, put them in sentence form and ran them through the DBpedia SPOTLIGHT annotation API.


This is the list of art collectors, dealers, historians, curators, etc who died in Nazi camps, ghettos or jails: Adam Abel died in Flossenbürg concentration camp, Anton Mayer died in Neuengamme concentration camp, August Liebmann Mayer died in Auschwitz-Birkenau, François Lang died in Auschwitz-Birkenau, Friedrich Gutmann died in Theresienstadt concentration camp, Fritz Grünbaum died in Dachau concentration camp, Gertrud Kantorowicz died in Theresienstadt concentration camp, Heinrich Feurstein died in Dachau concentration camp, Henri Hinrichsen died in Auschwitz-Birkenau, Karl Freund died in Auschwitz-Birkenau, Leo Grünstein died in Theresienstadt concentration camp, Lisa Hamburg died in Auschwitz-Birkenau, Lucien Graux died in Dachau concentration camp, Ludwig Pollak died in Auschwitz-Birkenau, Max Frankenburger died in Theresienstadt concentration camp, Max Silberberg died in Theresienstadt concentration camp, Q28192906 died in Theresienstadt concentration camp, Walter Cohen died in Dachau concentration camp, Walter Westfeld died in Auschwitz-Birkenau, Wilhelm Kurtz died in Auschwitz II-Birkenau concentration camp, Wilhelm Mautner died in Auschwitz-Birkenau

3. As you can see from the results below, very few of these Holocaust victims were correctly identified. 

Of the 21, only four - Friedrich Gutmann, Fritz Grünbaum, Wilhelm Mautner and Ludwig Pollak - were correctly annotated in DBpedia Spotlight.



  • Friedrich Bernhard Eugen "Fritz" Gutmann (15 November 1886 – 13 April 1944) was a Dutch banker and art collector.The collection and the fate of Fritz Gutmann is described by his grandson, Simon Goodman, in "The Orpheus Clock" (Pub. Simon & Schuster, Aug. 2015). (en)
  • Fritz Grünbaum (7 April 1880 in Brno, Moravia as Franz Friedrich Grünbaum – 14 January 1941 at the Dachau concentration camp, Germany) was an Austrian Jewish cabaret artist, operetta and pop song writer, director, actor and master of ceremonies. (en)
  • Wilhelm Mautner (1889-1944) was born in Vienna. He was an Austrian-German economist and attorney-in-fact of the Rotterdamse Bank who spent a part of his life in the Netherlands. Mautner was born Jewish. He was also an art collector. (en)
  • Ludwig Pollak (14 September 1868, Prague – 1943, Auschwitz concentration camp) was an Austro-Czech classical archaeologist, antiquities dealer, and director of the Museo Barracco di Scultura Antica in Rome. He is perhaps best known for discovering in 1906 the missing right arm of Laocoön in the famous ancient Roman sculpture Laocoön and His Sons.

No matches or mistaken matches were found for 17 of the 21. Mistaken identities included: 


  • Ernst Hartwig Kantorowicz (May 3, 1895 – September 9, 1963) was a German-American historian of medieval political and intellectual history and art, known for his 1927 book Kaiser Friedrich der Zweite on Holy Roman Emperor Frederick II, and The King's Two Bodies (1957) on medieval and early modern ideologies of monarchy and the state. (en)
  • Karl W. Freund, A.S.C. (January 16, 1890 – May 3, 1969) was a cinematographer and film director best known for photographing Metropolis (1927), Dracula (1931), and television's I Love Lucy (1951-1957). (en)
  • Leo Thomas McGarry is a fictional character played by American actor John Spencer on the television serial drama The West Wing. The role earned Spencer the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2002. McGarry's character, the former United States Secretary of Labor, begins the series as the White House Chief of Staff. He is President Josiah Bartlet's best friend and a father figure to the Senior Staff, particularly White House Deputy Chief of Staff Josh Lyman and Deputy Communications Director Sam Seaborn. (en)
  • Lisa Marie Simpson is a fictional character in the animated television series The Simpsons. She is the middle child and most intelligent of the Simpson family.
  • Charles Graux (23 November 1852 – 8 January 1882) was a French classicist and palaeographer. Apart from scores of articles and reviews, he published important critical editions of works by Xenophon and Plutarch and pioneering, descriptive catalogs of the medieval copies of ancient Greek texts preserved in the libraries of Spain and Denmark. His most enduring contributions were to the history of ancient stichometry.
  • This is a list of the major characters in Robotech, the American adaptation of three Japanese animated series: The Super Dimension Fortress Macross, The Super Dimension Cavalry Southern Cross, and Genesis Climber Mospeada, as a single TV series. The series is divided into parts called "generations" which are subtitled The Macross Saga, The Second Generation, and The New Generation
  • Westfeld is a town in the district of Hildesheim in Lower Saxony, Germany.
  • Kurtz is a central fictional character in Joseph Conrad's novella Heart of Darkness. A trader of ivory in Africa and commander of a trading post, he monopolises his position as a demigod among native Africans.

These errors occur even though the individuals exist in Wikidata and are coded with enough information (name, profession, place of death) to be picked up in the Wikidata Query.

4. Why is it so hard to match via DBpedia the names of Jewish Art Collectors who died in the Holocaust?

One reason (but not the only reason) is that, even though DBpedia includes Wikidata Qcodes, it still filters its linked data information through Wikipedia. 

So even if something exists in Wikidata and is properly referenced, it does not exist in DBpedia. 
That is a partial explanation. There are also individuals who exist in Wikipedia who are not picked up by DBpedia Spotlight in this exercise. 

Below is the JSON code produced by the DBpedia Spotlight annotation API.
(The @URI is the DPpedia resource.
The @surfaceForm is the word as it actually appeared in the text.)

In some cases, the problem begins with the identification of the surface form, like "Westfeld" instead of "Walter Westfeld" or "Max" instead of "Max Silberberg".

(Particularly amazing is the matching of Max to a List of Robotech characters. Thus, using advanced natural language processing, entity matching and reconciliation, the closest we get to linked data for Holocaust victim and art collector Max Silberberg is "major characters in Robotech, the American adaptation of three Japanese animated series: The Super Dimension Fortress Macross, The Super Dimension Cavalry Southern Cross, and Genesis Climber Mospeada"?)

This misidentification is all the more noteworthy because both Walter Westfeld and Max Silberberg have Wikipedia pages.

However Walter Westfeld's is only in German while Max Silberberg's are in German and Russian.

The lack of an English-language Wikipedia page is another reason for the individual's invisibility in any API that uses only English.

(There are more reasons, to be explored later)


5. Below: Result, in JSON, of the DBpedia Spotlight annotation of the names of the 21 art collectors and other lost art people who died in the Holocaust.

"@confidence": "0.5",
  "@support": "0",
  "@types": "",
  "@sparql": "",
  "@policy": "whitelist",
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  ]
}

TRY IT

curl -X GET "https://api.dbpedia-spotlight.org/en/annotate?text=%22This%20is%20the%20list%20of%20art%20collectors%2C%20dealers%2C%20historians%2C%20curators%2C%20etc%20who%20died%20in%20Nazi%20camps%2C%20ghettos%20or%20jails%3A%20Adam%20Abel%20died%20in%20Flossenb%C3%BCrg%20concentration%20camp%2C%20Anton%20Mayer%20died%20in%20Neuengamme%20concentration%20camp%2C%20August%20Liebmann%20Mayer%20died%20in%20Auschwitz-Birkenau%2C%20Fran%C3%A7ois%20Lang%20died%20in%20Auschwitz-Birkenau%2C%20Friedrich%20Gutmann%20died%20in%20Theresienstadt%20concentration%20camp%2C%20Fritz%20Gr%C3%BCnbaum%20died%20in%20Dachau%20concentration%20camp%2C%20Gertrud%20Kantorowicz%20died%20in%20Theresienstadt%20concentration%20camp%2C%20Heinrich%20Feurstein%20died%20in%20Dachau%20concentration%20camp%2C%20Henri%20Hinrichsen%20died%20in%20Auschwitz-Birkenau%2C%20Karl%20Freund%20died%20in%20Auschwitz-Birkenau%2C%20Leo%20Gr%C3%BCnstein%20died%20in%20Theresienstadt%20concentration%20camp%2C%20Lisa%20Hamburg%20died%20in%20Auschwitz-Birkenau%2C%20Lucien%20Graux%20died%20in%20Dachau%20concentration%20camp%2C%20Ludwig%20Pollak%20died%20in%20Auschwitz-Birkenau%2C%20Max%20Frankenburger%20died%20in%20Theresienstadt%20concentration%20camp%2C%20Max%20Silberberg%20died%20in%20Theresienstadt%20concentration%20camp%2C%20Q28192906%20died%20in%20Theresienstadt%20concentration%20camp%2C%20Walter%20Cohen%20died%20in%20Dachau%20concentration%20camp%2C%20Walter%20Westfeld%20died%20in%20Auschwitz-Birkenau%2C%20Wilhelm%20Kurtz%20died%20in%20Auschwitz%20II-Birkenau%20concentration%20camp%2C%20Wilhelm%20Mautner%20died%20in%20Auschwitz-Birkenau%2C%22" -H "accept: application/json"


6. Thoughts

People are relying increasingly on automated systems to retrieve, read, understand, summarise, link, analyse and repackage real world texts.  However the underlying reference systems are terribly weak when it comes to a topic like Jewish art collectors who died in the Holocaust. The resulting information loss and information distortion is likely to propagate throughout systems undetected, harming our knowledge of the world.
Automated quality control systems are unfit for dealing with this issue.


7. Comments, questions, and criticisms of this draft are most welcome.


 WIKIDATA QUERY

#Art Collectors and other art people who died in Nazi concentration camps or jails

SELECT DISTINCT ?item ?itemLabel ?placediedLabel ?placedied  WHERE {
{ ?item wdt:P106 wd:Q1792450.} UNION { ?item wdt:P31 wd:Q1007870. } UNION { ?item wdt:P106 wd:Q173950.} UNION { ?item wdt:P921 wd:Q328376.} UNION { ?item wdt:P106 wd:Q10732476.} UNION { ?item wdt:P106 wd:Q446966.} UNION { ?item wdt:P106 wd:Q22132694.} UNION { ?item wdt:P106 wd:Q674426.}


SERVICE wikibase:label { bd:serviceParam wikibase:language "en" }
?item wdt:P20 ?placedied.
{ ?placedied wdt:P31 wd:Q328468.} UNION { ?placedied wdt:P31 wd:Q152081. } UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q2583015.}}


____


PHOTO: http://www.silesiancollections.eu/Works-of-art/Painting/Renoir-Auguste-Reading

Apr 30, 2020

Tracing Jewish Art Collectors and other #LostArtPeople by Place of Death

In our previous post, we introduced the idea of using Wikidata Queries to Trace Jewish art collectors and their collections.


In this post, we begin to look at how we might identify these Jewish individuals, many of whom have been not only forgotten but deliberately written out of history. 


What information or feature might help us to identify them?
What do we know about them?


  • They died after 1932 
  • They were connected to the arts in some way: as collectors, dealers, curators, historians, curators, museum directors, gallery owners, possibly as artists
  • Their names might have appeared in exhibitions or catalogs as owners or lenders or donors or experts, or in books or articles as authors, in the provenance texts of collections, for example.



The above criteria is very large and not specific to Jewish collectors in the Nazi era.  How can we further narrow the criteria? One element that distinguishes the fates of Jewish individuals from others is how and where they died, and whether or not they were interned, spoliated or became refugees. 

What kind of markers can we look for in the data?


  • Place of death
  • Year of death
  • Cause of death
  • Place of internment
  • Significant events like aryanization or arrest or deportation


All of the above correspond to "Properties" that are defined in Wikidata. Not all these properties have been updated for every Wikidata item. But they could be. 


A Wikidata Query can easily show us all the people who are known (in Wikidata) to have died or been interned in a Nazi camp or ghetto.


How to do this?

There were so many Nazi camps in so many countries (see below) that we look for a way to take each one into account without necessarily naming each one in a query.

One way is to use Wikidata's "instance of" (P31).

We can tell the query to list people who died in a place that is defined as any of the following things:


  • Nazi concentration camp (Q328468)
  • concentration camp (Q152081)
  • extermination camp (Q153813)
  • ghetto in Nazi-occupied Europe (Q2583015)


We might still miss a few of the camps (due to the crowdsourcing nature of Wikidata, not every item is coded in exactly the same way,) but this should be a good start.

There are several ways to do OR type queries in Wikidata.

We will use the very straight forward UNION. (Please do not hesitate to suggest better ways).

WHERE {
{ ?placedied wdt:P31 wd:Q328468.} UNION { ?placedied wdt:P31 wd:Q152081. } UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placediedwdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q2583015.}


To make the Wikidata query run faster and avoid time outs, we will first check that the place of death has been entered by someone into Wikidata.


?item wdt:P20 ?placedied.

Then, instead of specifying, as we did in the previous query, that we want to list the people who died in the specific Nazi concentration camp of Auschwitz-Birkenau


  ?item wdt:P20 wd:Q7341.  

we want to request people who died in any place coded as an instance of Q328468, Q152081, Q153813 or Q2583015


{ ?placedied wdt:P31 wd:Q328468.} UNION { ?placedied wdt:P31 wd:Q152081. } UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q2583015.}

This should include all the Nazi camps and ghettos listed at the bottom of this post

_______


SELECT DISTINCT ?item ?itemLabel ?pic ?datedied ?placediedLabel ?placedied ?child ?childLabel ?ownedby ?ownedbyLabel ?depicts ?depictsLabel ?depictedby ?depictedbyLabel ?countryLabel ?ownerof ?ownerofLabel ?spouse ?employer ?employerLabel ?spouseLabel ?mother ?motherLabel ?father ?fatherLabel ?sibling ?siblingLabel ?investby ?investbyLabel ?sigperson ?sigpersonLabel ?party ?partyLabel ?partner ?partnerLabel WHERE {
{ ?item wdt:P106 wd:Q1792450.} UNION { ?item wdt:P31 wd:Q1007870. } UNION { ?item wdt:P106 wd:Q173950.} UNION { ?item wdt:P921 wd:Q328376.} UNION { ?item wdt:P106 wd:Q10732476.} UNION { ?item wdt:P106 wd:Q446966.} UNION { ?item wdt:P106 wd:Q22132694.} UNION { ?item wdt:P106 wd:Q674426.}


SERVICE wikibase:label { bd:serviceParam wikibase:language "en" }
?item wdt:P20 ?placedied.  
{ ?placedied wdt:P31 wd:Q328468.} UNION { ?placedied wdt:P31 wd:Q152081. } UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q2583015.}
OPTIONAL  { ?item wdt:P18 ?pic. }
OPTIONAL { ?item wdt:P127 ?ownedby. }
OPTIONAL { ?item wdt:P570 ?datedied. }
OPTIONAL { ?item wdt:P20 ?placedied. }
OPTIONAL { ?item wdt:P180 ?depicts. }
OPTIONAL { ?item wdt:P921 ?plunder. }
OPTIONAL { ?item wdt:P1830 ?ownerof. }
OPTIONAL { ?item wdt:P108 ?employer. }
OPTIONAL { ?item wdt:P569 ?birth. }
OPTIONAL { ?item wdt:P40 ?child. }
OPTIONAL { ?item wdt:P214 ?VIAF_ID. }
OPTIONAL { ?item wdt:P19 ?place_birth. }
OPTIONAL { ?item wdt:P244 ?Library_of_Congress_authority_ID. }
OPTIONAL { ?item wdt:P227 ?GND_ID. }
OPTIONAL { ?item wdt:P245 ?ULAN_ID. }
OPTIONAL { ?item wdt:P26 ?spouse. }
OPTIONAL { ?item wdt:P27 ?country. }
OPTIONAL { ?item wdt:P3342 ?sigperson. }
OPTIONAL { ?item wdt:P102 ?party. }
OPTIONAL { ?item wdt:P1327 ?partner. }
OPTIONAL { ?item wdt:P1840 ?investby. }
OPTIONAL { ?item wdt:P25 ?mother. }
OPTIONAL { ?item wdt:P22 ?father. }
OPTIONAL { ?item wdt:P3373 ?sibling. }
OPTIONAL { ?item wdt:P1299 ?depictedby. }
OPTIONAL { ?item wdt:P39 ?position. }

FILTER (YEAR(?datedied) >= 1933 )
}
LIMIT 20000

_______

note: careful: the filter should read datedied "greater than or equal to" 1933. Sometimes the greater than symbol gets garbled on this blog

(Notice the word OPTIONAL? We are telling Wikidata to get the information if it is available but not to worry about it if it is not. Since we want to understand who these individuals were, the context of their lives and their relations with others, we have added much optional information to the query. This is not strictly speaking necessary, but possibly useful for future network analysis)
The Wikidata Sparql Query can present the results in many different ways.

As a table. 


As a graph. 












With photos







We can zoom in close to view certain specific elements that are hard to see when looking at lots of data.





We also get an idea of where data might be missing.














Try the query yourself.  It shows only those art people who died in a Nazi camp or ghetto. What one immediately notices is how many are missing. 

How to see what is present and what is absent will be the subject of our next post.

Link to Query
https://query.wikidata.org/#%0A%0ASELECT%20DISTINCT%20%3Fitem%20%3FitemLabel%20%3Fpic%20%3Fdatedied%20%3FplacediedLabel%20%3Fplacedied%20%3Fchild%20%3FchildLabel%20%3Fownedby%20%3FownedbyLabel%20%3Fdepicts%20%3FdepictsLabel%20%3Fdepictedby%20%3FdepictedbyLabel%20%3FcountryLabel%20%3Fownerof%20%3FownerofLabel%20%3Fspouse%20%3Femployer%20%3FemployerLabel%20%3FspouseLabel%20%3Fmother%20%3FmotherLabel%20%3Ffather%20%3FfatherLabel%20%3Fsibling%20%3FsiblingLabel%20%3Finvestby%20%3FinvestbyLabel%20%3Fsigperson%20%3FsigpersonLabel%20%3Fparty%20%3FpartyLabel%20%3Fpartner%20%3FpartnerLabel%20WHERE%20%7B%0A%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ1792450.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP31%20wd%3AQ1007870.%20%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ173950.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP921%20wd%3AQ328376.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ10732476.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ446966.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ22132694.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ674426.%7D%0A%0A%0ASERVICE%20wikibase%3Alabel%20%7B%20bd%3AserviceParam%20wikibase%3Alanguage%20%22en%22%20%7D%0A%3Fitem%20wdt%3AP20%20%3Fplacedied.%20%20%0A%7B%20%3Fplacedied%20wdt%3AP31%20wd%3AQ328468.%7D%20UNION%20%7B%20%3Fplacedied%20wdt%3AP31%20wd%3AQ152081.%20%7D%20UNION%20%7B%20%3Fplacedied%20wdt%3AP31%20wd%3AQ153813.%7D%20UNION%20%7B%20%3Fplacedied%20wdt%3AP31%20wd%3AQ153813.%7D%20UNION%20%7B%20%3Fplacedied%20wdt%3AP31%20wd%3AQ2583015.%7D%0AOPTIONAL%20%20%7B%20%3Fitem%20wdt%3AP18%20%3Fpic.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP127%20%3Fownedby.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP570%20%3Fdatedied.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP20%20%3Fplacedied.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP180%20%3Fdepicts.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP921%20%3Fplunder.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1830%20%3Fownerof.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP108%20%3Femployer.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP569%20%3Fbirth.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP40%20%3Fchild.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP214%20%3FVIAF_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP19%20%3Fplace_birth.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP244%20%3FLibrary_of_Congress_authority_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP227%20%3FGND_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP245%20%3FULAN_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP26%20%3Fspouse.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP27%20%3Fcountry.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP3342%20%3Fsigperson.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP102%20%3Fparty.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1327%20%3Fpartner.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1840%20%3Finvestby.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP25%20%3Fmother.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP22%20%3Ffather.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP3373%20%3Fsibling.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1299%20%3Fdepictedby.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP39%20%3Fposition.%20%7D%0A%23%20FILTER%20%28YEAR%28%3Fbirth%29%20%3D%201860%20%26amp%3B%26amp%3B%20YEAR%28%3Fbirth%29%20%26lt%3B%3D%201990%29%0AFILTER%20%28YEAR%28%3Fdatedied%29%20%3E%3D%201933%20%29%0A%7D%0ALIMIT%2020000




Camps and ghettos listed in the Wikidata Query


SELECT ?placedied ?placediedLabel
WHERE
{
  { ?placedied wdt:P31 wd:Q328468.} UNION { ?placedied wdt:P31 wd:Q152081. } UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q153813.} UNION { ?placedied wdt:P31 wd:Q2583015.}
  SERVICE wikibase:label { bd:serviceParam wikibase:language "[AUTO_LANGUAGE],en". }
}



(Short link to query and result - Try it!)





Apr 27, 2020

Tracing the Nazi extermination of Jewish art collectors with Wikidata Sparql Queries


How to represent the impact of the Holocaust?

Inhumanly huge numbers defy our capacity to understand.

How to depict both the fates of individuals and the larger context, without losing sight of either?

In this next series of posts we attempt to find a way to show what happened to Jewish art collectors and their world during and after the Holocaust.


Timeline from Wikidata Query

As Jewish art collectors, dealers, artists, curators, historians  and museum personnel were being targeted for persecution, robbery and murder by Germany's Nazi government, covetous eyes fixed upon their precious art collections. 


How can we document and visualise this massive double movement: the persecuted people on one hand and their possessions on the other?

We will begin with the people. Those who did not manage to flee, and who ended up murdered in Nazi camps or ghettos.




Each and every one of these individuals had a story: a family, friends, business and social relations, activities, passions, beliefs, enthusiasms, achievements, foibles; a life filled with events and people and - in the case of the individuals whose stories we trace here -  art.



How can we gather the huge amount of information and comprehend how it all fits together and what it means? 

This is not a small challenge.
___


One of the best tools for dealing with large amounts of linked information, such as relationships between people, places, things and events, is Wikidata.







Why Wikidata?


1) STRUCTURED

Because Wikidata is open yet structurally rigorous where it matters.
Wikidata has built into it a linked data structure that can be read by both humans and machines. 

2) OPEN TO THE OUTSIDE WORLD
Wikidata can be used for querying not only what is referenced in Wikidata itself, but also for linking to information that is held outside of Wikidata which shares a reference or authority file.

3) DATA QUALITY

For the art world and the Holocaust, Wikidata has remarkably rich data. Though still a work in progress with much that remains to be done, Wikidata is already far more reliable and complete in the topics that concern us than any other database, authority file or linked dataset that I know of.

4) CROWDSOURCED

The task of telling the story of the Jewish art world and what happened to the people and the artworks during and after the Holocaust is too big for any one person or institution. There are so many people and events and places and objects, so many photos and documents, so many sources, so many languages. It is a job for every individual of good faith who wants to contribute to the sum of our knowledge.

5) WIKIMEDIA FOUNDATION

Because Wikidata is driven and maintained and enriched by very clever and hardworking people, and whatever innovations and advances are achieved become available to all of us, for free, where amazingly powerful tools cost only the effort of learning how to use them.


In this next series of posts, I hope to share some ideas and practical tips for using Wikidata Sparql queries to better understand the fates of Jewish art collectors and their collections, both collectively and individually. 


I hope that Holocaust scholars, art historians, provenance researchers, families and their advocates will find some of this useful, and that Sparql mavens will engage with the queries to improve them for the benefit of all.





(My apologies in advance to people who actually know how to write Sparql queries, and my thanks in advance for improving upon these amateurish efforts.)

_____

Sparql Query for above image



#With pictures

#art collectors, art dealers, art historians, curators, museum directors, restorers, galleries...
#died in Auschwitz-Birkenau Q7341
#died in Theresienstadt Q160175

SELECT ?item ?itemLabel ?pic ?datedied ?placediedLabel ?placedied ?birth ?place_birth ?VIAF_ID ?GND_ID ?Library_of_Congress_authority_ID ?ULAN_ID ?child ?childLabel ?ownedby ?ownedbyLabel ?depicts ?depictsLabel ?depictedby ?depictedbyLabel ?countryLabel ?ownerof ?ownerofLabel ?spouse ?employer ?employerLabel ?spouseLabel ?mother ?motherLabel ?father ?fatherLabel ?sibling ?siblingLabel ?sigperson ?sigpersonLabel ?party ?partyLabel ?partner ?partnerLabel WHERE {
{ ?item wdt:P106 wd:Q1792450.} UNION { ?item wdt:P31 wd:Q1007870. } UNION { ?item wdt:P106 wd:Q173950.} UNION { ?item wdt:P921 wd:Q328376.} UNION { ?item wdt:P106 wd:Q10732476.} UNION { ?item wdt:P106 wd:Q446966.} UNION { ?item wdt:P106 wd:Q22132694.} UNION { ?item wdt:P106 wd:Q674426.}


SERVICE wikibase:label { bd:serviceParam wikibase:language "en" }
{?item wdt:P20 wd:Q7341.} UNION {?item wdt:P20 wd:Q160175.}
  ?item wdt:P18 ?pic.
OPTIONAL { ?item wdt:P127 ?ownedby. }
OPTIONAL { ?item wdt:P570 ?datedied. }
OPTIONAL { ?item wdt:P20 ?placedied. }
OPTIONAL { ?item wdt:P180 ?depicts. }
OPTIONAL { ?item wdt:P921 ?plunder. }
OPTIONAL { ?item wdt:P1830 ?ownerof. }
OPTIONAL { ?item wdt:P108 ?employer. }
OPTIONAL { ?item wdt:P569 ?birth. }
OPTIONAL { ?item wdt:P40 ?child. }
OPTIONAL { ?item wdt:P214 ?VIAF_ID. }
OPTIONAL { ?item wdt:P19 ?place_birth. }
OPTIONAL { ?item wdt:P244 ?Library_of_Congress_authority_ID. }
OPTIONAL { ?item wdt:P227 ?GND_ID. }
OPTIONAL { ?item wdt:P245 ?ULAN_ID. }
OPTIONAL { ?item wdt:P26 ?spouse. }
OPTIONAL { ?item wdt:P27 ?country. }
OPTIONAL { ?item wdt:P3342 ?sigperson. }
OPTIONAL { ?item wdt:P102 ?party. }
OPTIONAL { ?item wdt:P1327 ?partner. }
OPTIONAL { ?item wdt:P25 ?mother. }
OPTIONAL { ?item wdt:P22 ?father. }
OPTIONAL { ?item wdt:P3373 ?sibling. }
OPTIONAL { ?item wdt:P1299 ?depictedby. }
OPTIONAL { ?item wdt:P39 ?position. }
FILTER (YEAR(?datedied) >= 1933 )
}
LIMIT 20000


_____


Link to Sparql Query

https://query.wikidata.org/#%23With%20pictures%0A%0A%23died%20in%20Auschwitz-Birkenau%20Q7341%0A%23died%20in%20Theresienstadt%20Q160175%0A%0ASELECT%20%3Fitem%20%3FitemLabel%20%3Fpic%20%3Fdatedied%20%3FplacediedLabel%20%3Fplacedied%20%3Fbirth%20%3Fplace_birth%20%3FVIAF_ID%20%3FGND_ID%20%3FLibrary_of_Congress_authority_ID%20%3FULAN_ID%20%3Fchild%20%3FchildLabel%20%3Fownedby%20%3FownedbyLabel%20%3Fdepicts%20%3FdepictsLabel%20%3Fdepictedby%20%3FdepictedbyLabel%20%3FcountryLabel%20%3Fownerof%20%3FownerofLabel%20%3Fspouse%20%3Femployer%20%3FemployerLabel%20%3FspouseLabel%20%3Fmother%20%3FmotherLabel%20%3Ffather%20%3FfatherLabel%20%3Fsibling%20%3FsiblingLabel%20%3Fsigperson%20%3FsigpersonLabel%20%3Fparty%20%3FpartyLabel%20%3Fpartner%20%3FpartnerLabel%20WHERE%20%7B%0A%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ1792450.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP31%20wd%3AQ1007870.%20%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ173950.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP921%20wd%3AQ328376.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ10732476.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ446966.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ22132694.%7D%20UNION%20%7B%20%3Fitem%20wdt%3AP106%20wd%3AQ674426.%7D%0A%0A%0ASERVICE%20wikibase%3Alabel%20%7B%20bd%3AserviceParam%20wikibase%3Alanguage%20%22en%22%20%7D%0A%7B%3Fitem%20wdt%3AP20%20wd%3AQ7341.%7D%20UNION%20%7B%3Fitem%20wdt%3AP20%20wd%3AQ160175.%7D%0A%20%20%3Fitem%20wdt%3AP18%20%3Fpic.%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP127%20%3Fownedby.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP570%20%3Fdatedied.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP20%20%3Fplacedied.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP180%20%3Fdepicts.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP921%20%3Fplunder.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1830%20%3Fownerof.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP108%20%3Femployer.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP569%20%3Fbirth.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP40%20%3Fchild.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP214%20%3FVIAF_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP19%20%3Fplace_birth.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP244%20%3FLibrary_of_Congress_authority_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP227%20%3FGND_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP245%20%3FULAN_ID.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP26%20%3Fspouse.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP27%20%3Fcountry.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP3342%20%3Fsigperson.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP102%20%3Fparty.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1327%20%3Fpartner.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP25%20%3Fmother.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP22%20%3Ffather.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP3373%20%3Fsibling.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP1299%20%3Fdepictedby.%20%7D%0AOPTIONAL%20%7B%20%3Fitem%20wdt%3AP39%20%3Fposition.%20%7D%0AFILTER%20%28YEAR%28%3Fdatedied%29%20%3E%3D%201933%20%29%0A%7D%0ALIMIT%2020000



Permalink to this post: https://www.openartdata.org/2020/04/visualising-nazi-extermination-Jewish-art-collectors.html

Next Posts in this series:

Tracing Jewish Art Collectors and other #LostArtPeople by Place of Death

https://www.openartdata.org/2020/04/art-collectors-Holocaust-victims.html


How information about Jewish art  collectors who died in the Holocaust goes missing in the semantic web of linked data.

https://www.openartdata.org/2020/05/holocaust-Jewish-art-collectors-semantic-web.html



Open Art Data



Feb 10, 2020

Art Dealers: Vitale Bloch

Woman Tuning a Lute

 Private Collection, Lombardy, Italy. By 1959, Vitale Bloch (b. 1900 - d. 1975), The Hague and Paris; 1969, sold by Bloch to the MFA. 

What does it mean to find the name Vitale Bloch associated with a Holocaust-era provenance? Whether as an art dealer or as an art historian? Block was an art expert who wrote numerous books and essays.


In an article in 1971 honoring him as an historian and a collector, the French newspaper  Le Monde described Vitale Bloch as "Critique et conseiller artistique, indispensable aux grandes institutions, dont il a souvent facilité des acquisitions".

However, back in 1946, the Art Looting Investigation Unit described Bloch in less flattering terms, mentioning him in connection with Nazi art looting in several reports, including in the Red Flag Name List of the Final Report:


https://www.fold3.com/image/273355691


Bloch, Dr Vitalo. The Hague, Sweelinkstraat 61. Art historian of Polish or Russian Jewish origin, who acted as purchasing agent and adviser to Muehlmann, Goepel and others for protection against the anti-Semitic laws. Intimate friend of Friedlander. Close contact of Hofer and Lohse. After Friedlander, most important figure in Dutch collaborationist art circles.  
See CIR #2, #4, DIR #9, #11.

Frank, Myrtel. The Hague, Hilversum, Frans Halslaan 18. German Jewish refugee and active middleman in the collaborationist art market. Important unofficial agent of the Dienststelle Muehlmann. Contact of Jageneau, Vermeulen, Herbst, Weinmueller, Bloch, etc.

Schretelen, M F. Amsterdam, Heerengracht 390 Laaren, Diepenbrockla. Small dealer. In contact with Hofer through Vitalo Bloch.

Friedlaender, Prof Max J. The Hague, Oostduinlaan 68. Internationally known German art historian and authority on Flemish painting. Fled to Holland in 1939 because of Jewish persecutions, and through Goering’s intervention was able to take all his household effects, library etc. In 1940 imprisoned for a short time at Osnabruck; freed through intervention of Hofer. Became centre of Dutch collaborationist art circles, and in spite of being a refugee was well treated by the Germans. In close contact with Hofer, Lohse and Muehlmann. His chief assistant and friend was Vitalo Bloch. Also in close contact with Paech and Lutjens.

Goepel, Dr Erhard. Leipzig, Stieghtstrasse 76. Official Linz agent and buyer in Holland under Posse and Voss. Bought extensively in Holland and also travelled frequently in Belgium and France. Negotiated the forced sale of the Schloss Collection in Paris. Chief contacts: Vitale Bloch (Holland), Wuester, Wandl and Holzapfel (Paris).

source: OSS (USS Office of Strategic Services) Art Looting Intelligence Unit (ALIU) Reports 1945-1946 and ALIU Red Flag Names List and Index https://www.lootedart.com/MVI3RM469661



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The RKD lists several Dutch artworks that mention Vitale Bloch in the provenance

Data IdArtist TitleProvenance
21642Jacob Sibrandi Mancadan, Zuidelijk landschap met figuren bij een ruïne, The Hague, Koninklijk KabinetZuidelijk landschap met figuren bij een ruïneCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;- 1951;Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, inv./cat.nr 887;1951 -
14288François Ryckhals, Slapende jongen in een stal, 1640 gedateerd The Hague, Koninklijk KabinetSlapende jongen in een stalCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;- 1957;Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, inv./cat.nr 929;1957 -
3504DirckTulp in een Ghendi vaasCollection(s);private collection marquis du Blaisel, Paris;- 1872-05-17;private collection Adolphe Schloss, Paris;- 1940 stolen from the collection during World War 2;Special status;gestolen 1940;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;- 1976;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2887;bequest Vitale Bloch;1976 - 1998 returned to the Schloss heirs 1998;private collection erven Adolphe Schloss, Paris;1998 - 2000-12 sold December 2000;Auction(s);veilinghuis onbekend, Brussel, J.B. van de Branden, 1801-04-13, lotnr. 117;probably this painting;Christie's, Londen (Engeland), Marquis du Blaisel, 1872-05-17, lotnr. 117;Hôtel George V (Paris) 2000-12-20, afb. kleurenreproductie, lotnr. 25;Contributor heirs A. Schloss
3696Nicolaes Berchem, Zuidelijk landschap met herders, schapen en koeien, Christie's (New York City) 2014-06-04, nr. 4Zuidelijk landschap met herders, schapen en koeienCollection(s);private collection Hans Ludwig Larsen, Wassenaar;in bruikleen aan de Lakenhal, Leiden in 1939;- 1940-05 geconfisqueerd door de Nazi's, mei 1940;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag, gekocht samen met kunsthandel Gustav Cramer Alte Kunst;1943-01-25 - 1943-02-24 gekocht op veiling Den Haag, 1943-01-25, verkocht aan Erhard Göpel ten behoeve van de Sonderauftrag, 1943-02-24;art dealer Erhard Göpel, The Hague;1943-02-24 -;Führermuseum, Linz (Austria), inv./cat.nr 2779;1943 -;depot Bergwerk Altaussee, Altaussee, inv./cat.nr 3541;- 1945-07-19;depot Central Collecting Point, Munich, inv./cat.nr 4892;1945-07-19 - 1946-06-18;Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr NK 1447;1946-16-18 -;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 1447;Dienst Verspreide Rijkscollecties, The Hague, inv./cat.nr NK 1447;Rijksdienst Beeldende Kunst, The Hague, inv./cat.nr NK 1447;Museum Boijmans Van Beuningen, Rotterdam;in bruikleen van Rijksdienst Beeldende Kunst, Den Haag;Instituut Collectie Nederland, Amsterdam, inv./cat.nr NK 1447;Rijksdienst voor het Cultureel Erfgoed, Amersfoort/Rijswijk, inv./cat.nr NK 1447;- 2014 gerestitueerd aan de erven Hans Ludwig Larsen;Auction(s);Marle & Bignell, van (The Hague) 1943-01-25, afb. zwart-witreproductie, lotnr. 5;Christie's (New York City) 2014-06-04, afb. kleurenreproductie, lotnr. 4;Contributor ervern Hans Ludwig Larsen;Name buyer: onbekend, 112500 USD;opbrengstenlijst Christie's, met opgave van herkomst en literatuur
3447Abraham HondiusVerkondiging aan de herdersCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1943 -;Führermuseum, Linz (Austria);mogelijk in deze collectie;- 1945;Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr NK 2401;1946 -;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 2401;Het Schielandshuis, Rotterdam;in bruikleen van Instituut Collectie Nederland, Amsterdam, NK 2401;Auction(s);Van Marle en Bignell, Den Haag, 1943-04-19 - 1943/04/19, lotnr. 35;Contributor;Drossaert van Dusseldorp;6000
752Cornelis Cornelisz.Het toilet van Batseba (2 Samuel 11:2)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;- 1955;Rijksmuseum, Amsterdam, inv./cat.nr SK A 3892;1955 -
1207naar Cornelis Cornelisz.Mars en Venus als minnaarsCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Parijs;1954 -
6065JacobBergachtig landschapCollection(s);art dealer Lambertus de Vries, Berlin;volgens opgave in tentoonstellingscat. Masters of Middelburg;private collection Cornelis Hofstede de Groot, The Hague;- 1931-06-09 Grasman 2011;private collection Jos. H. Gosschalk, Wassenaar, The Hague;1931-06-09 - Grasman 2011;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1942 - 1978 c. 1942-1943 (Grasman 2011);Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2888;bequest Vitale Bloch;1978 -;Auction(s);Venduhuis der Notarissen (The Hague) 1931-06-09 - 1931-06-11, afb. niet afgebeeld, lotnr. 244
7582Johannes Bosschaert, StilleStilleven met bloemen en een Chinese schotel met fruitCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;depot Central Collecting Point, Munich, inv./cat.nr 3742;1947;Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr 2666;1947 - 1948;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 2856;1948 - 1975;Dienst Verspreide Rijkscollecties, The Hague, inv./cat.nr NK 2856;1975 - 1985;Rijksdienst Beeldende Kunst, The Hague, inv./cat.nr NK 2856;1985 - 1997;Instituut Collectie Nederland, Amsterdam, inv./cat.nr Nk 2856;1997 -;Dordrechts Museum, Dordrecht, inv./cat.nr DM/960/82;1960 - in bruikleen van Instituut Collectie Nederland, Amsterdam, NK 2856
7583Adriaen Coorte, DruiDruiventrosCollection(s);Private collection;Rotterdam, volgens Hans G. Kramer destijds in bezit van een directeur van het Rotterdamse bedrijf Internatio (Kramer 1999, p. 4);1930-39 - 1945 tijdens vakantie in jaren dertig verworven in Marienbad (Tsjechië);art dealer G. Cramer, The Hague;1945 - 1954 1954 gekocht, net na eind Tweede Wereldoorlog, voor fl. 500,-, vóór 1954 verkocht voor fl 700, aan Vitale Bloch, volgens Kramer 1999;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag/Parijs, Kramer 1999 geeft een afwijkende herkomstgeschiedenis, volgens hem werd het werk door Bloch gekocht in zijn hoedanigheid als handelaar en droeg hij het uiteindelijk over aan Louis van Wachem. Vervolgens zou Bloch het bewuste werk in 1962 weer teruggekocht hebben toen het ter veiling kwam in Londen. Buvelot geeft echter als koper 'Kaufmann' en daarna kunsthandel Walter Feichenfeldt Gallery, Zürich. Ook de tentoonstelling Dordrecht 1954 geeft als eigenaar Vitale Bloch. Desondanks valt niet uit te sluiten dat het werk vóór 1954 kort in het bezit is geweest van Louis van Wachem;- 1962 geveild;art dealer Walter Feilchenfeldt, Zurich;1963 - 1964 gesignaleerd 1963, verkocht 1964;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr St. 118;1964 - verworven;Auction(s);Frederik Muller & Co., Amsterdam, verzameling (C.) H(oogendijk), 1908-04-28 - 1908-04-29, lotnr. 182;Sotheby's, Londen (Engeland), 1962-11-28, lotnr. 119;Contributor;Vitale? Bloch;Name buyer: Kaufmann, 1150;Buvelot 2008, nr. 61
4050SamuelZelf-portret met Vanitas-stillevenCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Berlijn;art dealer Parsens, London;1929 -;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 1386;de heer en mevr. Dr. A.F. Philips-de Jongh;1935 -
2654Karel Dujardin, Een paard en twee koeien in een berglandschap, The Hague, Koninklijk KabinetEen paard en twee koeien in een berglandschapCollection(s);private collection Aert Schouman, Dordrecht/The Hague;1753;private collection Jan Bisschop, Rotterdam;1753 - 1771;private collection John Hope, Amsterdam/DenHaag;In de familie in Engeland gebleven tot de volgende;1771 -;private collection Lord Francis Pelham-Clinton Hope, London;cat. 1898 nr. 19 met afb.;1898;art dealer or private collection Asher Wertheimer, London (England);1898 - gesignaleerd;private collection Peter Arrell Brown Widener, Lynnewood Hall (Elkins Park, Philadelphia);private collection J.E. Widener, Philadelphia (Pennsylvania);catalogus 1913 nr 24;M. Knoedler & Co., New York City (United States)/London (England)/Paris (France);1940 - voor 1940;private collection G.L.M. van Es, Dordrecht;- 1942/09/22;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1942/09/22 -;Führermuseum, Linz (Austria);- 1945;Rijksdienst Beeldende Kunst, The Hague, inv./cat.nr NK 2933;Diverse keren in bruikleen gegeven, o.a. aan het Stedelijk van Abbe Museum in Eindhoven;1946 -;Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague;Auction(s);Frederik Muller & Co., Amsterdam, Vlg. Jhr. Six van Vromade (ged. P.A.B. Widener), 1923-07-10 - 1923/07/10, lotnr. 108;A. Mak, Dordrecht, Collectie G.L.M. van Es, 1942/09/22;Name buyer: Vitale Bloch, 12000
2160Adriaan de Lelie, Lezende oudeLezende oude vrouwCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;private collection Dirk Hannema, Netherlands;Hannema-de Stuers Fundatie, Kasteel Het Nijenhuis (Raalte);Museum De Fundatie, Zwolle/Heino
2161Adriaan de Lelie, BriefschrijBriefschrijvende jongemanCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;private collection Dirk Hannema, Netherlands;Hannema-de Stuers Fundatie, Kasteel Het Nijenhuis (Raalte);Museum De Fundatie, Zwolle/Heino
38494atelierPortret van Franz von TaxisCollection(s);private collection Tietje, Amsterdam;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'Tietje / Amst.[erdam] / II.41';1941 - door M.J. Friedländer gesignaleerd: 1941-02;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: ' XII.42/ f.[ür] 30000 fl. Hamburg, / Mus.[eum] angeb.[oten] / d.[urch] Bloch.;1942 - door M.J. Friedländer gesignaleerd: 1942-12;Thurn und Taxis, Regensburg
43561Herri met de Bles, De wonderbare spijziging derDe wonderbare spijziging der vijfduizendCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto: 'Bloch / VII / 39';1939 - door M.J. Friedländer gesignaleerd: 1939-07;art dealer Arthur De Heuvel, Brussels;- 1966;Musée des Arts anciens du Namurois, Namen, inv./cat.nr 161;1966 -
40704Cornelis Cornelisz.De rust op de vlucht naar Egypte (Mattheus 2:13-23)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Parijs;art dealer S. Nijstad, Lochem/The Hague;1959 - 1963;Galerie Kurt Meissner, Zurich;1963 - 1967;art dealer Richard L. Feigen & Co., New York City/Chicago;1967 -;Private collection;Auction(s);Sotheby's (London (England)) 2005-04-19, afb. kleurenreproductie, lotnr. 137, met herkomst;im Kinsky (Vienna) 2012-06-19 - 2012-06-21, afb. kleurenreproductie, lotnr. 4, met opgave van herkomst;im Kinsky (Vienna) 2012-11-13 - 2012-11-15, afb. kleurenreproductie, lotnr. 42, met opgave van herkomst
38974Dirk Jacobs Ploegsma, Twee dammende mannen aan een tafel met achter hen een toeschouwer met een piip in zijn hand, 1790 gedateerd Leeuwarden, Fries MuseumTwee dammende mannen aan een tafel met achter hen een toeschouwer met een piip in zijn handCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1945 -;Fries Museum, Leeuwarden
41354JoosHet Christuskind, staande op een gevleugelde wereldbolCollection(s);art dealer Hans Wendland, Berlin/Paris/Lugano/Rome;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief van M.J. Friedländer: 'Dijon (Wendland / VI·1927) / Th. Fischer;1927 - door M.J. Friedländer gesignaleerd: 1927-06;Galerie Fischer, Luzern;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief van M.J. Friedländer: 'Dijon (Wendland / VI·1927) / Th. Fischer;art dealer Julius Böhler, Munich;volgens aantekening op opzetkarton RKD: 'aug. 1927 door H[ofstede] d[e] G[root] voor J. Boehler beoordeeld;1927-08 -;private collection James Simon, Berlin;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief van M.J. Friedländer: 'James Simon / 1928';1928 - 1932-11-29 door M.J. Friedländer gesignaleerd: 1928, 1932 geveild;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens aantekening op opzetkarton RKD, volgens annotatie in exemplaar veilingcat. Den Haag (Van Marle & Bignell), 1941-07-01 (zie bij veiling) was het schilderij in 1954 bij Vitale Bloch, Den Haag;1951 - 1954 gesignaleerd;private collection Heinrich Becker, Dortmund;1958 - 1967 1958 gesignaleerd (notities op opzetkartons RKD), 1967 gesignaleerd (vermeld in cat. Dortmund 1967, zie bij literatuur);art dealer H.M. Cramer, The Hague;1974 - gesignaleerd (vermeld in cat. 1974);private collection Hans Heinrich baron Thyssen-Bornemisza, Lugano/Castagnola (Tessin);1975 -;Museo Thyssen-Bornemisza, Madrid (Spain), inv./cat.nr 1975-6;1993 -;Auction(s);Rudolph Lepke, Berlin, Nachlass Dr. James Simon, Berlin, 1932-11-29, lotnr. 52, afb. zwart-witreproductie;6000;geannoteerd exemplaar veilingcatalogus op het RKD;Van Marle en Bignell, Den Haag, 1941-07-01, lotnr. 2, afb. zwart-witreproductie;Name buyer: Bignell voor H.Posse, 24000;geannoteerd exemplaar veilingcatalogus op het RKD, volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief van M.J. Friedländer: 'I. VII. 41 Aukt / Haag /vM.u.B. / angebl. Posse f. ca / 24000 fl. er[w? moeilijk leesbaar];Christie's, Londen (Engeland), 1950-12-15, lotnr. 125, afb. zonder afbeelding
28222Adriaen Isenbrant, De twaalfjarige Christus en de schriftgeleerden in de tempel (Lucas 2:46-47), Rotterdam, Museum BoijmansDe twaalfjarige Christus en de schriftgeleerden in de tempel (Lucas 2:46-47)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'Bloch / a. Rom / VIII.50', idem (?) op achterzijde andere foto: 'Bloch / Ysenbr[ant] / VI.48';1948 - 1950 door M.J. Friedländer gesignaleerd: 1948-06 en 1950-08;private collection Daniël George van Beuningen, Rotterdam/Vierhouten (Nunspeet);plaats: Rotterdam, Vierhouten;- 1958;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2453;1958 -
27810Anoniem Zuidelijke Nederlanden (historische regio) eind 15de eeuw omgeDe geboorte van MariaCollection(s);private collection Sir Thomas Sebright, Beechwood Park (Flamstead);private collection Sir Giles Sebright, Beechwood Park (Flamstead);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'vidi... / XII.35 / bei Bloch' en 'Bloch / 1936';1935-12 - gezien door M.J. Friedländer;private collection Daniël George van Beuningen, Rotterdam/Vierhouten (Nunspeet);volgens eigenhandige notitie M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'V. Beuningen;1938 - 1958;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2479;1958 - 1960-12-17;Special status;gestolen 1960-12-17;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2479;2018-04 - returned to the museum after a tip by a private collector who saw the painting in the sale catalogue Bonn (Plückbaum), 2017-10-06/07;Auction(s);Plückbaum Auktionshaus (Bonn) 2017-10-06 - 2017-10-07, afb. kleurenreproductie, lotnr. 1470, as 'Flämischer Meister, tätig frühes 16. Jh.
28691Joos de Momper (II), Rotslandschap met figuren bij een grot, Maastricht, Bonnefantenmuseum, inRotslandschap met figuren bij een grotCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1933 - na mei 1933 (zie bij veiling);Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr NK 2070;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 2070;Bonnefantenmuseum, Maastricht, inv./cat.nr 625;in bruikleen van Instituut Collectie Nederland, Amsterdam, NK 2070;Auction(s);Mak, Dordrecht, vlg. Van Heumen (Tiel), 1933-05-16, lotnr. 32, afb. zwart-witreproductie
28704Anoniem Zuidelijke Nederlanden (historische regio) ca. 1590-1610 mogelijk TobiasLandschap met Mozes en het brandende braambosCollection(s);art dealer Dorus Hermsen, The Hague;als G. van Coninxloo;1935 - ca. 1935;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1940 -;Führermuseum, Linz (Austria);1940 - 1945 ca. 1940-1945, tijdens WO II;depot Central Collecting Point, Munich;1945 - ca. 1945;Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr NK 3052;1946 - ca. 1946;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 3052;1949 -;Instituut Collectie Nederland, Amsterdam, inv./cat.nr NK 3052;als Tobias Verhaecht;1997 -
28012naar MonogrammistEcce HomoCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Londen;private collection Dirk Hannema, Netherlands;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Hannema / 1940';1940 - door M.J. Friedländer gesignaleerd;private collection Johan Willem Frederiks, The Hague;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'J. W. Frederiks / Haag. 45 / Nr. 22';1945 - 1994 gesignaleerd (bruikleen aan Den Haag 1945, zie bij tentoonstelling), 1994 geschonken aan Museum Boijmans-van Beuningen, Rotterdam;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr S 35;schenking J.W. Frederiks;1968 - in bruikleen van J.W. Frederiks sinds 1968, geschonken 1994
25493Godefridus Schalcken, Jonge tekenaar aan een tafel, The Hague, Schilderijengalerij Prins WillemJonge tekenaar aan een tafelCollection(s);private collection Jos. H. Gosschalk, Wassenaar, The Hague;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1941 -;Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr NK 2935;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 2935;1949 -;Schilderijengalerij Prins Willem V, The Hague;in bruikleen van Instituut Collectie Nederland, Amsterdam, Nk 2935
25388Anoniem Noordelijke Nederlanden (historische regio) ca. 1660, Chariclea, ca. 1660 Amsterdam, Rijksmuseum, inCharicleaCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague;- 1960;Rijksmuseum, Amsterdam, inv./cat.nr SK-A-4017;1960 -
26933JorisStilleven met fruit in een rieten mandCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;private collection Rinckhuizen, The Hague;Stichting Nederlands Kunstbezit, Netherlands, inv./cat.nr NK 1676;1946 - ca. 1946;Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, inv./cat.nr NK 1676;1949 -;Instituut Collectie Nederland, Amsterdam, inv./cat.nr NK 1676
26138Michael Sweerts, Slapende oude man met jongeSlapende oude man met jonge vrouwCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Parijs;1955 - 1978;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2889;legaat V. Bloch;1978 -
26145Michael Sweerts, Reizigers met man die zichReizigers met man die zich van vlooien ontdoetCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;- 1951;Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, inv./cat.nr 886;1951 -
17423PieterStilleven met rookgerei, kan en glas bierCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1940 -;private collection C. Norris, Polesden Lacey (Dorking);- 1951 ca. 1951;art dealer Duits & Co., Dordrecht/Amsterdam/London;1951 - 1955;private collection Sidney James van den Bergh, Wassenaar;1955 - 1972;Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, inv./cat.nr 1045;1972 -;Auction(s);Christie's, Londen (Engeland), 1939-07-21, lotnr. 35
49868toegeschrePortret van een geestelijke (twijfelachtig geïdentificeerd als Jean Carondelet)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'durch Bloch / VIII. 48';1948 - door M.J. Friedländer gesignaleerd: 1948-08;The Barber Institute of Fine Arts, Birmingham (Great Britain), inv./cat.nr 43.5
46112Adriaen Isenbrant of atelierTronende Maria met stichtersfamilieCollection(s);private collection Sir Thomas Baring (1st Earl of Northbrook), London/East Hampshire;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Northbrook;1899 - 1902 gesignaleerd op tent. Londen 1899-1900 en Brugge 1902;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer:'V. Bloch VI.30', idem op achterzijde andere foto in hetzelfde archief: '[?] Bloch, Berlin / III.30';1930 - door M.J. Friedländer gesignaleerd: 1930-03 en 1930-07;Galerie Van Diemen & Co, Berlin/The Hague/Amsterdam/New York City;volgens opgave in Friedländer 1967-1976, dl. XI, nr. 186
53012toegeschreMaria met kindCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'V. Bloch / II. 1929';1929 - door M.J. Friedländer gesignaleerd: 1929-02;art dealer D.A. Hoogendijk & Co., Amsterdam;volgens notitie opzetkarton foto RKD;1933 - gesignaleerd;private collection L. Stroink, Enschede;volgens notitie op opzetkarton foto RKD;1935 - gesignaleerd;Auction(s);Mak van Waay, Amsterdam, 1970-04-07, lotnr. 24, afb. kleurenreproductie;als Marcellus Coffermans, met echtheidsverklaring van M.J. Friedländer d.d. 1929
121099Jacob HoefnagelVanitas (stilleven met schedel, vruchten, bloemen en insecten)Collection(s);private collection Antoon van Welie, The Hague;- 1936-04-07 geveild op bovenstaande datum;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1941 - 1955 volgens gegevens archief Sam Segal aanwezig 1941, tentoongesteld 1955;private collection Maida and George S. Abrams, Boston (Massachusetts);1983-09-11 - gesignaleerd september 1983;Le Claire Kunst, Hamburg;geadverteerd in Apollo, november 2003, afb. in kleur;2003-11 - gesignaleerd november 2003;Auction(s);Mak van Waay, Amsterdam, 1936-04-07, lotnr. 45, afb. zonder afbeelding;Contributor;Antoon van Welie;samen met ander werk, een paar (2x);Sotheby's, Londen (Engeland), 1974-06-27, lotnr. 84, afb. zwart-witreproductie
285436Johann Wilhelm Baur, De zelfmoordDe zelfmoord van Thisbe bij het lichaam van PyramusCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Führermuseum, Linz (Austria);Roethlisberger 1986 mentions the present drawing as in Linz.;Staatliche Kunstsammlungen Dresden - Kupferstich-Kabinett, Dresden, inv./cat.nr 1944-17;1944 -
253139François BonDrie kinderenCollection(s);art dealer Durand-Ruel et Cie, Paris;private collection J.E. Verschuyl, Bloemendaal;(Weyland 1994);art dealer E.J. van Wisselingh & Co., Amsterdam/London/Haarlem;private collection Jan Michiel Pieter Glerum, Amsterdam;art dealer Vitale Bloch, The Hague/Berlin/London/Paris
271661Michael Sweerts, Worstelwedstrijd met toeschouwers, ca. 1648 Karlsruhe, Staatliche Kunsthalle Karlsruhe, inWorstelwedstrijd met toeschouwersCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;- 1963;Staatliche Kunsthalle Karlsruhe, Karlsruhe, inv./cat.nr 2496;1963 -
262065CaesarJonge vrouw haar handen warmend boven een vuurtest: allegorie op de WinterCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Southampton City Art Gallery, Southampton (England), inv./cat.nr 188
262112mogelijk atelierDe verzoeking van de H. AntoniusCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;according to mount RKD;Barnes Foundation, Merion (Pennsylvania), inv./cat.nr BF962
106810Anoniem Zuidelijke Nederlanden (historische regio) ca. 1500, De boetDe boetvaardige H. Hieronymus in de wildernisCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1937 - door M.J. Friedländer gezien: 1937-01
198779Nicolaes Knüpfer, InterieurInterieur van een wijnkelder met een man die een roemer wijn bekijktCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1936 bougth in auction Londen 1936, sold in the same year to the Centraal Museum;Centraal Museum, Utrecht, inv./cat.nr 7862;1936 -;Auction(s);Christie, Manson & Woods (London (England)) 1936-02-10, afb. zwart-witreproductie, lotnr. 71;Name buyer: Vitale Bloch
198977A.C.De evangelist MarcusCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;RKD - Nederlands Institute for Art History (Collection Old Netherlandish Art), The Hague, inv./cat.nr RKD (BD/0277 - ONT/Originele tekeningen)
198979A.C.De evangelist JohannesCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;RKD - Nederlands Institute for Art History (Collection Old Netherlandish Art), The Hague, inv./cat.nr RKD (BD/0277 - ONT/Originele tekeningen)
198984A.C.De evangelist LucasCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;RKD - Nederlands Institute for Art History (Collection Old Netherlandish Art), The Hague, inv./cat.nr RKD (BD/0277 - ONT/Originele tekeningen)
198950Joachim de Beer naar GerbrandJuno, Jupiter en IoCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;RKD - Nederlands Institute for Art History (Collection Old Netherlandish Art), The Hague, inv./cat.nr RKD (BD/0277 - ONT/Originele tekeningen)
56479naChristus voor Pilatus, omgeven door voorstellingen uit de helCollection(s);private collection Henry Danby Seymour, London;volgens cat. Banbury 1950 en 1964 (zie bij literatuur) is het exemplaar in Upton House afkomstig uit de Seymour collectie;1854 - gesignaleerd (vermeld in Waagen 1854), volgens cat. Banbury 1964 werd het schilderij vererfd binnen de familie en werd het met de collectie van 'Miss Seymour' geveild bij Knight, Frank & Rutley (plaats onbekend) 1936-01-17, nr. 324, waar het door Langton Douglas verworven zou zijn (van genoemde veiling is geen catalogus bij het RKD);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Londen, volgens notitie op opzetkarton foto RKD;1936 - gesignaleerd;private collection Walter Samuel 2nd Viscount Bearsted, Upton House;zie bij kunstwerknummer 56464;1937 - volegens cat. Banbury 1964 rond 1937 verwoven;Upton House, Banbury (Warwickshire)
56499naDe H. Jozef (fragment van een Aanbidding van de Wijzen)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'Bloch / XII. 1935 / vidi or.[iginal] Paris;1935-12 - door M.J. Friedländer gezien: 1935-12;art dealer Gebr. Douwes, Amsterdam/London;zie bij kunstwerknummer 56500;1940 - gesignaleerd
56500naTwee herders (fragment van een Aanbidding van de Wijzen)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'Gegenst.[ück] XI.40 Douwes / Amst.[erdam] / vorher Dr. Bloch', volgens Friedländer 1967-1976 (zie bij bron): Londen;1936 - gesignaleerd (Friedländer 1967-1976, zie bij bron);art dealer Gebr. Douwes, Amsterdam/London;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'XI.40 Douwes / Amst.[erdam] / vorher Dr. Bloch;1940 - door M.J. Friedländer gesignaleerd: 1940-11
64008Jan ProDe aanbidding van de drie koningenCollection(s);private collection Westmacott, London;volgens eigenhandige notitie M.J. Friedländer op reproductie van drieluik in archief: 'Sedelmeyer / 1. Serie / 10 3/4 x 7 1/2 in[ch] / 10 3/4 x 3 in[ch] / New Gallery / 1899 / 1900 / Westmacott [?] / coll. London;1899 - door M.J. Friedländer gesignaleerd;art dealer Charles Sedelmeyer, Paris (France);volgens eigenhandige notitie M.J. Friedländer op reproductie van drieluik in archief: 'Sedelmeyer / 1. Serie / 10 3/4 x 7 1/2 in[ch] / 10 3/4 x 3 in[ch] / New Gallery / 1899 / 1900 / Westmacott [?] / coll. London;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1949 - gesignaleerd;art dealer Curt Benedict, Paris;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto in archief: 'Benedict / 12 Villa de / Saxe / p.7 / G. I.49 / guta' en 'verk[auft] nach / Zürich / V.49';1949-01 - door M.J. Friedländer gezien;Kunsthaus Zürich - Stiftung Prof. Dr. L. Ruzicka, Zurich;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto in archief: 'Benedict / 12 Villa de / Saxe / p.7 / G. I.49 / guta' en 'verk[auft] nach / Zürich / V.49';1949-05 - door M.J. Friedländer gesignaleerd
64010Jan ProH. Jacobus (linkerluik);H. Sebastiaan (rechterluik)Collection(s);private collection Westmacott, London;volgens eigenhandige notitie M.J. Friedländer op reproductie van drieluik in archief: 'Sedelmeyer / 1. Serie / 10 3/4 x 7 1/2 in[ch] / 10 3/4 x 3 in[ch] / New Gallery / 1899 / 1900 / Westmacott [?] / coll. London;1899 - door M.J. Friedländer gesignaleerd;art dealer Charles Sedelmeyer, Paris (France);volgens eigenhandige notitie M.J. Friedländer op reproductie van drieluik in archief: 'Sedelmeyer / 1. Serie / 10 3/4 x 7 1/2 in[ch] / 10 3/4 x 3 in[ch] / New Gallery / 1899 / 1900 / Westmacott [?] / coll. London;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1949 - gesignaleerd;art dealer Curt Benedict, Paris;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto van middenpaneel in archief: 'Benedict / 12 Villa de / Saxe / p.7 / G. I.49 / guta' en 'verk[auft] nach / Zürich / V.49';1949-01 - door M.J. Friedländer gezien;Kunsthaus Zürich - Stiftung Prof. Dr. L. Ruzicka, Zurich;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto van middenpaneel in archief: 'Benedict / 12 Villa de / Saxe / p.7 / G. I.49 / guta' en 'verk[auft] nach / Zürich / V.49';1949-05 - door M.J. Friedländer gesignaleerd
64011Jan ProH. Jacobus (linkerluik);De aanbidding van de koningen (middendeel);H. Sebastiaan (rechterluik)Collection(s);private collection Westmacott, London;volgens eigenhandige notitie M.J. Friedländer op reproductie in archief: 'Sedelmeyer / 1. Serie / 10 3/4 x 7 1/2 in[ch] / 10 3/4 x 3 in[ch] / New Gallery / 1899 / 1900 / Westmacott [?] / coll. London;1899 - door M.J. Friedländer gesignaleerd;art dealer Charles Sedelmeyer, Paris (France);volgens eigenhandige notitie M.J. Friedländer op reproductie in archief: 'Sedelmeyer / 1. Serie / 10 3/4 x 7 1/2 in[ch] / 10 3/4 x 3 in[ch] / New Gallery / 1899 / 1900 / Westmacott [?] / coll. London;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1949 - gesignaleerd;art dealer Curt Benedict, Paris;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto van middenpaneel in archief: 'Benedict / 12 Villa de / Saxe / p.7 / G. I.49 / guta' en 'verk[auft] nach / Zürich / V.49';1949-01 - door M.J. Friedländer gezien;Kunsthaus Zürich - Stiftung Prof. Dr. L. Ruzicka, Zurich;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto van middenpaneel in archief: 'Benedict / 12 Villa de / Saxe / p.7 / G. I.49 / guta' en 'verk[auft] nach / Zürich / V.49';1949-05 - door M.J. Friedländer gesignaleerd
194125Otto MarseusSlang en vlinders aan de voet van een boomCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Parijs/Den Haag;1954 - tentoongesteld 1954;art dealer S. Nijstad, Lochem/The Hague;1957 - 1959-12-11 tentoongesteld 1957, verkocht op 11 december 1959 aan Frits Lugt;Fondation Custodia, Paris, inv./cat.nr 7390;1959-12-11 - verworven op 11 december 1959 van S. Nystad
58581Monogrammist I.S., De doopDe doop van de kamerling (Handelingen 8:26-40)Collection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;1952 -;private collection Christianus Theodorus Franciscus Thurkow, The Hague;- 1970 in 1970 gestorven;private collection Louise Thurkow-van Huffel, The Hague;1970 - 1978;Museum Catharijneconvent, Utrecht, inv./cat.nr RMCC s120;1978 -
291671CornelisLandschap met ruïnes en figurenCollection(s);private collection Philippe II (Duc d'Orléans), Palais-Royal (Paris);described in Dubois de Saint-Gelais 1727;- 1723;private collection Louis Philippe II Joseph duc d' Orléans, Paris;by descent from his great grandfather Philippe II d'Orlaens;- 1792 sold to Thomas Moore Slade with the rest of the Dutch and Flemish paintimgs from the Orleans collection (schmid 2018);art dealer Thomas Moore Slade, London;1792 - 1793 according to Smith 2018 the present painting was in the Thomas Hammersley sale, Chrstie's London 1806-03-14, no. 41, and bought in;Private collection;The Netherlands;art dealer Alfred Brod Gallery, London;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;- 1976;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2886;gift by Vitale Bloch, 1976;1976 -;Auction(s);Zürcher, P.J. (The Hague) 1918-01-29, lotnr. 78;Muller, Frederik (Amsterdam) 1918-05-28, lotnr. 126;Muller, Frederik (Amsterdam) 1921-12-13 - 1921-12-16, lotnr. 4
293014toegeschreMeisje dat een jongen plaagtCollection(s);Lawrence B. Phillips, London;Wilkes, London;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Special status;1936;Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, inv./cat.nr 825;gift of Vitale Bloch;as: attributed to Bernard Keil;1936 -;Auction(s);Christie, Manson & Woods (London (England)) 1926-07-09, afb. niet afgebeeld, lotnr. 14;14.14 GBP, as: Bartolomé Esteban Murillo
56464naar Jheronimus Bosch, De aanbiddingDe aanbidding van de WijzenCollection(s);private collection Henry Danby Seymour, London;volgens cat. Upton House 1950 en 1964 (zie bij literatuur) is het exemplaar in Upton House afkomstig uit de Seymour collectie;1854 - gesignaleerd (vermeld in Waagen 1854), volgens cat. Upton House 1964 werd het schilderij vererfd binnen de familie en werd het met de collectie van 'Miss Seymour' geveild bij Knight, Frank & Rutley (plaats onbekend) 1936-01-17, nr. 324, waar het door Langton Douglas verworven zou zijn (van genoemde veiling is geen catalogus bij het RKD);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Londen, volgens notitie op opzetkarton RKD;1936 - gesignaleerd;private collection Walter Samuel 2nd Viscount Bearsted, Upton House;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in het foto-archief M.J. Friedländer: 'Viscount / Bearsted;1937 - volegens cat. Banbury 1964 omstreeks 1937 verworven;Upton House, Banbury (Warwickshire)
292679Mattia Preti, Bruiloft te Cana, c. 1655 London, National Gallery (London), inBruiloft te CanaCollection(s);private collection Gaspar Roomer, Napels;possibly the first owner (Spike 1999, p. 159);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1959 - 1966;National Gallery (London), London, inv./cat.nr 6377;1966 -
6850toegeschrePortret van Adriaan van der Goes (1581-1663)Collection(s);Kunsthandel P. de Boer, Amsterdam;1941 - In their summer exhibition catalogue of 1941;private collection jhr. Ruysenaer, The Hague;1941 - Inzender op de zomertent. 1941 P. de Boer;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;Den Haag;Dienst Verspreide Rijkscollecties, The Hague, inv./cat.nr NK 2521;Instituut Collectie Nederland, Amsterdam, inv./cat.nr NK 2521
280232AdriaenTrompe-l'oeil met een bloemstuk en een gordijnCollection(s);private collection Henric Bugge van Ring, Leiden;1658 - 1669 from 1658 on?;private collection George Leveson-Gower (3rd Duke of Sutherland), Scotland;1833 - 1837;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1949 -;The Art Institute of Chicago, Chicago (Illinois);1949 -
295949Giuseppe Maria Crespi, Jezus, Maria en Jozef in de werkplaats, ca. 1740 Rotterdam, Museum BoijmansJezus, Maria en Jozef in de werkplaatsCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;- 1976;Museum Boijmans Van Beuningen, Rotterdam, inv./cat.nr 2901;from the estate of Vitale Bloch;1976 -
48758Anoniem Zuidelijke Nederlanden (historische regio) 1535 gedateerd of naPortret van abt Johann IngenrayCollection(s);Galerie J. Stern, Düsseldorf;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Stern / Düsseldorf / III.1936';1936 - door M.J. Friedländer gesignaleerd: 1936-03;art dealer Otto Hirschmann, Amsterdam;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Ausst.[ellung] Amst[erdam] / 1936. / Hirschmann', stempel van Dr. O. Hirschmann op achterzijde van dezelfde foto: 'Dr. O. Hirschmann / Heerengracht 406 / Amsterdam, O.;1936 - bruikleen aan tent. Amsterdam 1936 (juni/augustus);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Bloch fragt / XII.38.;1938 - door M.J. Friedländer gesignaleerd: 1938-12;art dealer West Galleries, London;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'West Galleries / Londen (1939);1939 - door M.J. Friedländer gesignaleerd;Detroit Institute of Arts, Detroit (Michigan), inv./cat.nr 44.281;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Amerika / Mus.[eum] / (1940)
1744CornelisLandschap met de vlucht naar EgypteCollection(s);Private collection;Luton House, Mount Stuart;1883-1884 -;private collection Marquess of Bute, Mount Stuart House (estate Scotland);art dealer Curt Benedict, Paris;1938 -;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1939 - 1940;Centraal Museum, Utrecht, inv./cat.nr 8391;aquired by the museum, 1940;1940 -
64155Pieter Bruegel (I), De doodDe dood van MariaCommissioned by;If the work in question was commissioned, and this is known, then the patron is noted here.;Ortelius, Abraham;possibly;Collection(s);private collection Abraham Ortelius, Antwerp;private collection Peter Paul Rubens, Antwerp;1640 - Marijnissen 1988;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1929-10 - gesignaleerd;private collection Viscount Lee of Fareham, London/Richmond-upon-Thames;art dealer Robert Langton Douglas, London;1931 - gesignaleerd;private collection Walter Samuel 2nd Viscount Bearsted, Upton House;Upton House, Banbury (Warwickshire), inv./cat.nr NT148
296356Orazio Gentileschi en GioDe heilige Cecilia met een engelCollection(s);private collection Natale Rondinini (I), Rome;probably in his collection (De Grazia/Schleier 1994);- 1627 1627: year of decease of the owner;private collection Alessandro Rondinini (I), Rome;by descent from his father Natale Rondinini (I) (De Grazia/Schleier 1994);1627 - 1637;private collection Felice Zacchia Rondinini, Rome;widow of Alessandro Rondinini, listed in her 1662 inventory: "Un quadro Longo Palmi cinque, alto tre con una Santa Cecilia con le Teste di m[an]i del Gentileschi, il resto di Gio: Lanfranchi con cornice intagliata et indorata nella Galeria del S.r. Card.le" (transcriptiion De Grazia/Schleier 1994);1637 - 1667;private collection Alessandro Rondinini (II), Rome;by inheritance;- 1710 in his collection until at least 1710 (De Grazia/Schleier 1994);private collection Del Bufalo della Valle Cancellieri (family), Rome;by inheritance, probably through Felicita Rondinini, sister of Alessandro Rondinini, who married a Marchese Del Bufalo della Valle Cancellieri ((De Grazia/Schleier 1994);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;somewhere between c. 1944 and 1952;Samuel H. Kress, New York City;1952 - 1961;National Gallery of Art (Washington), Washington (D.C.), inv./cat.nr 1961.9.73;donated by the Samuel H. Kress Foundation;1961 -
52113atelierLandschap met de rust op de vlucht naar EgypteCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige aantekening M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Bloch / IV. 1929' en 'Bloch 1931';1929 - door M.J. Friedländer gesignaleerd: 1929-04 en 1931;Museum Smidt van Gelder, Antwerp, inv./cat.nr Sm. 960
67930Michael Sweerts, PortretPortret van een onbekende vrouwCollection(s);private collection M. Kalman, Paris;volgens aantekening op een foto in het Louvre;Galerie Braemer, The Hague;1955 - gesignaleerd;art dealer Hildegard Frascotti, Vienna;1966 - advertentie in Die Weltkunst 15-11-1966;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;- 1972-07;art dealer Galerie Kurt Meissner, Zürich;- 1990;Chaucer Fine Arts, London;1990 - In de verkooptent. 'Old Master Paintings and Selected Works by G.P. Pannini', oktober-december 1990 nr 8;Auction(s);Sotheby's, Londen (Engeland), 1990-04-11, lotnr. 42, afb. kleurenreproductie;Christie, Manson & Woods (London (England)) 1972-07-07, lotnr. 80;Name buyer: De Wilt/Witt (?)
40243TheodoorDe godin Pallas Athena met het paard PegasusCollection(s);Kunsthandel P. de Boer, Amsterdam;1943 - 1943-07-26;art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1943 - 1964-11-18;art dealer S. Nijstad, Lochem/The Hague;1969 - 1971-06-11;art dealer French & Company, New York City;1971-06-11 - 1971;private collection Dr. Walter S. Udin, Los Angeles (California);1971 - 1972;The J. Paul Getty Museum, Los Angeles/Malibu, inv./cat.nr 72.PA.25;gift Dr. Walter S. Udin;Auction(s);Marle & Bignell, van (The Hague) 1943-07-26, lotnr. 69;Contributor Kunsthandel P. de Boer;Name buyer: Vitale Bloch;Sotheby's (London (England)) 1964-11-18, lotnr. 70;Contributor Vitale Bloch;Name buyer: Sidler;Christie, Manson & Woods (London (England)) 1971-06-11, lotnr. 110;Contributor S. Nijstad;Name buyer: NY French & Co.;Sotheby's (Amsterdam) 2007-05-08, afb. kleurenreproductie, lotnr. 62, met opgave van herkomst, ten toonstelling en literatuur
32142toegeschreDe H. PaulusCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Dr. Bloch / V. 36';1936 - door M.J. Friedländer gesignaleerd: 1936-05;art dealer or private collection Sklary;volgens eigenhandige notitie M.J. Friedländer op achterzijde foto in foto-archief M.J. Friedländer: 'Sklary XI. 46';1946 - gesignaleerd door M.J. Friedländer: 1946-11
198981A.C.De evangelist MattheusCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;RKD - Nederlands Institute for Art History (Collection Old Netherlandish Art), The Hague, inv./cat.nr RKD (BD/0277 - ONT/Originele tekeningen)
217868Karel du Jardin, Een paard, een ezel en een koe in een landschap, ca. 1655 Sotheby's (Amsterdam) 2009-05-05, nr. 67Een paard, een ezel en een koe in een landschapCollection(s);art dealer Vitale Bloch, The Hague/Berlin/London/Paris;1954 - gesignaleerd;private collection Sidney James van den Bergh, Wassenaar;- 1979-03-30 geveild;Auction(s);Sotheby's, Londen (Engeland), 1951-11-28, * - 35;Christie, Manson & Woods (Amsterdam) 1975-10-28, afb. zwart-witreproductie, lotnr. 248;Christie, Manson & Woods (London (England)) 1979-03-30, lotnr. 115;Contributor S. van den Bergh;opbrengstenlijst Sotheby's, met opgave van herkomst en literatuur;Paleis voor Schone Kunsten (Brussels) 1989-11-07 - 1989-11-09, lotnr. 644;Sotheby's (Amsterdam) 2009-05-05, afb. kleurenreproductie, lotnr. 67;10250 EURO;opbrengstenlijst Sotheby's




Below are some online articles and references in French that Google *.fr returns for a search on Vitale Bloch.  




urlLanguageDescription in French
www.lemonde.fr › ArchivesEn l'honneur de Vitale Bloch historien et collectionneur- Translate this pageJan 6, 1971 - En l'honneur de Vitale Bloch historien et collectionneur ... de l'historien et collectionneur Vitale Bloch pour son soixante-dixième anniversaire.
www.lemonde.fr › ArchivesL'homme et sa peinture vus par Vitale Bloch - Le Monde- Translate this pageFeb 10, 1971 - Historien d'art et collectionneur, connaisseur de Georges de la Tour, Vermeer et de Le Nain, Vitale Bloch a bien connu Morandi. Il évoque ...
data.bnf.fr › vitale_blochVitale Bloch (1900-1975) - Data BNFTranslate this pageHistorien d'art, collectionneur et marchand de tableaux, né à BiaŁystok, installé à La Haye, mort à Paris. Autour de Vitale Bloch (1900-1975). Voir aussi. À la BnF ...
data.bnf.fr › bloch__vitale__1900-1975__--_collec...Bloch, Vitale (1900-1975) -- Collections d'art - Bnf DataTranslate this pageThème : Bloch, Vitale (1900-1975) -- Collections d'art. Origine : RAMEAU. Autre forme du thème : Museum Boymans-Van Beuningen (Rotterdam, Pays-Bas) ...
www.idref.fr › ...Bloch, Vitale (1900-1975) - IdRefTranslate this pageSep 29, 2015 - Bloch, Vitale (1900-1975). Exporter en XML · Exporter en RDF · Améliorer la notice · Signaler une erreur. Identifiant IdRef : 083994483.
www.amazon.fr › Livres-Vitale-Bloch › rh=n:3010...Vitale Bloch : Livres - Amazon.frTranslate this pageTutta la pittura di Vermeer di Delft. de (BLOCH Vitale) - | 31 décembre 1953 ... de F. Bloch, Vitale; Bonger-van Der Borch Van Verwolde | 1 janvier 1957. Broché.
www.amazon.fr › Rembrandt-today-lectures-Vitale-...Rembrandt today;: Two lectures - Vitale Bloch - Livres - Amazon.frTranslate this pageNoté 0.0/5. Retrouvez Rembrandt today;: Two lectures et des millions de livres en stock sur Amazon.fr. Achetez neuf ou d'occasion.
www.abebooks.fr › rechercher-livre › auteur › BL...BLOCH VITALE - AbeBooks- Translate this pageRembrandt today de BLOCH Vitale et d'autres livres, articles d'art et de collection similaires disponibles sur AbeBooks.fr.
www.centrepompidou.fr › ...La personne Vitale Bloch - Centre PompidouTranslate this page.
www.archivesdunord.fr › 899-vermeer-em-suivi-de...Vermeer - Bloch Vitale - archives du nordTranslate this pageVermeer suivi de L'éloge de Thoré-Bürger, Bloch, Vitale. Cet ouvrage a été édité à l'occasion du cent cinquantième anniversaire de la fondation du Cabinet ...
www.diplomatie.gouv.fr › archives_diplo › schloss › sommaire_angCollection Schloss - Archives et patrimoine [France-diplomatie].Nature morte by Dirck Van Delen, bequeathed by Vitale Bloch to the Boymans Van Beuningen museum in Rotterdam. Marie de Medicis by Rubens, bought by ..
www.diplomatie.gouv.fr › tableauxD › tableaux46Tableau de la collection SCHLOSSTranslate this pageLégué en 1975 par Vitale Bloch au Musée Boymans-Van Beuningen de Rotterdam. Restitué par voie diplomatique en mai 1999. Vente étude Tajan 2000, lot 20.
www.archivesdunord.fr › 900-le-choix-d-un-amate...Vermeer - Vitale Bloch collection - archives du nordTranslate this pageLe choix d'un amateur éclairé -oeuvres de la collection Vitale Bloch provenant du musée Boymans-van Beuningen, Ebbinge Wubben, J. C. et Nicolson, ...
biblio.fondationcustodia.fr › koha › opac-searchBloch - Bibliothèque Fondation Custodia- Translate this pageRembrandt today : two lectures / by Vitale BlochPublication : Paris : Arnold Blokh — Ghent : [Drukkerij Erasmus], 1979Description : 1 vol. (65 p.) : ill. ; 26 ...
www.le-livre.fr › ... › La peinture et les peintresMICHAEL SWEERTS - SUIVI DE SWEERTS ET LES ...Translate this pageApr 6, 2016 - Michael sweerts - suivi de sweerts et les missions etrangeres par jean guennou par Bloch vitale. L.J.C BOUCHER. 1968. In-4. Relié.
www.ebay.fr › ... › Livres anciens, de collectionVermeer suivi de l'éloge de Thoré-Burger Vitale Bloch 1966 ...Translate this pageLes meilleures offres pour Vermeer suivi de l'éloge de Thoré-Burger Vitale Bloch 1966 EO sont sur eBay ✓ Comparez les prix et les spécificités des produits ...

www.somogy.fr › livre › studiolo-n-11-2013Studiolo N° 11 – 2014 | - Somogy éditions d'ArtTranslate this pageEdward Grasman – An Indispensable Eye for Art: Vitale Bloch (1900-1975) Carole Halimi – Le tableau vivant : un « genre faux en soi » ? Diderot, Klossowski ...
www.lejournaldesarts.fr › patrimoine › gabriel-diss-...Gabriel Diss - 22 octobre 2004 - Le Journal des Arts - n° 201Translate this pageIssue de la collection Fischmann à Munich, elle a été identifiée par Vitale Bloch qui la publia dès 1930 dans la revue Formes. Pierre Landry, autre ...
www.sciencespo.fr › artsetsocietes › archives93 | Charles Sterling in His Element | Marie Tchernia-Blanchardby LB Dorléac - ‎Related articlesVitale Bloch, “Still Life at the Orangerie,” in The Burlington Magazine, 94 (1952): 208-209. ↩; Sterling, Foreword, Still Life Painting: From Antiquity to the ...
cartelfr.louvre.fr › cartelfr › visiteVue de plaine avec talus au premier plan - Site officiel du ...Translate this page... de Rubens et de son lyrisme naturaliste. Acquis à Paris auprès du marchand Vitale Bloch, 1939. Département des Peintures. R.F. 1939-25. Contacts | Crédits.
www.revuedesdeuxmondes.fr › uploads › 2016/11propos - Revue des Deux MondesPDFTranslate this pagerichir nos musées. Vitale Bloch avait écrit de beaux articles sur Vermeer et sur. Swerts, qui eut un destin de peintre voyageur à la Caravage et avait un peu de la ...


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